Unnursvana
Iceland
This drama surprised me so much. The story is just as crazy as it sounds, memory loss isn't anything new in kdramas and often I shudder when I hear the words amnesia being used to advance the plot, but the story is told in such a amusing, cleaver and sincere sort of way that you can't help but be hooked by it. The show always seemed to be very aware of itself and what it was trying to do and just very comfortable with its absurdity.
The tone of the story is rather slice of life some places, but achieves those more dramatic moments when it needs to, humor is on the black side and takes advantage of how ridiculous everything is around what I appreciated and it always managed to blend it, thrill and more the mundane story of the characters we meet along the way.
I didn’t feel like the drama thread a lot of new ways with some of the tropes it used, or dives too deeply into them. It more so just has a lot of fun with them. There is a very nice balance between the comedy, the absurd and then the more thriller aspect of the show, which makes it stand out. It makes Psychopath Diary become unlike other kdramas I have seen before.
I expected the more serious side of the show to take over at some point, for the comedy to sort of step aside as the story got bleaker. But the story always seems to flow well between those different genres the show has all mixed up in there. It had a rhythm going on. There is always some twist to every aspect of the story, and the comedy interrupts the tension a lot of the time and vice versa. There was such a nice mix going on there, one that I didn’t think would work as well as they did. It never gets too tired.
They never make you guess too much, not even with who the real psychopath is; that makes us just in on the joke. You have a hunch about where this is going, but still the drama is so cleverly absurd that you do have a hard time guessing what will happen next. And the drama makes great use of it.
In Woo also always managed to be one step ahead of the other characters, and while it did feel a bit repetitive (and very annoying towards the end, but in a good way), that I still found myself very enthralled and excited about each new episode. In Woo is a killer I could really enjoy. He's just evil, no trauma or explanation needed, and it’s just great to watch. It worked out well for the story and you somehow never knew what he would do next.
Sometimes he seems a little too cartoonish as the bad guy, smirking and laughing in the background. But it felt so intentional and in the spirit of the humor within the show, that it sorts of works.
Sometimes the comedy goes a bit overboard, and sometimes you can sense when the switch between the tension, the more dramatic points, and the more comedic aspects of the shows (like when the twists are revealed) but it is always so very entertaining and just a very fun ride throughout. I was expecting it loose steam at some point, for the plot to become way to ridiculous, but it just went full steam ahead and just made this crazy plot its own.
There is very little romance here. I was expecting more, but I was very happy with how little we got. There was plenty else to do within the story already and adding romance on top of that would have been too much. We just got more solid character interactions and different relationship development instead. There was definite fondness, possible attraction between Dong Sik and Shim Bo Kyung. But there weren’t much more than a few longing eye-contacts and so on between them
I liked Bo Kyung, our female heroine, as a character. She was always very consistent with herself, rather sensible and smart and always went after what she thought was right. Her character was never set aside as the story went along, people listened to her, she was valued, and she had real impact on the story. So often female cops on these shows are just there running along with the men and just there to get into dangers. Not here.
Dong Sik who goes from being a pushover to someone who learns to stand up for himself, , and over the story does a good job with presenting the characters to us so we can understand them, and get behind their actions and why they did things the way they did them; despite the absurdity that is prevalent all around them. Yoon Shi Yoon plays Dong Sik so well. He is so good in this role and he gets to show all his aspects as an actor here. All the actors here are very good in their roles.
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My Country is a bit like Six Flying Dragons, and Warrior Baek Dong Soo had a beautiful angsty baby together.
Six Flying Dragons since the story takes place in the same time period and a lot of the characters who were the main characters there and secondary characters in this one. And Warrior Baek Dong Soo that is also drama about two friends who end up fighting against each other and the sad and angsty bromance that comes with that. Yet I feel like My Country managed to be its own show despite all these comparisons.
I recognized and knew about the events that took place here, I knew where we were heading all the time. However, it did not damage the story in any for me. There was plenty of other parts within the story that surprised me.
The main story is so much more than the power of the Lee family as Goryeo changes into Joseon, which was the center story in Six Flying Dragons, but here the story of friendship and relationship between Hwi and Seon Ho is the center of it all – their love story even, if Korea had daring enough to go there. How their friendship and love for each other pulls them apart and back together and then apart again and so on. That is what draws you in and keep you there as the story goes along. That is the emotional core of the show. The politics and all of that is just the structure around it.
Each episode was over an hour in length, but all of them had a rather quicker pace, things didn’t really drag on all too much, things were rather action packed - there were some cool fight scenes in there from time to time – and it continued to surprise all the way until the end. I always found myself really engaged within the story, I was always excited about the next episode and each episode made me feel something; anger, horror, sadness, etc., which is what I'm looking for in a tv show. It really hooked me in and didn’t want to let me go, which I liked.
My Country is quite heavy on the politics, as well on the battles and blood and all that good stuff you can find in a drama such as this. This is no picknick at the park. This is a drama about men fighting their troubles and feelings away with swords, are usually covered in blood at some point in each episode, and nobody is really truly happy outside maybe the first two episodes. I am a rather simple soul when it comes to these things and My Country gave me my fix for handsome warriors in period dramas who are somehow always covered in ether blood or sweat or both.
