Erased (2017)

Não vi muitos doramas japoneses, os que vi havia comédia por toda parte, por isso não consegui me adaptar a seu estilo, mas vi este e fiquei feliz de pela primeira vez ver algo sério vindo do Japão.

Ele me prendeu mesmo quando vi que minhas teorias estavam certas, pois o ritmo nunca era totalmente perdido, mesmo que em algumas horas passasse do mistério nervoso ao calor bom de amizades puras e vice-versa. Nem consigo contar quantas vezes minhas emoções se conectaram aos personagens e como me sensibilizei com a luta solitária do começo de Saturo.

O elenco jovem com certeza levou nas costas muito mais que os adultos, mesmo assim brilharam muito bem.

Achei que nada me surpreenderia até vir o plot twist do episódio oito e me surpreender, em todo caso o dorama não é apenas sobre um adulto voltando no tempo em seus dias de escola e tentando salvar sua mãe e amigos, também é uma demonstração de coragem e lealdade com os amigos.

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My first Japanese drama, “Boku dake ga Inai Machi” was something I previously did not want to watch. In fact, Netflix shoved this at me in a highlight merely because of my previously watched Japanese content – they did this 20 different times. Eventually, I caved, watch the trailer and decided to go for it because it seemed pretty interesting.

Oh boy, I absolutely adored this.

This drama took me to the edge, it reeled me back in and then it chucked me in the deep end. Full of wonderful twists and turns, surprises, harrowing moments and as equally sweet moments, it’s hard to summarise this fully. I’ll keep this as spoiler free as possible since there’s a lot going on and each was a wonderful moment on it’s own, spoilers definitely take it away.

First of all, I’m not too much of a fan of crime or time travel. I find often that directors tend to do too much or too little in both genres and it never maps out the way it should – especially in content that is both crime and time travel. Ho boy, we did not have any issues with that here. We stuck with one plot that divided into one or two sub plots, but each had it’s own place within the content, didn’t seem out of place, nor did it come across as being odd in the drama. This is pretty rare from my few encounters with time travel and/or crime dramas.

Secondly, the casting was absolutely superb. I find often with time travel/flashbacks/etc, the children don’t really much look like their adult counterpart. This was not an issue at all with any of the cast of “Boku”. Every cast member looked like their child/adult counterpart and it wasn’t hard to imagine any of the children growing into their adult versions. The cast all also did absolutely stunning. Again, all the personalities of the children and adults matched their character and the children didn’t seem out of place for child counter parts of the adults we’re introduced to. It all felt finessed, and like these children genuinely grew up.

These two points alone are enough for me to give it such a high rating, but I also want to take a moment to speak on the cinematography as well. Cinematographer Kiyokawa Koshi made such beautiful shots in this they absolutely took my breath away, left my jaw hanging open and left me glued to the screen. I definitely want to go on to watch everything this man has choreographed because it was just pure art. There’s no other word for it – the shots that Kiyokawa made are just pure art.

All in all, after watching this, I want to watch the live action movie, watch the anime and read the manga. This is pretty rare for me – usually when I watch one part of a universe’s content, I’m done with it from then on. For me to want to go on and consume every piece of media of this that is available to me… this is probably only the third piece of media to ever do this for me.

Give this drama 6 hours of your life and give it a go. I cannot recommend it more highly enough.

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