There are a few topics one doesn't talk about at social gatherings. One of them is language. I myself have tried a few times but, in front of a pizza and coke, people are ready to talk about almost everything except their means of expression. Language is used, not pondered upon, unless one wants to be labelled the smart aleck of the party and be thrown out with the half-eaten pizza. Why? Because our mother tongue is perceived as a given, a common possession whose technicalities are learnt and then put into practice by everyone, well or not so well. We live in a society where illiteracy is almost unheard-of and have therefore forgotten how huge a power is held by simple education. This is exactly what Tree With Deep Roots is about: the power of knowledge.

So this drama is, first and foremost, very brave: it takes a topic generally considered yawn inducing - and conceited - and builds upon it one of the cleverest, suspenseful plot I've had the fortune to watch. Because the topic intrigued me, I approached this drama expecting to be intellectually swept away. What I wasn't prepared for, was to have my feelings deeply involved too. This drama is clever, yes, but it's emotionally intense and moving too.
Truth be told, in the beginning I was so confused by the trillion characters, names all sounding the same and genealogy tree that for a moment I thought I had suddenly become an idiot. Should you happen to experience the same, please don't despair: this is like a pile of jigsaw puzzle tiles thrown at you all at once that you start putting together. Once you have glimpsed the main picture, the rest follows on its own. I haven't found a single dull moment in the 24 episodes. I enjoyed the sometimes long political dialogues and didn't want to miss a word. I enjoyed the steadfast growth of each character and the relationship between them all, the marvelous setting, the wuxia-like sword fights.

Mostly, I enjoyed the portrayal of a great King, which naturally leads me to the acting. Among the brilliant performances of all, Han Seok Kyu shines his own light. I was sad to see Song Jong Ki go, as he delivers a great act of a young and fearful king who grows a backbone, but it's his older version I came to love, admire and enjoy the most. Second in my personal enjoyment chart is, hear hear, So Yi/Dam. By general consensus, a female character is considered strong when she opposes the rules, or when she can kick and fight. So Yi's strength, however, is in the brain, which she uses to comply with the rules, instead of opposing them. Shin Se Kyung embodies intelligence and courage in a very calm and effective way. Loved her to bits. Our third lead is the bridge between the passionate vision of a King and the idealism of the woman he loves. His common sense and simple views on life are a paramount addition to the dynamic and while he undergoes a major change throughout the drama, he stays consistent to his nature till the very end.

A character/actors review would be incomplete without the villains. There are moments when you may question who the villains really are. Their motives aren't wrong in the grand scheme of things, but idealism alone won't win a war and their methods go from arguable to unacceptable, mixed as they are with political greed, blind loyalty or personal grudge. Kudos to all the actors, though, for making me love to hate them.

I don't think the music is the strong trait of this drama. It has a few instrumental pieces and a couple of songs which are neither a disturbance nor a feeling magnifier. I must admit, however, that a couple of pieces are quite haunting, as I found myself humming a tone or two while doing totally unrelated things. Whether this is because they were used too often or because they were good, I don't know.

I've long debated about the re-watch value. I don't see myself sitting through the whole drama again in the near future, mostly because a well crafted thriller lingers in the memory much longer than a simpler plot. Ironically, its high quality makes this into a one-time experience. Which doesn't mean I won't go back to it when a considerable time has lapsed. It's an intense journey I recommend to everyone who's ready to invest a good dose of concentration in a drama.

Leia Mais

My feelings towards this drama are definitely mixed. Until a couple of episodes before the final I was ready to throw rational judgment out of the window and give it a 10, so enthralled I was by it.
It had the best potential of all: the ability to create some unforgettable characters. And it truly managed to do so in the beginning, combining a good plot with some seriously beautiful moments, a good dose of weirdness which I'm partial to and great chemistry between the characters.

However, as it sometimes happens with drama crushes, at some point my love deflated. I can't even pinpoint the main reason for this change of heart. It may be the fact that the more I neared the end of it, the more I predicted almost every turn, or because some details became repetitive - and in a drama whose episodes are so short, there's not so much time to lose on the nth flashback. Most likely, I had been waiting for a characters' arc which never truly came, leaving me with that unpleasant feeling you get when, after waiting for hours for an icecream, you finally start eating it and it falls on the floor.

