Story: It's about a boy telling a story about two boys to another boy. In the boy's story, the two boys are best friends. But wouldn't you know it: the boy telling the story is also the best friend of the boy who is listening to this story. What a coincidence! And that the boy telling the story, is planning to do a movie about this story. Or at least, that's what he said he was doing.

Acting: Good enough for two people sitting at a coffee shop.

Music: Barely noticed.

Rewatch Value: Short and adorable enough to repeat.

Overall Impression: What an ingenious concept for a confession. At least Dong Young is self-aware enough not to expect much from his best friend aside from maintaining their friendship. And it's a healthy reaction from Jung Min, accepting his best friends feelings without indulging in it. Nobody died, it's a win for me.

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This drama is about two best friends suddenly being tasked with hosting a podcast about love and sex. Neither are really in a capacity to give professional advice, but they do lend a listening ear. On one hand, Mi Na only dallies with casual hook-ups, and is not looking for anybody for more than a romp in the hay. Meanwhile, Hee Jee is stuck in a boring rut with her longtime boyfriend, who cares more about what’s on screen than carrying an actual conversation with his girlfriend. Though neither of them feels jealous of each other’s situation, sometimes they wish to improve their love and sex lives.

In the eight brief episodes, we see both women grappling with the idea that there is more to life than just having meaningless sex, and comparatively, that they are not obligated to stay with one person just because it is easy and convenient. Change is a thing; yes, it could be scary, but the braver you are to explore what you truly want, the more rewarding your life experience will be.

Both Ahn Hee Yeon and Bae Woo Hee’s portrayal of these women come across as natural. The two male leads are not too shabby as well. I find the drama very refreshing as it tackles mature topics with candidness. I love how both female characters developed as individuals when exploring relationships outside of their comfort zone. The drama fearlessly delves into different perspectives on romance and sexual relationships that may not align with conventional values or beliefs, but are not deemed wrong or right, nonetheless.

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This drama started out slow, but after a few episodes, the story picked up and became more interesting as it went. I like the juxtaposition of characters and I’ve seen both leads in other works and they’ve already proven their acting prowess there, especially when I have viewed four of Zhang Ling He’s works before I watched this one. So I knew what I was expecting. Who surprised me though is Ryan Cheng. I didn’t realize he was also the main in “A Familiar Stranger,” but maybe it’s because his character there wasn’t as flushed out as Gong Shang Jue’s.

The characters in this drama are multi-dimensional, that they are not necessarily “all good” or “all evil.” Despite what has been portrayed, most of them have the freedom of choice, whether to follow along the path that was created for them, or carve out one for themselves. This is why I admire Yun Wei Shan’s character and Yu Shu Xin’s portrayal of a skilled assassin. She cleverly integrated herself into the Gong family and made her own judgment, not solely relying on what had been fed to her, while also following the edicts of her organization.

Gong Zi Yu, for his part, turned from a playboy to a love-struck fool, from a supposedly incompetent “spare” to become the new Sword Wielder. Throughout his journey through the trials, Gong Zi Yu has proven himself to be more than a sitting duck everyone assumes him to be. His ingeniousness, coupled with his compassion for the people, made him a formidable leader.

I find myself second-guessing the true nature of the characters, which is rare for me as I have usually found them predictable in other shows. Even I find the pairing of Gong Zi Shang (Zi Yu’s sister) and Jin Fan (Zi Yu’s guard) hilarious. Perhaps the only person I truly detested here is Shangguan Qian. I really have no tolerance for her type of character, through no fault of the actress.

As for other aspects, the production, cinematography and the costumes were breathtaking. Likewise, the plot here is also intricate and engaging. Everything here in this drama is smoke and mirrors, and it is up to these characters to decipher the truth from all of it.

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Story: A collection of erotic shorts about men fantasizing about other men in uniforms.

Acting: No better than amateur porn stars.

Music: Maybe the sound of beeping horns can even lull you to sleep.

Rewatch Value: Not bored enough to do so again.

Overall Impression: This feature is actually just glorified porn trying to pass as avant-garde film. The stream of consciousness monologuing may impart some life truths that may seem profound, but they are overly gratuitous. I will not totally give this a zero though, but maybe an F for F-fort.

