Once again a wonderfully authentic KDrama with amiable characters, who are living a live just like any South Korean life could be. The KDrama is neither captivatingly suspenseful nor does it urge to be devoured in one go. Instead, it's rather pleasantly warming and inspiring, like a cup of tea that you may enjoy sip by sip. The story could always go on as everyday life is - in Jejudo and elsewhere (in the province).

At first glance, “Welcome to Samdal-ri” is a sweet Rom+Com and, in passing, it is also a declaration of love for Jejudo, the largest South Korean island. At second glance, however, the KDrama also delivers a lovingly drawn and yet time-critical image of society, in particular of a generation that is struggling to balance between archaic roots and home on the one hand as well as global, urban & digital lifestyle values on the other.

In general, lifelong friendship can be considered the overarching theme. The peer group as a family of choice in the sense of a community of fate, whose commitment has been growing from the inevitable spatial proximity of a village community - here: Samdal-ri.
Specifically, the story is about such a lifelong friendship between two friends, who at some point naturally became a love for life, yet without automatically being able to be lived as such.
As so often, it´s about family with its particular momentum, mingling as centrifugal and as pulling force, too.
Refreshing, soft and tangible: Shin Hye-sun and Ji Chang-wook. But overall, "Welcome to Samdal-ri" offers great casting in all positions.

Enjoy your tea time...










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SIDE NOTE...
...on "Welcome to Samdal-ri" offering a felicitous, good-humoured and optimistic time-critical image of society

On the one hand, the monotonous everyday life in the provinces just glides along. In “Welcome to Samdal-ri” the social tightness of the village structure is intensified by the island situation on Jeju-do. Binding village life in its everyday occurrences may be boring for some, while reliably familiar and pleasantly manageable for others. Rhythm, rules, community - everything is well-arranged. You can count on being safely caught by a social net that is protecting, warming. However, it comes with a price: a naturally intrusive social environment that would like to have a say everywhere...
On the other hand, the shimmering metropolis of distant Seoul is attracting the young with its wide world full of fashion, culture and lifestyle, promising individual fulfillment in a varied, anonymous, fast-paced, entertaining, colorfully inspiring, glittering city life that bears the stamp "successful". But this has its price, too, as the KDrama clearly shows with various examples. Fast-paced, cool big city life is mostly superficial, curt, nonbinding, aloof and mercilessly leaving you out in the cold.

Gossip apparently seems to be for us humans naturally coming with our anthropological cradle… Whether city or countryside, whether Seoul oder Samdal-ri, it is everywhere - the KDrama is cleverly using this as a dramaturgical bridge between the two worlds...
In a village with an intrusively curious neighborhood like Samdal-ri, where almost nothing can be kept secret, gossip adds spice to an otherwise uniform everyday life. However, it turns out, globalization and digitalization have by now raised village gossip to an unimagined, even more threatening (since anonymous) level. Rumors multiply virally in the form of social media posts shared at lightning speed, thus turning Seoul into just another (digital) village, yet on a global scale - with the effect that the brutal force of the impact far dwarfs that of a rural, analogue village. Once a rumor like this has started, it's hard to stop it and it's practically impossible to undo it. The anonymity of a viral rumor mill also invites hateful comments, the existential consequences of which no one seems to have to take responsibility for. Never mind whether there really is something to it or not… no one is interested anyway.
In the worst case, self-imposed exile from the analogue village offers an opportunity to escape social pressure at least. The digital village of the globalized new world, however, no longer shows any mercy. It's everywhere... there's no escape...

The uncontrollable social media with its enormous power as well as the largely non-binding, superficial encounters of an anonymous urbanity are juxtaposed with the archaic themes that continue to shape life on Jeju-do today - and thus the roots and grounding of its people. Eventually, "Welcome to Samdal-ri" tells of the dominance of tides and weather shaping everyday life; of the power of the sea, which continually takes its toll; of the lives of the Haenyeos diving for abalone and more - day after day, year after year; of the Haenyeo families, following the mother as the strong head of the family; and even of bloodguilt that turns friends into enemies, urging to pass this feud on from generation to generation.

Although life in the provinces may seem archaic, tight and boring, not everything automatically has to be wrong or bad. Nevertheless, young people increasingly and understandably prefer to go to Seoul. They want to leave the dusty roots and rigid structures behind. They prefer to live at the center of the vibrant new South Korean world instead.
But even if they leave their village home for individual fulfilment, psychologically they are still far from finding their way back to themselves. And even if Seoul has such a promising, almost magnetic, electrifying, cosmopolitan charisma, the capital, along with the temptations of big city life, also harbors a fatal seed, that many have not expected: Betrayal! Betrayal of oneself (and/or eventually betrayal of others...) For most people sooner or later this seed will be sprouting, if they lose their grounding along the way - if they simply radically cut off their roots instead of finding ways to continue to nourish them...

As such I appreciate "Welcome to Samdal-ri" offering way more than a Rom+Com - e.g. a felicitous, good-humoured and optimistic time-critical outlook on contemporary issues within modern society.