You can pretty much predict how it ends before you get there, the story isn’t super subtle about it, but the story still takes you on a wild ride. The story sort of just gives you what it promised in the beginning, and I can respect that.
This drama gave you what it promised in the beginning, when it opens with the two main characters about to fight each other. It set the tone quite well. This is not a drama that starts as a cute and fluffy little tale in the first ten episodes and then does a switch and the last six episodes are almost a Shakespearian tragedy, as many other kdramas tend to do.
It’s not for everybody, but I rather enjoy the bloodbath, the politics, the sword fighting and all the other stuff that comes with this type of show. A bit on the heavy side, rather male-dominated or male centric story. But most stories, no matter what form they come in, kdramas or not, are sometimes rather male-centric. Having grown up oh those kinds of stories I don’t have a problem enjoying them, though over the years I have learned to be more watchful and critical over such things.
My biggest (and possibly only) gripe with this show exactly how much space the male characters took in comparison with the female characters. The females started of strong, they mattered and they had their own thing going on, but a little by little most of them kind of seemed to either die or almost disappear as we went further into the story – and I almost did not notice it until the very end, because the story had sort of swept me away from them.
I have said it before that I do not necessarily need to see female characters in these stories fighting with sword (though I do like it when that happens) and being a complete badass like Hwi or Seon Ho. But getting to see them have more influence within the story. See them give advice, solve problems, even cause problems, and in general have something significant to do within the story that helps the plot along is always appreciated. Even requested (from me).
This took place in a very male-centric world; a lot of decisions were made by men and they fought in wars and all that. But I have still seen stories that happen at a similar time, or other period dramas from Korea that seemed to achieve doing so much more with the female characters then this drama did. Like the Six Flying Dragons or even the Rebel Hong Gil Dong did (both rather male stories on their own way) for example. I know it is possible, so I expected a more from My Country then I got in that respect.
My Country isn't really a drama for the average or newbie kdrama watcher who shuns away from most sageuks and especially this one who is more on the heavier side with very little romance - but a whole lot of bromance - and political intrigue. But I do feel like it gave me my sageuk fix and I do think it could appeal to some of other people who might not be too keen on the average kdrama because of the romance and all of that. Like Tree With Deep Roots and Six Flying Dragons (even if 50 episodes us a lot).
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The Guest is unlike any kdrama I've ever seen before. It's bloody and dark and overall just a really good horror show. They really went all out there with the horror sometimes and it was great. The story, way it was shot, the actors, and the music also worked so well together. Overall it was just a really fun drama to watch.
Many people found it difficult to watch because of the horror that was on display. I am very fond of this kind horror, with ghosts and demons and stuff, so I was kind of in my element. I switched off the lights and turned some candles on before (almost) every episode. I had a great time watching it.
The story was for the most part very well put together. It started of very strong (and because of that some of the following episodes felt a bit weaker in comparison), but there were a lot of interesting twists and turns in there and some really fun characters. The begrudging collaboration between the three main characters that, along the way, turned into some beautiful friendship was awesome.
Often when you thought you knew what was going on, or what was going to happen, the drama managed to twist it just a little bit. There were a few times when a episode ended and I just sat there watching the credits and just going; "oh, shit."
Some episode were a bit slower than other and sometimes those episodes felt like they were more fillers, especially towards the middle and right before the final episodes rolled around. But you also needed to slow things down from time to time and not have it all action. But there were also episodes were everything just clicked together and everything had a nice pace to it. The drama isn't perfect. No drama is.
There was a time where I felt like we were a bit stuck running around in circles, where there was almost the 'possession of the weak' going on and a lot of the same turns of events were happening and some parts felt a little repetitive, but we were still gathering a lot of new information’s and clues while running around those circles, so I did not mind it too much.
I don't know if I will ever watch a kdrama quite like The Guest again. It felt like a unique viewing experience, even if the themes of exorcism and all of that aren’t new to horror movies or shows. I felt the Guest kind of tried to make it their own. For me it was something new and fresh compared to other kdramas. And I shall miss watching it.
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There was a bit of a superhero-feeling to this all, which I always found really fun to watch. It was the right amount of cool and camp in my opinion and I like how the show never felt like it was trying to be super serious, while also never feeling tacky or just odd. And I always admire it when a show manages that, because I feel like that is the right type of tone for a story like this. It gripped me completely from the first minutes. The plot is nicely paces, there is nice suspense within in the story, although it drags a bit towards the end, but there are countless questions and cliffhanger moments that come up in each episode that always made me excited for the next one.
I did feel like the show did drag a bit or loose some steam when it focused to heavily on the crime and human corruption of the show, rather than the supernatural problems of the characters. For a drama about people capturing evil spirits I wanted them to capture more evil spirit and for that too have a more central role within the story than it did.
Although the drama did a good job with mixing the characters conflicts, their backstories of the characters, with the main story, I also felt like I had seen that type of story play out a bit too often and there could have been more balance between the crime plot and the quest for fighting evil spirits.
There was a lot more crime in there than I would have wished for, but I can not say that I was bored while watching it. The story has it’s momentum, I could never really guess where is was going. It has a good pace, and there was always a bit of humor and a lot of cool action to go along with it with some really loveable characters that you just can’t help but love. This drama has a lot of good things (action, humor and heart) and does those things really well.
