Reviews

Rewatch value at its least

HAHA so here i am writing a review after watching it in 2022 and rewatching 2 months ago. I would say, although everyone seems iffy about the ending, i loved it (because it made me cry and i love shows that make me cry).

Beware tho, i wouldnt recommend rewatching. Im sure youve watched this and though 'oh rewatch value is def high' well sorry to break it to you, but not so much. I watched this over a year after i first did. Although my eyes did get teary, no single tear dropped. I wish i could go back to when i first watched it because it got me SOBBINGG. What im trying ti say is, if your watching this for the first time, SAVOUR the moment lmfao

Leia Mais

The BEST LDK version and cutest love story you'll see.

This is the sweetest young love story you'll see. I also watched so many of these Japanese movies and this is truly up there with the best ones out of them.There's absolutely nothing new with the script. We have seen it thousands times: insecure cute girl falls for " the bad boy " at her school, a love triangle ensue , he begins to fall in love with who she's as a person. This has been done million of times but what makes this movie stand out and so much loved and the BEST LDK version ( sorry Kento), it's the chemistry of Mone, Sugino and Ryusei. Especially the chemistry between Mone and Sugino and the fact that they're still amazing friends till this day ( they're currently doing a TBS program... that's literally almost 5 years after the drama ended), have supported each other projects throughout the years.. just warm my heart. Beautiful love story and well acted. Give it a try. I have been a big fan of these 3 since this movie and loved how each of them are so successful today.

Leia Mais

Cute short series

We mustn’t compare this with a 16 hours long series, it’s just 2 hours long. I liked it, I think it’s cute. The story is simple.

I think the theme is important (in a country that’s just starting) to be open for LGBTQ+. The music and other media industry can play a big role in acceptance.

I never in my live heard about OnceOneOf (OOO) before. I like the main song, I have it on Spotify now.

I like the acting too, especially from Nine (JiHoon) and Mill (Eden). The characters suit them.

About the end: it’s a 15+ age series, for teens. It doesn’t need kissing. It gave us a promise. That’s enough for a series like this I think. It also has a good counter role in the new vibe of throwing in more and more nudity etc. in BL series.

Leia Mais

A perpetual coming of age

Honestly, I'm still not 100% sold on whether one can really call Ainu Mosir a coming-of-age film. It follows teen Kanto as they try to figure out their Ainu identity. Yet, I would argue, this has very little to do with the childhood-to-adult convention of usual coming-of-age stories. Or, perhaps, that the age distinction is simply irrelevant.

Kanto is far from the only one in the Ainu village community who is struggling with their identity. Debo, for an adult example, struggles in his own way with his Ainu identity, He expresses his uncertainty even as he tries to impress on Kanto the importance of being Ainu. Arguably, Debo too is undergoing a coming-of-age process.

What this film does well is sit in discomfort. I agree with JennyStuckOnThatRooftop's review in that I believe this film refrains from "judging". However, I don't think it's offering social commentary per se. It's more observational in its style and while there is certainly deliberate framing at play, I wouldn't go as far to say that's it editorialising. Instead, it allows for messy nuances and seeming contradictions to unravel on screen.

Sure, it's a quiet film as far as dialogue is concerned. But I found it noisy viewing: you can clearly hear the characters' thoughts among the rainfall or the crunch of snow. No one seems to really know their place in the world but they exist regardless.

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Filming standard à la Hollywood meets melodramatic narrative, emotionally firmly rooted in SK soil

“The Moon” could have easily been titled “The Dark Side of the Moon”. At least we as audience learn quite something about it... But it's actually about much more. The KMovie is delivering action within the high-tech world of space travel. On top of that it is touching, thought-provoking and thus gnawing at fundamental, existential and political questions, too. We get a remarkably balanced production between ´international´ filming standards à la Hollywood and a melodramatic narrative with its emotional roots firmly planted in South Korean soil. So eventually, this lunar expedition is neither/nor, as this KMovie offers something in between. For hard-core fans of Hollywood blockbusters it might be offering too much melodrama. For the hard-core KMovie fan it might not be enough. Well, I simply enjoyed it as the lunar expedition as it is.

The focus is on the ambitious national program that South Korea has recently set up in terms of space research (you may check side note below). With its technological innovations, South Korea is starting to present itself as an increasingly self-confident G7 space power. That is where this story is coming from. And it is against this background that the particularly high level of filmmaking effort must be seen, by which the experience of space is brought almost hyper-real within the audience's grasp.

