“I had to be flawless not to be looked down on.”

One’s in love and one is clueless - probably my second favorite trope right after enemies to lovers. Both create many opportunities for funny scenes and interesting interactions with the proper amount of angst to spice things up without breaking my heart.

The plot is rather simple, giving a nice slice of life sentiment, tackling various issues young people might face, while also telling a compelling love story of two interesting characters with wildly different backgrounds, pasts, personalities and behaviors.

Cha Si Won was a deeply insecure boy who needed a lot of external validation. From the start we get a good glimpse into who he is - craving the attention, enjoying people praising his looks. He takes appropriate steps to make people look in his direction. He feels anxious when there is someone equally attractive as he is - feeling the need to work even harder to stay at the top of that social ladder.

On the other hand Hyeong Da Un seems to be born with good looks and does not need to work hard to get the attention Si Won wants so much. That said, from the start I could clearly sense loneliness and sadness about him. That emo vibes creeping in. We did not get to understand who he is from the start, but the writer dropped hints that his life might not be as sweet and perfect as Si Won assumed, for example when his smile dropped after hearing the door from his house opening. To quote Shrek - Da Un is like an onion and the writer was slowly peeling off the layers of his personality and struggles as the drama progressed, showing who he is as a character and making me cry the tears of pain in the process.

So how did their relationship start? Cha Si Won just had no idea how to act around Da Un. He wanted to make sure Da Un knows he is this confident guy, but it turned rather awkward, and the small lie he told to create that persona was exposed rather quickly and concluded with one simple “맛있게 먹고”.

At the same time Da Un tried to get close to Si Won, joking around and showing real interest in him - which was at first taken as teasing and a sign of him acting superior. Poor boy, to be this misunderstood by your crush, when he just wanted to spend time with him and get to know him better.

Si Won’s whole drunk monologue in episode 2 was a new level of 2nd hand embarrassment, and yet Da Un thought it was endearing and funny. Si Won was literally trashing him saying there was something fishy about him, and Da un was just smiling about it - he was already gone into the love land by that time.

Si Won’s insecurities led to misunderstandings, but thanks to the god of kdramas, these two boys were forced to work on different assignments together, which created many opportunities for Si Won to see how his initial judgment might have been just a misconception. And the sweet love story slowly developed.

The plot line that got me extremely interested was the contest and the aftermath of it. From the start Si Won was not confident in his writing and the script, not to mention the work was autobiographical which would mean being vulnerable about your past in front of many people.

He feared it’s not strong enough to be picked, so even though he was tempted by the opportunity, he alone wouldn't take it. After his sister did it for him, resulting in him winning the first place he felt conflicted. From the start he believed the rumors that he only won thanks to Da Un’s involvement, but at the end he decided to believe in Da Un’s denying it. His words of assurance that the scenario was good and worth the award gave Si Won the confidence to share it with the class…

…and then he found out it was all a lie - the fear of not being good enough became a reality. At that point though, his priority and what he cared about changed. He loved Da Un, he was more angry about him not being honest than the actual contest.

It’s also interesting from Da Un’s perfective. From the start he had an instinct of taking care of, helping and protecting Si Won. From serving him food on the night out with other students, taking him home when he was drunk, going after him after he ran away from the book cafe. His priority was making sure Si Won is fine. Hence when he found out Si Won submitted his work for the contest, he feared not winning would hurt his confidence even more - he wanted to protect him from that disappointment. His good intentions led to misguided actions and awful aftermath. He feared Si Won would be disappointed in himself after losing, but at the end he led to Si Won being disappointed in him.

Except for the personal internal issues the male leads have and their relationship, the drama does quite a good job at showing how bad parenting can hurt the child - be it putting too many expectations on them, or neglecting them assuming they will do well on their own. Both can create trauma and scars that are hard to heal and can carry to adulthood. Both leads struggled because of their family relations and it influenced how they behave now - one feeling the constant need to prove himself, and the other struggling with truly opening to others.

Presentation wise, I loved how Si Won’s family issues were often present in the background - we could hear his mother badmouth their father to Si Yeong, questioning if she likes her father, guilt tripping her into admitting she does not.

Another interesting side plot was Yun Jeong and how she had to deal with the sexist senior - from inconsiderate remarks about her looks to situations where she truly felt uncomfortable and even threatened.

It would be a crime not to mention Si Won’s sister Si Yeong and her adorable crush on Yun Jeong. The cuteness that the character radiated was just amazing.

The acting? Really good. Jo Hyuk Joon just broke my heart with his sad puppy emo eyes, and Kang Eun Bin made me want to die from embarrassment quite a few time with his perfectly delivered lines based on his misconceptions and misunderstandings of people and situations - he was so confident about all the things he was wrong about. At the same time he managed to deliver the more emotional scenes. The scene that impressed me the most was his argument with the mother and them crying in each other's arms - the pain was real.

Production quality for such a small show was great. I also liked the directing that emphasized the characters current situation. For example, how they showed Da Un sitting with his back to the camera when his family was mentioned. It gave an even stronger impression how lonely he is, how he is unable to show his pain to others and he deals with it alone. And then, to add by the end of the show a shot of his and Si Won’s back, sitting next to each other telling us, he is not alone anymore.

Another great example would be how in episode 5 during one of the classes the lecturer talks about the magic/golden hour in photography “This magic hour is called the time between dog and wolf. When seeing a man walking toward you at that time of a day, you’re not sure if it’s a dog by your side or the wolf of your enemy”. Then in episode 6, after Si Won asks Do Un if his parents had anything to do with him winning, we can see a shot of Do Un filmed in that “magic hour” which could be seen as foreshadowing his involvement in the contest behind Si Won’s back. And then later, the whole episode 10 was titled “The time between dog and wolf” when the truth came to light. I appreciated how some references were coming back in different forms and times to tell the story.