Our main character are true underdogs, and you really do feel for them. They made me tear up several times. Especially So Mun and personal quest and his connection to his new superpowers. He really does grow with it. It may all be a bit typical for a story like this one, but it works really well.
All the main characters are deep, with their own flaws and strengths. They frustrate you, yet you love them and feel so much with them. And I found the evil spirit, their main rival apart from the evil politicians and corrupt police officers, really well crafted. I just really like that aspect of the show. That was why I tuned into it and why I continued on watching it.
The love and affection between all the characters is just wonderful. It’s overflowing with heart; whether it’s the love that So Mun has for his grandparents and vice versa, his friends from school and then the little family that the Counters have. This little found family really touched my whole heart, it’s one of my favorite tropes and I love it when it’s done right, and made me shed tears many times throughout the drama. There’s just a really good heart in this story.
The Uncanny Counter is just a lot of fun. I feel like it sort of threads this path of being familiar and yet unique enough that it feels fresh and exciting. There is suspense and humor and heart at the core of each and every episode, and the cast is super loveable and tug at your heartstrings a lot and which is the true strength of the drama. That found family aspect and the friendship and love between the main characters. It talks a lot about human greed and corruptions and how that feeds the evil spirits and vice versa, which does sometimes feel a bit heavy handed, but the plot is well paced and exciting, so I never got bored, and there is a really good underdog story there that makes it all worthwhile.
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Quando as Flores Desabrocham, Eu Penso na Lua
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This drama does spend a whole lot of time telling us things, rather than showing it to us. Both with the romance and the mystery, which goes in too many circles and consequently loses its tension after a while. It does ramp up again in the second half, but by then a whole lot of people will have lost interest in it because the buildup wasn’t there.
It all comes down to how difficult it is for the drama to make up its mind whether it wants to be a romantic comedy set in the Joseon era or more of a mystery about a young policeman who chases after people who break the law and the people who get in his way and complicate the whole matter. And the story never really manages to combine the two into one solid story no matter what it tries.
The structure of neither of those plot points is strong enough for it to work properly because the buildup wasn’t there, and there is a lack of balance between all these different elements of the story as well.
The plot seems too rushed at times; it never really stops long enough to explore things or build them up enough for it to hook you in. There is a lot of tell, and not enough showing us things. Showing us the main couple falling in love for example. Things just happen because they are supposed to happen. But at the same time, the story drags its feet so much and the plot and the character go in so many circles - which is a shame because the cast is great, but not used all that well within the story.
It’s Ro Seo who manages to shine the most in this drama and her character manages to be the heart of the story someone you can really root for. Hyeri is so likeable here. And if the story had been built solely around her, we might have gotten a better story. But it is Nam Young and his story halts the story so much. He is only there because Ro Seo needs some contradiction to her character and her story, but he does not get enough to do so that it has a strong enough impact on the story. His character hardly matters in the grand scheme of things.
This role insufficiently used Yoo Seung Ho, one of South Korea’s most talented actors in his age range, which is a damn shame. And while Yoo Seung Ho uses all his charisma and puts as many emotions and empathy into Nam Young as he can muster, the writing does not match his energy, so no matter what he does, Nam Young feels flat as a character. Which is frustrating to watch. He is a plot-point, not a solid character who influences the story itself. Most of the story he is just there.
Moonshine falls into the same pit that I think many period dramas like it fall into and that is to put too much emphasis on the palace politics and the royal family and uses it as a crutch or a tool to carry the story forward or build suspense - like the evil mother-in-law is used in rom-cos to add drama and stakes to the story and the romance. And it doesn’t really work. There is a certain skill that needs to make that work within a story, and it must be used with a purpose, or it becomes so dull. And many of these lighter period dramas, like Moonshine, don’t know how to utilize it. To me it comes off as a possible lack of courage in the story itself from the writer.
There is a lack of stability or focus in the story, especially towards the middle, which improves slightly as we get towards the end, but the story never really allows the moments to linger (and therefor there is a lack of buildup) and often seems too hasty so it comes across that the characters move with the story, but not the other way around. Things just need to happen. Therefore the tension in the narrative isn't really there.
Moonshine is an overall drama with lots of potential, but with such an aimless narrative that hesitates to take risks and break away from the norms of its genre, with crown princes, palace politics and forbidden love between classes etc. It leaves the mystery of the story in the dust and therefore the structure of the story, some of the character and many of the side-plots feel rather flat and they lack a little focus and depth. The drama wanted to do too much, but at the same time too little, with the time it took to tell this story. I cannot say that I was bored watching the drama, but rather that I was frustrated by the wasted potential of it all. The cast carried the drama through for me.
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The tone here is warm, quiet and down to earth and the story itself is not very grand, as it would not fit the story that this drama is trying to say, and yet it truly grabbed me right away. There is a certain softness and wholesomeness that this story just exudes. It radiates warmth and kindness. There was always something so pleasant and comforting about tuning into this show every week and the message of chasing your dreams no matter where you are in life, and it’s never to late to try is beautiful.
