A Criatura de Gyeongseong (2023)

Ambientado na década de 40, quando a Coreia estava sendo colonizada pelo Japoneses, pano de fundo importante para a construção da narrativa pois apresenta como os coreanos sofriam na mão dos colonizadores sendo obrigados a abandonar seu próprio idioma para falar o idioma do colonizador, abdicar de seus negócios e viver com medo ou como rebeldes que frequentemente eram torturados e mortos. Mas também, no contexto do drama, submetidos a experiências cientificas desumanas.

Jang Taesang é um homem que viu sua mãe ser presa e posteriormente morta pelos japoneses quando ele era um menino. Para manter a promessa feita à mãe de se manter vivo, ele se mantém longe dos conflitos com os japoneses até que o destino dele encontra o de Yoon Chaeok, uma detetive determinada que está procurando pela mãe desaparecida há 10 anos.

Taesang acaba sendo intimado a resgatar a amante de um oficial japonês que foi levada para o hospital (onde os militares realizam experimentos) a mando da esposa legítima do oficial. Com isso Taesang e Chaeok acabam unindo forças para se infiltrar e resgatar as pessoas presas no hospital.

Digamos que a primeira metade do drama funciona como ambientação e preparação para o clímax que acontece na segunda parte com o resgate propriamente dito e o embate com os vilões. Achei esse primeiro momento mais devagar e até um pouco chato, mas "devorei" os episódios da segunda parte. E sinceramente foi muito satisfatório a cena no velório do Oficial e o bilhete de Taesang manda para a Sra Maeda e o desfecho disso.

Ansiosa pela segunda temporada que vai trazer explicações sobre aquele final enigmático que parece trazer elementos de viagem no tempo.

P.S: Assisti a segunda temporada e não tem nada de viagem no tempo kkkkkkkkkk

Leia Mais

Mistura de história, romance, mistério, ficção científica e monstros!

Assim que terminei o último episódio, sentei para escrever esta resenha. Mas confesso que estou até o momento tentando entender se gostei ou não do drama. Não que eu não tenha gostado, mas também ficou longe de ser um dos melhores que já assisti. Talvez pela expectativa que criei já que tínhamos nada mais nada menos que Park Seo Joon e Han So Hee no elenco, eu estivesse esperando um drama daqueles de tirar o fôlego. E na real, nem achei que eles combinaram tanto assim como casal na trama.

Como destaque, embora A Criatura de Gyeongseong seja uma história de ficção, ela leva a sério seu cenário histórico já que é ambientado em momento traumático da história da Coreia. Gostei da abordagem que representa claramente a histórica da ocupação japonesa sobre a Coréia porém incorporando elementos de aventura e fantasia resultando em uma narrativa envolvente que prende a atenção.
Ainda dentro dessa abordagem histórica da ocupação japonesa, também fica óbvio na trama os limites da ciência num confronto militar com experimentos desumanos realizados no hospital onde a história se desenrola o que acaba adicionando mais profundidade à trama

O final da primeira temporada deixa margem muito clara para uma possibilidade de segunda temporada que pode ser totalmente diferente. Além da cena da Criatura ter transferido sua energia ou essência vital para sua filha, tendo a possibilidade de trazer o personagem de Han Soo-hee de volta à vida, o episódio 10 inclui pós-créditos que avança para décadas no futuro enquanto um homem interpretado por Park Seo-joon aparece. O que pode significar a continuidade entre gerações. Muitas possibilidades que poderiam surgir numa possível segunda temporada já que além destes dois fatos existem alguns outros que ficaram em aberto: O que aconteceu com o bebê de Myeong-já? O que aconteceu com Lady Maeda?

A curiosidade é grande mas não resta outra coisa a não ser aguardar!

Leia Mais

Vamos esperar o desfecho.

