- Português (Brasil)
- magyar / magyar nyelv
- dansk
- Norsk
- Título original: めめめのくらげ
- Também conhecido como: Mememe no Kurage
- Roteirista: Tsugita Jun
- Diretor: Murakami Takashi
- Gêneros: Comédia, Fantasia
Elenco e Créditos
- Sueoka TakutoKusakabe MasashiPapel Principal
- Asami HimekaAmamiya SakiPapel Secundário
- Saito TakumiKozuka NaotoPapel Secundário
- Kubota MasatakaBlue DragonPapel Secundário
- Sometani ShotaWhite TigerPapel Secundário
- Shiozawa HidemasaBlack TortoisePapel Secundário
Resenhas
Kung Fu Jellyfish!
Jellyfish Eyes is a children’s movie by director Murakami Takashi that showed children, adults, and “scientists” attempting to process the trauma of the 2011 earthquake and tsunami. Everyone searched for answers on how to be safe in an unsafe and unpredictable world. Or if you just look on the surface it was about children with magical creatures that were often used like Pokémon cockfights.Masashi lost his dad during the tsunami. He and his mom have finally left the evacuation camp and moved to a new place. Moments after moving in he discovers a creature he calls Kurage-bo (Jellyfish boy) who devours their stock of Chee-kama. His uncle Naoto works at the university’s lab with several creepy scientists wearing black capes. They are seeking a way to collect the life force that creates disasters and the small creatures they call F.R.I.E.N.D.s were a byproduct. Masashi learns at school that everyone has a F.R.I.E.N.D. though the other students have controls they can use to make their creatures invisible. They also have contests where their creatures fight each other. When Tatsuya sics his critter on Masashi, Kurage-bo defeats the chief bully’s frog with martial arts. Go Kung Fu Jellyfish! Masashi makes friends with Saki and her giant dog F.R.I.E.N.D., Luxor. Saki’s mom belongs to a cult that attempts to control the uncontrollable through picketing and prayer. It’s not long before the creepy caped scientists’ goal is revealed to be fiendish in the old school burn things to the ground and start over format.
The movie primarily focused on the children and their relationships with each other and their F.R.I.E.N.D.s. Though the actions of adults and the government were called into question, the children’s violent tendencies showed that cruelty starts young. Masashi and Saki wanted to avoid the Pokémon, I mean F.R.I.E.N.D. fights. Their selfless actions came to change the hearts of the bullies. The two young actors gave good performances as Masashi and Saki. Saitoh Takumi as Uncle Naoto played several handsome versions of himself.
Jellyfish's CGI was adequate, but not stellar. The creatures were all different and creative. Kung Fu Jellyfish made a variety of transformations when needed to help save the world. During many of the fights, I was disturbed at creatures with no agency of their own forced to fight each other. Give the kids brass knuckles and bats and let them duke it out instead of setting basically enslaved creatures against each other. On the positive side, Masashi and Saki were against the fights. The film did offer a little something for my kaiju loving heart which boosted its rating for me.
There were not one, but two delusional cults that wanted to cleanse the land. Adults turned to whoever promised them some sort of control over disasters and evil. Kids today are more science savvy so the convoluted science babble the black cloaked nihilists banged on about might leave them shaking their heads. While the children learned about cooperation and bravery, the adults just wandered around in a fog leaving the world saving to the kids.
Jellyfish Eyes was not a great film and could have cut its run time to eliminate a couple of draggy places. For younger children the film had enough random action and small creatures to possibly keep their attention. I thought the film had several cute moments for children and also tried to address the community trauma parts of Japan suffered in the aftermath of the tsunami and Fukushima disaster. Masashi and Saki had an endearing friendship as they both tried to come to terms with the loss and change they’d experienced all while playing with their not so invisible F.R.I.E.N.D.s. They even found time to save the world.
(Rated as a children's film)
27 October 2024
Trigger warnings: What looked like a suicide. Bullying.
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What I liked about this film was that it conveyed some very pro-children/pro-imagination themes. It also tugged a bit at issues such as the Fukushima disaster and religion/cultism and their impact. After watching the film and finding out that it was directed by Takashi Murakami (who is personally one of my favourite artists), it was not much of a surprise that this film explored those themes and was filled with interesting creatures. I think for many watching this film, its overall storyline will have you raising your eyebrows, but make no mistake, this film was intended for children and will definitely require some suspension of disbelief. However, even with it's /interesting/ plot, I think the film still kind of fell flat in its execution of the story as it wasn't fulling gripping to me, as well as the pacing felt a bit all over the place.
I did think that the acting in this film was good, especially by the child actors. Sueoka Takuto, who played Masashi, definitely has the potential to become an outstanding actor. It was also just great that you can tell that the child actors had a lot of fun filming this. I also thought this film had some pretty good shots and cinematography as well. The CGI wasn't the best, but hey, it's all about using our imagination anyway, right? This was Takashi Murakami's first live-action film and I think it was good considering. I'm hoping he will venture into the filming world a little more often because I think he has potential to be a great director. (Especially for those of us who like the more outlandish kind of Japanese films.)
Honestly, I don't think this film will suit everyone's tastes and most will just think it's weird, but it does have its charm and is filled with some sweet and touching moment. It is definitely interesting.
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