Não Chame isso de Mistério (2022)

A crime series with heart

I have not read the manga, so my comments are all about the series.
It's a heart-breaking, delightfully heart-warming experience.

Pros
The cases are unique in themselves. Mostly heart-breaking and sad. The retelling of the cases and their progression are a delight to watch. Don't expect a hard-core, very difficult case. It's all about the human-ness of both the villains and the victims.
Totono is adorable, he embraces his life fully. He possesses a unique insight into each character that he meets. Not surprisingly, he's drawn to people like himself: people without artifice, people who take their lives in their own hands and live it the way they want to.

Cons
The scene flashbacks could be lesser.

Rewatch value:
Absolutely will watch it again.

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Sherlock Holmes meets Agatha Christie meets Harold Pinter…

I’m fairly new to Japanese drama, so I may not totally have a handle on the styles that govern it, but I must admit that I was more than a tad confused at the start of this one.

At first I thought I had time-travelled back to the 1960s and was watching a play by Harold Pinter. It has that surreal hyper-normality to it, where bizarre things are accepted as totally ordinary and people stand around and willingly listen to long, quasi insightful/philosophical speeches.

Then, half way through the first episode, it takes on a weird Sherlock Holmes homage logical deduction trip (and to be fair the subs team are called 221B Baker Street). Just when I decide the production isn’t going to take itself too seriously (and mercifully I shouldn’t either), it gets really worthy. With tearful remorse and regret for wrongdoing accompanied by a swelling string section. At which point I nearly give up on it.

But seeing as it is still episode one, I think to give it the benefit of the doubt and get to the end. It finishes up comfortably surreal again and continues that way into episode two, which is a complete Agatha Christie style who-dunnit, even down to the country house setting. And it begins to occur to me that if I knew crime novels better, I’d recognise a series of famous authors - Georges Simenon, Micky Spillane, Val McDermid perhaps? However, crime novels are not something I’ve ever been into, so I’ll leave it to aficionados to comment on whether that supposition is true.

The dispensing of wisdom continues unabated with transformational moments regularly swooping like shooting stars across the faces of the previously afflicted, as Totono offers alternative versions of truth. The question is, how seriously do you take it? I have to go for a pinch of salt myself, otherwise it’s all just a little bit too simplistic and naive for me. But if sentimental repentance is up your street, this one is definitely for you.

As for the cases, which occupy one or two episodes each; they are never over until they are over. They meander through surreal twist after twist and there always seems to be another surprise lurking under a stone somewhere about five episodes later. And the whole thing has a circularity precipitated by flashbacks that leaves you wanting to go back and watch it again just to check the order of things and how they all relate. Definitely not straightforward or predictable and for that you have to hand it to the writer for the originality of the plot (probably the inspiration of the manga author on which it is based.) It is the beating heart of the drama and the reason to keep watching.

The deliberate unreality extends to a great many things in the series and often the plotholes are enormous and the motivations not credible, so be prepared. The role of the police is not fully integrated and mostly they feel like convenient spare parts bumbling around the central action. As though they need to be included to give the whole thing some semblance of credibility, but their inclusion seems like an unfortunate distracting sideshow. For me the last two episodes didn't quite have enough cohesion to give it the ending it deserved.

The acting is rather static and formal which matches the feel of the production giving it a very cerebral and largely unemotional tone for long periods punctuated by intense outbursts. The notable exception being Onoe Matsuya II (Ikemoto Yuto) who is strangely manic. So I’m not going to praise performances here, although Suda Masaki is engaging as the protagonist, Kunou Totono. There are any number of curious and weird supporting characters that play the criminal antagonists who are strange enough to keep you invested.

The soundtrack utilises a whole range of classical music, from Vivaldi through Beethoven to Rachmaninoff and various stops in between. It is quite intrusive and deliberately loud, and can punctuate the action with emphatic “meaning”. There is also an OST of contemporary songs with explainy lyrics especially for the repentance/realisation scenes. Not to my taste to be honest.

This is a really difficult drama to rate as it has a uniqueness that could well foster a cult following. It was consistent in its approach and managed to successfully walk the edge of credibility, such that I found myself still willing to suspend my disbelief even though it was way out of any normal comfort zone. So even though it was not really something I warmed to, I think it was very successful and skilful in doing what it set out to do, which means it merits a higher rating than I would instinctively give it.