It is, however, a drama fully worth of the time spent on it. As I said, I watched the first 9 episodes with no interruption and a passion I had almost forgotten I possess. While the acting ability of all is not stellar, they certainly compensate with beautiful close-up shots and an amazing collective alchemy among the whole cast.

The music is terrific and perfectly chosen for each scene. I suspect it is partly responsible for my blind love for this drama.

I may rewatch this drama in the future. Not for the plot but for the pleasure of watching these young actors again.

Leia Mais

I watched this drama following the recommendation of a friend, whose judgment in terms of good dramas I've come to trust completely. And, not surprisingly, I loved it.

It's not well known, possibly because it's not studded with the usual idols fangirls swoon about. Sad, because it is wonderfully acted and incredibly original, from the surprising beginning to the absolutely unexpected ending. The pace is slow, which can deter some, but I personally found it perfect, with the exception of a couple of instances by the middle. The symbolism of it captivated me from minute one, and I think this is the most fitting title of a drama ever.

This dorama is a collection of memorable lines and even more unforgettable characters.
Takizawa Hideaki and Fukada Kyoko do a splendid job in portraying their characters: the first leads the viewer where he wants, once liking him, another time hating him, then again fearing him or feel compassion; she, on the other hand, is either love or hate. I usually am deeply annoyed by girly girls all cuteness, pink and seeming candour, but she is so artless, even in her machinations, that I found her adorable. This is not a pretty girl playing cute: cute is her essence, and even in her apparent silliness, there's an unexpected depth of thought.

But who really did it for me are the secondary characters, played by Yosuke Kubozuka and Uchiyama Rina. Terrific acting skills and wonderful character development by both. Not that I doubted it: I still have to see Kubozuka playing a part without doing an outstanding job. And Uchiyama is downright brilliant in this.

The music is another very strong point. Without being a fan of Abba myself, I thought the soundtrack was chosen with sense and logic. I like it when single music pieces identify a single character, to the point you know who's going to be portrayed even though you close your eyes.

In conclusion: I watched this thanks to a Perfect recommendation; I hope to be able to pass on a little of that with my review.

Leia Mais

At first, I didn't want to write a review for Healer. Many good reviews here mirror my sentiments exactly, and I hate to be redundant for no reason. However, after having watched the entire drama twice in the space of 2 weeks - yes, sue me - and triggered by some comments on this very page, I now believe this little gem deserves as much love as it's getting.

While telling an interesting story, Healer manages to do brilliantly what most fictional works should and sometimes fail to do: create 4-dimentional characters, believable persona whose growth and mutual interaction reach the heart of the viewer. When characterization is so strong, the plot twists - whatever they are - fall to the background, becoming a mean to an end. In this sense, it doesn't matter how many times the same plot subject has been used in a drama: what matters is how this same subject pertains to the journey of the characters. The reason why I was constantly on the edge of my seat while watching Healer, is not because I wondered what was going to happen next, but because I was eager to know how each character would react to a certain event. Will she give up? Will he fall apart? Will that one lie, speak the truth, run away, face the challenge, cry, laugh, rejoice? What would I do, in their shoes?
And every single time I feared the ominous K-drama tropes would sneak into the narration with the usual noble idiocy, nth misunderstanding, petty jealousy or envious triangles, these characters surprised me and made me extremely happy for NOT conforming.
Someone here called this drama "a breath of fresh air" and I couldn't agree more.

This story, while simple on the surface, hides a few, much deeper and more complex subjects. One over all, the roles of adults and how their choices can make the lives of children a living hell. K dramas have accustomed us to adults who abandon their children, or abuse them, dictate them, mold them to their will, silence them. In the best of scenarios, they over protect them. This drama, on the other hand, gives out a different message: adults should give their children the means to fight their own battles, their own way. The same could be said about women, who are the true strong point of this drama. I wish I could write an essay on Young Shin and Ahjumma, but don't worry, I'll spare you the boredom, Suffice to say, true courage and strength are not in the fists.

