Honestly I wasn’t sure about this going in, and I’m still not entirely in love with it. It’s a tiny bit dark and a tiny bit bittersweet, almost too honest to a university experience and first love for my liking. Not enough of a BL fantasy.

I found the main character, SiWon, pretty unlikable for the first half of the series - even with a believable backstory guiding his superficial behavior. Even knowing that the way he acts covers up insecurities. I would’ve like to see the director take strides to SHOW US the things that DaUn later says he admires about SiWon - kindness, cuteness, softness with perhaps more gentle treatment of his sister? Even his mother? As True Beauty did.

As is often the case with an unlikable uke, I’m not sure why the seme is courting him at all. (See my problems with the first few eps of Secret Crush On You, too.)

DaWoon’s backstory of lonely prince is a bit too typical to the romance genre but it makes for a good contrast to SiWon’s warm, if superficial and slightly dysfunctional, family life. Sunshine to cover pain is a solid archetype.

Both leads turn in solid performances and by ep 5 this show turned the corner and got really good… for me. The bad guy was really well drawn, all of the characters and portrayals we dealt with honestly and were super believable. Every character was flawed in a different way and I liked that. So this became a narrative about understanding and accepting others people’s flaws without hurting them, and there is nothing wrong with that message.

Korea gave us decent kisses (2022 is the year Korean boys learned how to kiss each other… apparently, I blame the unexpected popularity of To My Star last year). There was even an elegant, and very Korean, sex scene. Not to mention a nice mature apology and makeup sequence. So that, for me, I found the ending quite satisfying.

Ultimately what this show showed us was two characters maturing because of each other and their mutual affection. And that affection was never itself the conflict point (coming out or being gay isn’t really addressed - again, normal for Korea). Instead conflict was built around other aspects of identity, popularity, and self-worth.

In the end, I actually really liked Blueming, it’s a solid BL. As is expected of Korea, there’s judicious and very elegant use of tropes, but production values are a touch lower than usual.

I was delighted that it had a longer treatment than most KBL, it has about a 3 hour run time, which really allowed the characters time to grow. And also grow on me.