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Solid but not without its share of problems
Pros
- overall soothing atmosphere
- focus on self-care and healing
- focus on shy, introverted characters (after Liberation Notes and others this seems a recent trend in K-Dramas, which I love)
- found family theme
- the character of Dae Beom (Im Si Wan has such a knack for creating unique, weird, intriguing characters from scratch who truly come to life)
- many characters I instantly disliked have grown on me, e.g. Ji Young, Sung Min
- chemistry between ML & FL which is great without even so much as a kiss
- acting for the most part (Kim Seol Hyun managed a lengthy drunk scene without ever being over the top, annoying or silly, you can't take your eyes off of her, great physical acting)
Cons
- Yeo Reum falling back into her little-girl-routine gets tedious and feels insincere after some time, it is a way of denying responsibility (which is understandable, she is there to overcome trauma and not find more trauma, but being there and living her life and being part of ongoing issues is still a responsibility she can not possibly escape)
- Yeo Reum being a little self-righteous at times, which would be fine, except I gather we are supposed to root for her
- toxicity here and there (how dare you scream at your family/grandma), a recurring feature of this director, familiar from Coffee Prince and Cheese in the Trap
- cramming a crime plot into the last episodes that is resolved as fast as it pops up, which is laughable
A solid 4/5.
- overall soothing atmosphere
- focus on self-care and healing
- focus on shy, introverted characters (after Liberation Notes and others this seems a recent trend in K-Dramas, which I love)
- found family theme
- the character of Dae Beom (Im Si Wan has such a knack for creating unique, weird, intriguing characters from scratch who truly come to life)
- many characters I instantly disliked have grown on me, e.g. Ji Young, Sung Min
- chemistry between ML & FL which is great without even so much as a kiss
- acting for the most part (Kim Seol Hyun managed a lengthy drunk scene without ever being over the top, annoying or silly, you can't take your eyes off of her, great physical acting)
Cons
- Yeo Reum falling back into her little-girl-routine gets tedious and feels insincere after some time, it is a way of denying responsibility (which is understandable, she is there to overcome trauma and not find more trauma, but being there and living her life and being part of ongoing issues is still a responsibility she can not possibly escape)
- Yeo Reum being a little self-righteous at times, which would be fine, except I gather we are supposed to root for her
- toxicity here and there (how dare you scream at your family/grandma), a recurring feature of this director, familiar from Coffee Prince and Cheese in the Trap
- cramming a crime plot into the last episodes that is resolved as fast as it pops up, which is laughable
A solid 4/5.
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