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I nearly dropped this drama after watching one episode. In the beginning, the antics, though funny, seemed forced. The main characters were not only stubborn, but clueless about each other’s plight, often making assumptions they were out to get each other. I almost gave up if it were not for Jung Woo and Oh Yeon Seo’s performance. Their pairing may not be your typical drama couple, but they brought out their A game in this show.

Jung Woo stars as Hwi Oh, a cop who could not control his temper. Despite his good intentions, Hwi Oh believes his outbursts are justified, considering what happened to his colleague. Meanwhile, Yeon Seo stars as Min Kyung, a woman who’s constantly paranoid and keeps looking over her shoulder. She thinks that everyone she encounters will hurt her, therefore she hardly ventures out unless absolutely necessary. She assumes Hwi Oh to be a relentless stalker, as he appears everywhere she is, not realizing he’s her neighbor. After realizing her mistake, Min Kyung lowers her guard after finding out that Hwi Oh was a police detective, currently unemployed because of his suspension from the force.

As time goes by, the two slowly form an unlikely bond. We see both Hwi Oh and Min Kyung grow fond of each other and become accepting of the other’s quirks..We see them relying on each other during difficulties, and how they care for each other despite struggling with their own issues. Hwi Oh’s pursuit of justice sometimes lands him in precarious positions, as he did not have authority to conduct investigations because of his suspension.

On the other hand, Min Kyung had to deal with her POS ex and his manipulative mother. The deliberate sabotage of Min Kyung’s already fragile reputation, led Min Kyung to be shunned by the condo community. And here we see how endearing Hwi Oh is, by standing on her side despite the lack of proof to the contrary. However, even this wasn’t enough for Min Kyung who questions every motive of Hwi Oh going close to her. The previous trauma that she endured, made Min Kyung unable to trust anybody, even herself. Not wanting to seek help or seem weak, Min Kyung tries to tackle everything by herself, even if it’s to her own detriment. Meanwhile, Hwi Oh tries his best to be there for Min Kyung, becoming her protector and guardian.

But the story is more than the developing relationship between these two main leads. We have to appreciate the secondary characters, acted out by an amazing cast. They exist in the drama not merely to support the plot to its fruition, but they each have a role in asserting how society can stigmatize people with mental illness. The show also highlights the importance of not jumping to conclusions, especially when you don’t know the entire story. There are always two sides to a coin, and it may be worth your while to fully understand what’s going on before making hasty judgments.

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It started out interesting until it wasn’t. Let’s start with the simple part and discuss the second couple, where Murao persistently followed Tanaka Yoichi despite his rejection, not because she was unattractive, but because she was a teenager. Despite being warned about the consequences of being involved with an adult and a faculty member at her school, she did not seem deterred. I really have no patience for people who are only concerned about their own feelings, despite bringing other people into trouble and not thinking about the consequences of their actions. That being said, I mostly overlooked the parts with those two.

Now on to the leads. The premise of their meet-cute was interesting, seeking refuge in a desolate corner from the rain (of course!) Then their friendship blossomed because of their quirkiness and commonality. And it all changed when Tanaka transferred to another school. Upon his return, Tanaka-now-Mabuchi becomes less carefree, and more aloof, even towards Futaba whom he liked back then.

We later learned that Kou had a hard time dealing with his mother’s passing, hence his dreary and detached attitude, which was perfectly understandable. But that doesn’t mean he can take out all his frustrations and dump them on his friends. I can understand how grief can change people’s personalities, and the first time he abruptly left Futaba without saying a word, was undesirable but reasonable. However, for a guy to keep doing this time and time again to a girl whom he supposedly likes, would not fly with me.

I used to root for Kou and Futaba to be together, but Yoshioka deserves better. Kou keeps ditching her and giving all these excuses, then becomes angry when someone else becomes interested in her. He’s just treating her like a toy, losing interest in playing with her until another child enjoys it. He even admitted to his friend, that even if he likes Futaba, he has no intention of dating her. Then he brushes off the accidental kiss as if it’s no big deal and gets upset when she ignores him as he did to her?????

Towards the end of the first series, I was no longer invested in their story and wished for Futaba to be with Kiuchi instead. At least Kiuchi is consistent, and transparent with his feelings. If Kou cannot prioritize Futaba, then she’s not that important to him. He could have sent a simple text, saying he will be late or that even if he can go to the festival, he needs to be somewhere else later. Anything really to give Futaba at least the time of the day as she had provided him. But no, he ghosts her and is more concerned about his classmate just because they shared the same pain of losing someone close to them.