Was the production perfect? No. Some scenes were dubbed (if the characters were sitting or walking far away), but it was still clearly visible the sound did not match what the actors were saying. Sometimes some shots seemed blurred and the colors were not sharp enough compared to the previous scene, but honestly, all of these things I only noticed while rewatching the drama.

Surprisingly, this show gets better on the second viewing. Some lines just hit differently when you know the whole story and context. For example Si Won telling Da Un “you were born with everything at the tip of your hands and loved by your parents so much” in episode 2, which could not be further from the truth with how he grew up emotionally neglected, receiving close to no love and attention from his parents who were always busy with work.

Overall, not sure why this show feels so special to me, but it does. The second viewing made me love and appreciate it even more. I would recommend it to everyone, as it delivers nicely written characters that are easy to sympathize with and relate to, soft commentary on some personal issues we might face in our lives and a truly sweet romance with great chemistry that will make you feel lonely like never before.

Leia Mais

It’s so basic, but so good.

There is exactly nothing innovative about this show. Typical exaggeration of the unfair social structures currently existing in the world, typical villain with selfish motivations, typical hero with personal story. And yet, I had so much fun watching.

I would agree that the world buildup and storytelling is rather vague - lacks the details on how the society truly works, what are the motivations of all the characters and groups. Some do things because they are good people, some because they are selfish or desperate, some scared, sometimes (most of the time) it’s personal story or revenge, but we don’t really get a proper and more elaborate exploration and explanation - neither about the past, present nor the future.

I might be in the minority here, but it honestly did not bother me at all. I think with post-apocalyptic stories, I actually prefer when a lot of things are left with a question mark that I have to think about and find the answers for myself. For me, the process of filling the gaps with my own ideas is actually a part of the entertainment. All that consider, I can see how others might view it as a rather big flaw.

The performances were great. Do I think they will be remembered for a long time? No, since the characters were not exactly that complex and well written. That said, the actors did a phenomenal job with delivering performances that made the characters seem real and cohesive, even if the writing was rather imprecise. The brotherhood between 5-8 and Sa Wol was both entertaining and low key heartwarming - all thanks to good on screen chemistry between Kim Woo Bin and Kang Yoo Seok.

Being a fan of Song Seung Heon, it was rather disappointing how little acting this man had to do. Probably one of the weakest aspects of the show performances wise, and it’s all on the character’s writing and not the actor himself. Since the character was rather boring, I honestly don’t think anyone could make him stand out more.

Directing wise, everyone should look at this drama as a great example on how to end episodes - these were true cliffhangers that made you curious! I honestly could not stop watching. Binge watched all 6 episodes with just pee breaks.

What’s more, the pacing is great. They don’t focus unnecessarily on unimportant bits, highlighting the scenes that matter the most. Sadly, the final confrontation was a let down. It ended before I could even register what’s going on and I was left with the thought: that’s it? Well, that’s anticlimactic.

As for the production - I loved the set design. You know what is one of the most ridiculous things in post-apocalyptic and sci-fi shows? The over the top complex designs. The world is shattered, people would lean towards the simplicity that would be cost efficient, except for the rich elites who would try to pretend the reality is either the same it was in the past, or not as bad as it truly is. We got just that here - simplicity for the poor, trying to maintain the idea of normal life for the rich.

For the negatives - the show is really dark during some scenes. Yes, in context it makes sense, but you still need to think about your audience and not just the realism of the situation. Watching just a black screen is not entertaining. If you make it impossible to see, you can as well just make it into an audio book. That problem mostly existed in the first two episodes and lighting got a lot better later on. There were a few scenes that managed to create a beautiful picture just with the right lighting in the right spot.

A small bit that got me laughing - truly questionable blood splashes during the fight scenes. The gun wounds were fine, but the poorly animated CGI blood during fist fights was just comical.

Overall, I had a blast watching. It can be both: brainless entertainment and a start for some conversations and reflections about social issues and structures as it reflects our reality rather well.

Leia Mais

Being perfectly honest, there was close to nothing I liked about this show. While at first, I liked some supporting characters, in the end, I was done with everyone except for Na.

Technically speaking, the plot is nothing new: guy who didn’t know he was gay, finds out he is gay and liked his best friend (ignoring the bullshit plot twist by the end). It’s simple, you can make it work, but not the way they did it here. The biggest problem was pacing. Good majority of the episodes showed Tonhon being a homophobic asshole, to magically be all “love is love” and accepting about his new found attraction in one episode. It was not gradual - he went from no homo to “love is love” in a matter of a few minutes of screen time and one day of drama time. Because of the poor directing and writing, the scenes that would usually indicate his jealousy (which would hint his feelings for Chon), truly just felt like he was angry at any gays getting close to him or his friends.
And don’t even get me started on “I loved you for a long time” bullshit, because I am about to (┛ಠ_ಠ)┛彡┻━┻.

Speaking of Tonhon… What a mess of a human being he was. The show tried to convince me that he was so homophobic, because of his dad, but I didn’t buy it. He was a grown up man, he was not living with his parents, no one from his circle of friends was openly homophobic, and looking at some scenes in the 2nd half of the show, only his ex-girlfriend was homophobic. This leads to one conclusion: he was ignorant, unwilling to learn or to change his mind. I already talked about his unrealistic switch of personality, but what makes it even worse: he gives shitty excuses after breaking a promise. The fact he kept claiming as if he did not cheat on Chon was laughable. You kissed your ex. That’s it. There is no excuse that would make it not cheating (in the scenario they presented). Except for his looks, he had no redeeming qualities. I have to ignore the revelation of him loving Chon since they were kids, because it contradicts everything that was shown in the previous episodes.

