3
5
jpny01
Beautiful setup spoiled by poor and lazy ending
It's starting to become a truism of BL that authors come up with good ideas and have no idea how to bring them to a conclusion, so they just skip over everything and just tack on a shallow happy ending.
This series can't help but bring up a comparison to the Filipino BL Happenstance, with a similar premise but 100 times the depth, although the overall production quality for that series was lower. It had something to say about different times and worlds, and had a bittersweet and authentic ending that carried a lot of power and stuck with me.
This, however... it's quite engaging, cute, and romantic, with a touch of mystery and darkness, up until when Songjam tries to enter Aksorn's world, when it all falls apart.
First of all, while it's possible to do a time jump well, it rarely is done well - usually it's just a lazy jump over any sort of authentic and organic resolution of the plot.
Because of the one here, there was an opportunity to explore the nature of love - does it transcend age? What does it mean when two people are at different places in their lives? But no, they just cast a 32-year old actor to play a 45-year old and called it a day.
Even what should have been an interesting confrontation between Songjam and Aksorn's father happened offscreen, and given the intensity and centrality of Aksorn's conflict with his father, this lazy solution is baffling. "Not only have you defied me by pursuing a useless career, you're also f@#%ing my best friend?!? (or rather being f@#%ed by his best friend since Aksorn suddenly transmutes into an uber-uke, with the usual homophobic loathing of sex that they always seem to have, resulting in uncomfortable coersion scenes.) But, Dad has absolutely no problem with any of this, and all is forgotten. Hugs, expressions of pride, and end scene!
It doesn't help that (slightly) older Songjam has at most a tenth of young Songjam's charm and cuteness, without 25 additional years of maturity & wisdom. Also, if you think about it, this is about a man in his 40s who wants to be with someone he watched grow up since he was born, which is, well, eww. And that's not to mention the logistics of being the best friend of someone's father without them ever even suspecting it - I suppose it's possible, but COME ON.
Plus, are we to believe that seeing someone born, experiencing his mother's death, and a lifetime of friendship with his father, plust the passing of 25 years, won't have any effect on your love for someone? It might still be there, but it would age and change. I can believe Songjam would do everything in his power to promote Aksorn's happiness, but to retain romantic love for him? That's more than borderline creepy - it's more like grooming.
Anyway, while I loved the first four episodes, the ending is so clumsy, lazy, and ridiculous that I'm not sure I would recommend this.
This series can't help but bring up a comparison to the Filipino BL Happenstance, with a similar premise but 100 times the depth, although the overall production quality for that series was lower. It had something to say about different times and worlds, and had a bittersweet and authentic ending that carried a lot of power and stuck with me.
This, however... it's quite engaging, cute, and romantic, with a touch of mystery and darkness, up until when Songjam tries to enter Aksorn's world, when it all falls apart.
First of all, while it's possible to do a time jump well, it rarely is done well - usually it's just a lazy jump over any sort of authentic and organic resolution of the plot.
Because of the one here, there was an opportunity to explore the nature of love - does it transcend age? What does it mean when two people are at different places in their lives? But no, they just cast a 32-year old actor to play a 45-year old and called it a day.
Even what should have been an interesting confrontation between Songjam and Aksorn's father happened offscreen, and given the intensity and centrality of Aksorn's conflict with his father, this lazy solution is baffling. "Not only have you defied me by pursuing a useless career, you're also f@#%ing my best friend?!? (or rather being f@#%ed by his best friend since Aksorn suddenly transmutes into an uber-uke, with the usual homophobic loathing of sex that they always seem to have, resulting in uncomfortable coersion scenes.) But, Dad has absolutely no problem with any of this, and all is forgotten. Hugs, expressions of pride, and end scene!
It doesn't help that (slightly) older Songjam has at most a tenth of young Songjam's charm and cuteness, without 25 additional years of maturity & wisdom. Also, if you think about it, this is about a man in his 40s who wants to be with someone he watched grow up since he was born, which is, well, eww. And that's not to mention the logistics of being the best friend of someone's father without them ever even suspecting it - I suppose it's possible, but COME ON.
Plus, are we to believe that seeing someone born, experiencing his mother's death, and a lifetime of friendship with his father, plust the passing of 25 years, won't have any effect on your love for someone? It might still be there, but it would age and change. I can believe Songjam would do everything in his power to promote Aksorn's happiness, but to retain romantic love for him? That's more than borderline creepy - it's more like grooming.
Anyway, while I loved the first four episodes, the ending is so clumsy, lazy, and ridiculous that I'm not sure I would recommend this.
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