Pride and Prejudice
The Red Sleeve refers to the official hanbok worn by the court ladies of the Joseon Dynasty, in which its sleeve cuff has been dyed crimson red. I’ve watched many sageuk dramas over the years but this is the one production in which I’ve truly taken the time to appreciate the beauty of this simple traditional Korean clothing, the hanbok. It comes in many iterations and colours in this drama that does justice to the appropriately named title.This drama is a “faction” sageuk (mixing facts and fiction) that heavily romanticizes the life story of King Jeongjo and Royal Noble Consort Uibin Seong, as well as their ensuing romance, through a narrative that spans a number of decades. Countless other real life historical figures are present in this drama but the events that transpire, including the depicted themes, are very much fictionalised.
The only MBC sageuk released this year that is directed by Jung Ji-in and Song Yeon-hwa, it is based on a screenplay written by Jung Hae Ri (The Emperor: Owner of the Mask) that is adapted from the 2017 novel, The Sleeve’s Red Cuff by Kang Mi-kang. This is a live-shoot production which began in May 2021 right through to 21 December 2021, with principal photography taking place entirely at the famous Yongin Daejanggeum Park. Initially planned for 16 episodes, an additional 17th episode was added due to overwhelming popularity reflected in the ratings spike during its run. Prolific composer Noh Hyeong Woo serves as music director.
In the recent 2021 MBC Drama Awards, The Red Sleeve took home a plethora of trophies including Top Excellence Awards for stars Lee Jun Ho and Lee Se Young, the Lifetime Achievement Award for Lee Deok Hwa, the Best Couple Award, the Best Supporting Actor Award for Jang Hye Jin, the Best New Actor award for Kang Hoon, and the Best Screenwriter Award.
What I Liked
The story. I won’t comment on the accuracy of the history or the presumably anachronistic nature of the storytelling and characterization (which is present in various forms in most, if not all, faction sageuk anyway). For the most part, I’ve enjoyed the many elements and themes incorporated in the story that makes the drama eventful, engaging and interesting. In addition to the usual court politics involving power struggles between different factions, there is a strong focus on the cultural background and role of the Joseon court ladies aka Gungnyeo (literally "palace women"), a Korean term referring to women waiting on the king and other royalty in traditional Korean society. I think the last time I’ve seen such similar emphasis was in Jewel in the Palace several decades ago.
Even the romance feels quite extraordinary - the depiction is ahead of the times because there is a profound feminist tone to the trajectory of the FL and the push-pull relationship dynamics of the leads. Most historical dramas reflect the sense and sensibilities of the setting which lean heavily on repressive hierarchical structures and Confucian teachings, particularly on women. Here, the FL draws many parallels to Jane Austen's Elizabeth Bennet. Independent, resilient, cool-headed and sensible.
The production values. This drama is one of the most beautiful sageuk productions I’ve seen in a while. There isn’t much to complain about because every technical aspect is very well executed and plain to see. The cinematic visuals, gorgeous cinematography that involves a variety of framing techniques to breathe life into the atmospherics. Praise of course goes to the art direction of the set designs and the beautiful costumes. Unsurprisingly the women outshine the men in terms of fashion. The action is few and far between but no less decent, with one major battle sequence occurring during the first half of the drama.
Although the drama starts off with lightheartedness, it eventually settles on a consistently more serious tone. I didn’t particularly enjoy the moments of levity which I found jarring when interspersed among the intense moments but fortunately they did not last very long. I think the dramatic tension is much better portrayed and credit goes to the cast for the delivery. My first time seeing Lee Jun Ho and what a performance from him as King Jeongjo aka Yi San. He basically grows into the role where the momentum progressively builds as the story unfolds. He imbues the character with a remarkable duality with such finesse which gloriously reflects the range that he actually possesses. I honestly thought at times he steals the limelight from Lee Se Young who plays the FL and love interest Sung Deok Im. That’s not to say she underperforms because her role which reflects the uncharacteristic modernity in the characterisation is richly layered and complex in and of itself. However, IMHO, her interpretation isn't at the same level as Lee Jun Ho's nuanced articulation, especially in the second half of the drama.
The SML Hong Deok Ro is played by Kang Hoon. Among all the characters depicted, this is quite literally the most theatrical. I really have to applaud his performance because it well and truly matches the dynamic character trajectory as it is written into the sequence of events in the plot. One bit of astonishing cliche lies in his character developing facial hair, in part to manifest the passage of time but mainly to afford him a more nefarious facade. In contrast the ML remains clean shaven, young and handsome amidst the transformation around him. Quite the juxtaposition there.
Veteran actors make up the bulk of the supporting cast to deliver some of the more dramatically compelling moments. I have truly relished the performances of Lee Deok Hwa, Park Ji Young, Kang Mal Geum, Jang Hye Jin and Jang Hee Jin, despite their limited amount of screen time. Lee Deok Hwa certainly demonstrates the gravitas for the role of King Yeongjo while the others provide the perfect display of women with substance and mettle.
The music in The Red Sleeve is exceptional, a key aspect which most viewers should come to expect of a sageuk by now. The original score complements the entire production by subtly enhancing the ambience of many powerful scenes with its orchestral BGM. Likewise the soundtrack, featuring a total of nine original songs of which most are love ballads. My personal favourites are I Wish and Let Go of Your Hand.