If Futaba insists to be with Kou, what next? On the day of their wedding, something comes up again that he’s unable to attend? But hey, if that’s the kind of guy she prefers, then she better be prepared for the consequences and don’t come crying. I’m so pissed to even watch the second season. It’s not worth it to keep my blood boiling.

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Story: Two boys go from friends to being more than friends, but less than lovers. Their shenanigans escalated from silly things like spinning bottles on their foreheads, to more brazen acts like throwing Molotov cocktails in public streets. And at some point, probably experimented with each other during one of these reckless escapades. But to what extent, we don't really know.

Acting: The actors are not too shabby.

Music: Unmemorable.

Rewatch Value: If only to figure out whether some parts are a dream or the reality.

Overall: We see two friends bonding with each other for different reasons. Jie Yu uses his friendship with Yan Shiu as an escape from the real problems his family had been facing, with his mother working hard, and still had to help at the shop his father was supposed to oversee. His father doesn't seem to take responsibility; he wakes up late and he runs off to "business trips" that no one knows where he really went. Tired of picking up his father's slack, Jie Yu goes and spends more time with Yan Shiu. But the time spent made Jie Yu confused about what he really feels, especially when sex gets in the mix.

All the scenes of both boys being together are interspersed with scenes of Jie Yu riding solo on the streets. The camera work was choppy as the frames go back and forth the present and the past. If the film's intent was to confuse the viewers, it certainly did its job.

So many questions were left unanswered. Was Jie Yu running away because he had developed feelings for Yan Shiu , or was he just escaping the increasing intimacy of their friendship? Was Jie Yu denying his sexuality or was he afraid that Yan Shiu was only fooling around and wasn't as invested in their friendship as he was? Nevertheless, we will never know whether the lovemaking between them really happened or just a figment of Jie Yu's imagination.

I'm leaning towards the belief that they did sleep with each other, since Jie Yu said he wanted to go back to being friends. But whether he meant it or not, was another question.

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Story: A boy gets "saved" by a life-guard who mistakenly thought that the swimmer was in dire danger. However, Wu doesn't protest and lets himself be assisted by the lifeguard to shore. Wu fantasizes about this encounter, especially when their bodies were touching. He tries to dispel these carnal thoughts by meditating, but this doesn't seem to work when he finds out that the lifeguard also happens to be a patient at his father's clinic.

Wu incorrectly assumes that the lifeguard's frequent visit is due to mutual attraction, and therefore is present whenever the lifeguard was there. Whereas Wu wasn't motivated before to study acupuncture, with the lifeguard's presence at the clinic, he becomes fascinated with the different types of therapy that his father uses on his patients.

Acting: The actor who plays Wu is expressionless, despite his supposed infatuation with another male. The other actors were even less memorable.

Music: Ho-hum.

Rewatch Value: Once is enough.

Overall Impression: Not abysmal enough to get a 1, but still a snooze-fest. The film was trying to be profound until it got convoluted in its attempt at symbolism.

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Story: The premise is simple. A young gay couple comes at a cross-roads upon graduation. They have opposing ambitions: one wants to be a pastor, and the other wants to be a soccer player, but neither wants to give up their dreams for their relationship to work.

Actors: Not too shabby portrayal of two boys who are supposedly in love, but conflicted.

Music: The religious hymns brought back memories when I studied at a Christian school. I was surprised that I even remembered some of the lyrics. Not sure if that's a good or a bad thing.

Rewatch value: Only to figure out what really happened at the end.

Overall impression: After watching this short, I found that the more important part of the boy's relationship is that neither of them communicated to each other what they were planning to do with their future. They had to find out from their mutual friend about it. And then after they confronted each other about the possibility of one going into a seminary and the other going abroad to play soccer, they had to rethink what is more important to them.

At one point, when they tried to dissuade their partner from going through their plans, it seemed like they were bitter that their partner wouldn't compromise and support their own respective dreams. Kai's excuse was that his father wouldn't have approved his lifestyle choice since he came from a very traditional, religious background. Jay, on the other hand, thought that the opportunity to study abroad is hard to come by, and therefore, he had more potential to go further.

Actually, what surprises me about this film are the secondary characters, in the form of that mutual friend who served as a catalyst between Kai and Jay. She's the mediator in their relationship, like a voice of reason. Kai's father also wasn't as restrictive as he was presumed to be. Although he might not know the exact nature of Kai's relationship with Jay, the dad instinctively knew that there's something troubling his son, and Kai's decision to apply for the seminary might be misguided.