At first, I enjoyed Chon a lot. I liked how he did not judge people based on their looks, occupation and sexual orientation. He was a sweet boy with a massive crush on his best friend. But then a whole “let’s bait/force Tonhon to come out and admit his feelings, even though he is obviously not ready” plot hit me in the face, and the only thing I could think about was: this is gross.

Ai, Ni and Miriam are guilty of the same “crime”. Again, I adored their characters at first, especially Miriam. The more I thought about the situation though the more borderline toxic they became. One could ask, what was toxic about the adorable Ai and Ni? Well… For starters, they enabled Ton’s homophobic behavior. How the guy was supposed to learn that being gay is not bad, when even his closest friends were agreeing to every homophobic line he was saying and went with all the crazy ideas of “what a real man should do” he had? I call that being bad friends. Miriam was quite a busy body and one of the biggest supporters of forcing Ton to come out. Enough said.

Amp was just trash. That’s it. Nueng was trash 2.0. He tried to rape Chon is a toilet, when Chon was drunk. And no one had close to any reaction to it. Like it’s not a crime. Like what he did was not disgusting. I am so done with this trope, and the fact the perpetrator is never dealt with in a just way. Yes, let’s just ignore and not seek any punishment for attempted rape. No big deal in the land of many BLs I guess ¯\_(ツ)_/¯.

I liked Chon’s mom, but then she went “if husband and wife have a disagreement they should sit down and talk about it”. LADY! This is not a disagreement. The dude cheated on your son. Honestly, her whole speech about “don’t let that one woman ruin your relationship” was out of place.

And now, the only saving grace characters wise: Na. His behavior at first was a bit frustrating. He seemed extremely overconfident and too full of himself. The more I got to know the guy, the more I started to adore him though. From the beginning he was honest and straightforward about his feelings and intentions. He was clear about the fact he is truly going to “hit on” Chon, and for him it’s not about making Ton jealous. Even after he got rejected, he was the one to support and talk with his love rival, making sure he is ready to accept his feelings and it’s not too much of a burden to him. He was just truly a good guy surrounded by trash and semi-trash.

Also, can anyone explain to me why they censored Ni and Ai kissing scenes, because that was one of the most ridiculous things I have ever seen. It was so obvious Toptap and Mike did not kiss once during the whole show, and that’s why the scenes of them being lovey-dovey with each other were cut in such weird places. If the actors for any reason cannot kiss on screen, either don't write any kissing scenes for them, or recast the characters.

Anything else I enjoyed except from Na? The production value was high. The show was pretty. I also did enjoy the cute scenes we got by the end between Ton and Chon. Don’t get me wrong, I was still pissed how nothing makes sense plot and pacing wise, but it was cute for the few seconds here and there when I was able to turn off my brain. So yeah… that would be it.

And you know what is the worst? All the problematic things in the show were added, and they don’t exist in the novel. And I’m just sitting here asking: why? What is wrong with people?

Overall, this ain’t that guys. The only reason I finished the show was to see how bad it will get. And let me tell you, it got worse with each and every episode.

+ Can we talk about the fact Miriam is pregnant? Okay... no. I don't want to think about that ridiculous plot line at the end.

Leia Mais

How to describe this drama with one word - CURIOSITY. It’s confusing and it feels like you are being sucked into someone’s memories, showing you just bits and pieces of what happened, but instead of feeling frustration, you just want to know more.

The characters are quite unusual, but in a refreshing and realistic way. Every one of them has a unique perspective on life and can teach you a few important lessons. Watching them interact and see them conquer their fears, accepted failures and move on to happiness is quite therapeutic.

All the characters have some kind of struggles they are facing, and all of them deal with them in a different way. We can relate to some and learn from others. Each presents a specific approach to life and striving for happiness.
It shows how people deal differently with pain: some pretend to be strong, some crumble, others live in denial and some chase after the lost happiness even when it's impossible to get it back. In a surprisingly heartwarming way, it shows the various sides of depression that does not leave the viewer drained of life, but rather hopeful.

The directing and editing has this dreamlike feel to it, which makes the drama even more appealing. Some might say it was too slow paced, too confusing, but for me it was pure perfection. Usually I dislike dramas that are this slow. I feel like they just try to be artistic for no reason. Somehow, the slower pace added a whole new level of charm that made me love A Piece Of Your Mind even more.

Any flaws? The device itself. While I can accept its existence, how it was made cannot be explained no matter how far-fetched sci-fi approach you take. Did it bother me while watching? No, since the device itself was never the focus point of the plot. It was always about the people and their relationships and how they can affect each other, not the electronics that made the connection happen in the first place.

Overall, it’s a healing story that will make you feel like you have dreamed it.

Leia Mais

Immersive experience that makes you part of the plot.

Incantation is a 2022 found footage horror movie directed by Kevin Ko, loosely inspired by a real life case that happened in Kaohsiung in 2005. That said, the real events give more of a framework for the plot, and nothing that actually happened in the movie was related to real events. Apparently, it’s not easy to find any truly reliable info about it in English.

Incantation might have one of the best opening sequences of any horror I have ever seen. By directly addressing the viewer, presenting the optical illusions in the context of the power of will and personal framing, and by asking the viewers for help - it’s hard not to feel the immediate immersion. Breaking of the 4th wall is an aspect that comes back quite a number of times during the movie, which made me far more engaged than I initially thought I would be.

What about the plot? We are presented with two different timelines - present time of Ronan trying to gain the custody of her daughter and the bond with her, and the past timeline explaining the fear and ritual she was a part of a few years ago. As much as it’s a horror, it’s also a drama - showcasing the variety of emotions a parent can feel in relation to their child, and the actions they are willing to take to help them.

