girlwhofangirls
proceed with caution
In my memory, the Crucible/Silenced is by far the hardest film I've ever watched. It is bleak as the dense fog covering the area of Mujin, and the ending is undeniably the most realistic given the context, where corruption goes the distance with money.
Initially I went into this film for being an avid fan of Gong Yoo’s work in 2018, and knew it was not going to be a light watch. But it must be emphasised that nothing could prepare the viewer for the harrowing true story and extremely graphic scenes depicting abuse of the children at the school. Even at the time of writing this review, the recollection of the man poking his head above the bathroom stall is the stuff of nightmares.
The performances were praise-worthy and difficult to criticise, the children especially in encapsulating the immense suffering the victims had endured in its most unrelenting form. The silence throughout the film was insufferable, and by no means an accident. Accompanied with dark palettes with barely a stretch of light and the many enclosed spaces in the building, there was never a moment of release for the viewer from start to finish. Every scene is unflinching as it is unsettling, with the deep rooted fear of not knowing what you will see next.
While most now would recognize Gong Yoo for his cameo in Squid Game (same director), many kdrama fans would remember his role in Goblin. In my humble opinion, his appearance as the school teacher remains his strongest and most memorable performance. It was said during his scene with the car, the injuries were not done by make up, and through it his overwhelming emotions were expressed from knowing what happened to the children. His dedication to the role couldn’t go unnoticed in his raw expressions of anger, disbelief and the sheer helplessness of an adult against the myriad of corrupted and disgusting individuals.
With these being said, this isn’t a film I recommend lightheartedly, nor it's one that begs a rewatch. The Crucible/Silenced would linger in your mind many years after only seeing it once. It’s an important work that managed to spread awareness of horrifying events that could take place behind closed doors, especially in institutes that many may view in a good light and hence avoid suspicion. After all, the worst monsters come as wolves in sheep's clothing.
Initially I went into this film for being an avid fan of Gong Yoo’s work in 2018, and knew it was not going to be a light watch. But it must be emphasised that nothing could prepare the viewer for the harrowing true story and extremely graphic scenes depicting abuse of the children at the school. Even at the time of writing this review, the recollection of the man poking his head above the bathroom stall is the stuff of nightmares.
The performances were praise-worthy and difficult to criticise, the children especially in encapsulating the immense suffering the victims had endured in its most unrelenting form. The silence throughout the film was insufferable, and by no means an accident. Accompanied with dark palettes with barely a stretch of light and the many enclosed spaces in the building, there was never a moment of release for the viewer from start to finish. Every scene is unflinching as it is unsettling, with the deep rooted fear of not knowing what you will see next.
While most now would recognize Gong Yoo for his cameo in Squid Game (same director), many kdrama fans would remember his role in Goblin. In my humble opinion, his appearance as the school teacher remains his strongest and most memorable performance. It was said during his scene with the car, the injuries were not done by make up, and through it his overwhelming emotions were expressed from knowing what happened to the children. His dedication to the role couldn’t go unnoticed in his raw expressions of anger, disbelief and the sheer helplessness of an adult against the myriad of corrupted and disgusting individuals.
With these being said, this isn’t a film I recommend lightheartedly, nor it's one that begs a rewatch. The Crucible/Silenced would linger in your mind many years after only seeing it once. It’s an important work that managed to spread awareness of horrifying events that could take place behind closed doors, especially in institutes that many may view in a good light and hence avoid suspicion. After all, the worst monsters come as wolves in sheep's clothing.
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