Rainha das Lágrimas (2024)

Overhyped and Overrated

With the amount of hype this show was getting, I was really curious as to how good this show must be to boast being the highest rated TvN show of all time...but of course as usual it's nothing new. It seems like these days any show with a good looking cast and high budget set and cinematography is enough for people to rate it a 9, completely overlooking the lacking story, plotholes and clichés.

Initially the plot seemed promising, most k-dramas do not start out with the leads already being married. Although, the cold CEO fl and sunshine ml has been done before (ahem My Demon ahem). The hype seems to stem primarily from praise for the actors, cinematography and OST, which are important factors for a good show don't get me wrong but like...does anyone even care for the story? Nobody cares that when Haein awoke from brain surgery (although it was supposed radiation therapy) she looked fabulous? Perfectly normal? Perfect hair, makeup??? Did they even TRY to make it realistic?? Am I supposed to believe she just underwent a major brain surgery?? And oh god they didn't even try to make Park Sung Hoon's character interesting. Just made him an obsessive evil rat with no personality whatsoever, it was such a disappointment considering his character in The Glory, that's what I call a real villain. Everytime he came on screen it was excruciating to watch, but Park Sung Hoon's visuals make it a lot more bareable so there's that. The family is your typical chaebol money hungry ruthless evil family, who turn into a big happy family toward the end to unite against a mutual evil force. The progression in their characters was lackluster and more depth could have been added into Haein and her mother's reconcilation. The story is extremely lackluster and honestly I feel like 12 year olds on Wattpad could do a better job than Park Ji-Eun. Most overhyped show of 2024 fr.

It seems like the writer Park Ji-Eun doesn't know how pacing works, she wasted the initial 5 or 8 episodes making them completely meaningless, plotless, boring which added close to nothing of value or substance to the story, and then rushed a crucial plot point in the SECOND last episode?? AND THE ACCIDENT??? HELLO??? Shock factor does not equate to good storytelling. It just makes for pointless tension. I guess this is what writers had to do to stretch the show to be 16 episodes. I never found it interesting even in the initial episodes, I kept watching because the ml and fl couple were eye-candy and had great chemistry, but if you overlook that, this is nothing but mediocore, maybe even less than mediocore. I kept watching and watching hoping it would get better but nooo oh god. You all need to seriously pick better shows to make popular. It's My Demon all over again. A less than average clichéd show which gets popular because of the cast and high budget set. How superficial. Truly a disappointment. But I must give credit where credit is due and I will admit that the stellar cast did live up to their names by delivering an exceptional performance and the cinematography delivered, truly an eye-candy show. Overall, if you value your time, don't watch it.

Leia Mais

Overrated show that you will watch only for its leads

First of all...what the heck. Second of all...who in the world is writing this soap opera story. Anything is happening out of nowhere. I stopped making sense of the story after a while and people are not trolling when they said it is highly overrated. This worked only because of the two amazing leads. They are the backbone of this drama. I had this bad feeling from the get go that this story is walking on the edge of becoming a complete mess and guess what it did become one. Highly disappointed with the writers. It could have been so good but who wants that...better test out every single scene that comes to mind and create a story that will blow the minds of the viewers. And it did! In a bad way.
Don't watch this show with your logical brain, better throw it out of window, only then you can forgive the writers and move on. The family's reaction to everything and and second ml and his mother though promising in the beginning, made it into a soap opera after a while. I enjoyed every single interaction of the two main leads. Well, they were just wonderful in every single scene. Acting is promising and the music is beautiful. It's definitely a tear jerker and will leave you devasted many times (but don't worry writer won't cease to amaze you with their flawless ideas). If not for the main lead I would have dropped it half way but still watched it. Sigh. What a trauma!
Watch it if you are too happy with your life and want to check out if your tear glands are properly working or not. (I thought 'Penthouse' was the only drama that could make me this riled up...but unfortunately I was wrong.)

