Lacking in both story and characters

This was more like a parody of a historical drama Queen Woo than the actual drama. Putting this much money in the hands of virtual amateurs was a very bad decision. And giving them the best kdrama actors, to only appear in short and random moments. Queen Woo is the ultimate failure in storytelling. All you get is violence, shock effects and 2 minute characters. A drama that is unique in a very bad way. Queen Woo lacks a fully developed storyline. We don't get to know the characters, which is highly unusual for a k-drama. We don't even get to SEE the characters actually, because it's all in the dark.

We hear that writer rewrote this 90 times. I'm tempted to say that obviously the rewriting involved removing all the dialogues. Because the characters mainly do not speak. If they do, it's max 2 sentences per each character. Except for the soldier arguing about pay - he's not exactly a comedic sidekick but close to one. And the only character getting something of a distinct character,

This content and situation would easily have made a good 20-40 episode sageuk. We would have learned all about why the clans fight with each other, what is at stake. We would know how the situations and strifes evolved, from the very start. We would have started from the childhood of the main characters. We would get to know all the characters, including supporting ones, through and through. We would have deeply cared about happens to them. We would have understood every party's motives and goals, and had the chance to reflect ourselves on where people make mistakes. We would have been shown how the new king or prime minister is just as ruthless as the previous one after all this fighting (as in Empress Ki).

Many who say this is "one of the best historical dramas" or "refreshingly different historical drama" have not actually watched the classic sageuks at all. With classic sageuks I mean (of course) Six Flying Dragons, Tree With Deep Roots, Scarlet Heart Ryeo....I don't think I can ever forget the personalities of the main characters in these dramas. Now we get 2 minute characters. And a lot of meaningless killing and violence which we're supposed to enjoy? (with the 2 minute characters).

There was no build up to the important moments, like putting the swords on the table. Who were the 2 older guys with the swords? Nobody knows, nobody cares. The queen's explanation of why she chose to go into war came like an afterthought, in the last episode. One minute given to that. Which actually needed an extended buildup. And her addressing the army should have been a long speech, with an extended buildup (again). I doubt the armies would have followed a woman if they were just addressed at the door for one minute when the enemy was already there.

Eun Pa Sol was given the most screentime as the key person trying to solve the kings's murder. Plot twist: no, actually a weird traitor who kept his grandpa's skeleton in his closet. So why did he end up supporting the queen? Nobody knows, nobody cares. What was the point of introducing the cult? Just to shoot an impressive scene of some crazies wallowing in the pool. And then a fight afterwards, none of it visible bc the screen was all dark. We got more of the gritty sex scenes which from a mind so dirty no amount of soap will help to clean it. The sex scenes were like a nail which busted the balloon, bc of their out of context and degrading nature.

JWC proved his virtuoso acting and I hope all the k-drama veterans at least had fun sitting together and drinking after each days shooting. JJS as FL: I don't know how people don't see or hear how she is just not good enough in this role. The mistakes and awkward moments (scenes and lines that needed to be reshot) are in plain sight in Queen Woo, imo Just like in Wedding Impossible she's just saying the lines in a completely flat tone, there's no sparkle in her. I guess people just buy the idea of what she's supposed to be and don't see the failure in delivering it.

Although this drama isn't actually boring and the fools will lap it up like dogs on a hot day, I assure you it's not good for your immortal soul. Congrats to those who can edit it their minds to make a fully fleshed out story and characters. That's a talent I don't have, all I saw was a sketch of a drama instead of the actual drama.

Leia Mais

Not for binge watching, maybe a little outdated

I started this when I was sick with flu and watched some 20 episodes in 2 days. The first 10 episodes were really good with constant twists and turns. The middle part from 20-40 felt very repetitive with war after war and neverending palace plots. I skipped all fight scenes and Tanashili scenes. They were just too predictable and devoid of meaning. (=Outdated in terms of current expectations). The last 10 episodes were again a rollercoaster. I think it's best to watch this drama as it originally was meant to be watched, 1-2 episodes per week. Probably only then is it possible to appreciate the big scale of the production and the effort that went into making it visually outstanding.

Regardless of this perhaps being a classic and must-watch, I felt the characters were rather one-dimensional and there could have been more shades to the culprits. Now they are just mainly hatable monsters. I have to say I didn't feel much empathy for the main leads. There were some scenes that stood out for both Ji Chang Wook and Ha Ji Won, but the space they were given to portray character depth was rather limited (in comparison to action scenes). Therefore Tal Tal emerged as one of the most interesting characters, as there was slow progression in his coming to the fore. All in all, with the ending (not an actual victory) and the permanent wars and power struggles and last speeches of the Empress Dowager and Head of Eagle House, I felt the message was one of there being always shadow forces and continuity in power politics regardless of people in charge changing.