With this new revelation, you would have thought that the boys would have made different choices, but it goes to show that the thing you thought you might want, might not be the thing that you need. Would you give up on your dreams to have a chance at love, or would you abandon your partner to pursue your chosen career? This is dilemma that this short film is trying to address, and some people may choose differently than others.

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Started out as creepy, and ended up as not so creepy, and through no fault of the story really, but I blame the production company on this.

First, why didn’t they cast an appropriately-aged actor to portray ML’s teenage self, when they did so for the FL and 2nd ML? All those screaming “Pedo” would have no grounds to stand on, if this was done, and frankly, not as disturbing to watch a 12 yr old smiling infatuatedly at a 35 yr old at the start of the drama.

Second, why they didn’t dub Yang Mi’s voice so it doesn’t come across as whiny and annoying throughout the show?

Third, why do production companies insist on casting actresses who cannot even clearly pass as a guy unless you are totally daft and oblivious? There are probably more androgynous-looking actors out there that they could have chosen.

I continued watching anyway, as I love a forbidden romance between Master and Disciple, but man, was it ever frustrating! By the nth time Jian Ming pushed Hai Shi away, I was actually rooting for her to end up with someone else and I would have been happy. You would have thought that Jian Ming was a green flag due to all his self-sacrificing intentions, trying to put Hai Shi out of harm’s way, but he is not doing her any favors as she keeps coming back. Why would she be hopelessly clinging onto somebody who doesn’t prioritize your happiness, but would always choose the country over you?

And don’t get me started on the emperor! Tilan clearly has a case of Stockholm syndrome! Actually Di Xu’s bromance with Fang Zhu looks more sus with all those half-naked, pact-making rituals and fussing over their bestie’s pale-looking lips.

The third coupling may seem the least toxic of all the pairings here, even though Zhou Ying was prone to peeping over the courtyard where Zhe Liu was working. Stalking seems to be the least of all evil here, so the show gave it a pass.

The drama also throws in half-baked villains with some half-baked back stories, expecting you the swallow the Kool-aid that they only did what they did. To watch this show to completion, you need to suspend your disbelief, and throw away logic, or better yet, hang on to that remote control. You need that FFWD button.

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This drama is cool without being cliche, as it guides viewers through the sexual development of youth. Despite being naïve about certain things, the characters were willing to learn about the different sexual concepts that aren’t necessarily traditional.

It is refreshing to see how the three friends differ in their outlook on love, lust, and beyond. While some are shy, they still communicate their concerns and thoughts to each other, albeit ironically, in a very public restaurant.

I find this drama highly entertaining and educational without being preachy. It’s certainly hilarious how things kept falling out of Sakura’s bag, and how shocked she is at finding things she deemed “dirty” are actually a normal part of human sexuality. I am stanning also for the ace and bi rep, especially after both Tsumugi’s and Yu’s speech.

Even with only nine brief episodes, this drama thoroughly explores everything related to sex, including, but not limited to pregnancy, birth control, consent, periods, etc. The show thoroughly examines these subjects and handles them honestly, without disguising the truth. It certainly is a progressive approach to education in an Asian country, mostly perpetuated by conservative principles.

And as one teacher suggested, it is important for schools to provide proper sex education so that students can make informed decisions and not make assumptions about sex. Highly recommend this drama as it dispels the misconceptions and myth about sex.

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I thought that with only 14 episodes, I could blow through this without a hitch. But I was wrong. The drama started out strong; I especially loved the flirty friendship between the main couple. Elvis Han has the suave financier down pat, while Elvira Han oozes smarts and sexiness as the hardworking, no-nonsense lawyer. And oh, the sizzling chemistry between Tang Ying and Zi Quan really lit up the screen. But that’s about it.

Because when both are at work, they’re being played by their colleagues, supervisors, and both seem to work on projects that failed (through no fault of their own, but by the machinations or neglect of other people). Setbacks are inevitable, as they are part of life, and it’s how you overcome these obstacles thrown your way that counts. The show imparts more than a few nuggets of wisdom, but by the 10th life lesson, it became too preachy.

