Reviews

A simple and beautiful story about love and grief

This movie will be in my memories for a very, very long time.

The whole storyline was nothing out of the ordinary, but that was precisely why it works. It was so, so relatable that it hurts to think about because it reminded me of my own experience in life with my grandparents.

I cried throughout the entire movie. The cinematography was gorgeous, and reminiscent of growing up in an Asian household.

I highly recommend this movie. But it's definitely not everyone's cup of tea. If you're a fan of the slice of life genre, then this movie is for you.

Nothing dramatic happens throughout the movie, it just tells a story about a grandmother who is dying, and how the family deals with the aftermath of the heartbreaking news.

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Slice of life

26 years after the the premiere of this movie, this movie mentioned by main couple in 2024 drama The Atypical Family. They argue about the colour of cardigan used by the female lead of this drama.

So the next day I spend my free time to watch this drama in 2x speed. With a mission to know the cardigan colour. But I end up savour this movie. It's a simple, seems mundane, beautifully shoot movie. What I'm not expect is... it left me with a... sorrow feeling? Longing? The feeling is indescribable... But it left something that will last long in my heart.

It's not a dramatic movie. You can read the premise of the movie and think this will be tear jerk movie. But no, it just a slice of life. They approach everything so casually and realistically. It's like a memory of a past lover that we remember 40 years after it past. It's meaningful but not important enough to disturb your life. Mundane but you keep that in your heart. Then maybe some scene will make us reflect about life.

Being technical. The cinematography is really great, the colour and the mood, the camera work. It capture the life of that time in the best way possible. The music is not fantastic but fit the movie so well. The acting and script are so natural. Han Seok Kyu was and is a charming person.

I end up spend another 15 minutes to write this review. I want to write it while the feeling last. But it's confuse me how I should rate this movie. It's a simple movie, nothing seems special. But that what make it special. I enjoy this movie so much.

*It's blue

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'Rebirth' (重生君颜) is a Chinese LGBTIQ+ themed romantic drama that follows in the footsteps of so many other films that have portrayed homosexuality in China, such as 'River Knows Fish Heart', 'East Palace, West Palace', 'Spring Fever', 'For Love, We Can', 'Looking for Rohmer', 'Wu Yan – Speechless', 'Shangai Panic', 'Kinematic Theory', 'The Raccoon', 'The Ambiguous Focus', among many others.
Mixing romance, fantasy and yaoi, 'Legend of Long Yang', as it is also known, presents Ji Yu as the central axis of the plot, a young prince who is preparing to take the reins of a kingdom enveloped in war conflicts with neighboring nations and internal struggles for power.
Directed by Fei Yu and scripted by Yi Hua Yao, the film takes us to the meeting, ten years before the narrated historical present, between Ji Yu and Long Yang, a commoner who, knowing that the heir to the throne does not wish to murder a group of peasants accused of treason, steals his bow and tries to flee.
When Long Yang is caught by the guards, Ji Yu forgives him upon discovering the boy's motivations for stopping the prince from committing a crime. Moved and impressed by the young boy's actions, Ji Yu gives him a token so he can exchange it for money, but Long Yang decides to keep it as a souvenir of the day of his meeting with the future sovereign.
In the present, Long Yang has been serving as a guard in the royal palace for five years without Ji Yu knowing of his presence. One day, when the prince returns from a battle, he is attacked by assassins and Long Yang is mortally wounded while trying to protect him. Just before he loses consciousness, he watches as an enemy archer fires an arrow at Ji Yu, possibly killing him as well.
However, upon waking up, Long Yang discovers that he has traveled back in time and now, a year behind the tragic events, he has the opportunity to change the future. Then, he reveals his identity to Ji Yu, who recognizes him thanks to the token he gave to the boy.
The growing emotional and physical connection between the prince and his newly appointed personal guard will allow them to develop deep feelings, causing love to blossom between the two.
The actors Dou Qi Chen, who we know for his role in the Taiwanese film 'The Rooftop' (2013), and Eric Wang (Wang Hao Yu), known for his participation in the series 'Dream Detective' (2021) and the films 'Robot iGirl' (2016) and 'Battlefield Love' (2012), play the leading roles: Ji Yu and Long Yan, respectively. Along with them we see Wang Peng as General Shen Yi, Jin Zhao as the King, Mu Yan as the Queen Mother, Xin Wei as Ming Yu, Bao Yi Ran as Ji Yu (young) and Shen Han Yang as Long Yang (young).
The then debutant director, known for later directing the films 'The Three Body Problem' and 'Where to Go', as well as for writing the script for this last feature film, effectively uses many of the codes of action and Wuxia cinema with spectacular fight scenes with very visual choreographies, where there is no shortage of chases and suspense.
Although it covers various contents (political intrigues, power struggles, jealousy, ambitions, time travel), the film simply addresses a love story.
Most scenes take place in closed, dimly lit environments, such as the throne room, the royal quarters, or the torture room and dungeons of the imperial palace.
The always necessary female figure as a sign of evil does not take long to appear, this time assumed by the character of Princess Chang Qin, played by actress Hou Meng (Hu Po in 'Mutant Tiger', 2022, and Priest Chun in ' The Monkey King 3'.
We find the typical intelligent and ambitious woman, who uses her beauty and her status as the prince's fiancée to manipulate others, including the kings and other members of the imperial court, and obtain the benefits she desires, including becoming queen after marry the future king, so she will see in Long Yang a potential enemy who could ruin her plans.
The sinister character also appears who fulfills the orders of this beautiful woman and participates in her web of crimes and manipulations to please his mistress. This is the case of Min Er, Chang Qin's maid, a role assumed by actress Zhang Ding Ding, known for her role as Mei Li Er in 'Mr. Express & Miss Concubine', from 2017, among others.
The princess's maid is not only responsible for spreading rumors about the romance of the prince and his bodyguard, but will also accuse the latter of being a traitor and devise a plan to separate him from Ji Yu.
Fei Yu manages to make visible in his film the long history of Chinese dynastic homosexuality, and reformulates the romantic love between the nobleman and his subject of the same sex to place it on a plane of greater equality and dedication, since both characters are willing to give their lives or his throne by being in each other's arms.