Navillera is a really character-driven and character-focus story as we just follow these people throughout their daily-lives and their interactions with each other. There’s really nothing I’ve not seen before here. It’s a simple setup; Two very different individuals need to work together and somehow they were just what the other one needed. One character is cold and closed-off, the other is not. You’ve seen it before so many times, but it works, and the drama never seems boring despite the fact that you sort of know the story that’s being told because it has so much heart and tells the story well.
Chae Rok’s relationship with this grandfather that he has been tasked to teaches ballet is so wonderful and pulls at your heart every step of the way. Deok Chool is one of most adorable and wholesome character I’ve ever watched. He’s the heart of the show and wow what a big heart it is. Their relationship and Deok Chool’s determination to chase his dreams is going to make you get misty-eyed every episode of this show.
Song Kang and Park In Hwan do such a good job in these roles, although it is the latter who really carries the show on his shoulders, as his character is the heart of the show. They are both so sincere here though and that really shines through. All of the actors on this show do an amazing job to bring these fully fleshed characters to life. I felt like I understood everyone, why they did what they did and their attitude towards life, whether I liked them or not.
Often I feel like these types of dramas tend to drag on for a bit or the story isn’t big enough for the drama itself, not enough history to be to fill in all the episodes but Navillera uses it’s time really well and never really drags on. It rather chugs steadily on while focusing on the character and their relationship in a really sincere way. And it certainly helps that Navillera is only 12 episodes, but not the usual 16, like kdramas tend to be.
There are certain things that I found predictable within the story, especially as it descends into the latter half and the stakes rise a little bit, but it never got on my nerves and I never found it too bleak. It sometimes filled me up melancholy but because the drama set all of these things up really well these things never came out of nowhere. I was prepared. And there is a certain string of hope that persists within the story despite the lingering sadness that was present within the story. Hope always seems to shine through.
The story may be a little standard, a bit after the book at times, but I can not fault the drama because of it because it set everything up very well, it builds up to things, it lays all the groundwork, the character were good, everything that happened seemed earned and not just randomly thrown into the story. It was the story it wanted to be. Plus, the story has a huge heart. So even though I always sort of knew where it was heading. Everything somehow came together really nicely. I got pretty much everything I wanted and expected from this, which was satisfying. It’s like a good home-cooked meal that your mom makes. You get what you expected, but it’s nice.
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The series is mostly a murder mystery that intertwines evil spirits and other horrors into its narrative, which is not so different from many other horror-kdrama I’ve watched. The plot builds the tension within the narrative rather well, and each episode usually ends in such a way that you have to see the next one as soon as possible, but it does have a bit of a pacing issue.
The story works more like a mystery than a horror story in my opinion, but the evil spirits and the Korean folklore about such spirits and shamanism is used in an interesting (but perhaps familiar way if you’ve watched many such dramas) as such a tool to communicate moral questions about society, as well as the weaknesses and behavior of the characters to the viewer, like horror stories of this nature do. That’s the purpose of the horror.
For a while it seems like the story goes in a few too many circles with the main characters’ quest to get rid of these evil spirit, and the narrative loses a bit of momentum towards the middle. There is a lot of repetition and too little progress whether it was in the story itself or the characters own personal arcs, even though we are always learning more and more about these evil spirits and the past that explains the present. But towards the end the story does pick up the pace again.
There are plenty of great, interesting characters here, and of course Kim Tae Ri, like the other actors, is doing a great job in their roles but the drama struggles to give all of them time to tell their story while managing to keep a good flow to the story. There were almost too many character and it breaks the flow. The story affects the characters, but the characters don’t affect the story too much. Therefor the story overwhelms the character a little.
In some instances the narrative does seem to drag things out just because they need to fill the time with something. I’ve seen this screenwriter do horror very well before, as well as murder mystery, but mixing the two together seems to have been a struggle at times. Perhaps if the drama had been allowed to be longer, it wouldn’t have felt like it was holding too many balls in the air at once and allowed the story to breath a bit more or add more things in so it felt less repetitive.
An exciting story that allows the story to unfold through the characters and their actions, but ends up dragging them a bit unhesitatingly forward for the sake of the narrative. There is always something hooking you within each episode, but the build up between each cliff-hanger could have been better in some places. It makes the narrative a bit uneven, and I personally would have liked more horror. But overall a very entertaining watch despite the hiccups in the narrative structure.
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One of the more impressive historical dramas that has come from Korea in recent years. Masterfully made, with great actors and a much more serious tone than many of these new historical dramas that are a bit fluffier and lighter, and often feel a bit timid to go all the way with its political plot which often makes the story loses some momentum and make the tension of the story feel artificial and contrived. This drama, however, manages all of that extremely well. One can tell why it is one of the most popular historical dramas from Korea for a long time.The Red Sleeve feels serious, bold but still not too dry, so it was no fun to watch. It had a good pace to the story, and I liked the darker undertone that was always present within the narrative. Despite a more serious approach at the palace politics but still achieve a certain lightness in other aspects of the show, without those two things working too much against each other. There was a good balance between the characters arcs, the palace politics, the more romantic moments, the serious and the light.
did a really good job painting this picture of loneliness within the palace and show it as this dazzling but ghostly prison for all the female characters in the show; highborn or not. Especially as we went further into the story. The loneliness of the palace does affect all the character in some way or another and becomes a big theme within the story. It has a good emphasis on how the female characters play a special role within the narrative. To me the main character, Deok Im, never wanted to be anything but free within the limits of the society she is born in, and the story always comes back to that very point. She is always true to herself while putting other before her.