Are the scares actually scary? Truth to be told, the few jump scares I’ve got were a bit disappointing? The core value of the show is the eerie atmosphere, which was built in a perfect way. From the start we know, the plot is leading to some awful events, so even the happy and warm moments between the mother and daughter feel bitter.

Incantation is a movie that obviously cares about the details of world building. The Buddha-Mother, hand gestures associated with it, chant, symbols and rituals were well designed and planned - created a cohesive picture of that fictional spiritual belief. That’s why, even though I knew it’s not real, it was impossible not to feel affected by what's happening on screen - especially during the “directly addressing the audience” moments. The minor detail I was especially impressed by, was the use of the after-image closer to the end of the movie. Small, clever trick that felt like the last nail in the coffin for me.

The acting was perfect. While all the adults did an amazing job, with Ina Tsai portraying the conflicted emotions, fear, desperation and hope in a clear and realistic manner, the one that surprised me the most was the little girl Huang Sin-ting who played Dodo. Not only was her performance great, it was amazing to see a child act like a child in a horror movie. Why they always try to present the kids as demons incarnated with cold and detached behavior is beyond me.

Any flaws? I do believe the movie was slightly too long. Keeping it around 90 minutes instead of 110 would be preferable for the pacing to feel more tight. While I understand it was important to present the relationship between Ruo Nan and Dodo in great detail, the moments diluted the tension quite a few times. Personally, I could do without a few jump scares, especially the “cheaper” looking ones - the movie just did not need them.

Best to watch for scares: alone, evening/night, headphones on, no distractions.
Best to watch for the analysis: buddy watch, talking about the symbolism as the movie progresses, trying to predict the outcome.

Trigger warning; trypophobia, child neglect/child harm, body horror, gore.
The movie has some rather… gross moments. Also, might be too much for people who strongly believe in the supernatural - I can see it messing up with someone a bit.

Leia Mais

Refreshing dynamics is exactly what we all need from time to time.

Love Tractor just does not follow any of the cliché character portrayal and I love it.

Is the story complex? No. Do any of the side characters have any depth? No. Is there any solid conflict? No. And that’s why it’s so good and serves as a perfect fun and relaxing watch. Each episode makes you fall in love with a new aspect of the drama. At first I just adored Yechan, then I started to appreciate the aesthetically pleasing shots of the rural area. Without me even noticing I started to like Yul more and more and by the end I was completely smitten by his dynamic with baby Yechan. It just gradually builds positive emotions and energy - I could not stop smiling as I was watching.

Some scenes and plotlines seemed a bit random, most were underdeveloped, but at the end of the day, the focus was on the growing relationship and trust between Yul and Yechan, and I’m fine with it.

The acting was great and I will even defend the village head chief (or however they called him). Was his presence extremely random? Yes. But somehow even that aspect was endearing and his friendship with Yechan was simply adorable. I loved how Yoon Do Jin was able to make extremely expressive Yechan feel natural and never over the top in an unrealistic manner. I appreciated how Do Won’s presentation of Yul showed you can have a more reserved character that does not come across as cold and distant.

Production value was great. The visuals were stunning - both in terms of cast and the scenery ;)

Overall, such a pleasant watch.

Leia Mais

Calming and mundane. Wrapped in a thin layer of sadness that gets thicker as you watch.

"People can die of longing. Still, we were diligently making memories that we would be longing for every day."

Even with the heartbreaking theme, the show had this peaceful aura about it. While not much was happening (with half of the episodes being cooking scenes with Han Seok Kyu’s narration over it) it just felt right. This show gives you pause to breathe and enjoy the moment while also slowly taking the breath away when you know what’s coming at the end.

It has gracefully balanced between the warm and happy moments and the harsh truth of the reality the family had to face. Recipe for Farewell does not show you the whole journey. It gives you bits and pieces, the moments, but it’s enough to understand the whole process and relate to the characters.

It’s a small story, happening in a small area with a small number of characters, yet it has a big heart and many amazing messages. It’s going to make you smile, laugh, cry. You are going to feel grateful for what you have, appreciating all the small things we usually ignore and take for granted in life. It talks about loss, grief, accepting the inevitable, maturing and putting aside our egocentric nature, reconnecting with people in your life.

All of that was possible thanks to the great writing and directing, but also phenomena acting from the whole cast. I cannot even describe how amazing of the job everyone did in this project.

Is this show for everyone? No. And I don’t mean it in a rude way, as if only “intellectuals” can enjoy it. It’s just truly character driven, truly mundane and truly not focused on the entertainment aspect. As much as I enjoyed it, I can easily see someone else finding it boring.

Overall, it’s a true gem. It’s not a show you watch for entertainment. It’s not something you put as a background while cleaning. It’s something you should enjoy at your own pace, free from external distractions.

Side note at the end, but Yang Su Won is one of the most amazing characters from all 2022 drama. On the other hand, closer to the end I started to strongly dislike Yeo Jin…

Leia Mais

I will keep it SPOILERS FREE for the first half, and then unleash the rant. I have complaints. I had hopes… and they were crushed.

The first few episodes made me so happy. I was in heaven with the cute and fun interactions between the characters. The romance was sweet and down to earth. Jung Ha was able to fight for her rights, Hye Joon stayed true to his morals and Hae Hyo was on the way to cross the villain line. And then… nothing happened.

There are quite a few plot lines here; basically every character gets one (Ha Myung Hee must be Oprah wannabe or something), but none is truly explored nor well established. At first, this messy and unbalanced way of directing and editing seemed charming to me. Life is messy and unbalanced you know. I liked how some important plot lines were not explained right away, but, for example, we got a whole scene of the female and male leads discussing how one should apply hand cream. It worked coz I was sure the plot lines will be slowly addressed as the drama progresses… Sadlyl, they weren’t.

