The "soulmate" idea is rather dated. In fact, I think its cultural relevance really took a nosedive when angry (or worse, desensitized) nineties kids became the proponents of modern youth culture. Their way of thinking was called cynicism back in the day; now it's just another norm. At least that's true in America. However, Korea, as I've come to see it through its popular entertainment, has a culture that still embraces (and positively beats to death sometimes) the concept of fate. Destiny. Meant-to-be. So what better format to tackle the soulmate conundrum than the k-drama? Except this wasn't your average k-drama. It's called a sitcom, but that isn't giving it nearly enough credit. It's also called a romantic comedy, and while it has romance and comedy, that's not a nuanced enough classification. And, while almost 100% of Korean dramas follow the 16-20 episode format with such uniformity that predicting which episode the big confession will happen in is almost an exact science, this one turns linear storytelling into a loose guideline rather than the strict rule. Also, the fact that it was entirely preshot without the stresses of the live-shoot system really shines through; it is confident and the different plots dovetail and interweave with efficiency and steadiness. The writers were particularly successful in creating deceptively sharp characters. On the surface, they appear to be stock and silly. Most of them WERE stock and silly. But, taken as different, embodied responses to the "do soulmates exist?" question, they become luminous in their own right. And, of course, I would be remiss to forget to mention the wonderful cast especially Shin Dong-wook (effortlessly charming and insouciant) and Lee Soo-kyung (hilarious in her permanent exasperation). The one thing I really liked about this drama, the aspect that vaulted it directly into my list of permanent favorites, was its way of handling life's little intersections, the minor butterfly effects. How we're a lot closer to others (and by extension, different types of happiness) than we think. The format is a direct manifestation of this and also gives a physical motion to the very cerebral process of emotional maturity. To say more would be to ruin the pleasure for first time viewers, but there IS this one scene that involves rain and Lasse Lindh's gorgeous song "C'mon Through"..... Most importantly, the writers found that perfect sweet spot between the opposing poles of the big question. The tone was neither idealistic nor cynical; skeptical, perhaps, is the right word although it implies more negativity than actually existed. Maybe it is most accurate to say that there was a thoughtful melancholy to it, one that removed it from the realm of throwaway slapstick and placed it firmly on a higher plane. This is Soulmate's strength: It has the singular ability to turn what might have been utter, lowbrow farce into something intelligent and bittersweet. Tl;dr? This has my definite endorsement. Watch it for something different with a lot of laughs and a lot of heart. --