Eu já esperava que o final ia ser assim, aberto, mas eu desejei que não, que acabasse ali e pronto, não gosto dos dramas da Netflix porque ela tá com mania de fazer continuação e pra mim com Dorama isso nunca funcionou, isso estraga a história
Enfim, não sei se estou satisfeita com esse final, eu torcendo pra Maeda morrer, ainda tava viva e provavelmente ia virar monstro, o nojento do Kato ficou vivo e ainda tinha o bebê e acho que pra piorar TUDO a mãe quis salvar a filha que ODIEI essa cena dela ter matado a própria filha e ela vai virar monstro também. Não gostei.
E o final do tae sang no futuro, no caso um ancestral dele seila, não entendi
Mas o que eu gosto de gyeongseong, inclusive me lembrou muito de mr sunshine é a luta e o sofrimento que eles retratam na época da invasão do Japão, eles sinto que eles gostam disso porque eles sobreviveram e no fim venceram, eu realmente gosto disso, me sinto aprendendo história sem nem precisar sentar pra ler sobre. Esperava mais do drama, mas ele entregou muita atuação, principalmente da so hee e o seo Joon, que dupla e muitas reviravoltas.

Leia Mais

Love.. Sacrifice.. Courage.. And Endurance: The Pulse of Gyeongseong Creature..

This is not your typical damsel in distress or ML saves the FL and then they had a happy ending drama.. Even though he saves her several times by risking his life, she does the same for him.. Itss also not your usual fight for the love of your country or hero saves the world narrative.. While the story is heavily influenced by a falling regime and its hold on the country.. Patriotism, in my view, is not the drama's core...

Its the journey of Jang Tae Sang who is thrust into a world he is not familiar with.. Facing trials that test his resolve and character.. And Yoon Chae Ok who in desperate search for her mother enters a dangerous world from which no one escapes.. Together they form a bond of love that only fate could forge..

The screenplay, acting and cinematic visuals were standout elements of the drama.. The opening title sequence was beautifully crafted.. With paintings and illustrations that set the tone for the drama and drew me in from the very start..

Claudia Kim's performance as Lady Maeda was outstanding.. I really would love to see her as the FL in a drama soon.. Han So Hee handled her role with ease.. Especially the action scenes .. And Park Seo Joon was nothing short of extraordinary.. Showcasing his incredible talent and range as an actor.. I would expect nothing less from him.. Given his remarkable ability to bring characters to life with such authenticity.. Kudos to Park Seo Joon for taking the time to choose the right script for his comeback..

The sequence where Jang Tae Sang enters the patriots hideout and the scene seamlessly transitioning to Yoon Chae Ok as she shoots Dr. Ichiro and then shifts to Maeda before returning to Yoon Chae Ok.. All set against a dramatic rain backdrop.. This three minute sequence was peak cinematography..

`Sā, futari tomo koko de shindekudasai' / 「さあ、二人ともここで死んでください」 / Now, i ask you both to die here.

The climax fighting scene was well choreographed, Han so hee was just perfect.. She sacrificed herself to bring an end to her pain as well as her mother's.. And to protect the person she loves..

One thing I didn’t understand was why she chose to kill Ichiro.. Killing him wouldn’t change anything, and she was smart enough to know that.. I was expecting her to sneak into the hospital and try to kill Kato because he was the brain for the whole project.. Wouldn't that have been the wiser move??

And the ending.. How did she end up in water with her mother ( shenshin )?? Was that how they wanted us to visualize the scene?? Because there is no way Jang Tae Sang would have deserted her dead body or let her mother take it.. May be the second season will answer that..

In conclusion.. Gyeongseong Creature serves a rich textured story and a refreshing departure from conventional narratives.. Blending Love.. Sacrifice and courage.. And It’s clear that the journey of Jang Tae Sang and Yoon Chae Ok will continue..

Leia Mais

In its monstrosity hardly dealt with war crime pulled off the dusty shelf in vividly stylized mode

The Netflix production “Gyeongseong Creature” turns out to be quite an idiosyncratic mix. Studio Dragon had the opportunity to experiment and make full use of an illustrious cast. Despite some clichés, "Gyeongseong Creature" is not a banal K-drama that you quickly forget.

Basically it's another hero´s quest of some hero against his will, discovering unexpected sides of himself. It´s another ´mission impossible´ right into the lion's den - in this case: the military hospital of the Japanese colonial army base in the middle of the capital of the Chōsen colony in 1945. It is not the fair maiden who is to be saved, but the kidnapped, impregnated courtesan of the chief of the Japanese police. It turns out that a 'dragon' - in this case an artificially created monster - also has to be overcome along the way. The hero is flanked by a motley crew of long-standing and spontaneous companions...

