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What we do for love
The Wedding Banquet showed what people will do for love--love for lovers, love for tradition, and love for family. The movie's title comes from a raucous and drunken wedding banquet that seemed to signal the beginning of a couple's life together. Problem was, the couple being celebrated were a sham and the real love was between a gay couple trapped in a show for one man's traditional parents from Taiwan.
Wai Tung and Simon had been lovers living together happily for five years in America. Wai Tung lived a busy, upwardly mobile lifestyle by all appearances assimilated into American life. Meanwhile back in Taiwan, his parents were ready for him to be married and producing grandchildren unaware he was gay. So determined were they that they set him up in an expensive matchmaking service. Simon decided Wai Tung should marry Wai's tenant, Wei Wei, a broke artist without a green card, to help her out and get Wai's parents off his back. The ruse worked well enough that Wai Tung's parents decided to come to America for the wedding. Cue the merry marriage high-jinks and misunderstandings.
The Wedding Banquet could have veered off into slapstick comedy or morose melodrama but Ang Lee managed to walk a fine line as Wai Tung confronted his life with Simon and the expectations of his family. The comedy arose more out of character and the situations these people found themselves in rather than random sight gags much to my relief. Wai Tung loved Simon and his parents and didn't want to disappoint either. He also felt responsible for Wei Wei who was obviously in love with him. Simon also felt real as he became the odd man out while the farce took place in his home. And Wei Wei ended up facing the emotional consequences for marrying a man who loved another man. Both she and Simon came to love Wai Tung's parents. Throw in the parents with their own complicated emotions and what could have been a trite story turned meaningful and heartfelt.
The actors were all quite capable, with Gua Ah Lei giving a truly complex performance as a mother wanting her son to be happy, preferably within the confines of their traditions. Winston Chao and Mitchell Lichtenstein brought their characters to life as they bickered, loved, and fought to be together.
1993 was a different time than today. In most states gay couples were not readily accepted and marriage was out of the question. New York, for the most part, was more open-minded. This movie, without resorting to being preachy or patronizing, showed a loving gay couple working through their problems, albeit with some hilarious and heartbreaking moments. The relationship felt real and consequential. It was also a time when cell phones were as big as WWII walkie-talkies and were used for the sole purpose of a phone and to make the occasional call---minutes were expensive!
Made for only $750,000 Ang Lee poured more heart than money into this film. Even with a few rom-com contrivances, I found myself rooting for all of these people. I desperately wanted them to have their happily-ever-afters. The Wedding Banquet wasn't perfect, but it was perfectly funny and heartwarming and romantic. In the end, everyone learned a little more about love and acceptance even when they didn't come in the package that was expected.
8/4/22
Wai Tung and Simon had been lovers living together happily for five years in America. Wai Tung lived a busy, upwardly mobile lifestyle by all appearances assimilated into American life. Meanwhile back in Taiwan, his parents were ready for him to be married and producing grandchildren unaware he was gay. So determined were they that they set him up in an expensive matchmaking service. Simon decided Wai Tung should marry Wai's tenant, Wei Wei, a broke artist without a green card, to help her out and get Wai's parents off his back. The ruse worked well enough that Wai Tung's parents decided to come to America for the wedding. Cue the merry marriage high-jinks and misunderstandings.
The Wedding Banquet could have veered off into slapstick comedy or morose melodrama but Ang Lee managed to walk a fine line as Wai Tung confronted his life with Simon and the expectations of his family. The comedy arose more out of character and the situations these people found themselves in rather than random sight gags much to my relief. Wai Tung loved Simon and his parents and didn't want to disappoint either. He also felt responsible for Wei Wei who was obviously in love with him. Simon also felt real as he became the odd man out while the farce took place in his home. And Wei Wei ended up facing the emotional consequences for marrying a man who loved another man. Both she and Simon came to love Wai Tung's parents. Throw in the parents with their own complicated emotions and what could have been a trite story turned meaningful and heartfelt.
The actors were all quite capable, with Gua Ah Lei giving a truly complex performance as a mother wanting her son to be happy, preferably within the confines of their traditions. Winston Chao and Mitchell Lichtenstein brought their characters to life as they bickered, loved, and fought to be together.
1993 was a different time than today. In most states gay couples were not readily accepted and marriage was out of the question. New York, for the most part, was more open-minded. This movie, without resorting to being preachy or patronizing, showed a loving gay couple working through their problems, albeit with some hilarious and heartbreaking moments. The relationship felt real and consequential. It was also a time when cell phones were as big as WWII walkie-talkies and were used for the sole purpose of a phone and to make the occasional call---minutes were expensive!
Made for only $750,000 Ang Lee poured more heart than money into this film. Even with a few rom-com contrivances, I found myself rooting for all of these people. I desperately wanted them to have their happily-ever-afters. The Wedding Banquet wasn't perfect, but it was perfectly funny and heartwarming and romantic. In the end, everyone learned a little more about love and acceptance even when they didn't come in the package that was expected.
8/4/22
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