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Serious drama about early onset Alzheimer's

I liked the topic of this drama. The drama is for someone who prefers more serious topics. It also portrays individuals' ethical struggles, which is also interesting. The drama portrays very well the experiences and behavior of someone getting Alzheimer's in their 40s. The subplot about the mystery around the male lead son's death and the changes in his attitudes toward his law cases are also interesting.

ML is a great actor, and it's good to see him even in a bigger role than in Misaeng. The problem in this drama is that there are just too many flashbacks and scenes centered around the painful moments of confusion and distress caused by the disease. We would have got it with much less time spent in those moments and the endless repetition of them. Also the family theme gets too much space. It's more central even than the law cases, understandable, but not something that could well carry a drama and keep it interesting. Yes, discovering the importance of family is basically a nice theme but I just ended up skipping almost half of the scenes in the latter half of the drama.

Junho in the role of the junior lawyer doesn't get much screen time and slowly advancing relationship between the secretary and Junho also gets very little screen time. Junho is just in a balancing support role as the ML's wingman, he brings some fun and relief into the drama within its overall darker theme. There's not much there for him to show his talents (although he's very good in the drama nevertheless), since we get no background story about Junho or the secretary. That's an opportunity lost, as they were basically the most interesting characters and knowing more about them would have been nice. The two female leads, the ML's current and ex-wife, get a lot of individual time, but also nothing much to work on, so the time spent on them is too much compared to the law cases.

Overall, I'm still glad I watched the drama. Because of the poignancy of the topic I give it an 8, although the drama obviously has severe flaws - the worst is that there is too much empty time, just background music playing and nothing happening or advancing plotwise.

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Psychological thriller from the writer of Just Between Lovers

This is a psychological thriller with hitchcockian undertones. I'm stunned by how original and interesting this is. Capturing. The writer and director have achieved an amazing series. I guess pychological dramas are not everyone's piece of cake (comparing to likewise low ratings of Cheese In the Trap) but this is definitely amongst all time top serious k-dramas for me. It's offering a lot of food for thought. I don't think the descriptions the drama or its themes do any justice to it - jealousy and vengeance are too superficial ideas/drivers and this drama is much more deep and layered to be described in those terms. If something, it tells that some people just don't seem to have the gift for happiness. Looking for another person to deliver all the goods things in life is a doomed mission. Happiness is a choice as much as anything else. The writer would deserve the award this year, that much is already clear. All the actors are great in their roles. There is no overacting . I was always wondering why didn't we hear more of the Leo in "Black". Here he is now, maybe still starting but starting good. Poor Kim Bo Yun always has these roles as the obnoxious mother - she's good but I'd like to see her in the "good mother" role for a change :)

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Never knowing who and what to trust

Let Wind Goes By is a finely crafted crime drama with some of the best acting I've ever seen. It's a sad story of 3 childhood friends whose lives and dreams get shattered by unfortunate events, poverty and sheer bad luck. Sometimes it feels like these desolate dramas where the setting and environment play a big role were made just for me. The setting in this is a mining town that is about to be closed down and the inhabitants moved elsewhere. The cinematography is beautiful. There story revolves around two different crimes 10 years apart. These two timelines are well woven together, with more focus on the present (2003) than the past (1994).

The 3 friends are so fully fleshed out as persons whose lives and circumstances get out of their own control that we don't get to judge them as either good or bad people. We try to understand them, watch them, and study them, with sympathy. If anyone looks for shiny happy people this definitely ain't the place. The 2 policemen in charge who are also main characters, are just very ordinary humans with their own strenghts and weaknesses. They have no superpowers but just bite into solving the cases and never let go. It's shown how their persistence and passion also takes its own toll on them.

About the actors, Jiang Qi Ming as Liu Bai, Yang Cai Yu as Mei Wei, and Huang Feng Feng as Lei Chugui, are all simply amazing. Such nuanced characters, fully fleshed out. What makes this drama so good is that we really never know what and who to trust in the story. Whether they had a plan or worked things out together or just deceived each other, whilst still remaining each other's closest friends, is what makes up the suspense in Let Wind Goes By. It seems like a small thing but if you're into character based dramas, this one is just fascinating. Very little action or violence shown, which I liked. Even the one near-psycho character, Lei Changtian, admits his own dumbness and impulsiveness. Just when you thought this character was going to be a psycho killer caricature, he sits down and admits he's a typical guy who does jailtime bc of lack of self-control and obsessive compulsive drives.