Healer is also a love story. A sweet, realistic, heart wrenching and heartwarming love story made of little, endearing details. It's the encounter of a young man with a tough shell and a vulnerable soul and a young woman with a fragile body and a brave, unwavering heart. They are so natural together, watching them is a pleasure. I think I fell irremediably in love with them as a couple. I ascribe it to the acting, but also to the brave script, which for once depicts 2 young adults who admits they are attracted to each other physically as well as emotionally. I do not expect a drama to show me anything happening under the sheets, but I'm a little weary of tons of dramas where the girl is shocked by the mere hands touching and calls for a trial. Guess what, Young Shin and Jung Hoo are human!

I've read somewhere this drama had a very low budget, so low that they had to film lots of scenes in a rush and couldn't afford complicated special effects. I grew even fonder of it because of this and wish viewer would stop comparing this show to others which had a lot more money to work with. All the actors give out the impression of truly believing in what they are doing, that's possibly why there's a collective, tangible alchemy keeping the whole cast together. As for the music, I admit at not having liked a particular song in the beginning, but because it was so fitting to the story told, I ended up loving it too. The instrumental pieces were perfect.

As I said, I've already watched this twice. When I reached the end the first time, I felt the urge to go see again how it all began and how it all unfolded. When it comes to dramas I like, I am a serial second watcher and go in search of that lost detail I've overlooked before. I think Healer lends itself very well to multiple watching, because even when you already know the outcome, the journey there still has so much enjoyment to give.

Leia Mais

The thing I appreciate the most about Japanese shows in general, is that they can tell a good story without much of an eventful plot to build it upon. They play with narrative style and they excel in delicacy.

I'm not implying Saikou no Jinsei has got no plot, but it's not the kind one would run to watch and sit through with bathed breath. This is the story of a family, of their little and big trials. But most of all it tells of what it means to shoulder responsibility for the people we care for.
I may just as well confess that I started this because I wanted to stare at Yamapi. He's a pleasure for the eye in general, but there's a tangible improvement in his acting skill too. I grew very fond of him and all the main characters. I like it when details and hints are rationed slowly, because that's what happens in real life too: we are presented with a family picture, and bit by bit we are offered glimpses of who they are and where they are going.

The whole cast did a brilliant job, and I found myself with moisture in my eyes more than once. I was impressed by Yamashita's ability to convey his feelings here, and I was entertained by his relationship with both his family and Yuki-chan. It also amazes me that I managed to laugh a lot more often than what is expected by the general atmosphere.

I didn't like the music at all. Not only it isn't my cup of tea, I also thought it was very unfitting now and then. Luckily though, it does not overpower the dialogues or the scenes, and it can therefore be overlooked.

Rewatch value is not too high, but if you like family dramas and touching plots, you may give this one a try.

Leia Mais

This drama was recommended to me by a "kindred spirit" and now I'm wondering why I haven't watched it any sooner.

I was captivated on minute 1 and enjoyed the whole ride till the very last.



The true strength of this show lies in the characterization. I love the speedy way in which each character is introduced, without unnecessary premises: the viewer is immediately catapulted into the birth of this new police division and the methods which are going to be used by the team to solve each case.

The staff members come to life so swiftly and clearly, I was eager to see the next episode just in order to hear them interact with each other. They are hilarious, over the line like any true Japanese character and yet so believable and endearing.

And then there is their BOSS. Yuki Amami is a wonder here. She's determined, beautiful, self-ironic, tremendously intelligent. The kind of woman I'd like to be at forty - honestly, if I could only look like her at 44 I'd be the happiest woman on earth.

Her character is a riot and a model of what I call class.



This is an episode drama, therefore it can be viewed either in one raw or taking time between one episode and the next. I did a marathon because each case left me wanting for more, but there isn't a main sub-plot which requires steadfastness.



I liked the music too: it isn't an unforgettable original soundtrack, but it highlights the scenes with due pathos.



If you're looking for a clever detective story, with some profiling/psychology, lovable, funny characters and intriguing crimes, watch this.