Whee In (휘인) - I Wish (바라고 바라)
Ben (벤) - Star That Never Sleeps (잠들지 않는 별)
Jeong Sewoon (정세운) - You Are My Miracle (네가 나의 기적인 것처럼)
Minhyun (민현) - I'll Spend All My Days With You (모든 날을 너와 함께 할게)
Shim Gyu Sun (Lucia)(심규선) - It's Beautiful At Last (비로소 아름다워)
Jeon Sang-geun (전상근) - I'll Take One Step Back (내가 한 걸음 뒤로 갈게)
XIA (준수) - I'm Still (네가 불어오는 이곳에서 난 여전히)
Lee Seon-hee (이선희) - Let Go of Your Hand (그대 손 놓아요)
Lia (ITZY 리아)- I'll Light It Up Like A Star (밝혀줄게 별처럼)
What I Liked Less
The plot is quite straightforward yet holds much potential, especially with the infusion of a huge dose of fictional elements such as the emergence of an underground sisterhood of court ladies. The political aspects involving the grandfather, King Yeongjo and other factions vying for power initially appear quite intriguing as well. However, as the story progresses, each of these fascinating arcs falls by the wayside rather too quickly.
I wanted to witness more of King Yeongjo’s infamous tyranny but he comes across as an endearing yet senile old man engaged in a repetitive and destructive cycle with his grandson, Yi San. Reproach, incarcerate, forgive, then release him, and this sequence repeats another three to four times. Not that I blame him entirely because Yi San continuously partakes in pointless subversive activities through the secret organisation, Deongdukhoe, that produces little to no meaningful accomplishments apart from sabotaging his own legitimacy as Crown Prince.
Both the ML and FL share a repetitive cycle laden with angst of their own as well, which involves Yi San frequently expressing his love for Deok Im only to have his affections rejected time and again. The FL’s mental fortitude appears to be in a constant state of flux judging from her reactions each time she rebuffs Yi San’s advances. In any case, I understand and empathise with her wish for independence from regal constrictions and the vagaries that would no doubt ensue if married to the King. This miserable state of affairs takes up quite a fair portion of the later half of the drama.
Final Thoughts
The Red Sleeve is an enthralling watch mainly for the quality of its production and technical execution. The visuals are an absolute feast for the eyes while the performances of the extensive cast is quite exceptional. Despite my issues with aspects of the narrative, there is no doubting the intensity of the chemistry between the two leads. The bittersweet ending is somewhat consistent with historical records, although personally I wished that the story would have ended at an earlier and more positive juncture. All things considered, the pros outweigh the cons and if you are in the mood for a well-produced and well-acted romance sageuk, then this might be worth checking out.
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Hands down the best historical I've ever seen
Yi San and Sung Deok Im's chemistry is out of this world incredible, my heart raced for their sweet but sour love story.If I were to sum this drama up in one word, I would say "emotional" because I have never been so in love with a main couple in my entire drama loving life, they are the literal definition of soulmates and managed to perfectly portray their feelings through their eye acting, it was so enchanting to watch. Ugh the affection, the adoration, the determination, the tension, the anger, the frustration, the angst, the pain, the passion, THE FEELS!!
Likes:
• Romance!! It's nuanced, realistic for the era, and mature but also childish in the sense that this is their first love. The dialogue is so poetic and because of it there were countless times when I covered my face with my eyes wide as I grinned from ear to ear (in a 'omg I'm screaming' way).
• The acting was simply magnificent from the main leads to supporting characters to guest roles, they all did an amazing job. Also the visuals? Huge plus! Eye candy for real.
• Majority of the time when watching historical's, the politics side of things usually makes no sense to me and that might've been the case for this one (from time to time), but one thing I loved about TRS is that there is no unnecessary politics, no white bearded ahjussi's wanting to seek revenge over the prince lol it's great.
• The plot was juicy and full of life, so much was happening but not to the extent that I was lost, it played out well and I thoroughly enjoyed every second of it!
• I liked how the "villains" had their moments that kept the story engaging but weren't focussed on for too long and were dealt with smoothly (unlike some stories that overuse them, eventually leaving me annoyed and bored).
• Pacing. I'm not one to like slow paced dramas but this was paced so well and I never once skipped a scene as they were all entertaining and had some significance to the plot.
• Sung Deok Im's way of words and knowing her true desires in life as a woman. I LOVED her character, she's so strong and independent, it was so refreshing to see. She knew herself and knew exactly what she wanted for herself in life, I truely admire her for continuously standing up for herself (and the crown prince) throughout the drama.
• The OST ahh it's soo pretty someone give me a box of tissues I need a moment... I listen to it religiously. Historical's never disappoint with their OST's, the music just soothes my soul!
There are really no negatives from my experience of watching this, the first few episodes weren't anything in particular but the following episodes made up for it with each one getting more and more exciting and interesting, so if you like the things I listed above I'm more than sure you'll enjoy this beautiful masterpiece that is The Red Sleeve!
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Overrated. Not a relaxing watch
It started with a bang. Pace was also good, story and plot was good, acting was good all in the beginning And then towards the end it started dragging and that's when everything went down. It became confusing at some point trying to understand if the FL really loves our ML or not. Stone face is not acting. It's a torture of 1st grade. Heavy story . Jun ho definitely good acting. Beautiful costumes, i binged watched this and regretted it. If you are like me who loves to relax this is not for you. But if you are in to something serious watch it. I felt i wasted my time. I think the rating is too overrated or may be people like the feeling to feel traumatized.Esta resenha foi útil para você?