The special ambience is staged first-class thanks to the applied highly developed audiovisual filming technology and expertise. Seemingly, the production team has spared no effort or expense - with 3D rig camera recordings, premium HDR video technology, Dolby Cinema technology (for the first time in a KMovie), innovative spatial audio technology and sophisticated rendering processes for the finest color nuances. The demand was for high-end cinema quality. And it is surely impressive. Everything in this distant, highly technological, alien world, far way within the orbit of the moon, comes as close to the audience as it can get.

Despite the enormous spatial distance, dense emotional intensity is provided, even though the protagonists are located so far away from each other. This delicate emotional bridging, requiring high-end performance skills, has been the big challenge on the actors´ side. In addition to the proven, first-class veterans Sol Kyung-gu and Kim Hee-ae on the ground at the rather clinically clean setting with high-tech computers and screens of both Aerospace Centres Naro and NASA, especially Doh Kyung-soo (D.O.) offered magnificent top performance as an astronaut lost in space. Mainly those three create and maintain an impressively emotional density (in addition to the overall action).

The plot of "The Moon" revolves around South Korea´s international profile as capable space power, while the eyes of the world are set on their (fictive) second trial of a manned lunar mission. Whereas unfortunately it didn't work out the first time... It's also about politics and tons of money. And in the end, it's all about survival... or rather, whether a human's life in the face of groundbreaking missions for humankind is worth ignoring chains of command, nationalities and costs.

Breathless action on unusual terrain. Intense scenes in an isolated space capsule 380,000 km away from earth, surrounded by darkness and severe cold. Desperate helplessness. The struggle for the 'right' decision – what´s actually the measure of what is right? Maybe ultimately just what I can live with in the end?







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SIDE NOTE: --- KSpace ---

Korean movie oder drama productions set in space have so far been few, and for good reason. The KMovie “The Moon” from 2023 as well as i.e. the KDramas “The Silent Sea” (from 2021) and “Ask the Stars” (planned for 2023) are, so to speak, a start. They reflect current (or better: hoped for further) developments regarding KSpace.

After rather unsuccessful endeavors at the beginning of the new millennium, South Korea as the 13th country to have its own space center by now, is increasingly well positioned in the KSpace segment. 2021 was marking the first attempt to launch their own test satellites into the orbit by their launch vehicle Nuri, which had been developed over the past ten years. Yet it failed. Nevertheless, in 2022 and 2023 it succeeded at last. Three more Nuri launch vehicles are already scheduled to be launched into orbit by 2027. According to the plans of the country and the Korea Aerospace Research Institut (KARI) at Naro space center, South Korean spacecraft will be collecting data on the moon in 2032 already. Additionally, the country has Mars scheduled for 2045.

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This essay cannot explain the film's title...who is the rebel?

Watching an unheralded short film is always a gamble. Quality can be erratic, especially given the prevalence of student films in the form. Rebel Heart is a short BL film (26 minutes) released by Iamzee Studios in October 2023. Since the closing credits list “Zee” as the scriptwriter, director, and OST singer, one conjectures this project is some kind of a self-financed production conceived by the studio’s namesake. Whether it is a student film or a vanity project, it displays the earmarks of films of that ilk: low budget, rough production values, and a less-than-professional feel. Every contributor listed in the closing credits is identified only by a single name. As of the date I watched the film, two weeks after its release, the MDL page for Rebel Heart contained a skimpy plot summary but absolutely no information regarding the cast, the director, or anyone else. Nothing that might speak to the pedigree within the film industry of the creative team behind the project. Deprived of any information that that might inform expectations regarding production value, actors’ ability, or director’s nous, I set the bar of expectation to "amateur." Despite that low level, I forged ahead with an open mind.

A short film has three basic jobs: to hook the audience right away via compelling character or an intriguing story, to sustain their interest long enough for some problem to be solved or examined, to deliver an ending that at the very least enables the viewer to walk away without concluding their time has been wasted. Rebel Heart checked one of those three boxes but whiffed on the other two. Though often shaky, the production value proved better than I expected. Grudgingly, I concede the film satisfied the minimal expectations I had. The story was messy, chaotic in the telling, and lacked the crispness one would expect from polished filmmakers. But if (and I do not KNOW the answer) those associated with Rebel Heart churned out a homemade or student film, then this result counts as a respectable effort--and rookies deserve our eyeballs and understanding. Who should watch? For starters, BL fans who regard themselves as completists can go ahead and track down this short film on YouTube. Rebel Heart will pass muster for a 30 minute investment of time. Others should proceed only if they seek it out full of goodwill for low budget results and full of tolerance for touches of messiness. Perfectionists will be frustrated.

