Vestido Com Mangas Vermelhas (2021)

I regret it

I binge-watched it and I regret it. The creators did manage to keep me on the edge of my seat until almost the end (episode 16), but they gave nothing in return for all the waiting! A lot of the characters were not thoroughly developed, a lot of storylines were started and finished in a few episodes with only a thin thread to keep all the episodes latched together. Plus, I did not like the FL way of acting, especially in the second half, she almost did not have any facial expressions at all. There was no chemistry between the actors... The ML actor, however, was very good, he had to carry the all show on his shoulders.

Leia Mais

The oppressive cost of power and order

I’ve just binge-watched this show. I hadn’t intended to but I was caught up with it because I was fascinated by the focus on the limitations and demands of order. If you’ve come in hopes of a standard romance, then you may well be disappointed, because love is shown to be just another victim of the rapaciousness of order, flapping pathetically like a bird in a gilded cage. But hopefully the deeper and more thoughtful themes in this show will captivate your interest.

The drama explores the necessities required by order to maintain itself. To sustain a cohesive society with all its factions it is necessary for the powerful to be bound. The necessity to prevent rebellion/chaos and maintain order is alive in every rule. Loyalty is the only currency. Loyalty is to the one you serve and once that person is dead, you are unceremoniously ejected from the seat of power as your loyalties are no longer fixed and therefore questionable. Everyone, including the king is bound by those rules and must follow them or pay a heavy, and often fatal, price. Within the confines of the palace freedom is the illusion that everyone craves.

The oppressive cost of power is explored through a number of characters, who deal with the shackles in different ways. Some scheme to undermine it, some scheme to try to create safety for their own group, some feign ignorance and keep their heads down, some scheme to gain unassailable power. The FL resists it, fighting to keep a tenuous hold on the fragment of autonomy that she has carved out for herself. Universally, everyone is forced to hide their true feelings and conform to what is required of their role. The suffocation of those endless formal bows and the life spent simply third in line, half bent over, in the small procession that follows the king everywhere he goes. But in the end there is only one way to survive, as one of the characters says, (paraphrased) “if you can’t beat them, join them and go with the flow”.

The role of women is particularly explored here and it is no surprise that the uniqueness of this drama is the result of a female perspective, both in terms of the writer and the director. If you liked the film “The Piano” (Jane Campion) then you will see echoes here of how sex and genuine love are used to “buy” relief from loneliness and the burden of responsibility, and the options available to women in response to those demands.

In terms of the acting, both leads were very convincing in their parts and were surrounded by a good supporting cast. The script was not outstanding in my opinion, but more than adequate to the task. It occasionally slipped into mawkishness, but also surprised in other places. In a drama that relied on the believability of the relationships, the plot lost me sometimes, particularly with regard to the letter and the kidnappings scenarios. However, I can credit that they were used to illustrate broader themes.

Overall this was a surprisingly good drama that far exceeded my expectations and gave me a lot to think about. Recommended!

What my rating means: 8+ A great drama with interesting content and good writing, direction, acting, OST, cinematography. But didn’t quite have the requisite sparkle to bump it into my all-time fave list. Worth watching.

Leia Mais

TRS walks too far down the path of a fantasy rom-com before deciding it does not want to be one

First, some friendly words:
The music was on point (much better than say in The Crowned Clown).
The few fight scenes were fine.
The emotional scenes were well made (except for any deaths). In general, the production staff did a fine job.
Most of the actors were decently chosen for their roles (but all politicians were weak/unremarkable).


The first maybe 40% of the show are a generic Cinderella fantasy rom-com. The little attempted comedy isn't funny too often, but the leads and their chemistry are alright. After that though, there is so much dragging and nonsense, before it eventually culminates in something like a Wikipedia article. In hindsight, I just want my lifetime and sanity back.