Now this old wine comes in a freshly spiced-up Korean-style bottle. The personal touch of "Gyeongseong Creature" is precisely that Gyeongseong in those final months of the Pacific War, when Seoul bore that name. The historical setting as well as the historically and socially significant issues of Japanese colonial rule give the plot its selectivity and a quite serious foundation, so that "Gyeongseong Creature" does not simply offer interchangeable run-of-the-mill entertainment. Here, a painful chapter of South Korean suffering is intertwined with personal fates in the form of loosely interspersed critical events during colonial rule that is officially (by Japan) to this day preferable neglected, not to mention rehabilitated. With this Netflix production it has been nonchalantly thrown onto the World Channel to be proclaimed and acknowledged in HD.
This involves in general: the arbitrary racist violence and oppression against the Koreans as well as the systematic torture and execution of suspected resistance fighters in Sodaemun Prison; the forced military conscription and bullying of Korean soldiers within Japanese units; the forced recruitment or abduction of comfort women for (mass rape for the pleasure of) frontline soldiers... And specifically in the case of this story: the monstrous machinations of Unit 731 as part of the Imperial Japanese Army, which went down in history for its inhumane experiments on human subjects. Although these experiments actually took place mainly in Harbin in Manchuria (see side note below), they were for this KDrama also imported to Gyeongseong for a compact narrative stringency.

Against this background, "Gyeongseong Creature" tells its fictional story with artistic license. In some scenes you may get the impression that you have lost your way in a parody. Despite of such incomprehensible human menace and distress, the story presents itself at times completely unimpressed by any seriousness. There is room for humor and coolness, (which sometimes made me think of a parody of 'James Bond' or alike production). There is this reluctant hero who sometimes appears naive, sometimes quite cheeky and self-confident. He´s someone who has learned to achieve his goals, but who prefers to stay out of any trouble, wearing a stylish suit. And then, out of nowhere, he can withstand torture and injuries as if it were nothing at all. You can't really take this seriously. And yet...
In contrast, there is plenty of objective seriousness and expertise from the two foreign travelers on their detective mission. Pleasant extra: a clever, self-confident FL who is quick-witted in every respect.
In contrast, there is also the extremely dark world of medical experiments (and their artistic documentation) – underground on the military site.
In contrast, there are also the monsters, the army and the imprisoned test subjects.
And in the middle of the perfidious chase, the great feelings of humanity shine through: familial bonds and solidarity as well as wounded pride and jealousy act as driving forces, flanked by patriotic resistance and questionable scientific ambition. It's hardly surprising that Cupid also shoots his arrow in passing.

Not only do the individual characters at times feel like caricatures of themselves, Gyeongseong's production, choreographed in light and colors, also seems to come from an unreal fairytale world. While the pawnshop shimmers in all colors, the Japanese research laboratory is stylized as a dark dungeon beneath the military prison. And then there is the Moonlight Bar on the one hand and the police chief's property on the other - each of them control centers with a certain (political) impact. All of this is impressively aestheticized again and again in hand-picked scenes and settings. Sometimes you can feel like you're in the theater and then again like you're in the high-resolution digital world of a computer game.

So is the KDrama worth watching? On the one hand, "Gyeongseong Creature" takes itself very seriously with regard to its historical contemporary themes, but on the other hand, in the clichéd exaggeration of the individual characters, it apparently doesn't. This KDrama mix chosen for "Gyeongseong Creature" is, in my opinion, quite daring. However, I mean this in a benevolently positive way, in the sense of 'feeling free to experiment'. You might have to get used to it - but easily so. The (let´s say) rather 'banal' entertainment element - the Mission Impossible in view of the numerically superior Japanese military and the monster creation - is effectively intertwined with painful historical reality in a strikingly piquant and catchy manner. During the action-packed and visually stunning ride through the episodes, the KDrama subtly but consequently throws its barbs of memory at the audience.