Leia Mais

Great reviews for this rare gem have already been written, but even without having anything new or original to add, I feel the uncontrollable need to come here and share the joy with whomever wants to read.

This drama is brilliant. It's profoundly human, histerically funny, heartwarming, emotional, at times highly gratifying and - given the premises - surprisingly uplifting. Who would have thought I'd enter prison with gloomy anxiety and come out of it with a huge grin of satisfaction, almost wishing they would prolong my sentence and let me stay a little longer behind bars?
The strengh of the script is the wonderful ensamble of characters. They literally invade the viewer's life with their diverse personalities, background stories and antics. I laughed, despaired, feared, anxiously waited with them and never felt bored, even when the events taking place are paramount only for the characters and not for the script itself. It happens when the world of a drama or movie is so well outlined you forget it's fictional.

Fenomenal acting by everyone bar none. Alas, I can't fill up the page with ravings about each one of them: it would take too long, I'd end up being spoilerish somewhere and I'd bore those who haven't watched the drama yet to death. Suffice to say all the actors had the time and the means to shine, both individually as well as a group, proof of their talent but also of an awesome director's work.

Perfect score for the music too. This ost does not exist only to soundtrack the scenes, it also exists in the world of the characters, it's listened to by them, even sung by them, so that we have the weirdest blend of classical music, rap, old korean folk, opera and everything in between. There isn't the usual love ballad played at every turn, until it becomes haunting in a bad way. This soundtrack adds to the story, instead of simply working as a background to the written events. Genius.

Prison Playbook was warmly recommended to me. I'm deeply grateful to all my friends here who encouraged me to watch it and I hope this short review may have the same effect on others. Perhaps some of you are hesitating because of the setting: indeed, there's no glamour here, no super trendy clothes to show off with, no highly dramatic love story, and the goodlooking actors aren't here to simply beautify the set. This drama goes deeper than that, it will make you laugh a lot and it will make you cry, but rest assured you won't regret a single tear.
My only warning: the first episode. Now that I have completed the drama, I could rewatch it with a new perspective. The first time around however, that long pilot felt kind of hard to get through. Hang in there, please. It's worth the patience!

Leia Mais

I'm a huge fan of Wong Kar-Wai. He's not a simple story teller, but a director capable of using the cinematographic media to its fullest. His movies are estetically beautiful, their silences as poignant and thought-provoking as the often minimal lines.



Hong Kong Express is no exception. The acting is, not surprisingly, brilliant. Tony Leung in particular delivers his nonchalant, ironical and obsessed cop to perfection. To Kaneshiro the honour of the best line in the movie.

The director often uses a tecnique called step-framing, in which a character is frozen in time while the world around him or her moves at incredible speed. The viewer is therefore often deceived as to the real chronology of events.



So, this is a movie about love, but it's most of all a story of solitude, like those frozen characters, who are as lonely in a metropole as little ants in a moltitude of insects.



I gave it a 8 because I need to spare the 10 for "In the Mood for Love", possibly Kar-Wai's masterpiece so far.

Leia Mais

What a delicious drama. Literally.
It left me hungry for more of these adorable characters, and made me hungry for mouth watering food while watching. In short, the title says it all.

The pairing food=hunger may seem obvious, but there's much more to it than what meets the eye. I love the food philosophy as it is portrayed here, because almost each character is defined by his or her way to interact with food. For some it is a simple nourishment, for others, a vehicle to express themselves, the means to capture someone's heart, to force out a smile or the way to forget a childhood of privation.
I was more than once reminded of "Ratatuille", the disney animation film, and the moment in which the merciless food critic savours a bite of ratatuille and is immediately catapulted back to his childhood and the memory of his mother's love.
Food really has the power to stir up memories and rouse imagination.

I came to love all the characters and was impressed by the performance of the entire cast. Granted, Takimoto Miori is basically playing Mio from Ikemen desu ne all over again, but as somebody else wrote before me, she's so adorable I'm ready to forgive her for being still an unripe actress. Osamu Mukai is spot on, and I particularly enjoyed him when he would start talking like a dockworker, rolling his "rrr" and using foul language. But my favourite character is without a doubt Taku with his absent-minded ways and his infectious smile. Their friendship and ties are a pleasure to watch: hilarious, sincere, believable.

