A quiet call for improvement, compassion and understanding

I have a lot of time for youth drama, especially Japanese films. This one is gorgeous in its simplicity whilst drawing in complexity through quiet touches of the brush, moments which imply more than they state.

The situation Sarya is in because of her family's status as refugees and from a people without a nation is both social and political commentary, a quiet call for improvement, compassion and understanding, and metaphor for the struggles of a young person to find her place, not because of her own uncertainty but because she doesn't fit neatly into society's expectations.

If the ending confuses you, look to what is implied. There is sadness, and there is hope.

May we all do better for our young people and for all who need our help.

Leia Mais

Realistic, grounded portrayal of young people and some of their difficulties

The film centres around two high school students, Maki and Akira, who are both a bit lost because parents and find friendship with each other. I didn't understand some of the symbolism decided on by other students but it was easy enough to just go with it. Perhaps it's a Japanese understanding, maybe it's idiosyncratic to the director. Motivations are consistent and clear, even when they're not explained straight away. Maki is acting out because of x, a boy does what he does because of y, Akira is kind.

There are many small touches evoking place, like views of the countryside and the beautiful ice cream serving technique of a grandmother. It all feels very real and grounded. This is my favourite film of all the ones I've seen in this autumn's JFF+ Independent Cinema festival. If you like youth drama and film with realistic portrayals of the difficulties young people struggle with as they grow up, this is well worth seeking out. Maki especially is a character I'll remember and I hope to see Nagasawa Itsuki, Nakagawa Tsubasa and some of the others again.

Leia Mais

Not bound by words

There are few words by this and no clear narrative structure. It's a collage of curious things and that makes it difficult to find words to talk about it. The title Bachiranun, never forget, a motif repeated near the end may be our best clue. Perhaps these are things the writer/director/actor wants to remember, both from imagination and real life.

The drops into surreal were disorientating so I have no confidence in this assessment. It was all a bit too far a stretch for me and kept me on edge. Others will love it for that. How do the horsehead dancers fit in? Was there significance to the large red pepper-type fruit characters pass to each other? Some of the scenes of dairy farming and fishing/fish processing were difficult for me. The music and elders engaged in traditional making were my favourite parts. In the end, I don't know what to do with this. It is.

Bachiranun deserves a proper review. Hopefully someone will give it one.

Leia Mais

I understand this more after reading about it

This hour long film is a combination of documentary and fiction centered around actual events like the Fukushima tsunami, with Soto Zen Buddhist monks in three of the roles. There were moments I didn't understand, like why monks were walking through muddy land driving sticks into the ground. Reading reviews and interviews helped me make sense of it in retrospect. I don't feel qualified to give it a rating and would prefer not to make such a judgement from one viewing. I gave it a rewatch value of 10 as I think I would gain much from seeing it again, perhaps a few times. But I found its screening on the JFF+ Independent Cinema festival too late to do so.

It's an intentionally unpristine view of monks and their struggles. It reflects on questions like whether allergies might come from the damage we've done to the world? What should our mission be in the present? What's needed at this time? An elderly and well respected nun gives her answers to the last two. For her, it is sharing the wisdom of the Buddha. How these practices are relevant to well-being and mental health in particular is shown through the monks' lives and advice on a suicide help line.

These are the articles I found most helpful:
https://www.asahi.com/ajw/articles/13055417
https://www.sousei.gr.jp/tenzo/en/
https://www2.bfi.org.uk/news-opinion/sight-sound-magazine/reviews-recommendations/tenzo-katsuya-tomita-buddhist-monk-hybrid

Leia Mais

Serious social commentary wrapped in comedy wrapped in lakorn

Did all the reviewers panning this for depictions of bad behaviour fail to realise how many of them were called out, whether in the dialogue, reactions, context or consequences? Sometimes the call outs were gentle, like Chon's maa telling him something he did was wrong, sometimes they were bold, like Chon's maa in the last episode. Always appropriate to the context.

It's a clear critique of toxic masculinity in several forms, including misogyny, objectification, peer pressure, outdated attitudes and of course homophobia. It's full of good messages and positive examples too.

This deserves to be watched with more attention than most here seem to have given it, including those who see it only as light-hearted fluff. It's laugh out loud funny, with the warm, open-hearted generosity of Thailand's best comedy, but it's also delivering some important messages.

Leia Mais

Worth seeking out

An inquisitive, full of life young Thai woman ends up in Japan on her own and not knowing the language. The family at the farm where she'll be living and working for three weeks is warm, kind and welcoming. Two more show up and cause a bit of chaos. There's a fair bit of sightseeing and a lot of food, some out at markets and restaurants but the most memorable are at home amongst this found family.

Everything is balanced. Jook's vitality, Mee's calm steadiness; uncle Hattori's mischievous grin, his daughter Naomi's gentleness; difficulties when there isn't a shared language, the ways they find around that. All of the characters are well thought out and portrayed. They're each distinct in personality but fit together well. It's a lovely group of people to spend time with.

It's a quiet series, which might disappoint some. The emotions aren't big or dramatic, they're just very real.

Leia Mais