The KDrama surely is offering cinematically solid entertainment with a star cast, but at the same time, based on the different personal backgrounds of the main and supporting characters, it demands acknowledgement of how the Japanese dealt with Koreans at that time. By stylizing the manifestation of Unit 731's monstrous experiments and research in the form of a concrete monster with superpowers, "Gyeongseong Creature" symbolically brings the unsatisfactorily dealt with war crime off the dusty history shelves in an unmistakable monstrosity.


...
Well, a second season has already been announced.
This will obviously be set in contemporary Seoul, though. We´ll see...























---------------------------------------------------------
SIDE NOTE: --- Unit 731 of the Kwantung Army of the Imperial Japanese Army ---

From 1932 onwards, Unit 731 of the Kwantung Army of the Imperial Japanese Army under the leadership of Ishii Shirō was stationed in Harbin, the largest city of the puppet state of Manchukuo in northern Manchuria. Around 3,000 mostly bacteriologists carried out experiments on living people there. The test subjects imprisoned and tortured there were predominantly Korean and Chinese civilians as well as Soviet prisoners of war. Later, including American prisoners of war, too.
Unit 731 of the Kwantung Army of the Imperial Japanese Army was disguised as the “Main Branch of the Epidemic Prevention and Water Supply Department.” In fact, Unit 731 in Harbin is responsible for the most cruel experiments on living humans. Later, field research was also carried out using the biological weapons developed in Harbin. The victims based on this research alone were mostly civilians - tens of thousands came together over the course of the war years.
I would like to ad that the main perpetrators of these war crimes by Unit 731, who had the full support of the later Japanese prime ministers and the Japanese imperial family, remained unpunished in exchange for the research results that they handed over to the USA...


PS:
There was no offshoot of Unit 731 in the fictional Onseong Hospital in Geyeongseong. That's fictional.
There was no Onseong Hospital in Gyeongseong either.
However...


---------------------------------------------------------
SIDE NOTE: --- Gyeongseong Japanese Military Hospital ---

The main KDrama setting is a colorful look and feel of Gyeongsong (Seoul at that time). The focus is on the architecture of the Republic's former Defense Security Command Center. On the area between the palace and the old town of Bukcho a military hospital was built by the Japanese in 1928. The Onseong named Hospital in "Gyeongseong Creature" is fictional, but the architecture that takes center stage is in fact related to a real Japanese military hospital before later actually becoming part of the Republic's Defense Security Command Center.
Until about two decades ago, this area was an urban area closed to the public and with bad memories for the people - not only of the activities of the colonial rulers, but also of their own military, which staged a coup against the people here in the 1970s. Furthermore, many South Koreans were tortured and mistreated there (by the security officers of South Korea's dictatorial regime). Until recently, human rights was an unknown concept behind those walls.
The ensemble could have been demolished, but the people decided to preserve the building as a memorial. The historical witness is now part of the National Museum of Modern and Contemporary Art. The bloody past is thus being countered with something positive: the imagination and emotional power of modern art.

Here, with the KDrama "Gyeongsong Creature", the dark past of this military area bearing a bloody and painful past, which began with Japanese colonial rule and was later continued by South Korean government officials, comes to life again with artistic license, too - as representative contemporary witness in HD.

Leia Mais

It is tricky business trying to make a horror film when you don’t have the tools.

Park Seo Jun and Han So Hee are stepping out this year with a horror Korean Period Drama. Action takes place in 1945. Korea is still under Japanese occupation (1910-1945). Now there is a whole generation of Korean people who grew up under Japanese occupation and they know nothing else. They are even forced to speak Japanese as the national language. This is the backdrop of an unusual horror story. The action is actually scary to me and invites the hand in front of the eyes at times. The drama starts off excellent. If only it could have stayed at this level, I would have been so happy.

From this height at the beginning, the drama drifts off into standard fare and old outdated tropes, but it is just set in 1945. The writer is Kang Eun-kyung, who brought us Doctor Romantic 2 (One of my all-time favorites) and The World of the Married. It is directed by Director Chung Dong-yoon. Someone’s vision did not work for me. There was little logic to this action and the story many times insulted my intelligence. You have an imposing creature which can fend off the bullets of 50 men at one time, as it overcomes them in five minutes. Then you have one man with one gun who holds this creature at bay for 15 minutes, just because he is the handsome Park Seo Jun? With some of the action, as death is at the door and chaos is all around, that hero stops to give “the hero speech”. Could this have been moved to a more appropriate point in the action?