The best Joseon romance of recent years
Among the current sageuk offerings, dominated by the fluffy romantic comedy fusion sageuk trend, The Red Sleeve is a drama that shares certain elements found in such sageuks, but is truly a melodrama rather than a comedy, and thus, despite some light-heartedness in the early episodes, has a predominantly serious tone. To those tiring of the fluffy trend, The Red Sleeve may prove a welcome respite that offers some of the gravitas of a more classic sageuk, yet it is also enough in the realm of the romance-focused, youth-oriented sageuk that it will likely appeal to those who are fans of the rom com in period dress genre. It is not likely, however, to satisfy fans of political sageuks, as this is a drama primarily concerned with its romance.Lee Jun Ho’s portrayal of Yi San was truly excellent. This was quite a nuanced and multifaceted character, and I found him compelling in all aspects. Though this character is certainly an idealistic, intelligent, and benevolent man, who has a strong sense of duty regarding his role as a ruler, he is not the sort of adorable, fluffy Joseon royal I have seen in many sageuks of late. There is a real edge to this character that at times borders on genuinely scary. Lee Jun Ho succeeds in both bringing some sweetness and charm to his character as a besotted lover as well as imbuing his portrayal with enough power, command, and charisma to be a convincing ruler. He made me feel this character’s pain acutely, whether that was heartbreak or the suffering of a traumatic family situation. And he had a superb intensity in some of the romantic scenes, conveying to the viewer a very palpable sense of his attraction.
I liked Lee Se Young as Seong Deok Im. I think her mannerisms and bearing are well-suited to this sort of period piece in a court setting. However, compared to the male lead, both she and her character left somewhat less of an impression. This is not to say she was bad in anyway. I definitely thought she was good, just less of a stand out. I did have some trouble getting a sense of this character at first, in part due to not immediately realizing that when Lee Se Young was initially introduced, she was playing a 15-year-old. (The male lead was also only 16, but his character was significantly more mature, thus his behavior felt less mismatched to the actor’s age.) The character does mature, though her core traits remain the same. (I think both actors did a good job and subtly aging up their characters over the course of the drama.) She is bold, principled, and strong-willed. At times her behavior is not really congruent with what I would expect from a Joseon court lady. The drama finds a balance between making these aspects completely anachronistic and unbelievable and making it seem somewhat plausible in her specific circumstances (e.g. her young age at the beginning, leeway afforded her due to Yi San’s favor).
The second male lead is an interesting character, though perhaps not a very likable one. However, I felt he was somewhat underutilized. I think they could have done more to show the viewer the bond between him and the male lead, and it seems we may have lost some of his character development in a time-skip. Although Kang Hoon’s performance did not particularly stand out to me, I have no complaints regarding his portrayal.
Along with Lee Jun Ho’s Yi San, the Lee Deok Hwa’s Yeongjo was the performance that had the most impact on me. This character had a duality, sometimes a kind, grandfatherly old man, sometimes a dangerous ruler prone to bouts of rage and suspicion. The gravitas Lee Deok Hwa brought to certain scenes and the relationship between grandfather and grandson was one of the most engaging aspects of this drama’s early episodes.
Regarding the story, it has earned a place on my list of favorite historical romances. The romance does start off with some rather standard tropes, but it’s a well-executed version with a lot of charm. As the relationship developed, I felt that it began to differentiate itself from the tropes and offered up incredible chemistry as well as some truly memorable scenes. My emotions definitely became caught up in this relationship, as it succeeded being both heart-fluttering and heart-wenching. This drama really put me through a lot, but I take that to mean that it was very successful in drawing me into the story.
That being said, this romance might not be to everyone’s taste. Firstly, despite the more light-hearted tone at the start, overall, I would describe the drama as “nearly continuously angsty.” I’m a sucker for the emotional torture, but for those looking for smooth-sailing, happy romances with minimal pain or conflict, this is not the place to look. Even the happy moments sometimes have a bittersweet tinge. A second point of potential discomfort for certain viewers is that there is a very large difference in status between the leads. Although the male lead often treats the female lead as more of an equal than their respective statuses would dictate, he does not necessarily view her as one and is not entirely above using his power over her. This is a dynamic many period romances tend to ignore, as it isn’t congruent with contemporary relationship ideals. Personally, I think the way this drama walked the line of not being too offensive for a contemporary viewer while also not entirely disregarding the power imbalance between a ruler and a court lady is one of this drama’s selling points and something fundamental to the themes it examines. Perhaps for some, though, it would cross the line. The third and final point is potentially a bit spoilerly, depending on what you consider a spoiler, so skip to the next paragraph if you’d like to avoid. Although it is up to interpretation, I think this is, to a certain extent, a story of a one-sided love, which is not to say it’s entirely unrequited, but I’m not sure the degree of feeling was equal on both ends. I think this is something interesting to explore, but it makes this relationship less idealized than the standard romance offering. If you're looking for a "perfect" couple, this isn't really it, but I think the story is better for that.
Now for the aspects of the drama that I felt were weaker … At the beginning, I thought the politics had some potential. They were not the main focus, but things were gradually developing in the background, and doing so in a way that seemed well-paced and well-conceived, if pretty standard. But at some point the plot just became something of a mess. It spices things up with intrigue that, to me, felt unnecessarily over-the-top, and yet it pretty much skips over major events that I kinda felt like we should have seen. There definitely were moments of true suspense and excitement, but also parts that completely lacked any impact, because we weren’t given proper development (or shown them at all). These aspects surely would have been better had they just followed the history. Truthfully, I think this drama was essentially using the politics to create situations of character conflict, with little regard for the merits of the plot points themselves or the overall trajectory of that story aspect. It also seemed averse to introducing any plot line where the female lead could not somehow be inserted into the political maneuverings, despite her lack of status and power (a choice which seems somewhat contradictory to the drama's larger theme of how little agency Joseon palace women were afforded). I can accept this, as I knew from the beginning that this was primarily a romance, not a political epic, but it does somewhat lessen my regard for the quality of the drama’s overall execution. I would have preferred it to simply avoid dealing with politics, rather than give them some focus, but not enough to do it right. Still, it certainly didn’t stop me from obsessing over the main couple and anxiously waiting for the next episodes. If you’re looking for a romantic drama, rest assured, this one will not bore you with lots of scenes of old men discussing tax policies. I also think there was some lack of clarity regarding the timeline. It is not always easy to tell how quickly time is going by and at one point I realized that many more years must have passed than it had felt like when watching the drama. Since this drama covered such a long period of time (pretty much the entirety of the lead characters’ lives), I think it probably could have been longer.