All the characters were rather poorly written, though had great potential to be amazing. Hye Joon is boringly perfect and everything works out for him. Jung Ha has a great 180 closer to the end of the show, Hae Hyo was truly useless plot wise. All the supporting characters were there filling the space, but their motivations were never explained. Why do they do what they do? Who knows?

It had its moments. Park Bo Gum crying? A+. Well, that would be it.

⌧ So now, let’s drop some SPOILERS! ⌧

How did the relationship between Jung Ha and Hye Joon go from perfect communication and understanding each other, to never communicating what they truly want and feel and making all the decisions on their own? We had so many dramatic plot lines that could bring the tension in the last episodes, why add new bullshit one?

Why introduce Ahn Jung Ha’s mom into the picture when this story was never truly explained nor explored? She just shows up to give Jung Ha an excuse to be sad and cry, and then she is gone. They ONCE mentioned how Jung Ha has problems accepting help because of her mom, but it was never mentioned again, it has no meaning in the story itself.

Why did they never do anything with Won Hae Hyo? He was neither good, nor bad nor gray. He was just kind of there. How interesting would it be to actually see more of his internal struggle between being a loyal friend and disappointed actor?

Why give us a side romance between Jin Woo and Hae Na? Probably the most useless plot line in the whole show. This could let us explore more of the controlling behavior of Kim Yi Young or be another burden for Hae Hyo: one friend “stealing” his spotlight, and the other dating his little sister and hiding it, pushing him into “I have no one I can trust” state of mind and explaining his feelings for Jung Ha, who was always honest with him.

Why did they never truly use the Charlie story? It was always somewhere in the background, but at the end it had no lasting consequences on the characters at all. When dating make up artist affected Hye Joon more than having a famous designer as his gay sugar daddy? Where is the logic? Why even add the story when it was never important to anyone?

Kim Su Man was painfully dumb.

The "2년 후" aka the boring ending.

That’s it. Not really. But I have no strength left to write more. Damn… this could have been such a good show.

Leia Mais

*Inserts the reversed horse drawing meme*

It started as a cringe is the best way possible. I cannot believe I enjoyed something that brought me so much 2nd hand embarrassment. And yet, I liked every second of it. All the awkward situations that have no place in reality, but that put a smile on my face. All the moments that made Seon Ho question his sexuality, and me question my sanity. If only the show stayed on the path of silly comedy and did not venture into the miscommunication and misunderstanding hell, burning both the souls and brains of all the viewers.

It’s not like the plot did not have a potential to be a really fun and light BL. We had all the elements needed to deliver a perfect mutual pining romance with some over the top, but enjoyable comedy. So why, oh why was most of the show based on the most ridiculously easy to explain misunderstanding? Mental gymnastics the writer had to go through to come up with the ways for the characters NOT TO find out the truth deserve a golden medal in the Olympics.

Still, there were things I enjoyed.

First of all, Seon Ho was a great character. Sweet, caring, hardworking, honest and open minded. He had a cute puppy-like demeanor and it was impossible not to like him.

The few scenes between Seon Ho and Gu Mu Yeong that were not focused on the misunderstanding were also truly fun. The way Mu Yeong gave a few soft smiles because of Seon Ho was just cotton candy warm marshmallow sweet. I even enjoyed Han Joon Seok and thought he would serve as a better reason for the conflict than what we actually got.

The acting was also nice. I was not thrilled with Ko Chan Bin’s performance, but overall the character was such a mess… How does one even deliver anything decent based on that writing? Song Seung Hyun, Lee Do Ha and Seo Min Seo honestly did well in their respective roles.

One thing though - even Park Shin Hye had more realistic kisses in the beginnings of her career...

Production value had its ups and downs. Overall, the quality was good. A bit over the average for the short k-bls. One scene in episode 7 thought… If you watched the show you know which one I am talking about. Who thought that was good enough quality to be included in the final product?

Overall… It just left me feeling disappointed. I went from hyped excitement after the first 2 episodes, to complete resignation after the last two. It got progressively worse with each episode and if it was a full length drama, I would definitely drop it half way through…

Leia Mais

Mame, why?

Also, Kate why? Why are you always giving a chance to Mame shows, even if you know where it leads and how it ends. Why am I torturing myself?

Theoretically speaking, Mame's ideas are not bad, but for the love of God she cannot write a good story based on them. So she adds bullshit plot lines to fill the screen time that should be used on developing well written characters and relationships.
Don't Say No with better writing would be legit good BL, focused on the realistic portrayal of friends to lovers (with all the awkwardness and unsureness of it), the struggle with accepting your past, thinking it's holding you back, or affects how your loved one views you, found family trope...

But she just cannot put these ideas into writing. There are truly good scenes here and there, but they are surrounded by so much trash. What seemed like a refreshing story of two completely different individuals with different past and romantic and sexual experiences trying to make their relationship work, turned into a bingo game of what kind of external excuse will Fiat get for sleeping with people. I guess having someone who just likes sex and does not mind having different partners is still too much of a taboo topic.

As I said, it started well. I loved the scenes where the internal monologues show how both Fiat and Leo are unsure, how Fiat's past affects both of them and the choices they make in their current relationship. None of them wanted to take the first step - Leo in fear of being seen like the other Fiat’s partners, who only wanted him for his body, and Fiat in fear of looking like an easy guy who only thinks about sex. Scenes like that were truly well written, and presented both the lead's perspectives and what type of problems they need to face.