What my rating means: 8+ A great drama with interesting content and good writing, direction, acting, OST, cinematography. But didn’t quite have the requisite sparkle to bump it into my all-time fave list. Worth watching.

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A Great Procedural

For avid mystery enjoyers, Mystery to Iu Nakare’s cases might seem rather pedestrian, but in my opinion, the simplicity of the cases humanize the main character, Totonou, and did a good job on making him not look like a “genius detective” and rather an observant person -- and I think that this is a very important factor in terms of the concept and how the story is built. Grounding the show and the characters in reality. Totonou, at the end of the day, is just a regular person; in terms of where the show is, the cases work in the context of his character.

Procedural is a tricky genre, as characters flip through the episode and thus it is easy for the supporting characters to just become a blur of faces, but putting the psychological and emotional aspect of the “mystery” is what makes this show work really well. Every of their stories are handled with care and depth; it reminds me a lot of the way Meitantei Conan handled its suspects, just with more focus on character-driven cases.

The tone of the show is also very balanced -- it’s in every aspect melancholy and serious at the same time as funny. The writing is good. Suda Masaki is a wonderful actor and I continue to love his range -- he can deliver any ‘preachy’ lines so well that it still seems so realistic.

Of course, if you prefer more on the crime aspects of mystery shows, Mystery to Iu Nakare is not the right show for you. This is a show that cares more about the why and the how. It’s a show that cares about the lives and the emotion and not just how a murder is done. Go into this show with the right expectations, and you will enjoy it very much.

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L'étrange disparition de mon coiffeur

Un drama avec Masaki Suda en tête d'affiche est toujours un événement. Et quelle tête… pour cette affiche ! Car c'est avec ce gros plan outrancier sur les flyers promotionnels que les producteurs cherchent à attirer la (le) Fan. Non pas dans la mise en avant de son charme excessif, mais dans celle de son énième expérimentation capillaire. Et elle touche, ici, au crime au fer à friser. Véritable insulte à tous les quarantenaires dont je fais depuis longtemps parti et qui n'ont pas eu besoin d'un coiffeur depuis des siècles. Cet air hautain sera la marque de fabrique de Kunou Totono, le rôle d'étudiant en psychologie détaché de tout problème matériel et physique, mais obligé de résoudre malgré lui ceux de ses congénères. Une leçon d'acting qui rendra encore plus jaloux ceux qui trouve Suda Kun vraiment trop gâté par la nature. Beaux-drôle-sympa- talentueux acteur et chanteur à tube. On aimerait tellement qu'il ait une face cachée, qu'il soit arrêté par la police pour soupçon de meurtre, par exemple.

Eh bien, votre vœu est exaucé. Car c'est exactement ce qui lui arrive dans le 1er épisode de Mystery to Iunakare. Cette adaptation d'un manga de détective n'a à priori rien d'originale. La police japonaise débordée par son incompétence habituelle, fait appel à un jeune étudiant très renfrogné, mais surtout extrêmement "donneur de leçons". Son air pompeux et sa franchise seront son Skill, puisqu'il en faut un dans tout bon drama/Manga d'enquête. Et c'est là que la série devient intéressante. Le mépris, malgré lui, que peut insuffler notre héros à son interlocuteur amène des situations d'une drôlerie sans nom. Des répliques à mourir de rire se percutent avec des réflexions profondes en psychologie et sur la nature humaine. Les leçons en longs monologues donnent l'impression que notre héros s'écoute parler, mais il touche à chaque fois en plein cœur l'accusé, la victime ou le policier aux abois.

