Over the last 15 years, LGTBIQ+ rights have made a significant leap and we owe a small part of it to cinema and television, increasingly committed to representing more and better gay, lesbian, bisexual, trans people. or non-binary identities. Although this drastic advance (at least, in the audiovisual field) is undoubtedly worth celebrating, it should not make us forget the struggles and sufferings of so many generations that preceded us.
After this preamble, let's get into the matter:
If love is complicated between two people, imagine what it must be like when there are three of them. Imagine also when homophobia, internalized homophobia, harassment and forced coming out of the closet are added to the love triangle.
We have all this in equal parts in Rebel Heart, the 2023 Thai short film, youth romantic genre and LGBTIQ+ theme, written and directed by Zee, which also addresses themes such as love, friendship, personal growth, honesty and the trust.
It strikes me that the three main characters have their names in English and not the typical Thai names that seem very curious because they are strange or out of the ordinary to the Western viewer.
The film, from Iamzee Studios, begins when Lucas, the main character, breaks the fourth wall and comes into direct contact with the audience, looking and speaking directly to the camera, to introduce us to the story. From that moment on, the play hooks us and we feel part of an emotional roller coaster, a challenging journey in which we will find connection and meaning with the two young protagonists: Ben, played by Burdy, and Lucas, played by Bug, while They navigate the ups and downs of their relationship. Throughout the 25 minutes of footage, the characters explore different challenges and emotions.
Lucas has secretly loved Ben for three years, but he has not dared to express his feelings, because he considers that his best friend is heterosexual, in addition to fearing breaking the bond between them. They are both university students and have known each other since the first days of entering university. And now, in the last year of their studies, they will end the beginning of an adventure that will determine their destinies.
At first glance it seems like a very common story, but the dynamic between the two friends changes when Emma (Ami) appears, a college student girl who frequently surrounds Ben with attention, causing internal conflicts between the three young people, such as jealousy, pain and drama, especially in Lucas's character, when he discovers that Ben and Emma are in a relationship. Then external conflicts will arise, which I will explain later.
But this will not be a love triangle motivated as a way to escape, give life to a dying relationship, discover something new, take risks and get out of the comfort zone or other reasons that we have seen previously. Here an element rarely used in BL is introduced that will mark the relationship of three people now: internalized homophobia. However, like any love triangle, it will teach us something important.
At one point, we will discover that Emma, ​​motivated by homophobia, has hired a bully, played by Pomp, to harass and beat Lucas, since she has understood his interest in Ben and suspects the closeness of the two young people. Realizing this, Ben breaks up with Emma and blocks her on the internet.
And it is here that the viewer discovers that Ben was the first to fall in love with Lucas and if they have been friends and shared a bedroom and time together it is because he has encouraged it by approaching Lucas from the first moment. I mean, Ben is not straight. Ben is not bisexual. Ben is a gay boy, a victim of internalized homophobia who chooses to hide his homosexuality by getting involved in romantic relationships with girls. In this way, the viewer can explain why Ben distances himself from Lucas and is dating Emma.
Upon discovering that Emma has planned to harm Lucas, Ben finally accepts himself and, in return, admits his love for the boy with whom he has also been in love for more than three years. It is then that, in addition to facing Emma's betrayal between them, they are ready for a life together, but not before seeking parental approval, something very common in heteronormative and patriarchal societies.
And it is here that the external conflict that the couple experiences is incorporated into the film: the rejection of their son's homosexual relationship by Lucas's father. Thanks to the intervention of the mother (Ajarn Jiab), in charge of pointing out the truth, she made the father realize what is important. With a strong message about how we could act in similar situations, out of love for his son, Mr. Evans overcomes his prejudices and ends up accepting the two children, first as lovers and then as his own children.
Likewise, we will learn that the reason for the father's rejection of his son's homosexuality is motivated by his personal experience, having had a suicidal brother who fought against the pain and suffering of also being a gay person, and how this experience could be reflected in the life of his own son and not wanting him to suffer the same fate as his brother.
While the way Ben breaks up with Emma is wrong, the way Emma outing Lucas to her father is disgusting and totally despicable. I can't explain how he came to receive the loving images of the two boys on his phone (this must have been what the father saw, since it is not shown and is not necessary for its full understanding by the viewer) but rather as an act of retaliation against Ben by Emma.
The film, while I was watching it, made me feel that it had an autobiographical nature. Perhaps the director lived a similar story firsthand, or learned about it from third parties, and captured it in images.
Despite the low budget, a cast made up of amateur actors, a weak script and a short plot, poorly developed characters and events, which affects the general quality of the product, it is surprising for having a Thai-American technical and acting team, the integration of an interracial marriage, the use of Thai and English languages, all unusual in BL productions from this Southeast Asian country, and above all for contributing to equality, visibility, acceptance, recognition and, more importantly, the legality of LGBT+ people, in a nation that still does not recognize same-sex marriage. Also, because the short film addresses the topic outside of stereotypes, caricatures or exaggerated dramas. For this alone the short is worth watching.