All her life she seems to try her best to be loyal to those who are good to her but closed off to people around her, but especially to the prince who has such great affection for her, to avoid feeling trapped by this life that she has. Because when you become his concubine, there is a certain world that is just closed to you. It’s not really until she’s cornered, and she sees no other way that she finally gives in to his affections. , even if she loved him, and becomes that concubine that she is destined to be. And I think it was the purpose of the story that Deok Im really had no choice but to be his wife in the end, although it was a little frustrating that he liked her more than she liked him.
The romance, as much as I liked it in the beginning, lost it’s my grip towards the end because I felt Yi San insisted too much that he owned Deok Im, and seemed a little too domineering to me. But at the same time, I feel like it was very much part of the realism that this show seemed to convey. This is not a romantic comedy or a teenage love story. The story, all the way through, is describing the harsh reality of the palace, which was something I really appreciated (and it managed that without being too gory or grim for the sake of realism like Game of Thrones for example).
It is a bit bold to present the love story of the drama in such a way and having the prince carry far more feelings for Deok Im than she seems to do for him, or it can be interpreted in that way at least, rather than showing a more of balance between their feelings. But the writing was done with such sincerity and great sensitivity, and the same can be said about the character, that I felt I understood the position of all of them, although I did not always agree with them.
But even though the themes and characters of The Red Sleeve were brilliant, I found the story start to go in small circles towards the end and drag unnecessarily in certain sections as the story goes on a bit about the same thing. But I cannot blame the scriptwriters of the drama too much for that, as the drama got an extension due to their popularity and it can be hard to add new things to fill over an hour of content with something new. And it didn’t hurt the story that much overall. The end result was still the same.
Deok Im as well as pretty much all the female characters in the drama have my whole heart. They were all so deep, varied in characters and thought and had their own stories to tell. And too me they were the focal point of this story. And the bitter-sweet ending works wonderfully well for the story that this drama was trying to tell. Anything else would have taken from the realism of the story.
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There’s really no real need to watch the first series before this one, because it’s kind of a self-contained prequel and the one does not really affect the other. Some of the characters here seem to have the character development and dynamics between each other we had arrived upon after all the events of the first series though.
There is such an inconstant, slightly odd characterization going on sometimes which is is jarring at first, but you quickly learn to ignore it or not think much of it because this series is just made to be fun. It’s for the people who want a light, fun and fluffy drama with Kim Bum and Lee Dong Wook. The story is just made to be very entertaining.
Still, some things in this drama does go against what we’ve learned in the previous series or just ignores it because a lot of the stuff that happened there doesn’t really affect things here all that much, but does explain some things at the same time. It’s wildly inconsistent, Like Lee Rang at the end of this series isn’t really the same character that we meet at the start of the first one. One should not need to use too much brainpower while enjoying this show, because the show is wildly enjoyable.
The story has a strong tendency to go into fan service - just giving the fans what they liked the most in the previous series although does not necessarily serve the story and are serves a bit like a filler for the large cracks in the story itself. But it does also gave us more action, humor and scenes between the brothers that were some of the best parts of the first series. But it does feel a bit like this drama is very style over substance, quantity over quality.
The romance is much more in the background in this series, but I actually enjoyed it a lot more here than in the previous series. Because the characters that the romances are about are just more interesting and they don’t dominate the whole story as much. There is a better buildup to it and it never feels like some overwhelming YA subternatural romance. I found this one more grounded and intense.
And while I could talk about the cast and entertainment value of the shows for a long while, I will always come back to the shows main problem and that is the overall story is pretty weak. It’s not exactly a drama you’re going to watch for the clever, deep or logical writing. You’re just there for the character really. And drama knows and reflects that. It knows it’s audience so well.
The story and the whole atmosphere of the episodes is rather light-hearted. And really, I wish the story had allowed itself a little more depth and darkness within itself. Going a little deeper into all of the characters, reflecting on the past and the present and maybe more contrast between the two, as well as the Japanese occupation within Korean history.
It’s strange to have that as a setting and then try to keep it so light and fun. At times it tries to go a bit deeper, but it still never goes all the way. It just tips the toes in (and one kind of wonders why this period was chosen, because I can’t really see a point to it when it comes to the plot). The only thing that it allowed itself to do more in this historical setting is play around more with the mythology and the lore of the show, which was cool. But I wanted more.
Aside from the romance and the complicated relationship between the brothers and just further character exploration of Lee Rang’s tragic backstory (Kim Bum is the true star of this show and Lee Yeon, the older brothers, takes a bit of a backseat when it comes to story and character development) there isn’t much of an actual story that ties things altogether or let the story end with a particular point or saying too much.
It’s sort of a very slow character-driven story, if you want to look at it that way, with a very loose and meandering plot. It’s almost as if the writers felt like they had already done all the plotting in the previous series so here they just wanted to entertain us with the characters and let the actors do their thing.