Masaki Suda à la classe avec ses frisettes et son écharpe à la Harry Potter. D'une voix calme, et d'un regard perçant il déblatère les pires horreurs sur la personne en face de lui. Mais il redevient un enfant de 5 ans, quand il brule de jalousie envers la coupe de cheveux d'un autre personnage aux cheveux raide. Ou qu'il est dérangé à chaque fois qu'il s'apprête à faire un Curry…, son seul passe-temps. Aucun autre acteur n'aurait pu aussi bien tenir le rôle. Si bien, qu'il devient difficile pour les seconds rôles de se mettre en avant. Pourtant, le choix du casting tient la route. Quelques vieux briscards plus connus, comme Endo Kenichi (Radiation House), Morishita Yoshiyuki ou Kohinata Fumiyo font des apparitions ou jouent un rôle majeur, mais la plupart des autres acteurs ne sont pas (encore) vraiment bankable. Et vous vous surprendrez à dire tient, il joue aussi dedans celui-là. On est néanmoins en face d'une grosse production. Mais Suda-Kun à dû partir avec la caisse.

Il a dû laisser peu de yen, car certains choix budgétaire sont étranges. Ces airs de musiques classiques appartenant au domaine publique, trop connues et utilisées à outrance qui fonctionnent toutefois, par exemple. Renforçant le côté pompeux de notre héros. Certes, il y aura d'autres thèmes et un ending de toute beauté par King Gnu, mais pas d'opening, même pas un générique. Il est vrai que le montage continue dans le bon marché. Ces noms de protagonistes sur fond noir (la personnalité est dans les Kanjis, je sais) à chaque fois que Totono commence son analyse psy, par exemple. Ses images de reportages ou de journaux, genre tuto 3DMaker, dont les Japonais raffoles. Mais tout renforce une ambiance académique et on apprend un tas de chose sur la psychologie humaine. Les seconds rôles viennent demander conseil et ils tombent en analyse malgré eux. Ils sont touchants ou drôles, mais cela se termine un peu trop souvent en torrents de larmes.


Le 4e mur est régulièrement brisé, avec un mépris des Dramas pour notre héros préféré. Ce moquant des situations convenues. Et pourtant, les situations se répètent. Comme dans ses mêmes dramas. Pouvant, par la même, devenir lourdes, vu en plus les ficelles, pardon les cordes pour les amener. Des lieux communs, comme le manoir, l'interrogatoire, la bombe à désamorcer et en même temps, beaucoup de maux de la société moderne sont abordés. Suicide, harcèlement, infertilité… On passe du coq à l'âne, mais bien écrit comme un livre de philosophie

Le découpage reste déroutant pour une série. Affaire résolue à la moitié de l'épisode et la suivante commence immédiatement, alors qu'il ne reste que 10 min. Du coup difficile de s'arrêter à la fin d'un épisode. On la suivra donc en binge watching. Marque d'une grande série, piloté par un acteur qui à coup sûr est destiné à une grande carrière internationale. À condition qu'il coupe cette tignasse…

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Suspend all disbelief while watching this.

I'm serious, don't try to apply logic to Lopez because there is none.

Kuno Totono is not a "mystery-solving college student". Kuno Totono is a magic 8-ball, therapist and Sherlock Holmes all in one.

He falls into cases somehow and solves them with little to no effort because our fluffy bunny is a magic savant.

all jokes aside, it was a good watch. Aside from the improbable happenings, and almost ridiculousness of the plot, I liked the characters and the mysteries that weren't really mysteries.

I liked the female rookie detective who believed in the good in people and had to reconcile with the reality of the world and her proximity to evil by virtue of her job after her first real brush with a monster.

I liked the younger male detective who mostly served as a comedic factor but the actor's timing was great.

I liked the older detective. while he didn't get wrapped up in the Totono of it all, he still didn't disregard his words and skill which showed that he cared more about the purpose of his job than himself.

I liked Garo. he seems to be a bit off the deep end with the sister obsession but he was the first person to make Totono feel somewhat normal/ordinary and they're both different sides of the same coin.

I wish they had delved more into the ML as there seemed to be a lot of trauma and pain hidden behind the curls and doe eyes. He somehow sees everybody's pains and secrets yet nobody sees his. the only person to ever come close or try was Garo

This was a character driven drama-you stick around because you care about them and want to know where their story is going.

You stick around because you want to see Totono grow and expand his world beyond his apartment/kitchen. You stick around because you want to see Garo get resolution for his sister and find his way back. You stick around because you want to see the female detective find her footing and voice.

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Incredible adaptation!