And where was the Script Supervisor when this drama was being filmed? They are suppose to keep track of props, lighting, blocking, and story sequences to ensure the script's integrity and believability. In one scene, the protagonists are hiding crouched down behind a structure that is three feet tall, to elude an army seeking to kill them in front. It is clearly noticeable the the gun one of the protagonists is holding sticks up a feet above this structure, as the protagonist gives another “hero speech”. The shooting is curtailed until he is completely finished. Would not the gun, protruding above the structure, clearly give off their position to the enemy thirty feet away? I can’t name them all, but each gaff knocked me out of the fantasy illusion and back to reality. Is this bad scriptwriting and/or bad directing? My number one pet peeve is that you are in need of a gun and you knock out a soldier and you leave the gun and the bullets with the unconscious soldier? What happens when the soldier wakes up? I am getting a headache.

There are some pluses, however, in this drama. The cast is a stacked cast with many Korean Drama favorite actors and actresses. They try to do their part with what should have been a thrilling horror Korean Drama. The cinematography is great and set design, lighting, and CGI are great.

Another thing which is endearing is Park Seo Jun. He has a signature in his acting. Park Seo Jun many times leaves behind comedic gestures in an scene, serious or not. While the other actor is being stoically serious, he will do something funny off side of the focus character. This is similar as with the signature of Lee Jong Suk, who tries to work in that little dance he does for his fans in all his dramas. Watch for these little messages to the fans for Jun. In one serious scene Park Seo Jun‘s character is consoling a very drunk friend (Wi Ha Joon). The Park character gives him his handkerchief to wipe his eyes, but the drunk blows his nose as well and then hands back the handkerchief. All while the drunk continues his drunk speech, Park Seo Jun takes the handkerchief and sniffs it, makes a funny face, and then throws it away. It is hard not to laugh at these little gestures in these serious moments. Will I watch season 2. I am trying to force myself, but I am still thinking it over.

Leia Mais

Must-watch for K-drama enthusiasts

"Gyeongseong Creature is a captivating K-drama that artfully weaves historical intricacies with a hint of fantasy, creating a mesmerizing narrative that unfolds over the course of its episodes. The storyline is a tapestry of suspense, romance, and intrigue, expertly crafted to keep viewers on the edge of their seats from the very beginning to the climactic finale.

One of the standout features of the drama is its exceptional cast, whose performances elevate the narrative to new heights. Each actor brings depth and authenticity to their characters, making the emotional journey of the story all the more compelling. The chemistry between the lead characters is palpable, adding an extra layer of resonance to the unfolding drama.

What sets Gyeongseong Creature apart is its unique setting against the historical backdrop of Gyeongseong. The meticulous attention to detail in recreating the time period adds a rich and immersive quality to the viewing experience. From costumes to set design, every element contributes to the authenticity of the historical setting, transporting the audience to a bygone era.

The fusion of historical elements with a touch of fantasy is a masterstroke, providing the series with a distinctive flavor. It strikes a delicate balance between staying true to the historical context and introducing fantastical elements that enhance the overall narrative. This creative choice adds an element of unpredictability, keeping viewers guessing about what twists and turns may lie ahead.

Gyeongseong Creature is more than just a K-drama; it's a visual and emotional journey that leaves a lasting impression. The meticulously crafted plot, coupled with outstanding performances and a captivating setting, make it a must-watch for K-drama enthusiasts and anyone looking for a storytelling experience that transcends the ordinary. From the historical charm of Gyeongseong to the magical threads woven into the plot, this drama is a testament to the brilliance of Korean storytelling in the world of television."

Leia Mais

monstrous surprise

no spoilers here :)
this is a story of survival & anguish, and follows the themes in all the episode titles.
a father daughter(FL) duo 'sleuths' that finds missing people, including the ML 's mother, missing for 10years. the ML is an orphan who built a 'golden' empire with his shop & ressources. everything is set for a promising journey. and oh how it was!

