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Were we allowed to see a piece of world improvement by two crazy female authors?
We see boring 30 episodes in which an older woman emotionally exploits a boy in order to break away from her domineering and abusive fiancé.
With the help of the handsome understanding boy, she achieves her goal. She makes a career instead of marriage.
On occasion, she sends away the badly in love, somewhat perplexed boy who expects a life perspective with her, on a job in far away province.
The plot is obfuscated by a lovey-dovey script to make this lousy piece of romance look nicer and smoother.
There is no one real ending, such as marriage. Of course, the wonder-woman YiKe probably wants to make other career leaps.
With the help of the handsome understanding boy, she achieves her goal. She makes a career instead of marriage.
On occasion, she sends away the badly in love, somewhat perplexed boy who expects a life perspective with her, on a job in far away province.
The plot is obfuscated by a lovey-dovey script to make this lousy piece of romance look nicer and smoother.
There is no one real ending, such as marriage. Of course, the wonder-woman YiKe probably wants to make other career leaps.
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