But then we’ve got the usual Mame tropes of sexual assault/rape (yes, blackmailing someone into sleeping with you when they don’t want to, and would never do it willingly is a rape). I just don’t understand the reasoning behind these themes in the majority of Mame’s adapted works. They are just cheap ways of making the show more angsty, and one of the lead characters to be either jealous or protective. The dynamics between Fiat and Leo were interesting enough to fill the screen time without adding that dark past. Why is this woman so obsessed with toxic sexual relationships and rape? It’s not like I’m completely against using these toxic tropes in the stories, but there is no novel of hers that does not include them. At best it shows her lack of skills in writing good quality conflict, at worst showcases her unhealthy view and romanticisation of assaults.

That one plot line addressing the blackmail annoyed me for one more reason - the focus that was placed on how bad Leo felt about it, and not Fiat who was the actual victim. Everyone was going around asking Leo if he was okay, Fiat included. I am sorry, but what the heck? Shouldn’t they care a little bit more about the guy that was the victim, and not his boyfriend?
Then there is the mom with psychological issues, Fiat’s suppressed trauma and the explanation behind his bad relationship with dad. Why? Was it needed? No. Not to mention, the whole topic of child abuse, like always in Mame’s adapted stories, was written with complete lack of understanding and respect.

The second couple was cute, and that’s kind of it. Pretty much the cliché stereotypical BL story of a shy good guy who is reserved about the hot playboy, who was never in a serious relationship but wants to give it a chance when he meets that cute shy potato. That said, I did like their ending a lot. It just makes sense. Relationships end, sometimes the timing is not right, sometimes there are more important aspects of your life that you should prioritize.

One of my favorite aspects of the show was Fiat’s interactions with Leo’s family. The found family trope is strong here and I’m all for it. Loved how Fiat and Leon seemed more like real brothers - bickering all the time, but caring for each other a lot. Watching Fiat and Leo’s mother just made me smile more than once. It was amazingly heartwarming and pure. If only the writing focused more on Fiat gaining the confidence while being surrounded by people who love and care for him...

Moving to the actual performance of the actors. I actually liked Ja a lot. He is quite good at conveying emotions with his eyes. The melo and romance were more believable than the few instances of him getting angry, but he just does have this soft aura about him.

And then we have First and I want to cry. This child is so cute, but he truly cannot act. Probably some of the worst dry eyes crying scenes I have seen in years. Even his less emotional scenes were sadly not the greatest. He tends to overreact with his face. I did not mind his line delivery though. It was all about not being the greatest in controlling his facial expressions.
The supporting cast did fine. There were no outstanding performances, but I also have nothing to complain about. I liked Smart a lot, but since the role itself was not exactly demanding, I can’t go into detail about his performance. He also lost me a bit in the last episode.

Production value and music are the typical Thai BL quality - good, but not breathtaking. Have to say though, the styling of Fiat is just amazing. Makes little sense for him to be the only student wearing checked long sleeved shirts over his uniform and walking around the house in a fashion show like outfits, but I still loved it.

Overall, I have no brain left. It started well, taking into consideration past Mame works as comparisons, but then it went into the same rabbit hole of toxic tropes. I don’t even want to talk and think about the stalker girl and King.

Leia Mais

Being honest with everyone: there isn’t anything amazingly fresh nor outstanding about this show. Whether you will like it or not, depends all on whenever you will like the characters and their interactions.

It’s another show about a confident jerk male lead and a nice and madly in love female lead who is willing to get dumped countless times and still cannot give up on the dude. What is surprising, though: they are both somehow likable (many would disagree, so don't quote me on that). I wanted to slap Soo back to reality more than once, but I also loved all his scenes and found him to be an interesting character. Woo Yeon, even though desperate with her unrequited love, still seemed like a strong character that is slowly gaining more confidence and learning how to put herself first. The flaws were presented in a way that made me curious about the development, rather than annoyed with their current state.

The show is full of cliches, but I was weirdly not mad about them at all. I saw these plotlines in other dramas, I should be bored, but somehow I wasn’t. Why? Because I cared for these characters. I was emotionally attached to them and was genuinely interested in their stories.

I also have to appreciate they at least tried to give a better explanation for Soo being such a selfish jerk. It wasn’t just random, short conversations we usually get in dramas to explain the behavior. His past was mixed well in the overall plot and, even though it did not excuse his actions, it made me understand him more.

They took a similar approach with Woo Yeon. While she was a weak person in terms of her love life and the desperation she presented, she also was strong and striving to achieve her dreams. She wasn’t weak in all areas of her life. She was flawed in one. And that made her an interesting character.

The chemistry between all the characters was amazing. Not only romance felt natural, but also the friendship between the main and supporting cast. Nothing felt forced or unrealistic. Great acting from the cast for sure helped achieve that.

The sub-plots were also interesting, with 2 supporting couples bringing something different to the table. We got comedy and we got melo. Such a striking difference, but even when their scenes were one right after another, it never felt disconnected or like they belonged to different shows. The flow and transitions were just right.

For me it was just a fun romantic comedy that had a good amount of sub plot surrounding the main one. Nothing felt like useless fillers for me (though I am sure many people would disagree).

Do I think this drama could have been shorter? Sure. I honestly believe getting 12 and not 16 episodes would be ideal, but I have exactly the same opinion about ALL romantic comedies. They are just not meant for a longer format. The last 4 episodes were painfully full of cliches. I'm pretty sure I saw my brain a few times when I rolled my eyes so hard. That said, I am unable to name even one rom-com that avoided cliches at the end. I think it's just given and expected in the genre.

Overall, if you cannot get over the over-confident male lead that is extremely selfish most of the time and desperate for his love female lead, this ain’t for you. The characters are far more than the flaws, and I myself found them likable, but if these are your personal pet peeves, you will not like it.

Leia Mais

2x speed to the rescue.