== FULL-ON SPOILERS & COMPLAINTS FROM HERE ==

The core issue of the show is that it wants to both be a Love In The Moonlight- or Tale Of Nokdu-esque pure fantasy show, but then at the same time match the tragic real story to get those tear glands going. While it's still a romcom, you not only have the very silly secret Maidumminati organization of moon-sourced court lady villains complete with death temple and ninja girl assassination squads — but most importantly, only while it is a romcom, the FL has agency. The FL does things. The FL makes things happen and is pretty much the center of the story. The FL (of course) is a sassy FL that talks back to her king-to-be, yet at the same time they save each other's lives numerous times (through competence & effort!).
Admittedly there is a bit of puffing about the initial villain having set up the FL with the ML from her childhood on with the hopes of spying on him, as well as using their affection to prove he desires the king's "property", but that goes nowhere.
These characters they show us could just dandily shack up together in some royal arrangement, make babies, and live happily ever after. We don't even have an angry grandmother-dowager opposing this union! There is literally no obstacle to this union besides them opening their mouths to converse about it and ... the plot, its writer, and actual history.

Alas, the historical background to force into this is "this court lady rejected the king twice, and then at some point 15 years down the road she gets pregnant a bunch of times, and even tragically dies while pregnant; the king loved her a lot though".

Supposedly the real historical maid/consort (FL) had reasons like "I can't become your concubine if your actual wife hasn't born any children", but since Junho must stay pure and virginal for his one true love, no actress is even cast as his life-long historical wife. She is mentioned in passing like once or twice, and that's it.

So what do you do as a writer? Obviously, the FL does not want to be his wifey because.. well, dunno? Because she doesn't love him? Unfortunately they already showed that she did, so let's go for the next best thing: pretending not to love him. Even better, make it some grand parable about womens' rights. A poorly-treated palace maid has the freedom to go out to the market once per month, she can leave the palace for a short bit, wow, such independence in-between being forced to do menial jobs and being mistreated by those higher up! Meanwhile, a concubine/consort with maids of her own can't leave the palace at all! The horror! She only has one freedom left:
¯\(°_o)/¯ Loving the king sincerely, but not admitting to it. (⊙_⊙;)
It's one of the dumbestestest things I've ever seen in television.

As the FL refuses a reasonable happily-ever-after for very poorly defined, poorly expressed, and barely if at all comprehensible reasons, the ML is forced to wed the SML's 12 year old sister, but because Junho (ahistorically) does not want to be a pedophile, she (historically) dies of overwhelming sadness, and that makes SML turn into an insane traitor with a private army of ninja man assassination guards. For that stuff he (historically) is not beheaded, even though he really should have been, and not even exiled into far-away thorny shrubs – only so that he can later be an allegedly-not-scheming emo kid lurking around the palace to either get some power back, or have the FL for himself as a form of consolation prize because the ML can't (yet) have her. Ultimately he stays alive for a bit merely to send a truthful letter to the ML about how the FL and not him dutifully saved him a very long time ago. This whole arc is a waste of screen time.

In summary, TRS' FL repeatedly refuses the ML's declaration of love with the following consequences:
– A child she befriended has to marry him and dies unhappy. (Sparking the abuse/torture of other court maids as well.)
– Some mean lady is hired as the next consort, abuses the FL, and tries to get her beheaded.
– She herself presumably dies of pregnancy complications that would have been less likely at a younger age.

Needless to say, I vastly preferred watching the generic romcom Cinderella in the first episodes to the annoying troll that came after.

--

Stuff that just never got cleared up:
– ML/FL never talk about the tattoo FL has.
– ML/FL never have an earnest talk about how the evil head court lady set them up to be together.
– What is the book of Yeong, ML's grandmother, even about?
– In the show, Head Court Lady Jo herself "caused" Sado to become unstable (as explained by the oppressed nearly-dead Court Lady Park), of course intentionally, merely out of jealousy for another woman. So she herself is the architect of the calamity that she claims to warn about. Why does the Maidumminati ninja clan follow her blindly when at least some of them know this? Why do they try to assassinate ML even after her death?
– Early on the show makes a huge deal about the funeral convoy for a royal consort versus the way a maid is evicted from the palace to avoid her even dying there. Given this, we should be shown FL's funeral procession, and the ridiculously long Wikipedia-style episode #17 has more than enough time for this.

Leia Mais

A novel-based romance Kdrama inspired by actual historical accounts

I rarely rate a drama a 10, but after watching, I honestly think this drama deserves it. The story is deeper and can be interpreted in so many ways than I thought!