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an okay follow up to My Biker

Overall: I was a bit disappointed with the plot in the sequel, though I did like the more realistic vibe. About 35 minutes long. Aired on Wayufilm's YouTube channel https://youtu.be/-JNhFEbulXc?si=MfBagI18jMzGWIdb

Content Warning: homophobia

What I Liked
- sniff kiss attack
- production value for an indie production company

Room For Improvement
- pacing too slow/dragged at times
- though I appreciated looking at internalized homophobia, I didn't have any confidence that there was enough character growth to lead to a happily ever after

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"This battle is a fight to live for our future"

When I saw the Toho logo my heart jumped with joy knowing Godzilla was back home where he belonged. In Godzilla Minus One he was no longer a comic character playing catch with a giant lobster or the King of the Kaiju restoring balance to the Earth. He was a destroyer and an indictment on humankind’s hubris and a reminder of the horrors of war. If Japan was at level zero after WWII, Gojira put them at minus one when he surfaced from the depths of the ocean with a terrible judgement.

Near the end of WWII, Shikishima Koichi is a kamikaze pilot who lands his plane on a small island held by the Japanese ostensibly for engine trouble. It’s not long before the mechanics realize he has run away from the fight. They don’t have long to berate him when they are attacked by a monster the locals call Gojira. When Shikishima freezes once again, he is labeled a coward by the only other survivor. Back home he is reviled by a sister for returning alive, as she blames the country’s problems on his failure. Koichi takes in a woman with an orphaned baby, unable to throw them out when Noriko makes herself at home. The war isn’t over for Koichi as he is paralyzed with regret, guilt and PTSD and unable to move on with his life. When Gojira heads for Japan, the pilot will have a second chance to redeem himself and his honor.

Godzilla Minus One succeeded in two areas. Firstly, they went back to Gojira’s mythology and his evolution from nuclear testing. Gojira was personification of the fear and memory of atomic weapons, something the people of Japan had suffered horrifically from. He was also a punishment for Japan’s militaristic era and the damage done to others and their own people. This monster claimed his territory with a fearsome rage. Capable of regenerating, modern weapons were all but useless against him. Secondly, for one of the first times since the original, there were compelling human characters with interesting stories seamlessly woven into Gojira’s appearance and threat. Too often, the humans were dead weight in Toho’s Gojira films saddled with mediocre actors and dialogue. Koichi was a complicated character and his boat buddies were developed enough to remember them. Noriko as a character was thinly but heroically drawn. Even the characters who reviled Koichi came around to being more well developed.

If there was one flaw, the horrors of the war were laid solely at the government’s feet, which categorically absolved the rank and file from atrocities committed during the war. And yes, the government had the “best ability of spinning and hiding information from the masses”. The government also, “...treated our lives too cheaply...Tanks with insufficient armor, poor supply chains-leading to starvation and disease…and fighter planes without ejection seats…as well as kamikaze and suicide attacks.” The characters emphasized living for their country and its future instead of dying for it even as they bravely faced a seemingly indestructible foe.

For a film made for 15 million dollars (USD), it looked far richer. The special effects were excellent whether it was Gojira’s atomic breath, miniatures, ships, or buildings crumbling like houses made of cards. Gojira himself, was frighteningly majestic and terrifying. Able to regenerate, he did come across as a vengeful god. This film deservedly earned an Oscar for Visual Effects. One last little production note--Sato Naoki is credited as the composer but much of the score was a reworking of Ifukube Akira's iconic Godzilla theme.