I have barely any thoughts, because this had barely any plot. They just threw things at me without establishing them well, so for each conflict that happened all I could do was ask “why?” or “since when?”. How did I view the plot? They did not have the content for 12 episodes, each 45 minutes long, so they stretched whatever they had to the oblivion. When you have a slow paced show, with your actors moving slowly and delivering their lines slowly, you should not be adding slow motion on top of that. 2x speed to the rescue.

The thing is, there were a lot of good elements in this. Great acting from both Mark and Zung. The supporting cast delivered a stable performance too. The chemistry was heartwarming and clearly there. The cooking scenes were beautiful and the soundtrack, even though at times cringy, overall, made me happy, and that’s the point. The directing just lost me.

Internal and external conflicts Aek was facing were not there until they suddenly were, and I was just supposed to accept that. Since when? All his outbursts of emotions made little sense and they never explained why he was so paranoid about every little thing in his life, when most of problems were exaggerated and could be solved with one conversation. The writer made him do quite a number of things that did not line up with how he was written in the previous episodes, just to insert more unnecessary drama.

Aue and his ex should never happen. One of the side plots that did nothing to either plot progression nor character development. She was there to add screen time. Instead , they could have shown more attention to the contest plot, explain why it's important for each character.

Overall, I don’t know. The show happened. I loved the first two episodes, good slow paced beginning to establish the characters and their surroundings, but then the pacing never picked up. It was slow the whole time, with few plot bombs dropped here and there. That said, I am excited to see more projects from both Mark and Zung, since I quite enjoyed what they delivered on screen.

Leia Mais

No logic, no cohesiveness, no brain… and I have no self respect for watching this.

When watching this movie, every new revelation made me ask one simple question “why?” - everything about the characters, their relationship and plot progression was so unnatural all I could do was laugh about the piling up cliches.

Alpha male with a soft heart and an innocent kid with a warm nature will give you a second hand embarrassment with every little ridiculous interaction and painful dialogues. Who needs decent writing when you can just throw poorly executed cliches at your audience?

And the ending? I don’t think I would manage to write something similar even on crack. What happened? How high were the characters? How high was the writer? It took me 30 minutes to finish the last 10 minutes. I kept pausing because my brain could not take this level of prolonged idiocy.

Acting wise… I think it’s time for me to leave the delulu land and admit Zee is not really a good actor, he is just good at delivering heart eyes. It truly pains me to say, since I basically wrote an essay about how amazing of an actor with great potential he has 4 years ago. On the other hand NuNew did quite well trying to deliver good performance even though the script made it an impossible task.

Overall, I regret watching it alone. I think this is a perfect title to group watch and joke about all the stuff that makes no sense. The movie truly invites you to rant your heart out.

Leia Mais

An essay about an unforgettable journey.

I’m not gonna lie, I hyped myself quite a lot while watching. I heard how complicated and mindblowing of a ride the show is, and how hard it is to predict the twists, I thought of it as a challenge. And a challenge it was - frustrating in the best way possible.

The issue with mystery shows is, they are either painfully predictable, or unpredictable to the point of randomness, when there is no point in trying to figure things out yourself, because the writers never give enough hints to make it happen. Someday or One Day is a hidden gem that was able to both deliver enough information I could somehow puzzle the pieces together and form my own theories, while keeping the mystery alive. A miracle most shows are unable to achieve.

It’s truly a masterfully crafted time travel, and I always have some issues with time travel stories. Me saying it’s good is a statement I never thought I would make about a time related story. With all the time lines, all the crossed paths and changes to the events, nothing was lost, nothing was contradicting, nothing felt out of place.

What is even more surprising, the plot itself is truly not that complex if you strip all the time travel aspects away. It’s a tale of loneliness, friendship, sacrifice and love. It was like a labyrinth that had an entrance and exit point right next to each other. Simple story presented in a complex and enticing way. While the core of the show were the characters and their relationships, I do believe it was more plot than character driven overall.

Was everything about the plot perfect? No. I do believe the psychiatrist's time traveling was one time travel too much and that arc was borderline makjang material. At the same time I accept that without it, it would be impossible to deliver the same conclusion to the story, which, after I slept on it, I found actually fitting and strangely beautiful.

Since it was not simply time travel, but actually body migration, I was disappointed how it was never truly a topic of conversation. How the characters never stopped to truly think about how morally questionable it is to live in someone else’s body. It was briefly mention at the end after Yun Ru’s suicide, but it was not enough for me.

I do believe some sequences are unnecessarily put in incorrect, non linear order, just to make the viewer more confused, when I felt the story was confusing enough without it. Yes, it all came together at the end, it is still a fact that at times I felt like I needed to start writing notes to make sure I can keep up with the story.

The last 3 episodes are something that is hard for me to make a judgment on. While I was not thrilled watching them, since the tone shifted from tight mystery to personal drama, after some consideration, they were necessary to give the show closure. As much as it was a love story, it was also a journey to acceptance of the loss.

Huang Yu Xuan was a character desperate to find her lost lover, to go back to the blissful days they shared. She was not able to heal from her loss, so when the opportunity arose to fix the future she could not accept - she took it. And yet, all that was futile and by the end, she had to accept she cannot produce the future she wants without hurting other people. I found her decision to destroy the tape brave and selfless. Not only did she give up reuniting with the love of her life (as she could not truly be sure they will be able to find each other in the future), she also gave up all the precious memories she had with him - all to keep the people she learned to care about alive.

It is true that she had faith that they would find each other, but she could not be sure about it. She took a chance, gave up the control over the events and put her trust in the connection they had, that was able to overcome countless setbacks.