The opening scene offered a solid start. High school student Lucas (Bug) speaks directly to camera. He will narrate chunks of the film via voiceover. His first comments lament the loneliness of being a third-wheel in his own friend group, and the resultant sense of not belonging that follows from that. Since almost all of us have at least a passing acquaintance with being a third wheel, these opening lines rather deftly draw the viewer to empathize with Lucas. Thus, Rebel Heart successfully hooks its audience within the first minute via their identification with lonely Lucas. The self-described Third Wheel then segues into a history of his friendship with Ben (Burdy) and Emma (Ami). Lucas and Ben met as high school freshman and became fast friends. The film was billed as BL, and Lucas rather clearly likes Ben as more than a friend. Fearing rejection if this crush broke into the open, Lucas did his best to conceal it. Ben’s feelings toward Lucas are a cipher at this stage, which makes sense because the point of view reflects Lucas’s understanding of their situation. The opening monolog provides a solid introduction to the lead character, and the central problem appears to be clear: how will Lucas resolve his sense of alienation? Since that is a universal theme for a high school-set story, the short film appeared to have launched itself successfully.

The arrival of new student Emma during Ben’s and Lucas’s senior year disrupted the duo’s routines. Emma, whose dialog is exclusively in English (whether spoken by her or to her), clearly fancies Ben, and her attentions account for the sense of exclusion endured by our suffering hero Lucas. Stolid wingman that he is, Lucas facilitates the putative couple’s chances to spend time alone together by removing himself from their company whenever Emma sidles up to Ben. Lucas clearly resents the loss of his closest friend’s sole attention, and via voiceover, he expresses the film’s central problem, “It hurts to see the person you care about the most choose someone else over you.” I think this premise provided Rebel Heart with a solid foundation to build a short film around. High school alienation stories have floated around forever, and coming out stories are nowadays commonplace. But their very ubiquity demonstrates confirms the appeal of these tropes. A small, compact story with seemingly minor stakes will still resonate with an audience if it is told well. With only twenty-five minutes to tell the whole tale, why complicate the narrative with unnecessary grandeur?

Unfortunately, the film abandons the viable love triangle premise within ten minutes. Rotating into the compact time frame arrives not one new story arc, but two. First, a montage/pastiche of boy-romances-boy-in-one-day scenes. Second, a preachy coming-out-to-family sequence that both extolls the virtue of loving queer sons and brothers and fails to track in internal logic. I shall omit the plot specifics of these replacement arcs, but the details include a confession by Lucas to Ben, a confession by Ben to Lucas, a kissing scene performed and filmed more convincingly than many BL series manage to do, a bizarre adventure in a mall (see Random Thoughts below for highlights), an angry, homophobic father rejecting his son over some photos he happens to have seen on his phone (from whom? of what?), a mother talking dad down from his bigoted dudgeon, a happy family reconciliation, and an outsider (Ben) interjecting himself into the Lucas’s family turmoil despite meeting them for the first time. (Wait, weren’t these guys best buddies for three years? The parents hadn’t previously met their child’s closest friend?) Oh, I forgot to mention the hitman. No, not an assassin. A bully hired to hit people. (You’ll have to watch. Spoilers.) That’s an awful lot to cram into fifteen minutes, and perhaps Rebel Heart feels overstuffed at the end. I finished the film with the sense that if the story had mined the pathos of the lonely kid for all the inherent potential in that initial Third Wheel premise, it might have told a thoughtful, touching story and still been able to inject some commentary on coming out and acceptance.

Short films can seldom conceal the constraints of low-budget filmmaking, and Rebel Heart suffers in some technical aspects. Curious jump cuts reflect questionable editing skills and mask abrupt jumps in narrative direction. The audio mixing during street scenes swallowed the dialog in spots. Nevertheless, I am willing to tolerate such flaws from a production with clearly limited resources, and none of these problems become egregious. Director Zee did a good job of positioning his camera for each scene, and the mix of close-ups to longer shots was effective. If Rebel Heart is Zee’s fledgling effort, that strong opening at least suggests the director understands how to pinpoint universal themes in human experience and emotion. Recognizing value in the telling of a small tale and understanding when to let ambition expand scope and grandeur will be their next challenge.