The drama also introduces so many random characters, but none of them really fully fleshed out. Most are one-dimensional, like the bratty sister whom I cannot stand, and her cringey boyfriend. She only became interesting towards the end when she ditched her possessive BF and moved in with a younger guy (her landlord). I feel the drama brought in all these randos just to prove a point, like the sugar daddy equates women with useless barns or the socialite who sinks her teeth on Zi Quan once she learns he’s no longer single. The main leads used a lot of these side characters as teachable moments, especially when they aim their gaze at the audience. But mostly, I was so bored to death that I couldn’t fake liking it.

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Picked up this drama because the premise sounded interesting: a virgin meets another virgin and enters a FWB contract. Occasionally adorable, but mostly predictable is that they both caught feelings after having coitus a couple times. Of course, a drama cannot do without a rival love interest or two, who obligatory part ways for the leads to end up together. Despite the sexual tension Takada and Totsuka bring to the screen in the beginning episodes, it did not carry towards the end. Waste of talent, especially Izuka’s. And I certainly didn’t expect the weak-a$$ peck that fell short after the enormous buildup. Watch only if you want to pass the time, but not necessarily.

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If you are expecting a Prince Charming and a Cinderella-story from this drama, don’t count on it. I get it that not all heroes wear capes, because this one just flicks a lighter but doesn’t smoke. Yes, Li Xun is a genius in his own right, but he could be less cocky and I would have been fine with it. Right at his heels, Zhu Yun attempts to tame this golden retriever by chasing after him, like she’s herself a dog that won’t let go of a bone.

The pacing is choppy, but manageable to watch. Cinematography and choice of music are good. The cast is diverse, so are the secondary characters, but all these good points do not negate the fact that I struggled to finish the show due to various factors. For instance, the inconsistent re-introduction of some characters who show up at odd times in the drama. I feel some characters are even under utilized (ahem, Tian Xiu Zhu) and just serve as props to the main leads, which is a sad fact because other stories could have been more developed.

For example, I would have been interested in how Ren Di’s band went from obscurity to popularity, or how her relationship with Xiao Liu evolved. Or even how Shu Miao took a legal path in her career, when she was a major part of Zhu Yun’s college days. Instead, we see such as useless POS like Zhi Jing be part of L&P board of directors and living prosperously, as if he weren’t the one tormenting Li Xun and Zhu Yun in their early days. Instead, Li Xun and his group were prohibited from joining competitions for years, while Zhi Jing could still pull strings despite being exposed in public.

Another case in point is that both male and female protagonists are unfailingly stubborn, sometimes to the point of infuriating, hardly giving leeway to anybody except to each other. They do this awkward dance where they are hot/cold towards each other, but with other people, they are self-righteous, if not selfish. I get it that Li Xun had a tough childhood, and Zhu Yun an over-protected one, but I wasn’t buying the cool-aid that because of their backstory, they expect the world to owe them something.

Yes, tenacity is good, ambitions are even better, but there’s a limit to which these things are met where it doesn’t adversely affect other people. Good news is, both Li Xun and Zhu Yun learned their lessons, over the course of their journey, to be more forgiving of others. Whereas Jian Hong failed, and in a karmic joke, life serves him an eff you, but Li Na, to her credit, stood by his side despite being given a reason to run for the hills.

Another case that baffled me is the fact that, Zhu Yun’s helicoptering mother, for all her scrutiny and apparently above-exceptional monitoring skills, failed to learn how her daughter ditched to study/work abroad to be with Li Xun, not once but twice is beyond me. I am not saying that I agree that the mother should control a full-grown adult who has her own right to choose, but I find this comically inconsistent. And how Zhu Yun, who is normally pushy when it comes to her boyfriend’s welfare, is suddenly timid at the sight of her mother. Also, the way Zhu Yun manipulates Tian Xiu Zhu to cover her whereabouts, without the latter getting anything in return but a “thank you”, wasn’t really supposed to be how “an innocent young lady” behaves.

The ending for me was anti-climactic, especially in the case of Zhi Jing. Are we supposed to forget how his behavior drove his ex-girlfriend to suicide? How his deplorable actions indirectly caused the death of Li Xun’s sister? Though granted, he did not inflict the final blow, and her death was more a result of a string of coincidental events. Still, he had malicious intent and his lack of remorse didn’t justify the punishment he got, but fully deserved.

For all its flaws, the drama isn’t bad, but not that great either. I only finished this show because of the rave reviews, but I didn’t love it as much as I probably should have.

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