I've been reading some comments and reviews saying that the ending is bad or Deok Im's character became irrational and she made the King look pitiful in the end. I felt the need to say some things to spare this drama from their disappointments (although we are still inclined to choose what we believe in).

• This drama was inspired by actual historical accounts.
It's not like we can change what already happened in history. As we know, historical distortion is causing quite a stir nowadays. I, too, am not a fan of tragic endings. But knowing that this drama was based on real events, I became quite accepting/prepared on how it will wrap up. Good thing, the production team gave us a fairly sweet ending instead. I think if a viewer will bear this in mind, they'll be able to watch this from a different perspective. Also, if you're quite the history buff, might as well check out some historical records about King Jeongjo and Royal Noble Consort Seong Uibin. They're super interesting! I did this while watching the drama, and it added fun to the ride. :)

• People who didn't understand why Deok Im doesn't want to be a concubine really cracks me up.
I am surprised by this, especially knowing that majority of Kdrama viewers are women haha! I'm quite dismayed whenever I see a viewer saying that Deok Im's being illogical for constantly rejecting the King when she eventually ​gave in in the end. Like... What? I happen to read Lee Seyoung's post-drama interview a few days ago and couldn't help myself from clapping because that's what I was actually thinking too, and I was thinking about that from a woman's perspective. She's clearly immersed with Deok Im's character to fathom her sentiments and the rationale behind her decisions. Seyoung indeed understood her assignment.

• King loved Deok Im, but did he love her right? I'm not sure about that.
Well, the King isn't in the position to adore her like a normal man would. We know this. We are with him on this. Deok Im knows this too, but by human instinct (I'm sure everyone feels this), like most of us, she wants to keep her pride. Her pride is the only thing she has left for herself, and so she decided to seal her heart until the end by not telling the King her true feelings. Cruel? Yes, but saying I'm it again, her pride is the only thing she has left. She already gave her everything to the King. Pondering about this makes me pity her so much. As I was rewatching the drama, I saw again those scenes wherein people were encouraging the King to take on the path to happiness (i.e., be with Deok Im). But have they asked if Deok Im will be likewise happy? Do they even care? Hmmm...? The King's happiness is the top priority, isn't it? I won't choose to be a concubine either if I were in Deok Im's position (luckily I'm not haha!)

• Deok Im was already happy merely seeing him. But what was that last-minute change of mind to be a concubine?
Well, personally I think, she was cornered upon hearing she won't see him ever again should she push him away that night. I think Lee Seyoung mentioned this as well in an interview. That very statement pulled the trigger. It's not like she was asking more from him; being by his side as a court lady is already enough. Yes, she loves him, but the cons of taking the path to be a concubine outweigh the pros. Those cons were already explained well by her in the course of the drama. It's the King who wants more from her, and I mean, you know haha! Don't you feel bad for Deok Im? I do. :(

Although I rated this drama 10 stars, there are still some things I wished the production team could've shown us:

* They should've proceeded with making this drama 20 eps. PD said they were initially planning this, but after further discussions, they decided to make the eps into 16 only (then 17). Perhaps, they were not expecting this to become so popular.

* We were robbed of San and Deok Im's family moments, especially with Crown Prince Munhyo! I read these moments were covered in the novel and showed how affectionate of a mother Deok Im is. What a pity we never got to see this!

* The last 2 episodes feel quite rushed. Based on the actual history, King Jeongjo and Uibin were together for 5 years before she died. So those 5 years of togetherness were compressed in just 2 episodes (1.5 actually, because Deok Im died mid-ep 17 and we were just presented with several flashbacks of their happy moments after that).

I've said a lot of things already. I don't know what I'm fighting for in this review haha! But one thing's for sure - this drama is insane and I love it! :)

Leia Mais

I truly want to like this series. I force myself to keep watching hoping that it would get better and hopefully explain some of the questions that still lingered. But the ending clicked and a lot of the questions and build-up I felt were left unanswered. I am still trying to understand the feelings I’m feeling.

First off, I think this series is more symbolic than what it shows. For someone who didn’t read the book, it might have caused a lot of confusion and maybe even upset to the point where I can’t seem to enjoy the series as much as I would have liked. The storyline is great, I truly found it captivating but with the struggle between the FL and ML, I had a hard time comprehending why she was holding back.