Random thoughts:
• One nice touch: Lucas opens the film wearing a T-shirt reading “Love Sick.” Whether this slogan represents a subtle nod toward the 2014 series that launched the BL craze in Thailand or a subtle clue regarding Lucas’s inner head space, the shirt helps to frame the emotional stakes.
• One not so nice touch: Ben breaks up with Emma via text and then immediately blocks her. She absolutely earned the dumping on her own merits, but that is never a classy way to exit a relationship. Besides, a face-to-face telling off not only satisfies the demands of chivalry, such a confrontation delivers a much more satisfying jolt of audience satisfaction to boot. She does reappear, but the ensuing confrontation was disappointingly clunky in execution.
• Scenes set at Bangkok's big malls feel like a required element in the telling of a high school story, so perhaps it was inevitable Lucas and Ben traipsed through one on their big day together. The more curious events included trying on clothes only to flee in a full sprint from the store for no apparent reason and crashing a wedding reception while a random bride and groom sang of their love for one another. More traditional activities included a flirty stroll through the lobby of a muliplex cinema.
• The singing marital party certainly felt out of place. Since the credits list Zee as a singer, perhaps the director inserted himself into the picture? If so, confident move, Mr Hitchcock.
• Later, the boys navigate through a cinema lobby where the onesheet poster for the Barbie movie will forever situate this film's production in mid-2023.
• Aside from Emma, Lucas’s Dad also speaks only in English, and other characters speak to him only in English as well. I don’t have a point. It just stuck out to me.
• As did the slight southern drawl in Dad’s accent. The homophobia spewing out of Dad sounded more authentic with that regional twang. American gays will flinch in recognition.
• Ben addresses Lucas’s parents as Mr Evans and Mrs Evans. That politeness makes Ben the first kid since the 1980s who resorted to formal titles rather than first names with the (American) parents of his friend. As a child of the ‘80s myself, I kind of appreciated this touch.

Leia Mais

Keeps you entertained

Not much to say about this movie, it wasn’t the most amazing or out of this world, it reminded me a lot of korean revenge plots which is why i liked it a lot. i loved the acting as well, all good actors but i think some scenes were a little confusing and at times i wasn’t really sure what was happening.

also…director cha is his sister ?! and she tried to kiss him ?!…okay that was just nasty…

i really thought she was his wife at first or something but i guess not.

also i really liked the plot that cha liked boksoon since they met. sets the tone of their relationship a lot more, i think i would’ve lowkey enjoyed this story more if it was about them in their younger years. also i kept speculating if they would show who the father is…but i have my suspicions that it might’ve been cha…don’t know though.

overall a good enough movie. i would love another sequel with the daughter or a movie about cha and boksoon when they were younger, their story intrigued me a lot!!!

Leia Mais

A little bit boring but pretty moving

It''s pretty well done for a short movie. It manages to capture quite a lot in a short period without feeling rushed. In fact, it's a little too slow paced for me lol

It's kinda boring, although it's touching and moving at same time

I guess, it depends on what you're looking for

It's a nice movie to watch on a rainy day where you just wanna chill. Nothing dramatic, nothing thrilling, or too fancy

Just sweet friendship, lovely moments and simple story.

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Leia Mais

The picture is really very complex and thanks to the previous review I was able to endure. I believe that maybe this is one of the reasons why the film is rated so low even on world servers (I don't mean low). At the same time, it is exactly like that. Gradually, everything begins to fit together, four young Korean actors play a dramatic part and a very high-quality experience of life, death, love and destruction and most importantly ... HOPE unfolds.
I didn't want to give, I definitely recommend it, because some individuals may not understand this complexity, see the example of the reviews here.


Snímek je opravdu hodně složitý a díky předchozí recenzi jsem vydržel. Domnívám se, že možná to je jeden z důvodů, proč i na světových serverech je film tak málo hodnocen (nemyslím tím nízko). Přitom je to přesně tak. Postupně začíná do sebe všechno zapadat, čtyři mladí korejští herci rozehrají dramatickou partii a vyloupne se hodně kvalitní prožitek života, smrti, lásky i zmaru a hlavně ... NADĚJE.
Nechtěl jsem dát určitě doporučuji, neboť někteří jedinci tuto složitost, viz příklad zdejších recenzí, nemusí pobrat.