Not since the original Godzilla (1954) have I enjoyed a Big G film this much. Gojira was a merciless, destructive force, created by unnaturally splitting atoms. The people of Japan united not to fight to the death against this formidable opponent but to use all of their abilities in a battle that would ensure that they could live for their future. In the face of this harbinger of death, there were those who found redemption, love, and healing. Good job Toho! You made a film worthy of the original and a wonderful way to celebrate Gojira’s 70th anniversary.

2 June 2024

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Dark,twisted, edgy and toxic blue romance.

When you start this movie you feel like you're in a haze, everything is blurry and confusing. But once it unfolds, it leaves a lot of questions unanswered. Truckload of emotions hit you when you're unprepared.

Two lonely people try to find love when both of them have the same kind of psychological trauma. Their instant attraction turned into love and that love opened the door to freedom and escape from their traumatic past. That love made them say “I'll even go to hell as long as you're by my side”.

Beautiful cinematography, sad ill-defined plot and the chemistry between the actors is to die for. The symbolism of water/ocean throughout the movie made it prominent that their meeting and parting is related to it. The relationship between the recorded voicemails and past were tied so skillfully that you cannot assume the link between them.

Koizora, Sachiiro no one room, Drowning love and No call no life have different storylines but same genre same vibe. All of them are complex yet simple love stories of two young people.

I think I am more inclined towards those films that left a bitter aftertaste. They linger in your head for a while and make you ponder deeper which makes it more memorable. Definitely will watch it again to uncover the mystery.

Leia Mais

Amazing movie with awesome soundtrack

I watched this movie with my parents on Netflix yesterday and it was really amazing, however, I wasn't a big fan of the English voice over of the movie since it made the film less emotional but soundtrack and effects with this movie was really, really good and would strongly recommend this movie, glad the wife survived at the end and can't wait for the second movie of Godzilla Minus one, definetly recommend it to everyone and this movie showed what Godzilla should actually be like instead of the American version where they make Godzilla friendly and save the world however this one makes Godzilla an evil one that destroys cities and kills people which is more of what I enjoy.

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So many questions and no answers

I do not even have words. XDDDD
Could be I expected too much based on my memory of previous movies. But not sure what was this. XDD It feels like they wanted to fit all past 5 movies into less than 2h. In the end it was extra random, full of cringe, Gii looked like having borderline personality disorder (no offece, have it myself) or maybe he was bipolar. He was changing mood every 2 mins, doing random things that does not make sense, action and scene were changing all the time. No chemistry at all. I felt more emotions from the piano in the end, than anyone alive on the set. XD
Actors were good looking, fact. But the rest? Nei nei.
AND WHY DID THEY PUT SCOTTISH MUSIC INSIDE WITH BAGPIPES MIXED WITH SOME LORD OF THE RING MELODIES??? XDDDD
That makes no sense. But amazing to laugh for almost 2h. XD

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Question: Is the Kim Pilheung the same character as in To My Star, just a few years younger?

What I liked:
* I actually liked that there was no inner dialogue, which is there in the series -- it made things a bit more ambiguous for me, which suits the characters' developing emotional state.* I liked the acting of all the actors.
* The girl's mother was cute :)
* We still don't know what is so different at the end of the story that it is possible for the couple to be together. I actually like that.


What I did not like:
* The premise is interesting (though similar things have been done already), but things don't really add up, unless Gang Gook is in some kind of indentured servitude? If they are both 18 or so, then 15 years ago, when their master-bodyguard-relationship began, Gook must have been three years old?
* Even if he started his role later, he would still have been a minor.
* Tae Joo's father seems to regard Gook as some kind of whipping boy, which is otherwise not seen as a problem, but it is an archaic practice that should not have a place in modern society.
* All of this imbalance of power between Tae Joo and Gook is adressed several times but never resolved between them. It makes the happy ending unfinished, for me, and leaves a bad taste...

The last points of both my lists would make an excellent starting point for a second series, in which their difference in status and the need for balance in their relationship would be the main theme. (Could even be as good as the second series of To My Star, I think).

Compared to the movie, I like the series less, since the movie's music score fits it better, and also I liked that we don't get the inner monolgue, which I found more distracting than helpful.

So, overall, it's not that bad, if you can and want to watch the story, then watch the movie.

Leia Mais

I see.

This was ok?
The Shang dynasty setting is cool to see - human sacrifice, lots of bronze armor and swords.
It's surprisingly horny for a big mainland Chinese movie, though the lusty sex-coded characters are all bad guys, obviously.
There's literally a scene of a dance number that's a metaphor for people fucking, with a woman shown "climaxing" with her dress and long hair.
That said, for such a big production it's surprisingly ugly at times - both the CGI and the colour grade.
I also wished all the hostages, princes and other young male characters were better visually distinguished.
I had trouble telling them apart at times, because they are all fit young men and wear the same hair and uniform all the time.