So the good:
I adore the cast, I have never watched much of FL work so I’m very surprised by her acting. I also love our Junho, I mean who doesn’t?

Some of the symbolic scenes – The one that stood out the most was when she was saying goodbye to herself once she became the concubine. We know how free spirit she is, so to be tied back to the palace and having lost that freedom made me teared up a bit.

The unsure:
I was told they had chemistry that was off the chart, but I felt it more like he was chasing her, and she kept teasing and “played hard to get” even though we know she adore him. Did I miss a personality trait shown in the first few episodes? I think it didn’t really clear up until the end when her friend mentioned she likes to bluff. So I concluded it was just a personality trait that I probably didn’t catch???? I do love the sexual tension that Junho was giving but the FL just kept everything in check.

The open ending. Was it a dream? A nightmare he woke up from? Did he pass away? Was this him and her in their afterlife? The ending really upset me because of the buildup I felt along the way. I felt there was not enough information as time passed or the transition of how things went. For example, when three years passed after the death of the former king, we are suddenly switching to the marketplace. Why did their friend leave the court maid life? Was there really a marriage alliance with ML right man’s younger sister? Again, I think there were some symbolic things that happened that probably weren’t properly explained in the series or the director just couldn’t transition those scenes as smoothly for someone like me to understand. :D

The ending felt rushed to me. I didn’t like how FL and ML suddenly got together. How happy their lives were for the last few episodes and then the weird transition of how the crown prince died. Again, I just wish for a smooth transition and a deeper love connection between ML and FL.

As I’m writing this, one thing I do appreciate about the symbolic ending was how there were a lot of things that were hinted and it all happened in the “nightmare”. FL knew that ML loves his people as a king, he would be a great king just not a great husband because of the duties he has to shoulder. She even hinted that she wishes they were commoner and she often imagine it. He didn’t get the hint and just stated you’re a good court maid and he can’t imagine not being where he is at. This doubt continued to grow in her heart, but she also knew from the get-go if this is the decision she sticks with this is the path she’ll take. This is why when she visits her friend in prison, you can see the connection and the understanding she felt when her friend stated she doesn’t regret making the decision for the man she loves.

The directing and the way how this film was going have great potential, but I just wish things were a bit smooth. There were just a few scenes and a few transitions that caused confusion which is why my rating is a bit low. Again, I repeat my first line as I wrote the review; I truly want to like or even love this series but there are so many questions and doubts about how it was done. Simply I was just not that happy with how it went.

Rating:
4/10

Leia Mais

Does he love her more than she loves him?

It was a good thing I reduced my expectations for this drama despite all the hype and positive reviews otherwise I would have been more disappointed with this drama.

Being a romantic at heart, the dramas that move me are the ones where the both the ML and FL show their love for each other after overcoming numerous pitfalls. In this drama, just when I thought the leads reached this point, the story tried to be different by continuing to portray the FL hiding her true feelings from the ML right up to the point of her demise.

Major spoiler - I had my own interpretation of why she did that at her deathbed. Perhaps she loved him so much she wanted to do the classic “hurt him so he forgets her” move which was also hinted at when one of her best friends tries to tell the ML about the FL’s love for him when she gives him the FL’s momentos.

The beginning was good particularly seeing how the ML come to terms with his growing love for the FL. I enjoyed seeing him portray a range of emotions from joy (when he overheard her telling her friends she liked him), yearning (the last time he asked her to be with him) to pain (when he was looking through her momentos).

On the other had, I didn’t connect much with the FL expressions especially her wide eyed surprised / shocked looks which started to annoy me whenever I saw it. The storyline didn’t help win any points with me either as it got tiring to see her continuously be vague about her feelings for the ML. Even the flashback scene of them with their newborn was lacking in love on her part. And the ending scene which was supposed to be sweet and romantic didn’t deliver as her expressions looked so controlled as she smiled at him. (Reminds me of how an empress needed to smile - a fake one just to show a pleasant face)

The pacing for this drama was a bit slow at times so I ended up multitasking with my iPad while watching it - not a good sign which is why this drama didn’t end up as one of my favourites.