It was definitely a visually appealing drama with beautiful costumes and lovely cinematography. The composition of certain shots was quite striking. Although the soundtrack did not leave a profound impression on me, there were scenes I felt were very much enhanced by the music choices, and I don’t remember any point at which I felt the soundtrack didn’t fit.
This is a drama that had some outstanding moments where all the elements came together to create a breathtaking tension that kept me completely captivated. What happened between those scenes is starting to blur together a bit for me, perhaps because some of the conflicts could be repetitive. Still overall, this is not a drama I will forget anytime soon. Despite its flaws, it was entirely successful in bringing across the emotions and making me invested in the romance. Moreover, Lee Jun Ho’s Yi San is now my standard for idealistic Joseon royal males that all future depictions of this character type will have to live up to or be somewhat of a disappointment. I definitely recommend to fans of historical melodramas.
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An unexpected take on a hauntingly beautiful historical romance
Although there are many tragic Sageuks that I have loved watching over the years, "The Red Sleeve" stands out for so many reasons. The chemistry between the leads, the fact that it's a non-idealistic look at love, and a female lead who does not fit into the expected tropes. I think this drama is extremely addictive initially as we watch the two leads fall in love, but we soon see a tragic clash of two world perspectives that is both intriguing and frustrating to watch. As frustrated as I was during a lot of this drama what I appreciated was seeing the reality that love isn't always enough. I know this was based on true events, but I had no clue before watching where the story would go since I don't really know much about Korean history. I did know enough to not expect a "cheerful" ending. I admit that the beginning of this drama was much more appealing and addictive than the later episodes, especially watching the banter betweenLee Jun Ho and Lee Se Young, but it's the overall story arc that makes the lasting power of this drama so strong.
Lee Jun Ho is amazing as Yi San. I loved feeling like I could see his evolution to becoming a great king. He also pulled off a longing and obsession for Sung Deok Im that could have easily come across as majorly creepy in a #metoo way and not romantic at all if played wrong. Yi San was strong yet vulnerable and inspired laughter, tears, or butterflies with a single look. I think this really is a breakthrough performance for him. I've seen him be great before in "Just Between Lovers" and even "Wok of Love", but this role required so much range and he knocked it out of the park. He is matched with Lee Se Young Court Lady Deok Im and as much as there were times when I couldn't stand her character I loved her performance. Some may feel like she didn't show enough emotion but what impressed me was Deok Im's commitment to wearing a poker face and having the upper hand. Usually, arrogant male characters are accepted and condoned but here we have a truly unapologetically headstrong and arrogant female lead. She's clever and stubborn. She doesn't do what viewers may want her to do. Sometimes I cheered her on and sometimes I cursed at her through the screen but it was nice to see a female character in a historical drama with this kind of nerve. I won't give all the credit to the adult actors. There are some pretty brilliant child actors that help tell this story well too but the best parts of this drama are definitely when the main leads are together. I didn't expect to get so addicted to their banter but I quickly did.
There are a lot of Allstars in this cast that makes the typical corrupt Joseon court storyline feel not so cliché. Jang Hye Jin as Court Lady Seo and Oh Dae Hwan as the bodyguard are the real MVPs of this drama, and I also really liked the bond between the Court Lady Bffs. I did eventually grow tired of one storyline in particular with Park Ji Young as Head Court Lady Jo. I felt it didn't go far enough so it just seem like filler after a while. In contrast, I loved watching Lee Deok Hwa as King Yeongjo who's unpredictably manic responses made some of the conflicts much more exciting to watch than they normally would be for me. I'm not the biggest fan of 'fight for the crown' storylines, but the characters were well done which made me care more. This is still primarily a love story, and I'm grateful for that, even if it's a messy one.
Would I watch this again? I think so. I can see myself reading up more on the actual history then revisiting this drama again. I am fascinated by reinterpretations of history but I liked the idea that they tried to give a voice to Sung Deok Im as to what was behind the choices she made in real life, making her an independent court lady struggling to establish her own life by her own rules. I also felt deeply for the story of King Jeongjo and his profound loneliness in contrast to his legacy. I'm sure a lot went over my head during the first viewing so it may even be better the second time around.
I do appreciate that this drama has 17 episodes, so they didn't have to rush through the ending at all, but there were parts that started to drag and get too repetitive for me towards the end. The mixed signals and constant rejection plot really did affect the pace and my interest, but one thing that kept me from ever being too bored is the absolutely breathtaking cinematography. They really went above and beyond with how some of the scenes were shot. I would often rewind just to have a second glance at an image on the screen. You can see the care in the direction.