Tale of the Nine Tailed was more fun and had more things that I personally liked than the first series. The romance didn’t overpower the whole story and we got more character moments of the people I cared about, there was more myths and lore to everything and the historical period was fun to look at, even if it lacked depth. The main core of the story it wasn’t as solid or well shaped as it could have been. I’m having a bit of a hard time figuring out what Tale of the Nine Tailed 1938 is really, truly about. But the entertainment value was there the whole time.
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This drama had that bit of a fairy tale vibe about it that I really enjoyed, and I felt lacking in their previous fantasy show. There seems to have been put a lot of effort into it, looks wise at least, which made it really cool to look at. The drama looked stunning. The clothes that IU wore were frenzy, the scene was done, and the special effects were well done.
The story wasn’t terribly original, and you can very easily point out similarities to other dramas like Goblin - another hugely popular drama about a fairy-tale creature that lived for a very long time and falls in love with a human being. Or just other stories about ancient being falling for mortals. There are plenty of those to go around. But I do like this version of the story. Mainly because here that ancient being is female, which is rarely the case.
And that magical being, Jang Man Wol (and of course IU), stole the scene every time she came on the screen. And the fact that she got to be the main star there, in a role most often assigned to a male character in similar stories, was what made this drama sorts of unique to me and was one of the main reasons why I liked it so much.
Yeo Jin Goo, though perhaps a better actor than IU, did not get to shine all that much in this drama. His character was sometimes just there. He was out connection to the human world to us and the ghost characters, but he was also just there to make Manwol open up and find love again - a role most often given to the female character. It got on the nerves of some people (understandably) but I enjoyed the role reversal a whole lot.
Some of these ghosts of the week (as I call them) didn't really do much for the plot, didn't link it too much together and were often just there to act as fillers while we waited for more on Manwol's backstory and gave the characters time to do something as the story chucked along. But Manwol’s story was the focal point of the whole drama. But even if it happens quite slowly, but I didn’t really get that bored. I enjoyed a lot of this extra bits (even if it started to drag the story a lot towards the end) and some of the side characters that the drama gave us.
I was impressed by some of these ghost stories were told and some of the more fantastical storylines, though they became weaker as we went further into the story. The Hong Sisters are usually good at mixing ghosts and some of the more traditional romantic comedy plot, but they also tend to loose their hold on that as the story goes on.
The romance in this one was a bit on the slow-burning side of the spectrum. I expected a whole lot more from it at the start of the drama. There was never any great spark between IU and Yeo Jin Goo. That chemistry where you felt they were right about kissing every time they were together. I was a lot softer than that and the romance a lot quieter than I expected, but you really got the sense that they really cared about each other.
The story, or the romance, was never too tense. It was more just sweet. But I really enjoyed that. The intensity was more in Manwol’s backstory, so while some might find the modern version of the show a bit boring and lacking compared to that, I felt like it created a bit of a balance between the two stories. And that part being more somber and mellow made the backstory stand out more. However, it also made the story kind of just fade out towards the end instead of going out with a bang. It was nice, but maybe not super rememberable.
It was a mellow little noona-romance and I liked it. There was more chemistry and drama in the other storyline, but this one had that fairytale vibe. Unlike other stories, like Goblin, it was never creepy that one person was immortal and the other was not. And I think the role change helped. And I enjoyed that.
The story wasn't big enough for these sixteen episodes. It was rather simple. But what the drama may have lacked in story, it sorts of made up with style and a kickass female lead, which I was kind of okay with.
After all, this was Manwol's drama, where her character and her backstory were the strongest point of the drama. Her backstory could have been its own drama. And IU is so charming in this role. This drama would be lifeless without her and getting to see a female character in such a role is not something I see every day (both in kdrams and other shows). I shall remember this drama for a long time because of Manwol.
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I’ve been going through a bit of a long dry spell when it comes to kdramas for the last year or so, and I don’t exactly want to say that The Heavenly Idol cured it, but even as stupid and silly as this drama was I was always excited to watch the next episode. I looked forward to Wednesdays and Thursdays, because that meant the next episodes of The Heavenly Idol were about to come out, and I was going to have a lot of fun with it. And I have to give the drama some points for that. That’s how tv should be, in a way.
The Heavenly Idol doesn’t shy away from its ridiculous premise. In fact, it seems to just drive straight into the ridiculousness at full speed. It’s so silly and it knows it. And more importantly the drama seems to enjoy it, and I enjoyed that, even if it doesn’t make a whole lot of sense sometimes. But it will make you laugh and smile and feel for the characters. And that’s something.
There’s a certain simplicity and softness and gentleness to the male lead that we don’t get to see in a lot of kdramas, which I found refreshing and really charming. There seems to be a genuine friendship between some of the characters throughout this bumbling, odd plot that is just full of plot-holes and it’s almost like this story has just no sense of time. Things just happen, there is a different variety shows that the main character is on every other episode and things are not explained well enough, and you just have to take it as it is. It doesn’t really have a pacing issue, just a direction issue almost.
But then there is also this sincere attempt at theme with it’s critique of the kpop idol industry as a certain idol worship of these idols by fans with like gifts and such that the main character gains his powers from these odd tributes to him and other idols around him. It’s all a bit hastily done and I would have love to see it go deeper, but still does the job that it’s meant to do.