What saved the day was the gorgeous costumes and beautiful cinematography. I loved the lighting, sets and props which gave it a very authentic feel and transported me back in time.

So, does he love her more than she loves him?

The answer for me is that they both love each other but he was more open in showing his love to her throughout. And while I understand why she hid her feelings in the beginning, the romance died down when she went back to hiding her feelings after the brief loving moment of their first night together. If only there were some scenes to show mutual genuine love after she became his consort...

Leia Mais

The Fate of a Court Lady tied to A King

The drama includes the Romance tag, but I think The Romance Tag alone isn't enough to describe this drama.

I say it because where the first half of the drama is indeed filled with cuteness , fluffiness and swoony romance , the latter half is all about the bitter realism of women's lives in a 18th century Palace Building.
And the viewers who come to see the fluffy romance in usual fusion sageuks may be disappointed by this.

It's more like a tragic union of two people from different social classes, who need to fullfill their respective roles,and chained to their respective roles in a patriarchal based society, so that their destined romance becomes a tragedy in spite of their love.



-----*------Spoilers Ahead

YiSan's life was tragic from the start.
He was born into the Royal Family in the Royal successor line as a Royal Grandson.
His life might be the one everyone wanted to live in, but actually not an easy one for himself.

His father( Crown Prince Sado ) accused him of robbing fatherly love from Yeongjo before his death.
His Grandfather ( King Yeongjo ) saw his unobedient son ,Sado in his grandson ( San ).
Noron Faction was afraid of him and against his rise to power, so they attacked him every chance they got.

He needed to look out for enemies and be mindful of his grandfather 24/7 for his whole life.

But San was still the dutiful and loyal Grandson of the Royal Family , strict on himself and groomed to become a capable ruler of his nation.

On his road to become a King, he unexpectedly met a court lady who was intelligent enough to help him .
She was loyal to him and cared him as a human being .
San 's hard shell around court ladies and determination to create a perfect family with a wife from a noble family : all of his beliefs were shaken by this woman.San had fallen in love with the woman who was devoted to him and used her life to protect him.

.......

As for Deok Im , I will describe her as a woman who was too intelligent for an 18th Century one.

As she read a lot of books since her childhood, she was knowledgeable even as a young court maid.

While other court's maids were dreaming of receiving the King's Grace(slept with the King & living the luxurious life as one of the king's wives ), she was the one who understood the burden of being a King's concubine since her young age.
( Fragile life depending on the King's favor, constant power struggles , her title and status wouldn't belong to her anymore, but to the Royal family ,etc )

She was a free spirited woman who wanted to enjoy her life despite her limited freedom as a court maid.

But the Fate didn't allow her even to be a simple court maid and tied hers to that of Tiger Prince, Yi San.

When she met him for the first time, I think she had a crush on him as the Crown Prince 's lecturer ,as most girls of her age would, though she knew she couldn't marry him because of her status as a court maid.

After his hints of confession in the market, she was swayed .
But her feelings were immediately contained after Hong Deok Ro's speech about how unimportant a court's maid feelings were ,apart from herself and after hearing San's determination not to fall for a mere court maid and to take a woman of noble status as his wife during her Coming of Age ceremony.

****Here we need to note is
unlike San, Deok Im was constantly reminded of their Social Status here and there.******

But San was still her master , she needed to help him when he was in trouble cause San's demise would mean her expulsion from the Palace,her Home at least( if unfortunate, death ).

While helping him, their feelings were interwined and she had fallen in love with her master as a man.

------*------

After San got on the throne, everything became complicated.
Their power differences became more apparent cause he was not a powerless heir who needed her help anymore.
The only thing he wanted from her was the comfort and family given by her as his woman.

He was the man with the highest authority in Joseon , everything was entitled to him.

As the word ' lonely at the top ' ,San became more lonely as the King because he couldn't believe his own mother anymore. ( His mom 'Hong' clan is from Noron faction ).

As he felt lonelier, San's desire to take Deok Im as his partner became stronger.
So when she refused his confessions and his marriage proposal, he became disappointed and angry.