Overall, "The Red Sleeve" may not be for the "does this have a happy ending?" crowd but it is a beautiful take on this historical love story that doesn't shy away from the true events or the harsh dynamics of life in the palace. The excitement and longing in this drama is palpable and I think that is its main appeal. I also never read the Novel but I get a sense of what it was adapted from through the characters' internal thoughts, without them ever abusing narration in the script too much. Dramas often explore what we would sacrifice for love but rarely what we won't. I had strong opinions about Deok Im's reasoning and Yi San's persistence but in the end, I was fully invested in their love story. The only thing stopping this from being a new favorite of mine is some repetitiveness and my lack of interest in the political plots. Jun Ho's performance alone is enough to make this a much watch Sagaek and drama overall. Seeing a female character deviate from the 'Cinderalla as goals' narrative is also refreshing in a lot of ways, even when she annoyed me. It may not be the type of escapism that many romance fans look for in a drama, and yes many tears will likely be shed, but believe the rating hype on this one. A romance without romanticizing too much. A love story that challenges whether together is the best choice. An attempt at giving a voice to a voiceless royal concubine. If you know the story and wonder "What kind of woman back then would have the nerve to reject a king?!!" this drama answers that question very well... in an intriguing, hilarious, exciting, heartbreaking, and poetic way.
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Things I loved in this drama:
- Lee Junho as Yi San/The King: The first time I took note of Lee Junho was in Good Manager where I loved how intense his character could be, yet hidden behind that mask was a kooky weirdo that just needed to find his people. In Red Sleeve, he did a solid job of portraying an emotionally layered Crown Prince who was raised by an emotionally abusive grandfather (who was responsible for his fathers death if you know the real life story). The amount of trauma that alone would instill in any kid gives you a deeper appreciation for the King he grew to became and an understanding of *why* he was so adamant in following the law and made certain choices. He is by no means a flawless character but I think he did such a great job playing out the various aspects of San's emotions and struggles.
I also think he carried the love story mostly on his back and it was through him that we really saw the depth of emotions in the OTP. We saw his pain, doubt that the FL returned his feelings, his joy when he thought she did and his sadness when she was repeatedly aloof with him. I like that he was a flawed character -- there were times when he was really possessive and that lead me to understand why, in the beginning the FL might have been wary of showing her hand when it came to her feelings for him. I also loved that while he was so very in love, he never lost sight of his larger goal as a King and what he wished for his people. All in all, a character that I walked away liking.
THINGS THAT COULD HAVE BEEN BETTER:
*Writing/Plot and Pacing: I initially thought this was a love story, but after watching the show I felt it was more about following Yi San through his journey from Crown Prince to King, which also included his love for the FL. The writers spent a great deal of time during the middle/late end of the show drawing out the time period where the FL avoided committing to the King which I guess could have worked if they had written her to be a more nuanced character and had given us insight into her inner turmoil, but they pretty much had her repeating the same conversations to her friends or herself with no further insight. It's almost as if when creating her character avatar the writers highlighted "girl King loves who got away and he pines for" as one of her characteristic and forgot to flesh out what about Deok Im justified this almost decade long avoidance of committing to the King. We are given the whole "I want to make a choice in my life" front, but her personality and motivations are never as fully fleshed out the way it is for San and how he became the man he grew to be. So it ultimately felt like she was a female character written in with the express purpose of being the woman that hooked san for the amount of time she did.
I also think the pacing of the show from the midway point to the last episode was confusing and pointless. They again, maximized the period of time they were not together for a longer period than they needed to and then squashed in everything that could have happened into literally 1.5 episodes. Like, they literally timed jumped the shit out of everything that happened when she finally became his concubine and fast forwarded through everything we, as an audience who literally waited to see happen, only to end again with more solo time with San and how he processed everything emotionally. Which is why I would rate this higher if it was written specifically as a biopic that focused on San -- because then it did a pretty good job.
THINGS I'M CONFLICTED ABOUT:
*Sung Deok Im (the character and also maybe the actress? perhaps there could have an actress that could have saved Deok Im's character, I don't know) - Conflicted because in the beginning there was a fair bit of things that I loved about Deok Im's character. It's very rare that we get a FL that thinks quickly, talks back and actually does some saving of her own so I was very much here for it. However as the show progresses, you begin to realize that she herself is a very flawed character (fair, no one is looking for perfection), with a fair bit of ego and self centeredness. Some people like characters like this, so if you do, perhaps she could be your cup of tea.
She's more than comfortable subtly leveraging San's feelings for her to get what she wants, or doing something that would literally get anyone else killed but because of San's feelings for her (that she knew about) she knew she'd be safe. However, you point this out to her -- as Hong Deok Ro did when they were both outside the palace -- and she did the thing that made me start to seriously dislike her. Turned her nose up in the air and proceeded to stick her head in the clouds of self denial. And that's when you get confirmation that yes, this is a flawed character, but it's one that refuses to see her own flaws. In cases like these, I never know if the character was written this way intentionally or if the writer themselves believe what they have the characters saying. I guess we'll never know.
*the OTP: conflicted because I really loved San's half of the OTP but Deok Im was just like. Not it for me. the first half or so maybe, I could have worked with that, but as the show progressed and you got to see it's like. Man. I just feel bad for the guy. I don't think San was every fully sure if she loved him and to be honest, watching the show, you can't blame him. Given everything he went through in his life, it was kind of sad that the one person who could have offered him some sort of safety and security when it came to human connection ... kind of didn't. I mean he kept her around anyways, but it got to a point where he would cut himself off from asking her how she really felt because I think he really didn't want to hear the answer.
All in all, the OTP was lopsided and poorly written on one side. It was given the rating it has mostly because I think Lee Junho delivered on his role and carried the OTP. I'd really like to see him act in another sageuk with a better script and FL. ::crosses fingers::
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Esta resenha pode conter spoilers
'The palace is such a dazzling prison' - Queen Dowager in Episode 17 played by Jang Hee Jin.
