This drama takes on a very serious and nuanced topic -- marriage and divorce. Unfortunately, instead of leaning into all the difficult issues surrounding a failing marriage and dealing with them head-on, it skirts around all the important parts and instead delivers nothing more than Hallmark-type cheesiness without any real substance. A lot of people are saying it was good up to Episode 10 or so and then went downhill. But for me it was downhill, or flat, from the get-go. I don't really get what all the hype is about. Frankly, despite the fact that I love Kim Soo-hyun, I did not enjoy this drama, for several reasons.

1. Supposed to deal with marriage and divorce but fails to get into the real issues. This multilayered topic needs to be handled with maturity, depth, and honesty, and this drama just fails in that regard. While we are led to understand it was just a simple case of miscommunication (or lack of communication) between the leads that led them down the dark road to divorce, this matter is never really fleshed out or given any further treatment. We are not really made privy to what really happens between them. There is one scene that deals with a miscarriage, but that's it. No context or follow-up is given and it is hardly ever mentioned again. In other words, there is a lack of context and story development to enable the viewer to participate and empathize. The drama instead chooses to focus on external conflicts with one-dimensional, cartoonish villains. The failing marriage is dealt with shallowly and romanticized, and the real issues are swept under the rug. Suddenly, this couple has the perfect relationship and their only problems are actually how to recovery the company and vanquish the baddies.

2. Unlikable characters, especially in the first half. In the beginning, the ML seems to have been made deliberately weak. I felt like the drama was pushing some sort of feminist rhetoric -- subversion of the patriarchy and all that. But there is no need to emasculate the male in order to emphasize the strength of the female. Likewise, the female need not be an uber rich girl boss with a bad attitude in order to come off as a "strong independent woman." Anyway, Baek Hyun-woo is introduced as a seemingly shallow, silly, ill-intentioned weakling who could not even stand up for himself or make up his mind about what to do with his own marriage. He relies on a friend to tell him what to do. To make things worse, he actually seems relieved and even slightly elated to learn his estranged wife is terminally ill. Now, I like falling in love with my kdrama/jdorama men for the space of a few hours, and I definitely was not going to fall in love with someone like this. Neither could I relate with the wealthy CEO girl boss who was cold and arrogant and disrespectful and had no qualms about berating her husband in front of their colleagues. It just wasn't working for me. Even later when her arrogance is toned down, Hae-in just comes off to me as abrasive and unrelatable. Many people are saying the leads had great chemistry, but I never saw it. They're both great actors for sure, but there was something off for me about their pairing. Strangely, I felt like the FL was patterned after the typical Asian mom or aunt -- brash, brisque, pragmatic and unromantic, and the ML has the typical henpecked husband vibe. And their romance felt to me like I was watching one of my stoic aunts suddenly becoming lovey-dovey with someone. Goosebumps. But because the actors are both attractive, it probably seemed that the characters were attractive too. The writers seem to realize this and tones down everything in the second half, which leads to my third point:

3. Inconsistent characterization. I guess the writer wanted to show that the characters have a deeper dimension than what was shown in the first episodes, but somehow the sudden shift in the overall tone of the characters didn't work for me. Suddenly, the FL is vulnerable and in love (but still, just for me personally, unlikable and unrelatable). Suddenly, she is a silly lovelorn stalker. I mean, sure. One can argue that her coldness and arrogance were merely a facade or a coping mechanism and that she actually really is a softie, but somehow, that doesn't feel believable. And the ML suddenly becomes strong, capable, fiercely loyal, very loving, and knows exactly what he wants and what to do. Yes, writer-nim. This could have worked if you had written him that way from the beginning. Making a character's real personality a plot twist just does not work for me. I need to connect with the characters immediately or as soon as possible for the story to work. That is the most important factor for me in any story. The plot could go to hell but as long as the characters are well-written and feels real, I am in. I think it just is bad writing overall, the way the characters were set up. Again, the actors' face cards and sex appeal covered this up for most viewers.

4. The drama can't seem to decide what it is, and the main relationship lacks substance. In the beginning, it seemed like it was going to be a romcom. But wait, Is it a thriller? Is it a makjang? Is it a "beautiful love story?" It tries to be all of these but fails. The thriller part wasn't thrilling enough. The romance part was, to me at least, somewhat cringey (probably because of the Asian mom/ahjumma peronality of the FL). And the romcom just failed to show up. Instead, the drama seems to take itself very seriously and seems to think of itself as a "beautiful love story. " In order to show this, it resorts to cheesy lines and overly sentimental scenes that don't really show any real connection between the husband and wife, at least none that you could really feel or that is properly developed. Instead, their strongest and most powerful connection seems to be the dreaded "childhood connection thingie" that Koreans seem to adore -- unmyeong. In other words, their love is one for the books because they were fated for each other, as evidenced, apparently, by the fact that they had a chance encounter when they were children. This is a pet peeve of mine in kdramas. This is a very shallow type of sentimentality, IMO. Instead of trying to establish this childhood connection, why not focus on their current mind-to-mind, heart-to-heart, soul-to-soul connection instead?

5. The loopholes. In a romcom, I usually could look past the glaring leaps of logic because most romcoms are meant to be a little silly, and so the logical inconsistencies just seem campy, not a writing failure. But you can't really call campy on this drama because it takes itself way too seriously. One major example of a glaring lapse in logic is the fact that the villain manages to step in and claim to be the guardian and fiance of a patient who has lost her memory. What an insult to European hospitals! You're telling me, writer-nim, that the hospital does not have any protocols at all regarding patient security? Furthermore, Baek Hyun-woo actually sees the villain walk in as he was being scandalously arrested (another huh moment). And he doesn't do anything about it, apparently. Yes, he got arrested and dragged away to prison on false charges, but that should not have prevented him from instructing one of his lawyer friends (or hello, Hae-in's family) to immediately contact the hospital and inform them that that man should not be allowed anywhere near the patient as he is not family and not her authorized guardian. And why didn't Hae-in's parents, on their own initiative, do anything? A phone call would have done it if they didn't want to fly out to Germany to look after their daughter. They knew than man is dangerous and Hae-in is in an especially vulnerable position after having lost her memories, and not a single one of them tried to contact the hospital? LOL. There are many, many others. This is just one example. Very shoddy writing.

To sum up, again, this drama tries to be something -- an epic, sweeping, memorable, beautiful love story, or a deep dive into marriage and divorce -- but does not really have enough meat and bones/substance to actually succeed. Instead, we get a lot of cloyingly sentimental scenes, cheesy dialogue, a half-baked thriller element, and a kind of surface treatment of a serious topic that is more suited to a romcom or light drama, and a dancing or skirting around the important issues about love and hate in a relationship and all the nuances and layers of emotion that are involved in a marriage, and all the heartbreak of divorce. This weird, half-baked stew just didn't work for me at all. The actors did their best to hold it up, but it is not worth all the hype and is way too overrated, in my honest opinion.