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  • Última vez online: Fev 14, 2021
  • Gênero: Feminino
  • Localização: Germany
  • Contribution Points: 0 LV0
  • Aniversário: February 03
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  • Data de Admissão: maio 30, 2015
Naeil's Cantabile korean drama review
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Naeil's Cantabile
5 pessoas acharam esta resenha útil
by WhiteLilly
Set 3, 2016
16 of 16 episódios vistos
Completados 0
No geral 9.0
História 9.0
Atuação/Elenco 9.0
Musical 8.0
Voltar a ver 8.0
This is the Korean version of Japan's manga-adaptation "Nodame Cantabile". And it is really good in its own way, because it depicts things waaaaaaayyyy more realistic than N.C. which was as much over the top as Japanese dramas get. Plot: A very talented pianist wants to be a conductor and leave for Europe, but he can't because of a childhood trauma. He meets his neighbour, who's a pianist at this school and the exact opposit of him - childish, comical, messy, non-ambitious - and now she's following him like a puppy. There are several characters that come together in an unusual orchestra which was build by the visiting and widely known and excentric maestro Stresemann, who shakes everything up a bit. We see how characters strife for their goals and how even the childish girl has something hidden... The Japanese version is a living manga, you could say, and is foremost freakily funny. The Korean version somehow manages to be just as entertaining (for me) without leaving the realm of realistic settings and possibilities. Tomorrow's C. is also longer, because it added some plotlines, that weren't in the original version: The love rival, who's a nice guy and has a secret; some drama in the mangament and storyboard section (you know, the evil chaebol-mom is represented here); some minor events like the expedition to the swimming-pool. And let's face it - T.C. just serves a love story that can be taken seriously at some point :) While the female lead character remains almost exactly as crazy as her Japanese counterpart, the rest are the water-downed versions, which is NOT a bad thing. As funny as they were in the original, I appreciated a more realistic take on them, as well. From hairstyle to behaviour, I really like this version. Especially Rak, the violinst, is a superb supporting role. The only let-down was the actor who played Stresemann. If you compare Japanese and Korean Stresemanns, they are like black and white. And this wouldn't be bad, if the Korean one was at least good. But seriously - this man NEVER changes his expression, it is SO not fitting the character! But okay, he's a supporting role and has not much screen-time. I don't get the low score, because this drama really deserves at least an 8.0 and you should try it definitely when you want to see sth endearing and funny.
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