The story:Set in the 18th century, the story revolves around the journey of Crown Prince Yi San (future King Jeongjo) and his beloved court maid Sung Deok Im (Royal Noble Consort Uibin). The drama is of course mostly about their love story but also include politics, palace maids lives and struggles , Jeongjo’s achievements, the harsh reality of living in the Palace etc....
Deok Im is a free-spirited woman who despite being loyal and harboring feelings for the King stand by
her belief that giving her 'everything' to him would mean losing herself and the last bit of freedom she
kind of enjoy as a court maid (being with her friends, going out of the Palace...) That's why we
witnessed her countlessly rejecting his advances. She loved him but as the King of the nation, she knew
he would never be hers alone and the fact he could abandon her at any moment made her wary in
expressing her true feelings.
Yi San is the Crown Prince and future King of Joseon (Jeongjo-22nd King of Joseon). Marred by his family's
tragedy (his father, Prince Sado had been put to death by his own grandfather King Yeongjo) that greatly
affected his life and put a dent on his legitimacy as the future monarch. He dedicated his whole life in trying to clear his father’s name and to prove he’s the rightful heir of the Jeonju Yi Clan.
Being a King is a lonely position as well...he has no choice but to follow the strict rules/decorum of the palace,
listen to his ministers who most of the time were complotting to remove him from his position, most of
the decisions weren't his, discarding people (even relatives) that may threaten his throne, cannot show
his emotions/weaknesses etc...meeting Deok Im was really his salvation and for the first time in his life, he was able to make a choice by himself, he chose her as his person. After losing her (she was literally his light), he became the shadow of himself, throwing himself into work to forget her (or more like pretending to do so) and compelled himself to go on with his life and duty as Joseon's king.
Their love story is portrayed so beautifully, poetically aesthetic and in an enthralling way.
Showdowns between King Yeongjo and Yi San were also a highlight of this drama. Outstanding performance.
Acting:
Standing ovation for the whole cast. Everyone, from the main leads to the supporting cast is amazing and
fit their characters to a T. Chemistry is off the charts rewarding us with an enticing and intense production.
Junho is regal as the 22nd ruler of Joseon. His commanding voice, expressive eyes, body language,
vulnerability, intense gaze ... he exudes so much charisma. Mesmerizing.
I’m so proud of him, he’s grown to be such a talented performer. Action, romantic, comedic, emotional
scenes... this man can do everything, he's terrific. Best role and performance to date.
Seyoung offer us a moving and relatable performance. Bold and brazen as a young court maid, loyal and
resolute as the Crown Prince Court maid and full of restraint and modesty as his concubine. Her chemistry with Junho is sizzling. The best I've seen in ages.
Lee Deok Hwa as King Yeongjo was just brilliant, I’m glad that such a revered and respectable actor was part of this wonderful production.
Kang Hoon as Hong Deok Ro is a complex character, full of layers (very compelling nonetheless)..he seems loyal and genuine when it comes to Yi San but he's also a too-faced person, he has his own agenda. His greedy and condescending nature led him to his downfall. Still, I don't doubt there were some genuineness in his actions(he did care about Yi San imo)
Jang Hee Jin was perfectly cast as the poised and perceptive Queen Dowager.
As I stated above, rest of the cast is fabulous as well (special mention to Jang Hye Jin as Court Lady Seo, loved her)
Cinematography is stunning and like taken straight out of a painting.
Music: Beautiful and very poetic OST. Background music being the best.
Rewatch Value: I would love to rewatch it tbh but probably later...I need to mend my heart first (and watch everything with Junho too lol)
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This drama is so full of raw emotions that I don't know what to do with my life anymore
*SPOILERS ALERT - DO NOT READ THIS IF YOU DIDN'T WATCH THE ENDING*I tend to avoid sad/bittersweet endings but I succumbed to the tentation of both actors. The story seemed also original (with so much focus on the court maids) and oh boy do I have mixed feelings now! It was certainly a roller coaster of emotions.
Even not knowing the history or novel behind the drama, I thought the "meet-cute" from the beginning of the drama was inevitably meant to falter and be replaced by the cruel reality of a doomed love between a king and a court maid. The director really didn't shy away from showing the viewers the very different personnalities of our 2 main characters. For exemple, the king's possevive behavior first shown in the library scene when he nearly chokes her was the start of a relationship based on a power imbalance that's not often represented in other historical kdramas (well at least it wasn't the case for the few i have seen).
The actors were all amazing, I think it's the first time I even cried for the more "villainous" characters (the king/San's grandfather, his aunt and her stepson, the head court lady who only wanted to protect the court ladies...). Moreover I wasn't bored at all and it's quite exceptionnal for me, I even wished the drama was longer (20 episodes).
I saw a few comments saying that Sung Deok Im didn't love the king and I dare to disagree. Her actions showed well enough that she had very strong feelings for him but she knew very well that the price of her love would cost her everything (her freedom, friends, daily activities...). Even if San didn't hesitate to show his affection toward her, she knew that his nation would always come first (he even refused to save her a few times because that would be against the rules). So can we really blame her knowing that ? It's not a fairytale story, their love can be considered beautiful but is mainly sad and cruel. Like she said in the drama: she would lose "everything" if she agreed to become his concubine and in a way she really did (it depends on how the viewer interprets the ending but even so, it's the truth that her freedom is entirely taken away from her = "gilded prison").