The music is great. Every piece fits the scene to perfection without ever overpowering it.

There's much more to say about this drama, but I believe it has to be... eaten, instead of read about. Re-watch value is very high because once you've tasted something good, you definitely want to eat it again, sooner or later.
I may just add that this is a further evidence that reviews and recommendations can be truly useful: I watched hungry! because I trust the opinion of other reviewers here and I'm very glad I did.

Leia Mais

I have shied well away from Korean historical dramas since I started watching Asian shows. I did try out a few in the past and by the end of a couple of episodes at best I was bored to death, mighty frustrated, totally confused or an unpleasant combination of the three.
Why I decided to watch The Moon/Sun is a long story which I'm kindly going to spare you. Suffice to know, 20 minutes in and I was hooked. This review is therefore dedicated to viewers who, like me, have never been fond of the genre.

Captivated by the details of folklore scattered throughout this drama, I decided to read up on their historical dependability. I so found out that the Saeguks of the past were all based upon true facts derived from Joseon annals, while the newer productions often deviate from this norm, by either introducing a few fictional facts on a documented background (fusion Saeguks) or creating a fantasy world in terms of characters, plot, even costumes. The Moon embracing the Sun falls into the latter category, so if what you look for is a lesson on how royalty lived in the Joseon era, you'd better forget this drama. This isn't a perfect Saeguk by far, possibly not a perfect drama either. It is, however, a perfect fairytale and in this light I believe it fully deserves the high marks many of us awarded it and the success it attained in Korea.
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The fairytale elements are all there from the very beginning. Prepare yourself for a journey into magic, undying love, friendship, betrayal, hate, tears, laughter, curses and so on and so forth. A childlike approach to the viewing is needed, lest you want to spend your time wondering at its credibility or lack thereof. And because a work of fiction should never be judged outside its narrative context, it is undeniable this story works, and works well. Now that I have completed it, I fully understand the complains of those who wished for a different epilogue for some of the characters, but personally I was prepared to face losses and would go as far as to say they were a necessity induced by the premises of this story.

I won't spend too many words on the acting. Everybody has sang praises for the teenagers' cast, which I second. Nevertheless, the adult cast was outstanding, Han Ga In included – it was truly hard to surpass the grace, beauty and artless charm of the 13 year old Yeom Woo. Han Ga In didn't steal my heart at first but sneaked into it with steadfast progression. She has one of the most pleasant voices I know. I was literally mesmerized by Kim Soo Hyun, but I won't lie: I have a hard time separating my hormonal reaction to my logical thinking, when it comes to him. Whatever the case, he gave life to a multilayered, unforgettable character.
I'd love to talk in detail about each and every endearing character – see on top the Eunuch and Wun – but I fear this is becoming long enough.

I thought the transition from children to adults was marvellously made, and not surprisingly my very favourite scene is the 8 years jump, both on a visual as well as an emotional and symbolic level.
There have been times when I wished they had made use of more open-space sets, but not only I have not enough experience in period dramas to know whether this is often the case, but following what I wrote before, the enclosed setting works well in creating a sort of fantasy bubble out of time and reality.
Little visual details made my day, and I have no qualms in declaring this drama displays the most beautiful letter ever shown on screen.

A huge part of this drama emotional impact is played by the music. Mainly instrumental and with lovely insertions of traditional instruments such as zithers, harps and lutes, it would be perfectly fit for a grand period movie. Notable mention for the minor key pieces, especially 'Like Petals, Like Flames', 'The Sorrow Song of Love' and the enchanting 'Butterfly Dance'. They all play on the viewer's emotion and are wonderfully suggestive of the scene they soundtrack.

As for re-watch value… I am toying with the idea of starting afresh next week. I suppose this says it all.

Leia Mais

What a wonderfully refreshing drama!



Everything about it marks a shift from the usual Korean pattern: plot, lines, direction, editing, photography, ending.