I do always appreciate sincerity in stories, and I love stories that even if they are not the best they feel like they, or the people behind them, are aware that they’re not that good but there is just a lot of heart put into it to bring people entertainment. I actually find it very charming, but I also love the silly but sincere stories. They are fun, if done right.
This drama is small, it’s low-key and doesn’t feel like it has a lot of money behind it. It’s not trying to be anything other than it is; a fanfiction on steroids. The characters are fun and sincere, but also so incredibly exaggerated. The plot makes no sense; things just happen that way because things have to work out somehow for whatever plot reasons there is. It just takes you on a mindless spectacle every week, which is just good entertainment if you are in the mood for that.
There’s a lot going on in this little drama, and I’m not so sure it managed to really do all the random narratives it threw at us justice, or built up the romance that wasn’t needed in this drama, but also why it feels like a self-insert fanfiction. But this was still something that was just pure entertainment. It was serving fun. At least in my livingroom. And sometimes that’s just enough. Sometimes that’s all you need. Something brainless and fun.
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There was something just so effortless and charming about the setting and the main characters, but they all seemed to be those moms who would usually never get to be in the lead role in most other stories, but here they got the spotlight. This variety of women who live in this small community inside this small town where nothing really happens. Until it does.
It is wonderful to see how they gradually started to bond and form friendships through their unusual business and the circumstances they face because of it, but also gain a certain sexual liberation and ways to show and express their desires, even if society does not want to admit that women over a certain age can have any sorts of desires.
But it was that aspect of the story that made many kdrama viewers did not notice this drama or pay much attention to it. It’s not a romcom, it doesn’t have the typical romance or characters, and it certainly did not feature a young heartthrob in the lead role. And the kdrama space, just like our society tends to put men at the center and their roles in the lives of women which is often why romance is such a focal point in our lives. We are all meant to be in love (with men).
There was plenty of fun to be had since the humor was good and with a heartwarming little romance as a side story which fitted a story such as this But the true love story here is the love between these women and how they grow with each other, and the drama seemed to understand that.
One thing this drama did very well was to show how the image and sense of self of these women within the society was often tied to their husbands and children. The men around them shaped their lives and the narrative that not only the story told, but also the people around them did, through the gossip that spread and how the actions of those men sometimes had greater consequences on the woman, which was something that most of them did not think or care about. So many things became a burden for the woman. And she is admired or pitied because of their behavior. Or their lack of a man, even.
The drama may have shied away a bit or hesitate to go all the way with the sex toy storyline, but it does fit the time and the characters who are the main protagonists of the story. And while the business around sexy lingerie and sex toys certainly liberated them to a certain extent, they were still allowed to be a little prudish despite being allowed to express their desires. But the real liberation within the story was their friendship. Because without it, they were quite isolated.
The romance or love within the story was, again, the love between these women and themselves, even though that story also brought out some rekindled emotions and the fun little flings and flirting. All of them got a man in their lives, for better or for worse, in the end. Because no woman in society is complete without a man. And I felt like the drama understood how that is how society sees the purpose of women. The main romance was very slow, which suited the story very well and never took too much time away from the main plot.
My biggest fail mark within the story is the investigation and the lost child-cold case that was a side story there dragged on a bit and sometimes I felt like that part of the story was hardly more than an excuse to give the main male character (and the only man there who was decent) more to do and fill in some dead time. It all came together in the end, which I was sure it would, and it was done in a kind of predictable way, and I’m still not sure if it added anything to the story or if the drama wouldn’t have worked perfectly without it.
Overall, it was a fun, lighthearted and easy watch where the hours flew by and the screenwriters did a good job of cramming all the character development and the slow-burning romance and wonderful friendship and everything else you could want from a drama like this in 12 episodes – but I will continue to insist that it’s a little too short for a traditional kdrama storyline and the pacing they’re used to having. But neither the character development nor the plot seemed too rushed here and the focus to tell a very funny and heartfelt little story about small town women, their quirky neighbors that make up their community and friendship never truly wavered.
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The drama was rather successful in blending these sweeter rom-com elements with a more serious and dramatic plot. There was a fine balance between these two storylines and neither one seemed to take too much time from each other, but rather work together quite well. Some dramas are upper sweet and cute in the beginning, but then it hits you with all the drama and it sucks the life out of the romance. But this show made the drama and the rom-com elements work.
The most memorable and the best thing about the drama was the main couple - as it is supposed to be in such rom-coms - not the revenge plot, even if I did start to really enjoy it towards the end. But I watched this mostly for the characters and the sweet moments and other cute bits. The characters, from the main couple to the side characters were really cute.
The revenge or the more serious plot was a bit too dramatic at times, but at the same time I felt as if it needed a bit more momentum at times to really work. The drama didn’t dive deep enough sometimes I felt, but it didn’t matter much to me, because that wasn’t what I was watching the drama for. But I felt like, in the end, the drama had said all that it wanted or needed to say. So it felt satisfying.
The drama had loads of great characters, but what stood out for me the most was actually the female character, Son Soo Jung, who was completely the hero of this drama and goes the most character journey of them all. It is usually the female character who has the role of making the male hero a better person but doesn’t always change that much as a character, but it seemed to be the opposite of this drama, which was something I really liked.