Saying that, it doesn't mean I didn't cry my heart out during ep 17. I was a literal mess when I finished the drama at 3 in the morning. I think the characters and their stories will haunt me for many days to come… Concerning the final minutes, I will say that all of it was a bad dream (no need to prove me wrong, I know that the final dialogue tend to prove the contrary but I will die on this hill. My mental health definitely needs it lol) The thing that « comforts » me in this regard is the fact that Deok Im doesn’t say « I love you » back to the king : if it was all in his head as a last dream before death, I think San (well his subconscious) would have « forced » her to say it because this is the thing he wanted to hear the most. So the fact that she didn’t say it makes me think that it was really her and not a mere figment of his imagination. I also found it weird that when we encountered the « first » dream scene, the director didn’t show us what made San seemed so lost and afraid. He doesn’t even explain his reaction to Deok Im. So (and excuse me for the maybe cheesy comparison) I will say that it was like the scene in the last Twilight movie when the whole final battle is in fact just a vision of a possible future. San chose to stay with Deok Im because he remembered the pain he endured in this dream. Maybe he will succeed in changing the future, or at least some events, or maybe not. But he will clearly try to « protect the woman he loves until the end », unlike his grandfather.
The only think that I regret was the quick succession of events in the last ep, I wish we could have more scenes of them « happy » or at least officially together between all the heaviness and sadness. The death of the crown prince was so cruel, even more so because the flashback of his birth was shown after the scene in which he passed away… Well I suppose that if we assume all of this was mainly a dream, then the desire to see them happy isn’t really needed, because the viewer can imagine the rest as they wish starting from San waking up from his dream/nightmare.
To conclude, I really hope our 2 actors can work again together in the future. A drama with the reincarnation trope based on Deok Im’s line « If you see me in the next like, I hope you will pass me by/pretend not to know me » would be perfect (with a clear happy ending this time pretty please).
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Didn’t Love It
SpoilersPerhaps I am an anomaly, but I’m not in love with this.
Like Lee Joon Gi’s masterful acting job in Moon Lovers, this is certainly a tour de force performance by Lee Junho, who is incredibly impressive in this role. However, like ML, I don’t like this show.
(Side note: It’s rather mind boggling that Korea continues to turn out fabulous actors who were K-poppers! 🤯)
With all that said, I wasn’t in love with the actress. She was good but not on par with Junho and the script made me want to spit nails, at times.
Yes, it did have some pretty humorous, laugh out loud moments and had a well paced beginning, but in the middle it began to get bogged down. Around Episodes 9-14, I fast forwarded a lot of running around, fighting etc. with no dialogue, just to get through it.
Disclosure: I hate stories with multiple wives.
That the ML would go to another woman BEFORE going to the woman he has just discovered is carrying his child, the very woman he so desperately loves and has pursued for YEARS, whom he has FINALLY won was unfathomable and quite frankly disgusting to me.
Knowing of her reservations to marry him and WHY, which she had clearly stated several times including right before she agreed to become his wife, that was simply irreconcilable in my mind.
I started watching this because so many people were chattering about it online and talking about what “a great show” it was, “wonderful, wonderful, wonderful” - and not one single person mentioned that it did not have a HEA.
I realize it’s a true story. However, I choose not to watch stories with sad endings, ie the death of one of the main characters, so I was very unhappy when I put in 16+ hours only to discover not too far into episode 17 that she dies. Yes, it did end on a somewhat more positive note than Moon Lovers in that it implies an eternity together, but that didn’t minimize the sourness of it including the FL’s death.
I am just not a person who wants a “good cry“ or wants to watch something tragic. There’s enough tragedy in the world that I want to put my watching time in watching something that gives your heart and mind a boost and leaves the end of the show feeling uplifted, not depressed.
This wasn’t it.
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Highly recommended historical drama! MUST WATCHED!!
Highly recommended historical drama! MUST watched! The plot is very interesting and unique from the past historical dramas I've watched, overflowing chemistry of junho and Lee se young getting stronger in each episode.I enjoy watching and waiting for more romantic moments of the two. Hoping they will have a happy ending. ❤️Highly recommended historical drama! MUST watched! The plot is very interesting and unique from the past historical dramas I've watched, overflowing chemistry of junho and Lee se young getting stronger in each episode.I enjoy watching and waiting for more romantic moments of the two. Hoping they will have a happy ending. ❤️
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Good acting gone waste!
Had picked this one up to cure the heart ache Mr queen had given, owing to such high rating on MDL. Now revisiting the reviews, iam worried, Did we see the same drama?This was one was a 'meh' for me.
The leads were good, jun ho was commendable.
But the story, was a total waste of time. 20hrs spent in hope of finding a glimpse of what was promised.
Yes it was poetic, some dialogues were worthy but the entire plot was like a pot which was simmering for nothing.
Charachters were not curated well enough, the king who was portrayed as one of the best of Joseon, didnt come through as some one with sympathy or empathy. He repeatedly tells the FL that she is his property!!!! But not vice versa
The FL was more confusing. Even though shown as an epitome of feminism, never had goals. She had to reject the king because she knew she will lose her identity if she becomes a concubine. But after a while she agrees to become one! Never understood why was she having the "eccentric korean ML syndrome!
The supporting charachters had no story, the light comedy scenes felt forced.
Yes I did shed tears but when it was all done I was left with the question, what was the point of it all...
Was he a good king? No achievements were shown! Was there a decent villian to bring it all together? No!
So overall it was a waste of my time! Give me back my 20 hrs... Even few glimpses of the swooning jun ho couldnt pacify my utter disappointment with the show!