Leia Mais

One big mess

I am a fan of most of the actors cast in this, so I was very excited but this drama was a big disappointment

There some enjoyable moments here and there, but the plot is a mess anf honestly there are way too many things that didn't work here (ML is happy that his wife is going to die soon, FL has memory problems but doesn't do anything about it, like never.... I would have hired someone to check on me every 10 minutes... anyway I'm getting angry again)

each episode keeps repeating the previous one. We see a lot of:
- They don't talk
- Oh they love each other but don't show it
- they love each other but don't know it
- They seem to get closer
- Oh, no, they don't talk again
and REPEAT over and over again
Writer-nim run out of ideas and this show could have been a movie!

What I hated the most was the villains arch. I couldn't understand why they did what they did! Why did they have to con that family? I hated that they were villains because they were poor. Being poor is not a good backstory for a villain. Poor people don't want to steal rich people's money and live in their big houses, they just want to be not poor anymore and not live in a basement.

Leia Mais

Dear lord…

I started watching this show because I liked the casting and everything else, but this is it. I watched the first two episodes and decided that I wouldn’t watch anymore, but my mom started watching, so I just went with it.

Why in the great heavens a couple that has been married for 3 years and almost had a child together so against skinship? Don’t get me wrong, I know they aren’t close anymore because of their fights and lack of communication, but this is beyond that.

Hae In got pregnant with Baek Hyun Woo’s baby but was surprised just by seeing him shirtless, like, let’s be real, PLEASE. I’m saying this because they didn’t seem like a real couple that married each other because they were in love and attracted to each other. It was so robotic and weird. And the damn plot of Hae In being sick was so dragged through the episodes and solved in like ONE episode.

The only thing that I really liked about this drama was Kim Ji Won’s acting and her character clothes.

Leia Mais

Full of kdrama clichés

Powerfully dumb storyline that's full of kdrama clichés and it's just unforgivingly jarring, almost like some classic parody too well made. It boasts unbelievable visuals of high concepts but turns out to be practically hollow, dialogues are strikingly coarse and far from relatable, and absurdity keeps coming as the plot goes on. It's not really a bad watch as there are some good parts that are worth rooting for, but the not so clever parts completely overshadow them and it simply becomes not more than just a race of mainstream popularity contest. Even the ending is still full of silly stuff to force a climax that doesn't resonate well, though the faint-hearted might still flutter intermittently.

Leia Mais

A Flash In The Pan

Common tropes and cliches abound in this poorly executed story, leaving loose ends untied and logic sorely lacking. The characters make questionable decisions that do not ring true to their development, such as Hae In blindly trusting Eun Song despite obvious red flags. The lack of critical thinking, like Hae In not hiring a lawyer to protect her memory through a diary, undermines the believability of the plot. The character of Grace switching sides serves little purpose other than to conveniently aid one side with the progression of the story, without any real depth or consistency. Even Hae In's parents' lack of visitation after her treatment in Germany contradicts their supposed love and support for her after learning about her illness. The most ironic thing of all is how Hyun Woo had to cook for the commemoration of Hae In’s grandmother. Viewers were under an impression in the first episode that how stressful it must feel to be in this powerful family. Yet just as the story progresses further we can see they are actually clueless and powerless, with the entire family surrounds Hyun Woo’s bed just to listen to what plan he has for them to restore their family power.

Overall, this narrative fails both its audience and its cast with lazy storytelling and reliance on tired cliches.

Leia Mais

Worst Korean Drama script of all time

I cannot even imagine how the same scriptwriter who gave us Crash Landing on You somehow managed to come up with this steaming pile of excrement. Colleges and universities should use this as a case study in bad writing. It constantly insults the viewers intelligence to the point that one is left completely exasperated and confused at how it could even exist. This viewer only managed to reach the end it all through a combination of hate watching and intrigue at how such a high end, expensive major studio production with top class actors and soundtrack could come to this. One completely idiotic, unrealistic, completely unbelievable plot twist after another with every conceivable k-drama trope after another used and then reused until the viewer feels brutalized by the stupidity of it all. This show is dog ____.