Then we have Li Zi Wei. While I did find him adorable, dedicated, dreamy and perfect in all boyfriend type of ways, I did think he as an individual character did not have much to offer. Someday or One Day is his love story, but he does not really exist outside of it like the rest of the characters. And it makes it hard for me to truly talk about him, because there is not that much to address. He survived years of pain with the hope of reuniting with Yu Xuan. His love for her was deep. And yet, somehow I craved any scenes that were not connected with Yu Xuan, for example his friendship with Jun Jie. Things that would make him more than just Yu Xuan soulmate, lover, 2nd half.

The 3rd of the trio friends - Jun Jie. The character that was the hardest to read and one that left the most space for viewers interpretation. Was his love for Yun Ru based on his desire to save her? Or was he interested in her because he thought they were similar, could potentially understand each other? Personally, I found him to be one of the more heartbreaking characters. He made so much effort and yet it was inevitable he would be hurt by the end. All the tweaks to the timelines, all the changes and attempts to make things better, and yet he was always the one to suffer the consequences. I’m honestly happy that by the end of the show his life got back to normal and it was no longer affected by the two main characters trying to find each other and create the future they desperately wanted.

Talking about the characters, I cannot ignore both Chen Yun Ru and Wang Quan Sheng. First of all, justice for the boy. He got nothing from it. He suffered alive, got his body used by a lovesick guy after his death, and by the end of it all, his future was not affected in any positive way, he still ended up taking his own life. How much he was used in this scenario is honestly quite sad.

Chen Yun Ru had a little bit more agency. We get to know her more, understand her struggles on more than a surface level. She gets her 2nd chance and hopefully learns how to heal. Sadly, I find her story to be both hopeful and questionable with the presentation.

I am not sure how I feel about her change of heart at the end. Someone with such deep psychological issues getting better after hearing “manage your expectations” seems just silly. The vague message makes sense, don’t get me wrong. Many people are unhappy with their lives as they don’t see and don’t appreciate the things they have, fixating on things they want, but cannot achieve. And when their expectations are not met, they become even more unsure of themselves and unsatisfied with their lives. The issue is, Yun Ru was not just a gloomy and pessimistic girl who had issues making friends. Depression is not something you can easily change by fixing your mindset, and she was depressed. She tried to kill herself, and asked to be killed. So the idea that the few lines from Yu Xuan made such a huge difference felt flat.

I also feel like the message was quite conflicting. On one hand we were told her suicide was the result of the judgmental society who tried to changed her to match their expectations, the idea that whatever she did, it was never enough, because people did not accept her for who she was. But then they end her arc with the idea that it’s her who had to fix her expectations, not the society's approach towards people who do not meet the “norm”. So which one is it?

Time to talk about the glorious performances. Ko Chia Yen amazed me. Being able to deliver a believable portrayal of not only 2 characters, but in different stages of their life, making sure the small changes of approach and personalities make sense, making sure Yun Ru and Yu Xuan truly feel like two different people - she achieved it all.

Greg Hsu Li Zi Wei was painfully beautiful. The striking difference between his take on the teenage boy with cheerful demeanor and the adult version who suffered both physically and psychologically was perfect.

As for the production - I will never ever listen to Last Dance EVER again. This song goes right next to The Heirs “Moment” as the song used so much in a drama I’m actually sick of it. It’s a beautiful song, but I think I heard it enough for the lifetime.

Visually speaking it was low key beautiful. It felt like all these stunning moments we can actually encounter in our lives if we pay enough attention.

All that said, at the end of the day it’s a simple story about love and loneliness, presented in the most complex and convoluted, yet best way possible. It’s not a perfect drama, it’s not a perfect story and it’s not a perfect presentation of it, and yet I was invested from beginning till the end. I made wild theories and tried to uncover the truth as I watched every episode, and for that I am grateful. It made me rethink many issues and consider various situations from different angles. It invited me to explore various takes on the same problem and how, depending on one’s personality, preferences, expectations and past experiences, other people might see them in their own distinct way.

Leia Mais

That was a proper rom-com with actual plot, good pacing, characters that you learn to appreciate and relationships you root for. That said, it still leaves me craving for more.

I’m not even mad about bls delivering all the cliche tropes, romances based on misunderstanding, the amazing soft angst, the naive lead falling for the grumpy lead that we’ve got in the post from straight romance stories. These plots sell, these plots attract the biggest audience and these plots are simply entertaining. And this is kind of what we’ve got from the Unintentional Love Story.

It was a fun journey to follow. While Ji Won Young was a painfully frustrating character at first, I cannot deny - this child grew on me. Surprisingly, he delivered some of the best and most mature lines out of all the characters. Yoon Tae Joon was one of the soft emo guys that makes your heart ache just the right way. Dong Hee and Ho Tae were rays of sunshine impossible not to love.

Truth to be told, at some point I started to be more curious and invested in this second couple, and I cannot stop myself from being quite disappointed with the lack of screentime and development, and only hope for a separate show that will follow their story.

The quality of acting depends on which actor you will focus on. Personally I enjoyed Han Do Woo's and Won Tae Min's performances the most (which was also one of the reason I enjoyed following their characters’ story more).

Cha Seo Won did an amazing job with the “I’m hurt, but I want to hide it and control my facial expression, but I still need to show it enough for the audience to see” scenes. Moments when we need to both clearly see what emotions the character is feeling, but also understand they want to hide it. On the other hand, Gongchan delivered a deer caught in headlights acting - mostly looking confused or scared with his pretty big eyes.

The kissing was basically like trying to stick two magnets together by the same pole. I could literally see how much force they had to put into getting so close together. I laughed... badly.

Production was great. Vast improvement from many k-bls. Would appreciate a little bit less smoothing filter on the actors’ faces though.

Overall, for such a nice watch. Not as emotionally touching as I wished it would, but something I for sure do not regret watching and would probably recommend others to check out.

Leia Mais