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the machinations of a gilded cage
TLDR-You may expect the normal melodramatic saquek, but this drama will surprise you.
Gorgeous OST, beautifully shot cinematography with layers of deeper meaning that'll break your heart when you're paying attention; a strong plot that doesn't meander, and very strong acting throughout to keep it all seamlessly tied together. Even saquek-tired viewers will be pleasantly surprised by this fresh, even modern take on a real-life story.
Thoughts on the main leads:
Lee Jun Ho: I've been a devoted Lee Jun Ho fan since watching his first main role in Just Between Lovers. I first watched that series because I really liked the premise and the cover photo, and quickly became utterly enamored by Jun Ho's character. He was charismatic, deeply troubled, and full of old physical and emotional scars that drew me in throughout the entirety of the series. The arc between him and his grandma crushed me and I thought his emotional scenes were masterfully done (including his public breakdown in the street when he received his diagnosis). I had no clue he was an IDOL until I looked him up afterward and saw that his real-life persona couldn't be more different from his character in the series, which impressed me even more. From then on, I was a huge fan and looked forward to his other roles. His charisma certainly knows no bounds and is not limited to 1 genre. He portrayed his role as the crown prince (and later as the king) masterfully and I can't help but replay his emotional scenes over and over. His relationship with his grandfather, the king, was troubled and full of complications that I enjoyed watching play out on screen. It teetered so often on domestic abuse with the emotional and sometimes physical warfare the king inflicted on him, despite how often he claimed to love him. The dynamic was interesting and effective and I found myself both angry at the king and full of pity. In the end, I could sense the raw loneliness, grief, love, and pain Yi San felt for him.
Lee Se Young: Although I'd only seen Lee Se Young in another saguek, The Crowned Clown, that series also happens to be one of my all-time favorite KDRAMAS so I had high hopes for her. Her role in The Crowned Clown was much meeker in character, and I actually thought her character took away from the overall plot and pacing of the drama because I thought the most interesting aspect of that drama was Yeo Jin Goo's Clown Ha Sun and King Yi Heon and when the romantic melodrama aspect started taking the forefront of the drama and pushing the suspenseful dynamic of the twin brothers to the background, it changed my overall interest in the show (although I still loved it for different reasons). Her role in The Red Sleeve is much more prominent and gives her a lot of room to stretch her acting skills, both emotionally and physically and in different genres, so I especially loved watching her this time. Her facial expressions are so emotive and I found myself laughing and crying with and at her on several occasions.
OST: Gorgeous. Emotive. Enhanced every scene without overwhelming it.
Plot: Surprising and fresh with subverted tropes, strong and empowered female characters, broken stereotypes (female saves male MULTIPLE times, female with strong willpower, sensitive man, etc). I loved Deok Im's strength as a woman in her determination to live for herself, regardless of the pain she'd feel by not going the easy route. I loved that she saved Yi San and was able to protect him on multiple occasions. I loved Yi San's consideration for Deok Im later on in his conviction to treat her as a woman and not as an inferior subject. I loved Yi San's royal guard and his adorable gullibility and fierce loyalty. He brought on moments of much-warranted levity which brightened both the scene and Yi San's countenance. I loved the friendship between the court ladies and the moral greyness of some of the other women. I loved that the "antagonists" in this drama wasn't the true villain; it was the palace and its rules that entrapped our main characters and the "heroes" were the very people that were pillars keeping the palace living and breathing.
Episode 14 Update:
I've grown very frustrated with the relationship between Yi San and Deok Im.
I understand there are many complexities, and I empathize and understand Deok Im's fears and insecurities toward accepting the role as a concubine so I can't fault her for refusing the role and putting herself first; however, Yi San has only ever been fully honest with her regarding his feelings and his desire to keep her safe whilst she's *brutally* turned him down so many times, I've lost count. She disregards his feelings to intentionally hurt him and push him away despite her true feelings, and she only ever treats him for his title and not as a man. Yi San frustrates me as well because he's so painfully aware of his title, that his desperation to be treated as a man by Deok Im understates how serious and challenging that request would be for a normal person to hear. All physical skinship, excluding the reuniting hug, after she saved him from the ambush, has been physically forced and one-sided, including the kiss at the end of Episode 14. If I'm being told to believe she wanted that kiss because she submits into it at the end, no thank you k-drama world, that's not how reality works. I'm frustrated he did that, and I'm frustrated that it was *once again* a one-sided show of affection (that she didn't even ask for). I want to see HER fight for him *as a man* just 1 time and she hasn't. It has only ever been for her king and highness (excluding the time when they were children), and I pity him for that (despite disapproving of his behavior toward her physically).
Episode 15:
"I have deceived his Majesty. His Majesty may deceive the court ladies at his will, but a court lady may not deceive the King."
UGH. Still pretty frustrated with their relationship. They're both in very difficult positions, both on the level as a man and a woman and as King and court lady. I selfishly really just want her to hug him and tell him she cares about him too and he's not so painfully alone in the world.
Epsiode 16 & 17:
Oh. My. Tears. What a heart-breaking, gorgeous, beautiful, punch in the gut.
I love the ending so much. I love the subtle and nuanced cinematography that captured so elegantly the "prison walls" that framed so many of our characters throughout. I loved that Yi San stripped away and laid himself bare for Deok Im and that she *finally* openly acknowledged her love (and without saying it still) for him. I loved that they ended up together and both willingly chose the other in the end. If I'm not making much sense atm, it's because I'm still typing through my tears.
Can't recommend this drama enough, and I'm so happy our beloved cast and crew received the proper attention and accolades that were well deserved.
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