Leia Mais

When Tears Speak Louder

Queen of Tears” serves up a solid introduction. It reminds us that love isn’t always perfect, especially in the complex world of relationships and marriage. The characters’ struggles resonate, and the ending promises deeper layers to explore. Whether you’re a seasoned K-drama fan or a newcomer, this series has potential. ?
**"Queen of Tears"** is a captivating Korean drama that delves into the complexities of love and marriage. The story revolves around Hong Hae-in, a privileged heiress, and Hyun Woo, a middle-class man. Their fairy-tale romance takes a dark turn as they struggle with control, freedom, and unmet expectations. A must-watch for those seeking a fresh take on relationships.

Leia Mais

Plotholes, tropes and bad writing.

Let me start off by saying that I was hooked for the first 11 episodes. Yes, the story is soap opera-y but the actors and actresses acted the heck out of what was given to them. Kim Soo-hyun can do no wrong and I’ve always enjoyed Kim ji-won so the problem is not because of them (or the production, cinematography, styling, etc). It’s the writing.

The last few episodes were just so painful to watch. Common sense were non existent, villains just did whatever the heck they please, the story just dragged and more and more tropes are being added.

I’m serious - nothing made sense.

Like, how did the SML think that he can just “erase” the FL’s past by throwing away some pictures and mementos. She exposed him on national tv and have recordings of him threatening her! It’s so dumb.

Why is our smart ML not more careful? The SML and his mom literally stole, threatened and put a hit on him. Like maybe get some bodyguards or let the hospital know, “hey there’s this guy that’s dangerous to the patient, beware!”

Why weren’t FL’s family with her in Germany?

Why did it take so long to convince her to do the surgery!? I thought the choice was a no brainer.

Anyway - if I didn’t have only two episodes left I would’ve just dropped this drama. I will finish it.

Leia Mais

Rivers of artificial tears

I know, I know, this show is the talk of the town and rating its socks off. However, I’m going to be an outlier. Please allow me to explain.

The star power of our leads combined with the portfolio of our writer-nim (who penned CLOY, MLFTS, etc) should guarantee an instant classic. It is certainly a hit but after finishing the show, I am not convinced that it scored the home run.

At the start of the series, the relationship of the OTP is at their lowest ebb. Of course, the goal is to watch them rise above it all and make us swoon. The series largely archived this with consummate skill. However, this is also its Achilles heel from my perspective.

Even a few episodes in, I can’t help but feel that I’m watching a parade of hand crafted scenes designed to either showcase the visuals of our leads or to hit us with the feels, hard. There is no doubt that this is a S class production on every level. Of course, there are buckets of tears and our handsome ML brought his A game.

However, I feel that the material connecting these scenes are hollow and contrived. This is surprisingly loose and lazy writing coming from a writer of this calibre.

For instance, the plot surrounding the granddad’s mistress is nonsensical. She suffered and schemed for over 20 years because of greed. Really, just greed? She could have built a secret nest egg in far less time than that. Even in the end, it all comes down to a bit of luck and good timing. Ditto the involvement of several accomplices. The script tries to explain it all away, but it is a hard sell when you look beyond skin deep.

Don’t even get me started on the SML. He is obsessed with the FL yet his idea of winning her over is to shaft her family and take her beloved business away. Yes, he offered it back to her but with nasty strings attached. It all feels rather inept and superficial. That seems to be his modus operandi. Just do something over the top and she will submit but there is no solid reasoning behind his various machinations. The idea of him taking over the role of her finance after her surgery and framing the ML for murder is laughable and beyond tropey.

Almost every member of both families is cliché and unlikeable yet so much time is devoted to their petty contrivances. The makjang heavy plot basically seesaws between the protagonist making small gains only to surrender it back to the antagonist in the next scene/episode. There are many outlandish subplots involving the large ensemble cast. The tone of the show yo-yo all over the place because of that.