That the veteran detective starts studying criminal psychology is one message for us watchers from the writer about how much thought went into building the story and characters. And how much they expect us to think, by ourselves.

The downside is that the pacing is slow. I recommend watching at 1.25 speed. And there were some things that were confusing or revealed too late, in the last episode, like what happened with the people in the burned car and who crashed the truck into the guy with a burned face. These things make me rate this 8.0.

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Junho in a double role

This is a small and lighthearted indie (?) film. It's an easy and nice watch. I've always preferred this type of smaller films to big productions.

Junho is great in the double role as the world weary disillusioned artist Nero and the boyish naive student. There's criticism, even satire, of the artworld. The characters all face major challenges which makes this work well as a drama but luckily the way the stories are told is not too depressing and the ending is optimistic. The female characters are left rather shallow but since this is not primarily about romance, that's fitting.

Leia Mais

Unlike any other crime drama

Under the Skin (1-2) is a unique and fascinating police and crime drama. The heavy focus on aethetics and ambiance makes it different from the conventional police procedural dramas. It doesn't try to be realistic and isn't, in the way the crimes are solved.

Producer Zhang Yiyun explained:
“Traditional crime dramas often focus on realistic styles, hardcore reasoning, and strong plots to tell stories. But we’ve been exploring how to create a non-traditional crime drama in terms of narrative style, visual aesthetics, and thematic expression. For example, we avoid overly complicated cases, gruesome criminal methods, or overly brain-twisting reasoning processes. Instead, we focus on the dramatic changes in character fates and relationships, using them as the core suspense and plot twists. The show emphasizes the emotions and humanity behind the cases.”

Much of the drama revolves around forensic artist and psychological profiler Shen Yi's thought processes and observations, which he expresses in visual form in his drawings. Captain Du Cheng is the more solid bread and butter police. Their teamwork and differences are enjoyable and the essence carrying the drama which consists of episodic cases.
The pacing is excellent. When the most interesting aspects of a criminal or a case are revealed, the plot moves very quickly on to a new case.

I enjoyed S2 even more than S1, bc they really went head on to unchartered waters. There was an even heavier focus on psychology, aesthetics and cinematography. Some scenes are utterly poetic, like the garbage magic garden (case 2), the streamer girls' doll room, and the wedding-that-was-cancelled decorations.

We learned more about how Shen Yi did his psychological analyses. The scenes with Shen Yi getting face to face with suspects in their own environments, encouraging suspects to open up and tell their stories, telling allegorical stories to them, explaining the meaning of artifacts in their homes, are my favorite ones. Priceless, really.

Shen Yi was the key character this season. The police chiefs were hoping that Shen Yi's insights into the human psyche and way of interpreting traces could be turned into a manual that helps also other police in psychological profiling. Shen Yi's writing of is the "Human Atlas" that is talked about in the last episodes. In the end Shen Yi's art, his "portraits of the heart" as the second level of portrait drawing, constitute this atlas.

The cases I enjoyd most are the AI chatbot case, the opera case and gene editing case.

The last case about gene editing was again very realistic, as was the AI chatbot case. The means for tampering genes with the CRISPR scissors already exist and gene therapies are introduced without much or any long-term testing. Although I absolutely hated it when Shen Yi didn't seem to dispute the Fenk Kai Yi the Mad Scientist's claim that all humans are by nature evil. But he was actually just listening and making his own observations and conclusions, as always. In the last episodes Du Cheng also finally had the opportunity to shine, something I had been wanting to see more. In the last episodes he emerges the strong pillar that he was in S1. The moment when he takes SY off the case bc derailment in wrong direction, was very satisfactory. The friendship between the Mad Scientist and SY on the other hand was difficult to swallow, as it made SY look weaker. As if he had actually been choosing and believing the freak. I wanted to yell "go back to your teammates" at the screen.

But the season ended beautifully with SY and DC honestly talking things out and summing up how they complement each other. Those last dialogues were exceptionally fine writing. I'm ready for S3 and even more experimentation from the writer and producers. The team made a fantastic drama. As for the the last scene (SY stabbing DC), I think the meaning was again to say that within every human being is both good and evil and that they'll explore this further in S3.

Zhang Lai said: "Writing about crime is not to showcase evil, but more importantly, to explore the multifaceted nature of humanity. Good and evil stand side by side, but love is the antidote to redemption, and the law is the thunderbolt that punishes evil. This is our ultimate message."

