To start off this review: if you don’t like films like Jordan Peele’s cinematic universe, Hereditary, or most of the films (esp horror films) coming out of A24 or other indie movie distributors, then this movie is definitely not for you.

This film takes a lot of artistic liberty, and presents itself as a arthouse film, and I definitely think it deserves that presentation. It feeds off of mainly showing and not telling the audience and is very lax with the pace it uses.

If you’re not familiar with shamanism and other indigenous Korean rituals, then this movie is also definitely not for you. I think if you’re also used to the more romanticized version of shamans that a lot of Kdramas have will not prepare you to the actual intesnity of some of the means they use (i.e. the pigs, slitting the throat of a chicken, dousing things in horse blood) and the way it is presented for the audience. There is gore and violence in this film, it reeks of death and mourning, and if you were expecting a less intense story of shamans (like The Matchmakers) then this film will shock you and make you uncomfortable. Those with a weak stomach should probably avoid this film since there is a lot of bodily harm, throwing up blood, and just in general a lot of blood.

Now that’s out of the way, I’m gonna talk wayyyyyy too much about how I love this film. If you’re autistic like me and like hearing endings, keep reading if you’re comfy, if you’re not I hope you have a good day!!

Exhuma is a perfect storyteller for the lives of all of the members of this ragtag group of traditional practitioners. (Maybe it’s my adolescent interest in Kurosagi Corpse Delivery Service that made me excited to see a different type of indigenous mythology even if some of it is based on the same scripture.)

The film starts really slow, and I think it’s a perfect way to play out how all of the four main characters are connected to each other. Instead of just telling their relationship, especially between Hwarim and Bonggil to Sangdeok and Younggeun, as they are quite different people, it shows how they have a work relationship that is still friendly. Also their personalities are well displayed; Hwarim being someone who hides behind confidence and her own abilities, Bonggil as someone who may seem very servile but is quite brave, Sangdeok cares deeply about his family even if he doesn’t like that his daughter is marrying a German man (also he is a boomer I hope this helps explain so many things), and Yeonggeun is a very frugal undertaker who is quite cowardly unless in the face of money.

I think the family drama of the Park family is so good, even if for a bit you’re confused who is who in the family. (Since the film is through the lens of the group, it makes sense that we are only privy to a tiny bit of information about them.) There is an air of holding their breath about the grave of the patriarch’s great grandfather, and it had me guessing until the final reveal that he was a fascist who followed that Japanese annexation of Korea. It’s such a perfect blend of history, and of the fact a lot of rich people hide the atrocities of their ancestors. (But also the ghost wanting to take all of his children with him is so good when you realize he is angry that they left Korea for America.)

Also, the detail of a Japanese monk being the one to give him a burial, which was auspicious to him but terrible in Korean geomancy, is literally the icing on the cake. Though, after this the movie takes a very dark turn, and I think it still fits with the storyline especially when the reveal of the monk’s true identity, and Sangdeok finding out that the “grave robbers” were just geomancers.

The supernatural aspects genuinely interested me even if they weren’t really meant to be scary. It shifts the tone to more emotional, sentimental in the way we view these characters.

We see the biggest changes in Hwarim and Seongdeok, because the anima drastically changes the tone of the double internment. Bonggil getting hurt after trying to distract it and protect her, shakes her very deeply. When he is in the hospital she gets desperate, her confidence is gone and she stays by his side trying to bring him back. She takes risks that could kill all of them just to get him free from the anima, and feels terrible when Seongdeok gets hurt in the final battle.

Seongdeok gets obsessed with the plot and finding out what’s so wrong with it. He visits it multiple times in an attempt to figure out what he’s missing. The unknown draws him in and eventually gets him hurt, and he accepts death, until he realizes he wouldn’t get to see his daughter’s wedding.

I’m leaving so much out because I want whoever is reading this to find joy in some of the things I left out, hehe. Though, the ending is happy, and I’ve seen people confused by it and I wanted to say I think the ending was nice. It reminded me sort of like the ending of Extracurricular, in which it is left vague because they are marred by the experiences, but life goes on.

I also think that Lee Dohyun still playing one of the most normal characters but still being given his usual insanity was so good. This man goes 0-100 in five seconds and it’s why I love him. Great madman, will miss him dearly until he comes back from his compulsary service.

Damn this got long, I just love this movie a lot. Thank you anyone who reads this absolute essay of a review. I am mentally ill and love me some sad happy shit.

(edit: I also forgot to mention that there isn’t a “romance” plot but there is an obvious connection between Hwarim and Bonggil that I just refer to them as soulmates instead. They are each other’s confidence, and safety. They live together and have known each other since they were teens, they care very deeply about each other and I don’t think we need to label it.)