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Rich Man, Poor Woman japanese drama review
Completados
Rich Man, Poor Woman
37 pessoas acharam esta resenha útil
by amrita828
Out 2, 2012
11 of 11 episódios vistos
Completados
No geral 6.0
História 6.0
Atuação/Elenco 9.0
Musical 8.0
Voltar a ver 4.0
It's clear I'm treading on dangerous ground here, with a review which won't be generally agreed upon. Not that it has to be, but the fact that so many among the people I value the opinion of, found this drama very good, makes me ponder over my taste and choices. I've read and re-read every review, I've thought the whole drama over and I have tried to find it charming but I failed. No matter how hard I tried, I didn't like it and I don't know why it encountered such a success. I have problems with the plot, the characters and the ultimate meaning of this drama. I found the plot highly un-original. Change a couple of names and the setting, and you're left with a déjà-vu: arrogant successful man is changed by simple, goodhearted woman, there's a second female who enters the picture, the hero's got some unresolved issues with his personal life, a lot of running around the city - for lack of any transport, I suppose - and there's the ever-present shilly-shally which goes on till the very end (accompanied by my yawning). Fine, a plot doesn't need to be original to be well told. More often than not, the lack of suspense is successfully replaced by a strong characterization. And here comes the true sore spot for me: the characters. Toru Hyuga is quite the obnoxious "genius", a pity he doesn't compensate his bad temper with any particularly charming trait. He changes, inasmuch as he becomes a little humbler towards the end, but I fail to be attracted to him even by a little. Which makes it even harder for me to empathize with Makoto, who seems to be bewitched by his creativity and his success-driven nature more than anything related to him as a man. The result, in my eyes, is a badly matched couple of disagreeable people with no love chemistry at all. What bugged me the most is the way Makoto's character is depicted. By what absurd criteria can a young woman who is good at her studies, has a formidable memory, can compile the income tax return of a little business in one night be called "stupid"? Yes, she isn't a computer genius, so what? Are our IQ defined by how good we are at computer programming? Instead of creating a character who could truly complement Toru's glaring shortcomings with her own talent, they gave us a woman who either laughs hysterically when embarrassed and blurts out the first thing that comes to her mind, or apologizes for... being stupid, of all things! As for character development: none whatsoever. Asahina? One episode he's black, the next he's blue. Disquieting. The only consistent, pleasing character is Yoko, but we all know from minute one what her role in this story will be. On the good side of the charts are acting and music. They all acted their part very well and did their best with what they were given. I'm also ready to grant the drama a couple of intense, heartfelt moments, which manage to raise the overall score by a little. Needless to say, I'm not going to re-watch this. I'm sure there's more to say about it, but I'm honestly tired of thinking this thing over when in fact I should simply borrow a good MDL friend's definition, call this drama "harmless" and forget about it. °°°° Edit: someone rightly pointed out my wrong use of the word shizoid. I apologize and edited to correct the mistake. :)
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