Peridot83
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A thrilling, epic historical romance. Well worth a watch . . .
Some caveats on the portrayal of the 'barbarians' at the end:
Lee Jang Hyun is a familiar character, a world-weary ex spy or military man who hides his skills and history behind a joking, frivolous womanizing mask. What is unique, is that he meets Yoo Gil Chae an entitled, determined and crafty 'fox' of her village and falls head over heels for her because of these qualities, not in spite of them. Here, though young and immature, is a woman who has the resilience to survive. As these characters get tossed to and fro, partially due to being in the middle of a tragic and gory war, and partially due to their own inability to be vulnerable, you very much cheer on their survival and happiness.
Towards the end, the miscommunications and missed connections stretch into the absurd. It is understandable that both characters would prioritize their country, community or family over their romantic love - laudable even. It's also understandable that both misunderstand each other - assuming that their love was weak instead of that their duty called on them to act differently. This does not forgive the lack of letter writing and direct communication of the last episode. The lack of communication during war is forgivable - during peacetime less so, and so some points were knocked off for that.
The acting here is believable and top notch, not for one moment from the main characters to the supporting characters, was I ever taken out of the story. Namkoong Min does an excellent job in the early episodes of hinting at the cold competent nature that hides behind the mask. Ahn Eun Jin has the difficult job of portraying a character with many unlikeable flaws and making her come alive and be endearing and she does just that.
The music was sweeping and epic, and some scenes will definitely linger, even if the show isn't really set up for rewatching. I grade on other criteria as well:
Themes: 10
In difficult times, the clear headed, determined will to survive at any cost will triumph over ideological purity. You can find someone that loves you for your difficult qualities not in spite of them. Beware parting with angry words or things left unsaid, you could end up living a life of regret. Be skeptical of titles and power. Look to people's actions not their words in determining where there values and priorities are. Romantic love is not always what to prioritize there is our responsibility to our country, community and family to consider.
Complex characters/Character development: 8.5
All the characters even the secondary ones, have different sides to them and I appreciated this. I was mildly annoyed that instead of having a bigger time skip and allowing Yoo Gil Chae to fully mature, the plot kept them reuniting piecemeal and didn't let the mark of war and trauma full settle on to her.
Complex Women/Strong connections with Women. 9.0
The friendship between Gil Chae and Eun Ae was a complex and enjoyable one. Both having a deeper connection, than their reputations as the 'bad girl' and 'good girl' of the village would imply. Eun Ae, like Jang Hyun, respects Gil Chae for what would be considered 'bad qualities' in a woman.
Cinematography/Production Values: 9.0
Really beautiful, with plentiful use of outdoor sets, well-done costumes, and excellent fight scenes. Nothing new or innovative, but a pleasure to watch.
Note on the 'Barbarians':
The portrayal of the Mongolian and Jin/Qin people is primitive and dehumanizing. It was not 100% this way. I did like that even Jang Hyun underestimates them at times, assuming they will greedily go for the money or gold, only for them to catch him in his plots. I also liked how it shows how Jang Hyun can trade and live amongst them: he understands and respects their practical drive to survive and conquer over the scholars of his own country upholding ideological purity even if it led to defeat. But, I'd be curious for those more knowledgable or from those heritages how they found the portrayal.
Some caveats on the portrayal of the 'barbarians' at the end:
Lee Jang Hyun is a familiar character, a world-weary ex spy or military man who hides his skills and history behind a joking, frivolous womanizing mask. What is unique, is that he meets Yoo Gil Chae an entitled, determined and crafty 'fox' of her village and falls head over heels for her because of these qualities, not in spite of them. Here, though young and immature, is a woman who has the resilience to survive. As these characters get tossed to and fro, partially due to being in the middle of a tragic and gory war, and partially due to their own inability to be vulnerable, you very much cheer on their survival and happiness.
Towards the end, the miscommunications and missed connections stretch into the absurd. It is understandable that both characters would prioritize their country, community or family over their romantic love - laudable even. It's also understandable that both misunderstand each other - assuming that their love was weak instead of that their duty called on them to act differently. This does not forgive the lack of letter writing and direct communication of the last episode. The lack of communication during war is forgivable - during peacetime less so, and so some points were knocked off for that.
The acting here is believable and top notch, not for one moment from the main characters to the supporting characters, was I ever taken out of the story. Namkoong Min does an excellent job in the early episodes of hinting at the cold competent nature that hides behind the mask. Ahn Eun Jin has the difficult job of portraying a character with many unlikeable flaws and making her come alive and be endearing and she does just that.
The music was sweeping and epic, and some scenes will definitely linger, even if the show isn't really set up for rewatching. I grade on other criteria as well:
Themes: 10
In difficult times, the clear headed, determined will to survive at any cost will triumph over ideological purity. You can find someone that loves you for your difficult qualities not in spite of them. Beware parting with angry words or things left unsaid, you could end up living a life of regret. Be skeptical of titles and power. Look to people's actions not their words in determining where there values and priorities are. Romantic love is not always what to prioritize there is our responsibility to our country, community and family to consider.
Complex characters/Character development: 8.5
All the characters even the secondary ones, have different sides to them and I appreciated this. I was mildly annoyed that instead of having a bigger time skip and allowing Yoo Gil Chae to fully mature, the plot kept them reuniting piecemeal and didn't let the mark of war and trauma full settle on to her.
Complex Women/Strong connections with Women. 9.0
The friendship between Gil Chae and Eun Ae was a complex and enjoyable one. Both having a deeper connection, than their reputations as the 'bad girl' and 'good girl' of the village would imply. Eun Ae, like Jang Hyun, respects Gil Chae for what would be considered 'bad qualities' in a woman.
Cinematography/Production Values: 9.0
Really beautiful, with plentiful use of outdoor sets, well-done costumes, and excellent fight scenes. Nothing new or innovative, but a pleasure to watch.
Note on the 'Barbarians':
The portrayal of the Mongolian and Jin/Qin people is primitive and dehumanizing. It was not 100% this way. I did like that even Jang Hyun underestimates them at times, assuming they will greedily go for the money or gold, only for them to catch him in his plots. I also liked how it shows how Jang Hyun can trade and live amongst them: he understands and respects their practical drive to survive and conquer over the scholars of his own country upholding ideological purity even if it led to defeat. But, I'd be curious for those more knowledgable or from those heritages how they found the portrayal.
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