****While everyone's having problems with San's behaviors in later episodes, I have no problems with these.

San was groomed to behave like a king since he was young and taught that the court maids were the King's Women and entitled to him.
This was part of his nature and this was the realistic portrayal of what an 18th Century King would be.
( As much as Real life Jeongjo was a benevolent patriarch, he did punish Uibin's maid after her 2nd rejection )

I don't consider his behaviors as romantic either . Only as his nature and not disturbing enough to ruin my viewing of this drama.

*****

On Deok Im's side, as the woman who got the King's affections, she was not only pressured to become his woman but also in danger of being used as a leverage in court politics.

The harder thing for her was her own dilemma.
She was not the young court maid in the library who didn't have much desires anymore.
She loved San and wanted to have him as a man.

Her own dilemma of what to choose ;
Her own precious freedom or the man she dearly held in her heart .

At last, she accepted San's will because she loved him more than her freedom and partly because her freedom was not like it was before and limited by those in the court.
She became a concubine mainly because of her love for San ,but partly it was also because of court politics.

....

Despite becoming partners in marriage ,San was not the ideal partner or hers alone like she always wanted him to be, while she gave up everything just to be with him.

As the one with higher authority in relationship, San failed to see Deok Im 's sacrificial love as a whole picture.
(She might not say 'I love You ' out loud, but she showed it with her choices and behaviours ,but San failed to recognize it because his attention was not on Deok Im alone, but the whole nation .)

On the other hand, he prioritized his role as a King over the role as a husband and
made some choices as a King though he clearly knew these would hurt Deok Im.

Deok Im's Sadness and Resentment slowly built up in this unbalanced relationship ,but moment of happiness with San comforted her.
Her life as a concubine was a mixed bag of disappointment and happiness.

But after the death of her son and her best friend , her husband was busy playing the King for his nation . Her already fragile body was burdened with much emotional baggage and she needed to face that alone.
And well , the tragedy striked at the last moment.


.....
San and Deok Im were clearly in love with each other.

But in the era they lived in, they could never fully embrace each other .

Deok Im wanted San as hers , but he was a king so it would never be a thing.

San was the King ,yet he couldn't give his woman the thing she wanted most , namely 'Her freedom' because the system didn't allow that for the women of the Harem and he needed to live as an example since he was a ruler of the nation .

Unlike Romeo and Juliet, San and DI might not have two families who were enemies with each other.
But the system itself and the Palace became huge obstacles in their love story.

Leia Mais

An Ambivalent Sageuk Carousel

I went into this with high expectations with other reviews toting this as the Sageuk of 2021 and even all time. Some seem to absolutely love it while others completely hate it. I fall somewhere along the middle. I think this drama evokes such strong reactions because this drama itself is unsure of what it wants to be. Usually, that means it's trying to do too much, oddly it actually does too little.

So let's begin with the beginning - I almost quit on the first episode. The entire episode is a prologue of the main characters played by children. The children are... well, children. Their acting abilities are limited because they are so young. So maybe giving them tons of heavy dialogue that must fill an entire episode and set up the entire plot of the drama, might not be setting up these young actors, or your drama to succeed. This should have been used as short clips and flashbacks. A strange choice, one of many questionable decisions this drama makes. Yet the greatest flaw in this drama is its inability to make decisive decisions.

But before I get into it, let me just gush about some of the things I really liked. The overall production value is of high caliber. From the set design, the locations, the clothing, and even the small details are highly immersive. The premise of exploring the underbelly of the royal court and its maids is intriguing and novel. The cast is exemplary in pulling us in and making us love and hate them. But the true standout of this drama is the cinematography. It's maybe the best I've ever seen in a drama. The camera work is stunning. Without spoiling, there is a scene where a character stands in front of a window and the sunlight shines through to highlight the window's design to resemble prison bars, with the next shot a closeup of that same design reflected in the eyes of the character. Simply stunning and communicates what a mile of dialogue could not. There are times, particularly towards the end, when the cinematography is like poetry. SO breathtaking!

