Also, why do Taiwanese directors insist on filming their dramas in these huge modern echoey houses, makes the whole screechy voice thing that much worse.
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This version also tells its story by frequent flash backs and moments in the past, which until you get the hang of it makes it difficult to follow. The story divulges into to the past of all its characters, thus dragging out the series and can sometimes seem to beat a already dead horse.
The quick action is left to a minimum in this version, and Il Woo just wasnt as charismatic as Jun Ki was.
-Bottom line "Return to Iljimae" seems to be a true history piece, slowly dragging you behind the main character. Can easily be fast forwarded . On the upside Il woo is cute when he smiles and this one seemed to have a larger production budget.
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The story and plot are fast paced in the beginning because its new and the characters are starting to interact with each other. It starts off funny but becomes drama central in the second half. The ending was short but cute.
I loved the entire cast but the main 4 leads had this chemistry. I seriously loved watching them interact. This is probably my favorite role of YEH. She is such a great actress really believable as a snobby heiress and so pretty! loved her style=)
The music stands out and went on my ipod straight away.
I could watch this twice in a year just because the cast is awesome
Overall the script isnt perfect but youll have fun watching.
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The Good:
There is comedy to be found it Ohitorisama, even if it does feels recycled rather than fresh. The 'you drank too much so I carried you home and stayed the night' concept is so over-used that it's barely funny anymore but Ohitorisama manages to give it a slight twist.
One of the better performances in my opinion comes from Maya Miki, the school Principal - she manages to convey to the viewer a lot without actually saying anything (and as a bonus she gets to wear sophisticated and fresh hairstyles for a woman her age).
The Bad:
Teppei's character seems tired and uninteresting; I've seen him do much better work in the Love*Com movie, Gokusen 2, Shibatora and Dragon Zakura. If you're a fan why not check out one of those instead?
The supporting characters seem to detract from the dorama rather than enhance it and the sheer number of them in the first episode is overwhelming.
Having watched three seasons of Gokusen (and a proliferation of other Japanese High School doramas) I have come to realise there are only so many variations on a theme within the Principal/Vice Principal/Head-Teacher relationship. Although it tries to revive the dynamic Ohitorisama doesn't seem to have anything new to add.
Also, should teachers really go out drinking multiple nights of the school week?
Summary:
Firstly, I have to say that I only watched the first episode of Ohitorisama before dropping it. It's not that it's not good (there are some good laughs in there), but rather that it's just not new or interesting. I feel like I've seen it (or doramas like it) before; Sapuri and Hataraki Man come readily to mind, and perhaps Hotaru no Hikari & Kimi wa Petto as well.
If you haven't watched any of those doramas (or you absolutely loved them) and you like the idea of an age-difference-relationship based dorama (they tend to take themselves more seriously than popular doramas) then Ohitorisama may be for you.
If you're looking for more of an outright comedy without any re-hashing of the past and mulling over one's marriage prospects (or lack of), then perhaps you should try something else...
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The chemistry between Hiroto and his friends is good (feels like they've been buddies for years) and the friendship between Nao and Yuko also feels genuine, although I have to admit Yuko is a far better friend than Nao.
The acting is generally good although there are some 'fish-face' moments from Kame, but I'm not quite sure if this is because of the character he plays; there is a lot of subtlety in the character of Hiroto and body language and mannerisms play a large part in conveying his thoughts to the audience.
Nao on the other hand is childish and at times seems almost apathetic, but having seen some of Haruka's other work I am giving her the benefit of the doubt and saying it's the character that's a little 2-dimensional rather than the actress.
Didn't Like:
Hiroto's retrospective narration of the dorama is in the style of everything-seemed-good-at-the-time-but-little-did-we-know-certain-doom-awaited-us-just-around-the-corner (I think it's simply a hook to keep the audience interested when the relationship appears to be going well).
The most off-putting aspect of the dorama is by far the lengths Nao's family (especially her father and brother) go to in order to prevent her relationship with Hiroto. I think this goes beyond what is believable, even considering aspects of Nao's past which come to light.
Summary:
The dorama focusses largely on the relationship between Hiroto and Nao and the obstacles the thrown in their way as a result of their radically different circumstances and their families' skepticism. While these themes are definitely not new, I think they're explored in perhaps a more realistic way (for the most part) than in some other dramas.
I would recommend this dorama to anyone who at heart just wants a Love Story - you will get one. The ending is a little disappointing for those who would like a set-in-concrete-defintely-getting-married scenario, but the open-ending isn't nearly as bad as in some other doramas I have seen.
Tatta Hitotsu no Koi is one of my favourite dramas and I confess to having watched it (in its entirety, from start to finish) at least two or three times!
<< For my much longer review visit me at doramasan.wordpress.com >>
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