Amazing drama!! If you love psychology and criminology and also unique characters, you will love this drama! Totono is someone extremely special, he reminds me to a person with Asperger’s syndrome, he’s is a genius on his special interests. As a autistic person, I can see myself through him. 10/10 I can’t wait for the next season.
I also need to agree that I was satisfied with the fact that it wasn't completely similar to the manga, some people prefer when when it's very similar to the manga, but I personally like when the dramas adaptations have their own twist.
please watch it, you will love it! ❤️
actors and actresses 10/10

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Adorable and Intriguing

I went into this drama with zero expectations and WOW I was just blown away by all of it.

The first thing to talk about is of course, the main lead. He's eccentric and intelligent and just so lovable. Following the ML and seeing him randomly roped into mysteries was super fun and it never felt convenient. I loved his interactions with every single side character. The way the ML perceives the world is so interesting too; there are a lot of memorable quotes in this show.

Speaking of side characters, the drama also did a really good job of giving every single side character, even if they only appeared in a two-episode case, backstory that actually makes you feel for them. The acting is fantastic for every single one of them. I was really impressed with how fleshed out the subplots were and how they ended up tying together.

The plot is just super smart. This is one of those dramas that gives you pieces of the puzzle out of order, and everything becomes clear once you keep watching and start piecing it all together.

Such a great watch and I can't wait to watch the movie and see a season 2.

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Heart-warming mystery drama with unique touch of criticism on our modern society

Mystery to Iunakare has a common trope of an aloof and eccentric genius who is able to solve even the most unsolvable puzzles, very much like Sherlock Holmes or Hercule Poirot, the police having constantly to rely on their help. This brings along both advantages and disadvantages to the story. Kunou Totono's geniousness IS the character, with his quiet but observant nature, yet one could also wonder if the drama is meant to be a realistic police drama or just a mystery story with an unrealistic plot. When Kunou is able to solve the cases with the weirdest, most random clues, it takes away from the credibility of the story. Kunou appears to use scientific evidence and theories to help him make the deductions but the evidences and theories are at times far-fetched and rely on pop-science, and Kunou quickly jumps to conclusions and outcomes that remarkably always land correct.

Hence, the different mysteries and crimes weren't the favorite part of the drama for me. Instead, I loved the criticism it offerered to our modern society. There were many good discussions and remarks that Kunou points out from time to time almost as as a moral or lesson after the mysteries have been solved. From the social position of women to childrens' rights and to the gratitude and observance we should have for life, these arguments were stated with a direct and bold manner, something which I have never quite encountered in Japanese dramas. I really loved it. The arguments that Kunou bring up are straight from the original manga. The story also had certaind kind of understanding and humanity that only Japanese dramas can deliver. Mystery to Iunakare quickly became one of my top comfort dramas that made me relax and forget my own issues for awhile.

Furthermore, what would the drama be without Suda Masaki who amazingly brought Kunou to life with the warmness, quirkiness and soul level deepness that Kunou has in the original manga. Unlike Sherlock, Poirot and company, Kunou doesn't come off as arrogant or know-it-all. He welcomes life with open arms, observing it with a inquisitive mind and always stays humble and down-to-earth, making remarks and opinions that usually hit the nail on the head. He always stays respectful and accepting of others and even creates this special bond with the wrongdoers, trying to understand their motives without necessarily accecpting their actions. Kunou's wonder and celebration of life is beautiful and his patient and compassionate nature that allows him to to try and understand others is something that made me really fall in love with the characther. I hope, as the story progresses, we get to learn more about Kunou himself and his past. Points to the female lead who had an interesting character development!

The mysteries alone were not very interesting and a bit lacking at times. However, the story wraps up surprisingly at the end, tying together some loose ends. The production quality is not at par with many of the modern-day dramas which unfortunately takes away from the magic of the story. OST didn't really stick with me, and the well-known classical pieces being even distracting at times, however the song "カメレオン" by King Gnu was lovely.

Despite the weaknesses, the positives of the drama really shone through, and all in all, I give the drama 8.5 stars and it goes straight to my favorites! I'm looking forward to the movie! :)

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Despite heavy/manipulative way to handle the life lessons...Still enjoyed some of the cases & hero

I enjoyed certain episodes more than others, it felt very episodic and lacked a strong common thread. There was some elements coming back over the course of the story, but I wish those would have been more developped. Still, I had some "favorite cases" of the week: namely the arson case and the Raika case. I also enjoyed the hero Totono and his relationship with the world and others. I was pretty interested by Garo, and by Seiko (the female inspector) but it felt rather flat overall. I wish they mined much more the (b)romance between Totono and Garo. There was a lot of unexploited potential there.

