To preface, I absolutely love historical dramas, and was pleased to hear about one set in this particular era jet during the invasion of the Jing/Qing. But, while the pacing kept me afloat to episode 9, I was greatly disappointed by this drama.

Let’s start with Jang Hyun. The way he is written is freaking annoying. His character and background is so vague it’s impossible to have any attachment to him. I’m aware that his mystique is part of the plot I guess, but withholding a backstory for a twist later is no excuse for having such a poorly developed character for a majority of the story. We only get glimpses of “tragedy” that don’t really explain anything about him. He’s also got a serious case of Mary Sue. I also think his companions could have been far more complex.

Now, he still has shining points as a character: he provides candid views on political situations, and what he said about Lord Nam’s burdensome idealism and weaponized incompetence was a BAR — the best written part of the whole drama.

Next. Let’s talk about my one casting gripe: Nam Goong Min. He’s a fine actor, but it’s so hard to get to the interior of the character when his face is so stiff. I don’t mean this as a drag or an insult, it’s just my criticism in a vital component of acting — with screen acting, you can’t profess your inner thoughts like in plays or lean on clever language like in books…the performers face must say what’s left unsaid. And Nam Goong Min simply has stiff facial performance. It’s creepy. And not good. I can tel by his eyes and his voice that he has all the skills necessary, but his FACE simply doesn't move!

More in stuff I liked: I love the character of Gil Chae. She’s a fascinating heroine (to me, who has seen every trope in the book). She’s neither a do-good heroine that prioritizes the good of society and well-being of the public nor a “spoiled brat with a secret heart of gold” trope that you typically find in sageuks.

Her character is clear, defined, and consistent. Pretty much from the beginning it’s clear that she takes exceptional care of her closest loved ones, but she protects them with by nanking hard decisions that can be seen as cruel and selfish if from an outside perspective. I found the boat scene leaving Ganghwa such a bold and powerful decision to portray her in.

In what I’ve seen so far, the balance of flat and round characters is very well used here (a round character must have an engaging direction, a flat character must be able to represent a force).

I’m not extremely well versed in the history that inspired it, but I did find some of the ‘foreign’ characters to be fascinating. It’s always refreshing to see some rounded out Jurchen characters as opposed to simple caricatures.

Overall, it’s not terribly interesting, but My Dearest has averagely decent political intrigue, engaging pacing, and important messages about the decay and de-romanticization of war. But the weakly written male characters dragged it down, and there wasn't a committed enough message on any single theme like anti-war or serendipity or youth.