Both productions depict rural (nomadic) lives with the same slice-of-lifey documentary feel to them. Both are mostly spoken in a language that's not mandarin

Both movies are directed and written by Wang Toon, and both feature his signature assumed identity plotline on the backdrop of societal and political changes

Both productions tell the story of the same man - Lee Rock (Lui Lok), a.k.a one of the most corrupted policemen from Hong Kong

Both productions tell the story of the same man - Lee Rock (Lui Lok), a.k.a one of the most corrupted policemen from Hong Kong

Both productions tell the story of the same man - Lee Rock (Lui Lok), a.k.a one of the most corrupted policemen from Hong Kong

Both productions tell the story of the same man - Lee Rock (Lui Lok), a.k.a one of the most corrupted policemen from Hong Kong

Both productions tell the story of the same man - Lee Rock (Lui Lok), a.k.a one of the most corrupted policemen from Hong Kong

Both productions tell the story of the same man - Lee Rock (Lui Lok), a.k.a one of the most corrupted policemen from Hong Kong

Male leads in both productions decide to embark on a cycling journey - in Island Etude it's around Taiwan, while in August it's in Tibet

Both movies focus on self-healing journeys of the respective male lead, as he treks/cycles through Tibet

The sixth episode of Isu has a very similar premise to Indian Pink - where both of the leads are oh ever slightly unreliable narrators.

Both films are arthouse productions that tell the story of men who have to deal with either colour blineness or inability to understand words and the way they cope with it