I was hesitant at first because I read too many compare it to Sex & The City - not my cup of tea. But I soon found out that, although the premises are similar - three friends experiencing and openly discussing their love and sexual lives - the general feel of it is completely different. Less stress on glamour and a lot more on internal struggles and doubts, all spiced up with a clever sense of humour and surprisingly GOOD kisses.



I watched the whole show with a big grin on my face. It felt so much like my real friends and I meeting at a bar and talking about ourselves, gossiping about men and their idiosincracy, it was amazing. I love Korean dramas for their exotic touch, situations I would never experience myself because they are culturally too different from my reality; but this drama managed to depict "universal" characters and situations. It felt real, albeit comedic, and as a woman I identified with all of them, on one level or another.

And it's impossible to watch it without talking about it. "What would you do?", "who would you chose?", "did she make the right decision?". All questions one is almost compelled to discuss with someone.



Direction is refreshing too. I thought the use of captures, or episode stills was a very clever choice: expressions are encapsulated in a moment in time and stored away, like a photo album.



The pace is fast and the music soundtracks it with hilarious cohesion.



Overall, a funny, realistic, well characterized drama, which I recommend to every adult. It may not appeal to younger viewers; as for inappropriate scenes, I saw none, but keep in mind I speak as a European.

The final message of this drama is: cherish yourself and your true friends, they won't let you down.

Leia Mais

You're Beautiful meets Boys Over Flowers in 1790 Joseon.

My review could very well end here, and you'd get the gist. Nevertheless, a simple comparison would be unfair towards this drama and decisively too flattering towards the other two.
There are at least 3 reasons to prefer Sungkyunkwan Scandal (after 4 years I've finally learnt to write this title) to other gender/bender, flowery boys scenarios:

1. The female heroine is intelligent! How refreshing. Not only she has a well working brain, but she doesn't let anyone trample all over her. Her goal in life is more edifying than simply get the guy. In this sense, SKK is way more modern than many K-dramas set in today Asia.

2. Directly related to the above, the flower boys are actually nice people! They overcome prejudice, value friendship and don't go around grabbing the girl's wrist at every turn.

3. Everyone is MUCH better dressed. I'd say colours and costumes are a huge part of this drama's charm.

This said, the drama is not flawless. I believe its main weakness lies in the way conflicts are resolved. While highly interesting and thought-provoking issues are raised - gender equality, homosexuality, eastern vs. western philosophy (Confucius vs. Socrates), the power of knowledge and others, they aren't in any way resolved and at times are very superficially concluded. Mind you, not that a tv-show could ever give us the answers to such essential questions, but even in the enclosed world of the narration some plot threads should have had a conclusion but didn't. We are left to wonder when and how the packet has been so prettily wrapped.

Also, the pace is uneven. The drama is somehow divided in groups of episodes, each developing and in a way closing: the entrance, the tournament, the scandal, the treasure hunt etc. The love story is charming in the beginning, drags in the middle and gets very charming again by the end. I wish they had shortened the angst - which works very well for the male lead who's facing a true conflict, but makes the female suddenly annoying - and given more space to their delightful romantic banter. Even the ending could have been better elaborated and conclusive, had they cut short on the middle anguish.

All in all, however, this is a lovely, funny, feel-good watch. The acting is fine enough, since it has no pretence of greatness. Don't expect stellar performances, they are all a little stony at times, but they look young and pretty, so one is ready to forgive them.
Not surprisingly, my very favourite character here - Yeorim - is also the best acted one. I've sit through the whole drama waiting to see what he would say next and what new outfit he would wear.

Music is, for me, the true sore spot. I appreciated the insertion of modern rhythm on a period setting because the drama is meant to be "timeless". The instrumental pieces are nice, albeit forgettable. The "lover song", on the other hand, got so much on my nerves, my watching partner and I retorted to muting the sound whenever it played (and it played every single time our lovey-dovey pair was together). Have you ever tried watching a kiss in complete silence? Well, don't try: it's terribly awkward, proof that the right music makes up for 50% of the emotion. Since we couldn't have romance+music at the same time, we hummed a tune ourselves.

This review comes after a second watch. I had seen this drama back in 2011, but was distracted by other things at the time and basically couldn't remember a thing. Watching it in good company was a funny and entertaining experience I am ready to recommend.

