Let's observe a minute bow worth of respect for Cheng Yi's eyes (Watched all 61 EPISODES. )
Well, there are a whole lot of appraisals I have for this very beautifully woven piece of art that consolidates the typical as well as atypical Chinese Wuxia drama and its essence.
Regardless of the fact that I have been an ardent admirer of the acting prowesses of our two leads, Cheng Yi and Yang ZI who gave us a mouthful chunk of brilliance in one of their previous sensational and critically acclaimed independent movies (were the former casted unbelievably beautifully as Si Feng, alongside Yang Binguan, another breathtaking actress in Love and Redemption, and the latter, Jin Mi in Ashes of Love, alongside, De Lung), the chemistry between these two surpassed our expectations and it felt nothing short of real, there were clearly scenes that were too painful and excruciating for me to take in and it hurt for each episode tailed on the suspense flank, it was torture to wait for subsequent episodes and during those very suspense thrilled nights, I would find myself imagining possible plots and giving explanations to the things that hurt and why they did, all in futile efforts of easing my pain. It felt so real. The suspension of disbelief reached its peak and every one of us hurt and empathized with every character.
This drama is the quintessence of a well invested in, choreographed and directed drama, all things were done perfectly. I can reference this fact to the BTS (Behind the scenes ), a very beautiful and unburdening series.
The drama is rich and sopping-wet with themes that are well exemplified through a beautiful interrelated complexity of plots and storylines and the aboveboard chemistry among the casts. The well emphasized themes are love, sacrifice, and responsibility.
The OSTs are perfect and I listen to them every time, particularly, Agarwood sung by Jane Zhang and Jason Zhang.
Listening to the OSTs are no different from watching those scenes that hurt.
This is a drama I will never be weary of watching.
I am rewatching this drama of 61 episodes for the third time and watched and rewatched hundreds of clip-scences.
Regardless of the fact that I have been an ardent admirer of the acting prowesses of our two leads, Cheng Yi and Yang ZI who gave us a mouthful chunk of brilliance in one of their previous sensational and critically acclaimed independent movies (were the former casted unbelievably beautifully as Si Feng, alongside Yang Binguan, another breathtaking actress in Love and Redemption, and the latter, Jin Mi in Ashes of Love, alongside, De Lung), the chemistry between these two surpassed our expectations and it felt nothing short of real, there were clearly scenes that were too painful and excruciating for me to take in and it hurt for each episode tailed on the suspense flank, it was torture to wait for subsequent episodes and during those very suspense thrilled nights, I would find myself imagining possible plots and giving explanations to the things that hurt and why they did, all in futile efforts of easing my pain. It felt so real. The suspension of disbelief reached its peak and every one of us hurt and empathized with every character.
This drama is the quintessence of a well invested in, choreographed and directed drama, all things were done perfectly. I can reference this fact to the BTS (Behind the scenes ), a very beautiful and unburdening series.
The drama is rich and sopping-wet with themes that are well exemplified through a beautiful interrelated complexity of plots and storylines and the aboveboard chemistry among the casts. The well emphasized themes are love, sacrifice, and responsibility.
The OSTs are perfect and I listen to them every time, particularly, Agarwood sung by Jane Zhang and Jason Zhang.
Listening to the OSTs are no different from watching those scenes that hurt.
This is a drama I will never be weary of watching.
I am rewatching this drama of 61 episodes for the third time and watched and rewatched hundreds of clip-scences.
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