Leia Mais

Pinoy erotic film for variety is not of high quality, but there are definitely people interested in this kind of movies and I watched it too to take a break from BL projects.
The main character of the film - Franco (JM Martinez) really has nothing to be ashamed of his body. He ended up being cast in about three more Filipino gay movies.
And now to the picture itself. The local acting "star" Brent doesn't look that attractive, he has other - acting strengths that put him in the limelight of "fame" in the local Philippine area. About two scenes in the film, to make it clear, are just Frank's "imaginations" of what he would do with Brent in bed, because Brent is a heterosexual and from the radio broadcast it appears that he is currently looking for some smart ladies.
I will not look for negatives, those who need to massage their bruised egos will laugh at that, and from the positives of the film, I highlight that the creators wanted to show the issue of fanaticism towards "stars", who are just as ordinary people as others, stalking, which can lead to criminal acts, you will also learn more about the homes of poorer Filipinos, not just the "tinsel" that we know from BL series and movies...




Pinoy erotický snímek pro zpestření sice nedosahuje vysokých kvalit, ale zájemci o takovýto druh filmů se jistě najdou a i já jsem se podíval, abych si oddechl od BL projektů.
Hlavní postava filmu - Franco (JM Martinez) se opravdu nemá za své tělo co stydět. Nakonec byl obsazen do asi tří dalších filipínských gay filmů.
A teď ke snímku samotnému. Místní herecká "hvězda" Brent zase až tak atraktivně nevypadá, má jiné - herecké přednosti, které ho dosadily na výsluní "slávy" v místní filipínské lokalitě. Asi dvě scény ve filmu, aby to nemátlo, jsou jen "představy" Franka, co by s Brentem v posteli dělal, neboť Brent je heterák a z rozhlasového vysílání vyplývá, že se zrovna pootáčí po nějaké šikovné dámské partii.
Zápory hledat nebudu, na tom si smlsnou ti, kteří si potřebují promasírovat své pošramocené ego tady a z kladů filmu vyzdvihuji, že tvůrci chtěli ukázat na problematiku fanatismu do "hvězd", které jsou stejně obyčejnými lidmi jako ostatní, stalkingu, které může vést až ke kriminálním činům, dozvíte se více i o příbytcích chudších Filipínců, ne spíše jen "pozlátko", které známe z BL seriálů a filmů ...

Leia Mais

I am not at all surprised that the film and the actors of the characters of Lina and the grandmother won film awards. The powerful story of Lin, a troubled gay man who has lost his friend, and cares for his friend's mother and his friend's son from a previous relationship with a woman. Everything is complicated by the death of the grandmother...
An absolutely outstanding performance by 39-year-old Taiwanese actor Mo Tzu-Yi (Morning Mo) in the lead role and other high-level acting. Such a deep film about a struggling gay character deserves a translation, which was translated by M.anon at my suggestion now in mid-March 2021. Those Taiwanese don't seem ....


Vůbec se nedivím, že film a herci postav Lina a babičky získali filmová ocenění. Silný příběh osudem zkoušeného homosexuála Lina, který ztratil přítele, stará se o přítelovu matku a přítelova syna, kterého měl z předchozího vztahu se ženou. Vše se komplikuje smrtí babičky ...
Naprosto vynikající výkon 39ti letého taiwanského herce Mo Tzu-Yi (Morning Mo) v hlavní roli a i další herecké výkony na vysoké úrovni. Tak hluboký film o jedné zkoušené gay postavě si zaslouží překlad, který na můj podnět přeložila M.anon teď v polovině března 2021. Ti Taiwanci se nezdají ....

Leia Mais

The film was made according to the manga, faithfully, it did not deviate, and I think that the Japanese youth have been copying the hair style from the manga for many years, that the young people look like some fragile young ladies. I've seen a lot of other Japanese "civilian" movies, so I wouldn't consider this a "typical representative of Japanese production" as the previous reviewer claims. The picture is very successful, but the low-quality copy did not allow me to have a greater experience. However, I felt a bigger age difference between the two main characters than it should have been, that they are the same age, but I didn't mind. The elder Sugihara Kohei, hard of hearing and timid, his character was faithfully played, and the younger Sagawa Taiichi and they build a relationship between them that deals with Kohei's hearing problems and how Taiichi could help him. This relationship eventually blossoms, although I don't think it was clear at the end how deep Taiichi's feelings are especially towards Kohei, but it was like that according to the manga. Nice experience...