With all that said, let's get into some of the major issues I had with this drama. I could tell from the onset that this drama wanted to predominately be 1) a forbidden romance sageuk and 2) a more serious sageuk exploring the realities of royal court life. These are reasonable goals, as I've seen many sageuks juggle more and succeed. The problem lies in its inability to yield in either direction at any injunction, ultimately tying the hands of the plot. The romance constantly undercuts any credibility to any attempt at real court struggles, and the realities tie down the romance from soaring. So instead of making decisions, the plot just circles itself like a carousel. Characters just keep having the same conversations because no decisions are being made on which way they want this drama to go. Any conflicts are quickly resolved with little complexity and even less consequence. Characters come and go with the ease of getting on and off a carousel. Not to mention character development or lack thereof. No one changes. No one learns anything. They even explicitly and intentionally say that they do not change.

Ultimately I think this drama had some interesting things to say but didn't bother to explore the very questions it raises. It refuses to risk taking any chances, thereby rendering its potential impotent. It's as if the writer themself couldn't decide the fate of its protagonist so they decided not to decide. So in the end you have a beautiful and intricate carousel that lacks any real thrill or destination, questioning itself with every rotation.

Leia Mais

WHAT A MASTERPIECE!! HISTORICALLY ACCURATE AND PERFECTION INCARNATE

Full Review To Come Soon.

This Saeguk was incredibly fascinating, the dialogues were intricate and intense but very well constructed and actually they weren’t the typical dumb dialogues you find in most romance dramas.
The story develops in steady pace throughout all the drama except the last two episodes were there are a few timeslips. The story follows to the T the historical facts and real story between Yi San and his Concubine, without sugar-coating anything. Straight up twisted and painful story but beautiful and heart warming.
The actors Junho and Lee Seyoung did an excellent job, their interpretation of theirs characters is top notch and one of their best works. They easily transmitted the audience the feelings and thoughts they were interpreting... or trying to relay to us. They really have worked hard for this and it shows in how well it has ended, they both deserve an ovation for their portrayals of Yi San and Duk Im, their chemistry on screen and off screen really benefitted the show and made they story look more real and intense.
Congratulations for their respective wins in the MBC 2021 Drama Awards To All the crew, this drama does really deserve it.
You all did an amazing job with this one.

Highly recommended!!

10/10

Leia Mais

One of the Best Korean Historical Dramas of All Time

This drama became my favorite drama of 2021. Initially, I didn't have much expectation because I didn't read the novel and did not really know too much about the leads (I've seen them in some dramas); however, after the drama, I became a fan of both Lee Junho and Lee Seyoung! I think the leads had amazing chemistry both on-screen and off-screen. I think they are my favorite drama couple after Hyun Bin and Son Yejin from CLOY. This drama was supposed to be a heart-throbbing palace romance drama and it fulfilled its purpose because I was sobbing so much by the end. While watching this drama, I found out that the love story between Sung Deokim and King Jeongjo was actually based on a true story, which led me to research more about them. I was intrigued by Jeongjo's love for Deokim, which was quite uncommon during that time period and Deokim's bravery of rejecting a king's proposal twice (she was the only royal concubine during Joseon Dynasty to reject a king). It was fascinating to learn that a king waited 15 years for a court lady to accept his proposal of becoming his consort. Although the drama did not include all the details of King Jeongjo's love for Deokim, it still did a good job in portraying the king's love because there were some moments when I was frustrated with Deokim for her continued rejection (I understood her though). I think all the actors: main and supporting, were amazing. Everyone played their part so well. All of the ost and background music were phenomenal. The drama had beautiful cinematography and so much symbolism. Although the drama was about the romance between Jeongjo and Deokim, I think the drama focused more on the lives of the court ladies and women of the palace. The drama explained that no women living in the palace were free, whether a court lady or the Queen Dowager (the most powerful women in the palace). Although Deokim knew that she had limited freedom as a court lady, she still wanted to make choices for herself. However, as her love for the king grew, her desire of wanting to make choices was hindered because her only choice was to become his royal consort and she definitely did not want to be one of the king's women. Even as she dies, she does not reveal her love towards the king because that was the only choice she was able to make, which left many viewers wonder whether Deokim actually loved the king. I think the writer and director did a good job in leading viewers wonder about Deokim's love for the king because the actual history according to the records we have right now and the original novel, the question that we, audience, had to figure out was "did Deokim love the king?" I think many people, including myself, watches kdramas to see the heart fluttering romance between the two main leads; however, this drama does stick to the reality of that time period (18th century Joseon when there was such a huge power imbalance between men and women, especially between the king and court lady), which might turn off some viewers. There will be frustrating and confusing moments, but the overall plot, acting, music, and cinematography grabbed my attention for all 17 episodes and "The Red Sleeve" will remain one of my favorite sageuks and definitely my favorite kdrama of 2021. I definitely recommend this drama!