Leia Mais

Intense and gripping adventure drama about gold fever

An adventure drama that is intense and gripping to the max. The location and setting in the rain forest is magnificent and means a lot for the watching experience. We are practically there, in the jungle, at the deserted gold mine at the riverside, far away from roads and human habitation.

The plot focuses on how the prospect of finding the big gold nugget drives people to extremes. It gets in their head, and never lets them go. This depicts the gold rush madness in a realistic manner (see note). It depicts older and younger dreamers in the middle of jungle working at panning gold without machines. The work requires organization and rules and agreements, but we are shown how in the circumstances all ties and agreements dissolve as soon as they're made. In the end it's every man for himself. Gold madness makes stealing and killing seem like nothing.

All of the characters are various grades of selfish, dishonest and cruel. Or become that way, in the field. Our main characters are 3 youngsters, who come as newbies to the panning site, and form a friendship. Their bosses and site managers get as much screentime, since this is an ensemble drama.

This is very fast paced, and I felt this could have easily been twice as long. There are relatively few quiet moments. Those would have given us some more room to get to know the 3 friends and their backgrounds better. The ending of the drama is good, and exactly as it should be. The most experienced panners decide to blow up the mine, because they have seen enough of the madness. Based on earlier experiences, they know very well what would happen next with the discovery of the main big gold vein.

What I didn't like: the editing is somewhat choppy, and the shifts between scenes often feel quite abrupt. That's why I'm only giving this 8.5. although it could have easily been 10, with better editing and less rushing.

Note: Once, I was on a hiking in a trail in a gold panning area. The panners were very welcoming and asked us to visit their encampments. One panner had just that day lost all of the gold he had managed to dig up that summer. Someone had come when he was away digging and stolen it all. He was devastated but tried to be cool about it. Another panner had just opened a new area and he found a relatively decent sized nugget the very day we were visiting. He insisted on giving it to me as a gift. Because, he said, he didn't want to go crazy over the gold. And wanted to remind himself that whole point was to enjoy being there in the wild and in the nature. This is why I can honestly say Gold Panning is a magnificent and realistic drama about gold fever.

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Feels like a classic sci fi series

Search is a rare gem of a drama. It's intense but not stressful. No boring moments, not a single weakness. There's action but the relationships between characters (including human-animal) are much more important. There are zombies but they have little screentime, there is a mystery to be solved. Zombie attacks are kept to a minimum so the suspense is more psychological than relying on shock effects. That makes it all the more interesting.

Altogether this has more a feel of a classic sci fi series (like the original Star Trek) than anything else. The characters are on a limited space, they have to fulfill missions, they are tested.

The crew of actors couldn't be better. An all-stars cast such as this is a rare and wonderful thing. They complement each other so well. Jand Dong Yoon is a great natural talent and it's great to see how much effort he has made to learn the dog handling. Krystal, Park Yoon, Lee Hyun Hook and Moon Young Hee - we gradually learn about their characters and backgrounds in a very satisfying way.

I didn't want to pause watching the series, it had me hooked for the full 10 hours. That was the perfect lenght too. The slowly revealed plot was well written. The romance is present as a possibility, it's not really essential to the drama. This is a decision that leaves a lot of room for viewers' anticipation and imagination which is more satisfactory often than showing explicit romance and using breakups as the sole plot moving devices. (The last sentence is a reminder to myself to look for similar OCN dramas).

Leia Mais

Sweet and lovely romance and suspense drama

This is really a sweet slow burn romance drama. But not too slow since we get to enjoy some of the couple's good times as well from early on which I really liked.

This is a rare drama in that it doesn't get boring or repetitive at any point. The main couple's romance is quite lovely despite not much actual chemistry being there.

Plot: The good thing is that there aren't many plotholes, the bad thing is episode 15 where there's a 2-year time flip. Would have been much better without that, bc it made me loose faith the in the couple.

Acting: The FL was good at start, but somehow resorted to "cute" childishness toward the end - when she should have been matured by all her experiences and difficulties. Kim Dong Wook is very sympathetic here like always, even if dryish :) But sympathetic-dryish is better than overdramatic or overacting :)

Overall: The (memory/no memory) plot sounds pretty crazy and is perhaps the reason I didn't choose to watch this earlier on. But it's not as central as the suspense plot, which is really good - not too suspenseful but good at keeping up the interest and well embedded in the overall story arch. The social message about the cruelty of the public towards celebrities and excessive interest in their private lives is very much on point. As we have recently witnesses similar things occurring, scandals based on mere lies and rumours and/or impossible moral demands and standards.