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Orange Juice Meet Cute

This has to be one of the sweetest fucking things I've ever seen.

This showed from start to finish the embarassing and exciting experience of finally talking to that person you're interested in and actually having them reciprocate. And all the missteps and moments of barely-mustered courage in between. From initiating a conversation and agonizing over what to say so much that you say very little, exchanging numbers, typing, deleting, and retyping the first text, to going on a date for the first time and making things official.

What a treasure these shy and real moments in a developing romance are.

Bless these two sweet, terribly awkward men.

That's it. That's all I had to say. NOW GO WATCH THIS MOVIE BECAUSE IT'S GOOD, I PROMISE!

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"There's a man who keeps his duty separate from his love at least once a day"

Lo Lieh directed and starred as an agent in Deadly Roulette, a movie about two Interpol agents who sought to bring down a Triad leader who had been killing people using the lethal Finger Bullets style of kung fu. Bobby Kim brought the kicks and lovin’ as the agent whose ex-girlfriend lived in Hong Kong, complicating his actions on the case.

Interpol agent Bobby is brought onto a weapons smuggling case in Hong Kong when officers are found dead with finger holes in them. He asks to work with Darion who obligingly signs on. While in Hong Kong he meets up with his ex-flame Kyeong Hee who is still angry about being used in his last investigation and then abandoned. That anger does not stop her from hooking up with him again. As Bobby digs further into the case, he discovers how dangerous the gang is as they supply grenade launchers, missiles, and rifles to terrorists. It doesn’t take long before the agents and officers working on the case ascertain they have a mole in their unit as their every move is preemptively countered.

If you’ve ever wondered what 1970’s Hong Kong looked like, there were many scenes of characters driving around. This was a fairly common practice in movies 50 years ago. The shots established the setting and showed characters’ movement from scene to scene, but it feels dated now days. The music was also classically 1970’s bow chicka bow bow. The Beatles’ song “I'm Happy Just to Dance with You” (1964) was used but I’m betting no royalties were paid. Dog fights were shown in two different scenes early in the film, which was quite disconcerting for me. I’d rather see the men pummel each other instead of innocent animals being abused.

The movie made use of the Interpol trope in order to justify a foreign actor starring in a film set in Hong Kong. I would have preferred Hwang Jang Lee as the Korean agent. Lo Lieh is one of my favorite old kung fu stars and the only reason I watched Deadly Roulette. The film was badly faded and the story had numerous plot holes and inconsistencies. Usually, plot holes weren’t a big issue in these types of films because there were enough fights to distract the viewer. Unfortunately, there weren’t many quality fights and the big finale was a big letdown. South Korean actor Bobby Kim was proficient in taekwondo and it showed with his excellent kicks, even though many of them obviously never landed.

Deadly Roulette had a semblance of a story and was watchable…barely. And watchable only if you enjoy old kung fu films, especially one with a largely Korean cast. As always, I grade these cheap, niche movies before 1990 on a curve.

1 June 2024

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A bond is a bond, whether forged in the innocence of youth or the wisdom of age.

I can't believe there aren't any reviews for this awesome movie! Even though I'm not the best at putting my thoughts into words, I'll give it a shot and try to convince you why this was such a fun watch.

Imagine a gangster asking a 9th grader for singing lessons because his boss has this weird birthday tradition of hosting a singing competition, and coming last is a big no-no. Sounds crazy, right? But these two actors made it look like the most normal thing ever. You'd almost believe it could happen at your school!

This drama is about a sugary-sweet yakuza and a cold-hearted teenager who's the poster child for teenage angst and icy glares.
It's a quirky reminder that friendship can blossom in the most unexpected and peculiar ways possible. The story takes time to warm up, but as you notice changes in their expressions, you realise that, oh, they are totally into the BFF game now.

What's fascinating is that our teenage protagonist isn't your typical rebel; he's surprisingly cool-headed. On the flip side, there's another teen in full tantrum mode, plus a mature girl their age always trying to cool things down, showcasing the many shades of adolescence.

I enjoyed this movie a lot. There are so many fun moments, some literal god-level smart writing, and, of course, a totally heartwarming climax. I know my review is kind of wrapping up now when I hardly wrote anything but anything more than this can be a spoiler, and I don't want to steal your joy away.

Just to make this review a worthy read, I am going to tell you the most important thing about this movie, which is the post-credit scene. Please don't miss it, and look closely at the tatto on our sweetheart yakuza and smile like I did.
Now go and watch this gem right now, and please return and write a better review than me to attract more viewers, I believe in you hahaha.
 

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