Even if that was heavily handed I appreciated some of the societal critics brought up by the series. It remained overal relatively superficial but at least there was an attempt at it. I wish they would have gone much deeper on some topics (for example regarding the women discrimination at the police station which was overall fairly lightly handled) but some were insightful.

I was pretty satisfied by the acting. I feel the main lead made a proper job portraying his unconventional character. There was no obvious bad performances, most were okay. I really enjoyed some of the guest actors, there were a few familiar faces, which is always nice.

The production value was quite standard, no outstanding but sufficient for conveying the story. The editing choices, with a lot of flashbacks, made the script feel a bit redundant. The scenario (and therefore the filmmaking) had a tendency to overexplain things, to make sure the viewer understood what happened and how the mystery was resolved. To that effect, the music was really heavyly handed...it lacked subtlety and felt almost childish somewhat...Each time the central character told a life lesson, there was a (pretty) melancholic music popping up in the background, which felt a bit manipulative to me...

I would recommend this to people looking for a mystery formulaic series. If you enjoy drama with kind of "case of the week" stories, you will likely enjoy this. I also think there are a lot of "reflective"/"life lessons" moments that could resonate with the viewer. For me, those were too heavily handed to appreciate all of them and I wish the various episodes had a stronger common thread allowing me to be more investing in the overall story. The show has a relatively open ending, so I will definitely watch the Special Episode...And then maybe the movie to round it up.

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What a great series!

Love Masaki Suda in this series. When he makes his curry before going on his date and then processes that this is going to be a date - I have shown that scene to so many people. Always makes me laugh.

Love his character. Love the attention to detail. Love the stories and how they all tie together. I won't bog you down with a detailed analysis but, I will say that I keep this in my watchlist so, I can go back to it often whenever I need a Sherlock Holmes type fix. My favorite episode is when he encounters the bomber who has temporary amnesia - so well done.

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My thumb never hit the fast-forward button.

It's true. I binged-watched this series, and my thumb never hit the fast-forward button. How's that possible? Almost 12 hours, and I watched every single episode the way they wanted me to: fully engrossed, and worried I'd miss something if I blinked. This series is really good, as in, 'WHOAH, DON'T MISS THIS ONE, IT'S SO GOOD'. I don't even want to think how much coffee the writers had to swill to come up with such evilly twisty who-done-it plot lines.

Though I was put off by the main character in the beginning of the first episode, I grew to love the reluctant-sleuth Kuno Totono. Like Sherlock, he's got astounding observation skills and a mind made for matching clues to motive and means. Unlike Sherlock, he's not instinctively compelled to follow the trails all the way to the bad guy. He's more like the kid that unravels a sweater by absently pulling on a loose thread of yarn. He didn't start with the intention of deconstruction, but once the sweater began to not look like a sweater, he got interested in how it was made. This brilliant kid is an outlier; he's all alone in the world; and at the story's onset, he seems determined to remain so, for reasons that become somewhat clearer as the story progresses. That detached mindset suffers a subtle erosion as the episodes pass, and that is the major part of MtI's hook: the more you watch the kid fight it, the more you want this kid's protective bubble to be sandpapered down. So, does he change a little bit? Can't tell you, that probably falls under Spoilers, Sweetie. I can say this though: you know how your throat hurts when you really want to ugly-cry but you're too old to ugly-cry over a tv show, so you suffer with wet eyes and a sore throat? Well, they might have got me there. Okay, I broke my ankle, and I'm wearing a cast and I'm pretty much super glued to the couch, so maybe I'm a little softer than usual, but, I'll admit it: for ten minutes during one delicately rendered emotional moment, they absolutely got me. That script and those marvellous actors (I'm looking at you, Masaki Suda) managed to bring me to the borderline of the ugly-cry.

Grumble alert: hey producers, if you're going to push the writers to position the series for a second season, be forthcoming with details of the when and where.

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