Leia Mais

I've had this drama in my plan to watch list for quite some time, and I'm now wondering why I didn't pick it up before. It managed to draw me out of an annoying drama slump, which is in itself an achievement.
No doubt it's the best music related drama I've seen. It is so in terms of execution, direction, acting and, last but not least, music. I'm writing this review while listening to "Wake up" full volume.

What makes Shut up flower boy band stand out in the forest of decent to mediocre music dramas, is the incredibly heart-warming portrayal of friendship.
The story is not built upon a particularly eventful plot and I'd go as far as to say that the plot is irrelevant. It is so because what truly captured me as a viewer isn't the storyline, but the collection of unforgettable moments among friends, so perfectly caught by the cameras. There is an alchemy among these young people that is palpable and powerful, sweet and touching, unique and memorable. This is a love story through and through: love for music and romantic love too, but most of all love for friends.
It's also a glimpse on how the music business works, and the picture isn't pretty. Emblematic of its inconsistencies, is the fact that the moment the members of eye candy are given a new, more polished look, is the same moment the seeds of their division are planted. Make rock conform to the business rules and you destroy its intrinsic nature.

Much credit goes to direction and acting. The first is… daring. I appreciated the lack of gloss very much: this is a story about 6 eye candies - in name and fact - however the direction does little to make them look so, focusing on the picture of them as one "body", moving swiftly from one to the other and standing still on tiny details. The result is surprising, as it makes the viewer truly feel for them, instead of being simply captivated by their looks.

The acting is admirable: artless and believable. The last time I've watched such a display of genuine friendship and chemistry among a group of people was in Coffee Prince.
Let me add how adorable the female heroine is. Soo Ah is brave, sweet and honest, without becoming the saint victim I've learned to dislike in so many dramas. She adds a touch of feminine delicacy the drama would otherwise lack.

The music? Brilliant. After so much pop, of which I am no fan, hearing a rock ost was a breath of fresh air. Incredibly well chosen, perfectly executed and just as well used throughout the show.

Highly recommended.

Leia Mais

Some movies captivate me because of the thrill to know, the excitment of actions and scenes, the schooting opulence. Others are more like an old album of photographs, little moments stored away in order to look at them in the future and smile. Laudry falls in the second category, for me.

The pace of the movie and the general feel of it are clear from the very first minutes. Ordinary and yet unique people coming and going, a young lead who does nothing more than observe the world from a very static point of view, never moving too far. His world is made of little things, of routinary chores and familiar faces and places.
When his environement is somehow overturned he takes the new challenge with the calmness and ingenuity of a child.
It's endearing, adorable to watch, heartbreaking and heartwarming at the same time.

I watched this movie because Yosuke Kubozuka plays the main role in it. I'm enchanted by this actor, his versatility and ability to make the viewer empathize with his characters, no matter what they do or who they are.
His acting here is so believable it impressed me once more. He managed to create a character who is at the same time sad and sunny.
As I said, the movie is a collection of moments. There is a crying one which felt so much like a punch in my guts I will never forget it.

The music fits the bill. It's not unforgettable, but simple as the movie itself.

If you want to fall in love with a character who is neither hot, nor heroic, nor cool or romantic in the traditional sense of the word, watch this movie.
The re-watch value is high because I will definetely go back to it.

Leia Mais

I usually am not a fan of musicals. There are a few instances, though, in which the story told is so beautiful and the acting so engrossing, I forget the genre and let myself be absorbed in the story told via music.



Perhaps love is one of those instances. The movie by Peter Chan has been compared to Baz Luhrmann's "Moulin Rouge" and indeed it shares with this last the same theatrical flavour, between reality and dream. One can't help be reminded of classical operas such as La Traviata or Tosca, with elements of melodrama and tragic mingled with grand musical pieces and modern settings.



With the help of the music, this movie could be watched without subtitles and still be understood by those who don't know Mandarin. This goes to the director and the actors credit.



The plot is simple and very classical, but the style is new and the music original. Not an everyday movie by all means, but one which will linger in your memory.

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