Film byl natočen dle mangy, a to věrně, neodchýlil se a já si myslím, že japonská mládež už mnoho let kopíruje z mang styl účesu, že mladíci vypadají jako nějaké křehké slečinky. Viděl jsem spousty jiných japonských "civilních" filmů, takže bych tento jako "typického zástupce japonské produkce", jak tvrdí předchozí recenzent, nepovažoval. Snímek je velmi zdařilý, jen větší prožitek mi nedovolovala nekvalitní kopie. Mezi oběma hlavními postavami jsem ale cítil větší věkový rozdíl, než jak mělo být, že jsou stejně staří, ale nevadilo mi to. Starší Sugihara Kohei, nedoslýchavý a bázlivý, jeho postava byla zahrána věrně, a mladší Sagawa Taiichi a budují mezi sebou vztah, který řeší problémy se sluchem Kohei a jak by mu mohl Taiichi pomoci. Tento vztah nakonec vykvete, i když dle mě mi na konci nebylo jasné, jak velkou hloubku citů má především Taiichi vůči Kohei, ale bylo to tak dle mangy. Pěkný prožitek ...

Leia Mais

Phrases associated with this movie: LOVE KNOWS NO BOUNDARIES, TIME OR GENDER. I liked everything very much, I was intrigued ... beautiful. It will especially affect that part of the viewers who have a soul tuned to the chord of perception of the life of people who live in SE Asia and do not have to think about whether everything is possible or it is partly fiction. The other viewers will not be affected by the story, because the flap in their soul is closed, but that is not an insult, each person simply perceives it differently.

The important thing for me in the film is - love is eternal as is the soul, and the creators and actors portrayed this very beautifully. Dew (Ohm), Pob as a youngster (Nont), Pob as an adult (Weir) and Natcha (Pahn, although small in stature, but a beautiful, laid-back "schoolgirl" at 28 years old). For the "adults", I didn't notice that there was only a 6-year difference between them.

A completely deep and terrifyingly mystical experience...
The creators and all the actors contributed a lot to the project.



Sousloví spojené s tímto filmem: LÁSKA NEZNÁ HRANICE, ČAS ANI POHLAVÍ. Moc se mi vše líbilo, zaujalo mě to ... nádhera. Zasáhne to především tu část diváků, kteří mají duši naladěnou na strunu vnímání života lidí, kteří žijí v JV Asii a nemusí přemýšet, zda je všechno možné nebo je to zčásti fikce. Ty ostatní diváky příběh nezasáhne, protože tu klapku v duši mají zavřenou, ale to není urážka, každý člověk to prostě vnímá jinak.

To důležité pro mě ve filmu je - láska je věčná jakožto i duše, a to tvůrci i herci velice krásně ztvárnili. Dew (Ohm), Pob za mlada (Nont), Pob v dospělosti (Weir) a Natcha (Pahn, sice malého vzrůstu, ale nádherná, vyložená "školačka" ve svých 28 letech). U těch "dospělých" jsem nevnímal, že je mezi nimi rozdíl jen 6 let.

Naprosto hluboký a až děsivě mystický zážitek ...
Tvůrci i všichni herci do projektu přispěli mírou vrchovatou.

Leia Mais

For me, what KK has been adding lately, one film or series after another, is high quality and a beautiful experience, and without his contribution, GT would not be where it is today, thanks to him for that. This is also the case with this film, and I don't mind at all that I haven't seen the untranslated series, which the film summarizes and supplements with other unlisted scenes.
Yes, maybe someone will find the story very simple and too many songs and Korean music, sometimes a bit louder orchestra (that's why I'm deducting one point for the sound in the rating from absolute perfection), but for me this music from the movie is an experience and I came recently for the taste of Asia. Plus two cute Korean actor-singers, what more could you ask for?
And I also know that once I watch the movie a second, third time, I will like it more and more thanks to the music. I have added music videos from this movie to the videos.


Co sem za poslední dobu KK přidává, je pro mě jeden film či seriál za druhým vysoká kvalita a krásný zážitek a bez jeho přispění by nebyly GT tam, kde jsou dnes, díky mu za to. Tak je tomu i s tímto filmem a vůbec mi nevadí, že jsem neviděl nepřeloženou sérii, kterou film shrnuje a doplňuje o další neuvedené scény.
Ano, možná se někomu bude zdát příběh velmi jednoduchý a příliš mnoho písniček a korejské hudby, někdy trošku hlasitějšího orchestru (proto u zvuku v hodnocení ubírám jeden bod z naprosté dokonalosti), ale pro mě je tato hudba z filmu zážitek a já přišel poslední dobou na chuť Asii. K tomu dva sympatičtí korejští herci-zpěváci, co více si přát?
A také vím, že jakmile si film pustím podruhé, potřetí, bude se mi líbit díky hudbě čím dál více. Přidal jsem do videí hudební videa z tohoto filmu.

Leia Mais