This highlights how much emphasis is placed on those storyboard scenes. If they were pivotal then I’m all for them but most of the time, they are a quick dose of fan service, or button pushing tropes. They are effective but also manipulative by design.

This brings us to the real kicker. The main theme of the show is the romance of the OTP. This is made painfully clear from the start. However, for this viewer, my first question is why are they even together?! There is nothing to ship. They don’t show any affection. They don’t talk (failure to communicate is a recurring theme). They live parallel lives. The ML suffers daily both at home and at work. This could have been a murder mystery for all I know. Yes, the writer turned it around towards the end, but it is hardly CLOY2, not even close.

A HEA ending is never in doubt once they played the magic cure card. The escalating dramatic tension drops away. All the implausible schemes fell apart as expected. Every subplot is tied off with a pink bow. Was it satisfying? I’d prefer to call it Functional Predictability. I’m sure fans are swooning and elated though. It all ends with an artificial sweeteners overload. Did it go too far? It literally left nothing to our imagination.

Regardless, the gods of makjang will be pleased. Am I being critical? Absolutely. I want this show to be great, nay, perfect. This is god’s gift to the fans of the leads but it is hardly on par with some of the most memorable k-dramas.

If I take off the rose-tinted glasses, I can see all the hype and traffic generated by the highly bankable stars. It served its purpose and made history. Am I the only one not hailing Caesar?

We came. We saw. We forgot™️.

Leia Mais

I usually keep my reviews spoiler-free, but to explain the reasons why I found this drama disappointing despite liking it in the beginning I can't help but refer to parts and details of the show. Therefore, if you haven’t watched the drama yet, you may want to skip this long review.

From the very beginning, my interest focused solely on the sentimental dynamics of the two main leads. I wanted to find out when and above all how the love that had evidently led them to marriage had turned into total indifference or even hatred. I found all the rest kind of redundant and started FF very early on.

At first, the most problematic character from a narrative point of view was undoubtedly Baek Hyun Woo. He can no longer stand his wife or her family and so far no one can blame him. However, a normal couple would at least try to discuss it, or quarrel about it, but Hyun Woo's tactic is to turn away and go sob in some corner alone. If, like me, you are hoping for at least one outburst of anger or passionate frustration, it is better to find a corner where we too can go and sob alone, because turning their backs on problems is the recurring pattern, regardless of the characters involved. Bar the volcanic aunt, that is.
When the terminal illness bomb is dropped, Baek Hyun Woo's reaction is: surprise, hug with declaration of love followed closely by relief of being able to escape the marriage without consequences. Am I supposed to find this funny? Only two scenarios are possible: either he has never stopped loving her and his hatred is just the other face of the love coin, or the contempt is real and we are left with a husband actively rejoicing in his wife’s untimely demise.

Hae-In's character is fleshed out a little better. Despite her apparent indifference towards her husband, on several occasions she highlights his intelligence and professional ability, thus proving proud of him. It is easier for the viewer to understand why she chose this man for her husband. It's a shame that instead of continuing along this line, the screenwriter prefers to introduce the usual K-drama banalities: "you're beautiful, you're sexy, I'm jealous of anyone who breathes, don't let anyone look at you, wear a burqa, blah, blah."

Given all these premises, I would have expected a much more passionate sentimental dynamic and not two spouses who obviously shared a bed at some point but whose simplest touch appears now unnatural. For the first four or five episodes, we see Hae-In trying to get closer to him physically and him backing away or denying himself as if he feared contagion. The absurdity is stretched to the point that Hae-In asks her secretary whether it is normal for a wife to be physically attracted to her husband, to which the “wise” secretary decrees this woman must be clinically crazy. What universe are we in?
Suddenly though, we are told that the love between them is the deepest in the cosmos and we have to take that for granted without further questions or explanation.