I watched it as it was released, and the last episodes were released a few days later.

it's not perfect , but its memorable and left a huge mark on me, especially with the state of the world right now.
here are a few things i disliked:
the show felt like a stitch of many tropes, definitely sounding cliché at first but it gets a lot better!! I really appreciated the themes of the show ( usually displayed as their episode titles like chaos, despair, anguish etc)

some negative feedback:
- I never thought a ML could become more AND less shallow at the same time as the show progressed, but he does gain more depth.. so thats a relief
- not enough backstory or evolution of the enemy in the beginning, one has to be patient to get a deeper look there as its not given in the early episodes
- had some stranger things vibe with the sci fiction of the creature, but they sure added the kdrama touch !
- no spoiler but *some* elements don't add up or aren't explained. however its not a lot of things, most of the story holds well

some neutral feedback: i have the biggest deja-vu of the the Kako(Gato) character but i just can't seem to point my finger on it!!!! especially with experimentation & the glasses! i

some positive feedback
- the period style was superb!
-I loved all the characters and their evolution (almost)
- i loved the underground rebellious vibes (Especially the nuance within it)
- main story is very interesting and terrific
-loved the episode titles!! the themes were brillantly portrayed
-a light romance touch, i think it was perfectly balanced neither over/underdone
-the mother theme was deep yet barely put in our faces.
- also... BRILLANT SCRIPT!!! i looooved most of the dialogues especially between the power and the oppressed.

So-hee has come such a long way! been following her since nevertheless , and so much growth in her performances! she has a way of being subtle yet full of emotion & power!
i also am also very impressed with the whole cast! even the evil characters, young joon was so brillant in performing the disturbingly evil character! as well as su hyun!

IHAVE YET TO UNDERSTAND THE ENDING FULLY ( as it may be pointing for a s2, but thats not always a positive thing as they already had a big story in these episodes!)
things to watch out for: the first clue is in episode 7'th ending ( there was a long hiatus before the remaining episodes)
and the scenes in the last episode AFTER THE FIRST CREDITS!
the producers did put some clues but i am not sure about all of them!

brillant show!!!

Leia Mais

I love crime. I love mystery. And it’s set in the 1900s?

This was the first drama I’d completed since 2 years ago, and it was definitely a nice reintroduction back into kdrama watching for me. I’m seriously a sucker for crime/mystery set in the 20th century, and this drama certainly didn’t disappoint. As with many of these types of thriller dramas, there was some deus ex machina, but it wasn’t as in the face, if you will, compared to other thriller/action dramas. I’m certainly no movie critic by any means, but as a casual viewer, I really loved the pacing and the sudden cuts between the more comedic scenes and action scenes. There were a few plot holes of note, but I assume they’ll be explained by whatever happens in the second season. I’m so stoked for season 2!

Leia Mais

The year begins with a good start even though the first part of this was released just before Christmas Eve. Reminds a bit of song of the bandits, but a few years later with fantasy elements. Even at the end of the Japanese occupation and World War II in 1945. Spoken almost as much Japanese as well. Delivered good action that makes it very exciting. With a bit of light horror and no war, but a bit more scary at times. Experienced it a bit slow at the beginning but it still has a pleasant pace.

I like the chemistry between the leads, a bit odd. No one who falls for the one at the first moment, the relationship is formed over time which I like. Playful, caring and serious is how I would describe their relationship. Like that their relationship doesn't take a lot of focus on the seriousness they are involved in. The moments come when they can get closer to each other. I perceive Jang Tae Sang as way too confident to an almost comical level in the beginning. He is brave and rightfully so.

This is a very different hospital series with its Frankenstein inspired way. Also see similarities with the host and duty after school when it comes to monsters. Also better than expected, as I don't watch much sci-fi/fantasy. Can also find that Vincenzo has similarities to this one that I can see without mentioning any details. Surprising with its characteristics and plot twists during the course of the action.

For those of you who have seen Mouse, you can also say that this contains a philosophical and ethical thought experiment. Which is practiced practically in an impossibly good way. You can see and decide for yourself. No value is placed on this for you to experience and judge for yourself. However, much more extreme and inhuman in my opinion. Many well-known main roles and supporting roles that many of you have probably seen before. I was a little skeptical at first, but I can really say that it is good. Great soundtracks and very interesting!!!!

Leia Mais