Leia Mais

The story overall

This was honestly truly a masterpiece. It left me in tears. The whole series was just a work of art, there were so many up's and downs but in the end, it was worth it. I would honestly rewatch this.

Leia Mais

Is the Palace as pretty as in fairytales, or just a dazzling prison?

The second time i am ever writing a review on mdl, it's about 4 am and i just finished watching the last two episodes. But i just need to share here all my emotions in order to move on.

I have honestly rated the drama a 10 way before it ended. It's because I just had that feeling when you watch a quality drama and you don't really care if the ending will be happy or sad, cause the path until there was just worth it. I'm also not the type to judge a drama based on their happy/sad ending.

I have been reading other people's reactions to the developing story, what they felt as lacking, what they liked a lot, how they would like it to end. It really all depends what is the reason you watch the drama in the first place. For me it was an interesting journey, it started so nicely, seemingly going in the usual direction historical dramas go. It felt familiar, as i enjoy watching historical dramas a lot. But then, there is our FL, so so different to the usual female leads in palace dramas. As i already had a preconceived notion on how i wanted the story to go like, it felt frustrating at times. Sometimes i felt just like a helicopter parent, wanting to get myself involved in the story and change it into a fairytale. However now i realized that what i thought was a mistake. Because this is not what this story is about. This is not about watching the leads have the most perfect love story ever. This is not about only seeing the nice things in a relationship. This story is about breaking those rose coloured glasses and seeing the reality as it is. Maybe the story here is exaggerated, as any fictional story is like. But it offered me a perspective that honestly i did not have before.

I mean, this drama is not the only one where a court lady wishes to stay outside the palace and live a peaceful life. There have been dramas before, but they were just glamorized a bit too much to fit our fairytale ideas. Where everything goes well and they manage to juggle both the king, their prince and the life outside the palace. We all wish they were able to do that, but were they?

Another character besides the FL that impressed me a lot was The Queen Dowager. In the older drama "Yi San" she left a negative impression on me, i don't even remember why to be honest. But here? Here she described best what is in Deok Im's heart and what was basically in all court ladies hearts. Her dialogue with Yi San's mother in the last episode, which also inspired the title of my review, left an impression on me. It will probably make me watch historical dramas just a bit differently moving forward.

As for the king, he is the hopeless romantic who only loved and only had eyes for Deok Im. Now you'll probably wonder after watching the drama, was he really a hopeless romantic or can he really be called romantic? I'll borrow Deok Im's words from the last episode and say "Perhaps". To me he is just the definition of loving someone so much that it hurts. That it hurts you and the person you love, a bit too selfish but understandably so in my opinion. Maybe that love was too intense, maybe if he had time to love a bit less for a longer period of time, it would have been better. But time was rushing... I wish that in his next life, Yi San gets to be born in a harmonious and loving family outside the palace, so that he can receive all the love that he should receive as a child.

Now i realized i did not say anything memorable about Deok Im, her strong character was what pushed this story further. You want to root for her ideals, you want to tell her to just go with the flow and accept the confessions and live the fairytale life. But life is not a fairytale at the palace. I want her to be able to live a peaceful life outside the palace, hope she'll be able to...

You can't really look at the story and say, oh, this is the type of romance that i want. If you'll ask me which one of the women in the drama i would want to live as, i'll probably say Princess Chung Yeon. Her story with her husband was so cute, even if not shown a lot in the drama. Living outside the palace with her pretty family, having the support of her brother, that must have been nice and not as suffocating as the palace.

Edit: I did not mention the acting!!! The thing that made this whole drama so memorable to me! Honestly, just give me good acting with good story, doesn't matter if it's sad or happy and i'll be pleased. this is what the drama is about. amazing actors all around!

That should be enough from me, as for my rating, that 9.5 in the story and rewatch value is just me being a bit bitter that they played too much with my feelings. The writer and director know themselves where! I'll keep you in mind

Leia Mais