Leia Mais

Lost opportunity

If S2 had been more about philosophy and morality aka humanism and less about bloodbathing that would have been great for the reputation of k-drama. Since this is likely what most people not familiar with k-dramaworld would still watch.

I liked the first 2 episodes. Lee Jung Jae's and Wi Ha Joon's characters searched for game organizers and teamed up. Gong Yoo again made a memorable appearance. So, just like in the 1st season everything that came before and after the games was more interesting than the actual games. The suspense from the games was the unpleasant kind that made me want to skip those parts. (But in principle, if I watch I watch and don't skip).

Lee Jung Jae and Lee Byung Hun are such epic actors that I watched mainly for their sake. Im Siwan and Kang Ha Neul made an impression even with smaller roles. Thanos and the shaman were just irritating.

The main issues with S2: why keep this from airing so long and then leave the ending open. Just 2 episodes more would have been enough to wrap it all up. This way the plot holes were immense. If the plot holes are filled up in S3 it's all too late bc we won't remember or care that much. This was the chance they had to make something really worthwhile and they blew it with the open ending.

Open questions and complaints

- why did Gi Hun keep the prize money in his basement (likely to get stolen) instead of using it to save lives? He could have given it anonymously for those in need or a children's hospital. That would have been the best redemption for those who died in the game.

- As Gi Hun wanted to save lives, getting soldiers and fellow competitors shot was not really logical. He could have shot down the money and the killing would have been avoided.

- Gi Hun didn't tell the competitors that when teaming up they would also die as teams.

- The best way for this to end would have been that In Ho would have turned around and stopped the game. Since he got to know his fellow competitors as humans and not just characters in screen.

- why did the players not discuss the possibility that the organizers could never let them get out alive bc that would make the game become public knowledge.

- if S2 had been more about morals and philosophy and less about bloodbathing that would have been great for the reputation of k-drama. Since this is likely what most people not familiar with kdramaworld would still watch.

Leia Mais

A nice drama to watch when you're just looking for a feel good but not silly drama

A heartwarming and feel good drama for us who don't dig much suspense or zombies. There are huge plot holes in this drama but it is still very likeable.

The best things are the intelligent dialogue, discussions about psychology, movies and books. The main leads are very likeable, and slowly overcoming their painful experiences as their relationship develops.

The murder plot is in key place in the beginning, but somehow mysteriously drops to the background in the second half. We are introduced to new characters in the latter half constantly, and their stories don't add anything to the drama. So many unnecessary characters that only have about 15 mins of screen time. And they key character played by Yoon Park doesn't get enough time so we're left guessing what he really was made of. Villains are brought to the picture, who have not been introduced to the viewer at all.

So, very lacking in plot development but you'll be won over by the MLs beautiful smile! So sympathetic. FL is a good actress without much chemistry (in this or other dramas).

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How to get over bad hair days

This drama is absolutely wonderful. I don't know why it's not well known, it's on par with the very best k-dramas. There is so much realism and bigger and smaller problems, but all of it portrayed through a very comforting and optimistic lens. (Some issues: crippling social anxiety, gender dysphoria, sexual abuse, a achool bullying past).

This scriptwriter is one true humanist. I also loved her previous dramas, Age of Youth, and Diary of A Prosecutor.

All of the main characters are basically flawed but viewed in such sympathetic and empathetic manner, you just grow to love and understand all of them. This is essentially an ensemble and found family drama. The hair salon employees are all equally main characters but there's also a colourful cast of regular customers, each becoming unique, fleshed out characters.

The romances (both the young and the mature) are incredibly sweet. We also get a philosophicizing narrator who is both wise and understanding of bigger and smaller challenges in life so that it makes you feel you yourself are being heard and understood. All of the actors are great, but especially Park Jung Woo deserves to get more main roles. Highly recommended.

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Interesting drama special about crime psychology

The drama revolves a lot around the question of how to tell whether someone is lying or telling the truth. This makes it interesting and fresh. There's also a murder plot as the female leads mother has gone missing in her childhood and her father has been suspected of murder. The family theme is well intertwined with the crime psychology thread.

The father actor is particularly great. All in all this is a good and worthwhile drama to watch. It's not a gamechanging drama, but if like me you are tired of the whodunnit murder mysteries, the focus on psychology makes it different. It offers some food for thought, as the message is that not all lies and lying are necessarily bad. Sometimes lies are meant to avoid hurting other people unnecessarily. The drama has a very satisfactory ending leaving watchers with good feelings.

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