When Mothra and her besties, the Shobijin, show up to warn the people to drop Mechagodzilla into a deep trench in the ocean or else there will be trouble, it's always wise to listen. People being people, never listen, much to their peril.

Godzilla: Tokyo SOS is a sequel to Godzilla X Mechagodzilla (2002) and a sequel of sorts to Mothra (1961). It's always good to keep in mind that Mothra is the only Kaiju to actually defeat Godzilla and kick him out of Japan before.

Kiryu, or Mechagodzilla, was badly damaged in the fight against Godzilla in the last movie and is still under repair. The military story was tepid at best. Yoshito is part of Kiryu's maintenance crew and dreams of one day piloting the Mechagodzilla. I missed badass pilot Akane Yashiro from Godzilla X Mechagodzilla. She is one of my favorite characters from all of the Godzilla movies. None of the new pilots measured up.

I thought the new fairies did a good job and loved that they were able to sing the Mosura song.

Professor Shinichi Chujo, played by Hiroshi Koizumi, from the original 1961 Mothra, makes a return and is the one the fairies come to visit early on. He and his grandson play a big role in summoning Mothra for help when Godzilla comes calling. And come calling he will as Mothra warned, because Kiryu is made from the bones of the 1954 Godzilla and Big G is drawn to it. Because of the original Godzilla's DNA in Kiryu, the giant metal monster is somewhat sentient making him a wildcard in the fight to come.

This is not one of my favorite Godzilla suits. Big G looks a little like a cobra or a Cardassian from Deep Space 9. Be that as it may, he's still wounded from the previous fight, Mechagodzilla needs more repairs, and Mothra is near the end of her life cycle. Not a three-way fight for the ages but spectacular enough.

Godzilla: Tokyo SOS is entertaining, no great moral to the story for this Godzilla aside from --- always listen to the Shobijin.