Soo Jung starts the drama of being kinda guarded against everything and everyone, she does not do well in life and she makes some wrong decisions at the beginning, which she has to pay for later on, but in her relationship with Kang Bok Soo she learns or wants to do better and she opens up more. She got the storyline that the male leads usually get. The drama spends a lot of time on her as a character and her developmental as a person, making her one of the stronger characters in the drama. It’s not all dramas manage that, or do it as well as My Strange Hero did, which was something I really enjoyed.
Out of all the main characters in this drama, Bok Soo, goes through the smallest character journey, but he as a characters does not change as much through the drama. He becomes less focused on revenge and opens up more, but I feel like the main goal of that character was to help some of the other character grow as human beings.
My Strange Hero was a drama I didn’t expect much from but ended up waiting eagerly for the next episode every week. It was so light and fun and overall a rather solid rom-com. At least for me. I haven’t found a drama with Yoo Seung Ho that I enjoyed this much in a long, which I really enjoyed, since I am a big fan of his.
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The story in Train to Busan has a good heart with the father-daughter thing at its core. You really do care about those characters while also just being amazing action-horror with a really simple yet effective story that is incredibly fun to watch. And it is really re-watchable.
It was always going to be hard topping that movie and I knew the sequel would never truly manage to live up to it. But I was very hopeful and when I went to the cinemas to see it I was just hoping to have a really fun time.
Peninsula is not Train to Busan in any sense. It does not even come close. It has none of the charms of the first movie and it just feels like it's trying too hard to seem bigger and better, when the simplicity of Train to Busan and the whole movie just taking place in a very limited space was what really made the movie work and gave it that charm and this urge to survive that was really earnest and intense. Peninsula just wanted to much, with the action and the CGI but it totally lacked the story for me. As well as the characters.
The story, what is supposed to be the driving force of the movie and the thing that hook us (and not just people shooting zombies), just wasn't strong enough. Or really that good. It almost didn't feel like it was about anything as we follow so many characters that don't get a chance to shine in an over bloated story as they get limited screen time due to everything else that's also happening, or get that much depth so we actually care about them.
And sure, the movie tries super hard to queue up those emotional scenes that it had and did well in the first movie. But the problem is that none of it really feels earned because we have not spent enough time with a lot of these characters and therefor it just all falls flat. It feels like the movie is telling me to feel sad, while not actually putting in the work of making me sad.
There were some actions scenes that I really thought were cool and fun to watch. But after a while they just feel a bit too much or just the same. It is just people driving cars fast at zombies or shooting them with guns. And my issue with that sort of action might just be that I really do not like guns and I find it really boring to watch people just relentlessly shooting people (or undead people) with them.
People trying to kill each other with swords, magic, or some sort of superpowers? yes, can watch that again and again. But something about people shooting each other like they did here in Peninsula gives me no thrill. I just feel bored.
Train to Busan really made it all about survival and people just being desperate to survive and using whatever they could on that train to do so. This one does not manage that at all. Possibly because the scope of it all was too big. The action to felt so empty. And I know that there is only so much you can do with zombies, but Train to Busan showed us how it could be done. I have seen other movies were people really make that work, while also telling human stories along the way, while Peninsula was just a big blockbuster action-horror and nothing else. It was just made to make money.
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It is short for a kdrama (only 12 episodes). But still manages to tell a good, well-fleshed-out story. It is all about friendship and fighting the ghosts in your life, together or alone. No matter in what shapes as sizes they come.
There is a scene at the beginning of the drama where Song Ji Won tells the other girls that she sees ghosts. And there is a ghost living in the closet by the door. All the girls ghost interpret in their own way and it gives the show a bit of a gloomy atmosphere.
It was not always easy to watch , since it became a lot gloomier and darker than I expected it to be. And at times I did feel like it was trying to hard to be that way. But it was still always grounded in reality. And there are also many light and funny moments between the gloomy bits. As well as very heartwarming moment between girls, and other characters in their lives. I felt like the drama did manage to strike a good balance between all these different moods.
The relationship between the girls is so well done. It felt real. they care so much for each other. Even if they all come from different places and all have vastly different personalities and different problems to deal with. And they mesh very well together, most of the time. But they also argue a lot. Each of them gets their own part to tell their story. Although some girls get a heavier history than others and are therefore get bigger story line. Which is something the production could have balanced better.
You can yourself a bit in every one of these girls. Or at least empathise for them. But at they can annoy you as well at the same time. Just like real friend do. None of them were one-dimensional in any way, since they all got a time to explain their side of the story. I felt for these characters and I loved them all. I could put myself in their shoes. Although I had never experienced most of the things they were experiencing.
The girls were the center of the story and nothing else. Not even the romance, like I thought it would be at first. Since I thought it was about a youth drama all about campus-romance. But instead I got something much better. The romance was a big part of the show, but the drama was not about finding a boyfriend.
The romance was both sweet and cute, and sometimes a little sad. But it isn’t the centre of things. The drama is, for me at least, mainly about friendship and growing as a person. But it manages to be really good a mix of all of these things.
It’s rare to get a kdrama like this one, where we get to follow five young women and their lives. And this is entirely about them. The rest is just extra. It was refreshing. I felt like this show was made ??by women (although the director is a male), about women, for women.
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