The pace of the entire narrative is fluctuating. It alternates poignant, almost lyrical moments with others full of completely irrelevant events, apples or pears and over-the-top, frankly irritating characters. The male lead's sister and her gossiping clients, anyone? Not to mention the family who arrives with 4 helicopters at the hunting lodge - not even the royals of England - the bad guy who does whatever he likes without consequences or control, the self-made patriarch who lets himself be fooled by a greedy prune of a woman and this last who goes around with a bevy of bodyguards/minions in tow like the queen of Joseon with her eunuchs.

When all this is said and done, what annoys me the most is the repeated trick of giving us a cliff-hanger of paramount importance at the end of every episode, only to start the next with either a flashback of the past or a conclusion to said cliff-hanger that is deflating my expectations at best or insulting my intelligence at worst. A few examples [very spoilery]

- Ominous press conference with the whole of South Korea gathered, Hae-In shocks everyone not only by revealing her illness, but also exposing the villain’s threats and manipulations to the world, even claiming she has recorded evidence of it. Fantastic! Next episode: the villain is still strolling the Queen’s corridors without a soul questioning him or the press dedicating a line to his involvement. Where did the recorded evidence go?

- Hae-In gets in the car with the what’s-his-name villain thinking he is Hyun Woo. The whole sequence is truly well made, giving the audience small but undeniable hints and a suspenseful car chase until Hae In finally realizes her mistake. End of episode. Here I am all excited at the prospect of a true confrontation, but the next episode Hae In coldly informs her husband she will go along with Villain to visit grandpa and Hyun Woo makes no objection. What? Cliff-hanger over, as well as my sanity.

- Grampa made a panic room built somewhere inside the family mansion, but he didn’t see it fit to tell anyone, which clearly defeats the object of a panic room. I’m still laughing out loud at a friend envisioning a bunch of criminals breaking in and the family dying of panic attacks because they can’t find the panic room. Remember, this is the same distrustful and overly cautious patriarch who made an unrelated woman his tutor without ever checking her true credentials. One wonders how he made all that money… So we have this suspenseful scene in which the family descends into the room via an elevator and Hyun Woo immediately gets the trick. How? You think they are going to tell you the next episode? Guess what: no.

There are other instances of logic defeating situations, but unless you like to be spoilt you have already watched the drama and know exactly what I’m talking about. They have crammed a gazillion open threads to be finally knotted back in the last two episodes, and yet they still find the damn time to introduce new, totally useless, eczema inducing characters, a murder mystery, a trial and a good 10 minutes’ village party with quacks and barks. I promise you, I almost got that eczema.

In conclusion, since the plot has got more holes than Swiss cheese and clichés abound, I watched and completed this drama because of the main leads. Alas, more often than not they disappointed me too: they never felt real as a couple of adults, despite their roles as individual characters being brilliantly acted. There isn’t a mutual alchemy between them, no sparks flying around: they exist as individuals who happen to repeat they love each other ad nauseam. There is no real in-depth conversation between them: why didn’t it work? When did we start to drift apart? Let’s be honest; if you don’t clear up the misunderstandings, they are definitely going to be repeated, no matter how many times you’re shot, driven over by a car, get tumours, surgeries or whatever catastrophe a scriptwriter can come up with.
There’s a beautiful dialogue sometime by the middle in which Hyun Woo comments: “what if we had applied a balm on our wounds every time we hurt each other in the past? How would our marriage be now?” That was such a wonderful cue, the type of conversation I would expect from an adult couple in a crisis. But what does Hae In reply to that? “No, we should have stopped by the ice-cream and put an end to our relationship then and there. We wouldn’t be in this situation now.” What kind of superficial, immature response is that?
Better we were never born, so we wouldn’t be suffering now, sort of clever philosophy.

I decided early on that I would add one point to the drama if they made Hae In and Hyun Woo finally sit down and address the elephant in the room: October 31. As it stands, the drama gets one point less for turning a promising story of healing into a buffoonish makjang.

Leia Mais