Slapstick Humor, Great Story, Great Acting, Abrupt Ending
This drama is a satire that pokes fun at what seemingly the most powerful figure of the land. In the story, the emperor feels that he is almost similar to a slave as all the decisions are made by others and his desires ignored; he has no freedom in doing anything he enjoys, going anywhere he wants, eating any food he loves. He has to obey everything his mother, the Empress Dowager, says and agree to his uncle who untiredly criticizes him and tries to claim the throne. Life is miserable in the palace, until one fateful day.
The 17-year-old young emperor (Victor Qin) loves opera but his mother bans opera in the palace because she wants him to focus in his studies. One day, he accidentally finds a secret underground passage that leads to a theater house. He disguises himself as a kid looking for a job. The owner of the theater house, Bai Xiaoqing (Zhao Xiaotang), a fierce and mean lady who dresses in man’s clothing, takes him in. There, he meets his idol, the once famous opera singer Lan Ling (Meng Hetang) and becomes his assistant. There is also a cook who was once an assassin, a mediocre script composer who cannot even write a proper story and a fortune teller girl who uses talismans that always work the wrong way. Together they form the six idiots of the theater house and claim not to separate but always search own way out in times of trouble.
In the theater house, the emperor is being ordered to do all kinds of menial chores that he has never done before in his life. He is even ordered to taste suspicious food for poisons. To hide his real identity, he endures all abuses and happily complies to all demands, and quickly he learns to serve others. Victor Qin’s acting is fantastic – he can be as sorry looking as a nobody, and at the flip of a coin, turns into an esteemed emperor. Of course, he’s the smartest of the six but to stay low profile, he acts as silly as the others. Each character has a story and a "counting-the-eggs" dream with wild imaginations. Each episode tells a different story with a lesson to learn. Any trouble always resolves by itself through blind luck. And yet, lurking under, unseen dangers developed for the young emperor.
My Verdict
I have really enjoyed the story, the acting of all the characters, the jokes, the humor. It makes me laugh so hard in every episode. This feels like a live stage comedy, with dialogues that sound impromptu, yet every sentence rhymes. There are modern vibes inserted here and there with modern terms used in the dialogues. I love the play of homophones in the jokes. This is some really great script writing here. Each episode is preceded by a summary of the previous episode through a storyteller in the form of a narrative poetry. The recount poems are precise and funny. The camera work is good in capturing every expression and every emotion. My only disappointment is the abrupt ending of the story. There would be a season 2 that no one knows if it would ever be released.
Don’t be deceived by the few viewers on MDL. This is due to no proper English subs available at the time of the airing. This series is interesting and hilarious though it has no prominent actors. This is a great series to release stress as laughter is the best medicine. Don’t miss it.
Strongly recommended!
The 17-year-old young emperor (Victor Qin) loves opera but his mother bans opera in the palace because she wants him to focus in his studies. One day, he accidentally finds a secret underground passage that leads to a theater house. He disguises himself as a kid looking for a job. The owner of the theater house, Bai Xiaoqing (Zhao Xiaotang), a fierce and mean lady who dresses in man’s clothing, takes him in. There, he meets his idol, the once famous opera singer Lan Ling (Meng Hetang) and becomes his assistant. There is also a cook who was once an assassin, a mediocre script composer who cannot even write a proper story and a fortune teller girl who uses talismans that always work the wrong way. Together they form the six idiots of the theater house and claim not to separate but always search own way out in times of trouble.
In the theater house, the emperor is being ordered to do all kinds of menial chores that he has never done before in his life. He is even ordered to taste suspicious food for poisons. To hide his real identity, he endures all abuses and happily complies to all demands, and quickly he learns to serve others. Victor Qin’s acting is fantastic – he can be as sorry looking as a nobody, and at the flip of a coin, turns into an esteemed emperor. Of course, he’s the smartest of the six but to stay low profile, he acts as silly as the others. Each character has a story and a "counting-the-eggs" dream with wild imaginations. Each episode tells a different story with a lesson to learn. Any trouble always resolves by itself through blind luck. And yet, lurking under, unseen dangers developed for the young emperor.
My Verdict
I have really enjoyed the story, the acting of all the characters, the jokes, the humor. It makes me laugh so hard in every episode. This feels like a live stage comedy, with dialogues that sound impromptu, yet every sentence rhymes. There are modern vibes inserted here and there with modern terms used in the dialogues. I love the play of homophones in the jokes. This is some really great script writing here. Each episode is preceded by a summary of the previous episode through a storyteller in the form of a narrative poetry. The recount poems are precise and funny. The camera work is good in capturing every expression and every emotion. My only disappointment is the abrupt ending of the story. There would be a season 2 that no one knows if it would ever be released.
Don’t be deceived by the few viewers on MDL. This is due to no proper English subs available at the time of the airing. This series is interesting and hilarious though it has no prominent actors. This is a great series to release stress as laughter is the best medicine. Don’t miss it.
Strongly recommended!
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