Overview of Plot:-

Baili Dong Jun, the mischievous young master of the Marquis of Zhenxi's mansion, has always defied convention. With a passion for brewing wine that stems from a childhood pact with his friend Ye Yun, who tragically died young, he's determined to become a "Liquor Deity." But fate has other plan. He met a masked girl while idling around and fell in love at first sight. The girl asked him to become famous and promised to find him by then.

As he embarks on a journey to learn martial arts from the world's top master, Li Chang Sheng, he forms an unbreakable bond with Sikong Chang Feng, a young man aspiring to become the Spear Deity. A chance reunion with Ye Yun, now known as Ye Ding Zhi, sets him on a path of self-discovery and responsibility. Together, these young heroes navigate the martial arts world, forging their own destinies.

Years later, when Ye Ding Zhi is manipulated into launching a devastating war against Capital of Beili, Baili Dong Jun must confront his friend and make a choice: save the world or save the friend he once swore to protect.

My Views:-

As a fan of the sequel, 'The Blood Of Youth,' I approached 'Dashing Youth' with high expectations. Dashing Youth had all ingredients to be a compelling drama- an intriguing setting, complex characters and rich storyline. However, the execution fell short exploring the story's full potential. The convoluted timeline made it challenging to keep track of characters' ages and relationships, detracting from the overall experience.

Baili Dong Jun's charismatic personality shines through, showcasing a captivating blend of responsibility, humor, and compassion. His journey from a spoiled young master to a responsible individual is marked by ups and downs, making for an engaging narrative. The interactions between him, Li Cheng Shang, and Beili's eight young masters are enjoyable, adding fun to the story.

However, Yue Yao's character had potential but was reduced to merely supporting Dong Jun. I would have appreciated seeing her take action against her sister and persuade her to let go of her obsession. Or at the very least, showcasing her fighting skills and improvement would have added depth to her character. Unfortunately, her role was limited to walking and talking, making her feel more like a prop than a fully fleshed-out character. While I don't mind romance, it should be written convincingly to resonate with the audience. The romance between Dong Jun and Yue Yao lacks depth, feeling unconvincing and more like fluff.

Ye Ding Zhi's complex character conveys the intricacies of his struggle, making his tragic journey from Ye Yun to Ye Ding Zhi both captivating and heart-wrenching. I find myself having mixed feelings towards him – sympathy for the cruelty he faced, yet disappointment in his subsequent choices. His decisions led to regret and made his only son a public target. I was well aware of his eventual fate, but knowing it and actually seeing it unfold are two very different things. It's a bittersweet journey.

Coming to Yi Wen Jun, her character failed to evoke sympathy from me. Her decision to flee to Ding Zhi was understandable, but leaving her son Xiao Yu behind was perplexing. Her subsequent choices were poorly made, making her a self-centered character who destroyed three lives – Xiao Yu, Ye Yun, and Ye An Shi. I stand with Dong Jun; Ye Yun may have never blamed her, but I do. And I really wonder if she ever loved anyone except herself.

Sikong Chang Feng and Beili's Eight Young Masters are interesting characters, and I was invested in their relationship dynamics and storyline. Exploring their characters further would have added depth to the narrative. I crave more of their stories.

Xiao Ruo Feng's character, admired in 'The Blood Of Youth,' left me with conflicted feelings in 'Dashing Youth.' His actions and decisions lacked a clear greater good, leading to his sorrowful end in the sequel. A more nuanced approach to his character would have been appreciated. Had he chosen to help Ye Ding Zhi by persuading his brother and then becoming the emperor, he wouldn't have had to face the betrayal from his brother. He wanted the best of both worlds, which ultimately made him a threat to both sides.

Li Cheng Shang's romance plot and secrecy surrounding his immortal identity lacked conviction, feeling inconsistent and shallow. His secret identity was shared with numerous individuals, undermining the intended secrecy. The engagement with his fiancée was also unexplained, making the romance feel unconvincing.

Most of the female characters were a letdown, with underwhelming and one-dimensional roles that lacked substance. The antagonists, too, were unimpressive, lacking the depth and menace necessary to make them compelling and formidable foes. Their easy defeats felt unearned and unsatisfying.

Furthermore, the tone was inconsistent, careening wildly from lighthearted moments to angsty scenes without a clear narrative direction. This made it challenging to become fully invested in the story.

Additionally, the character development was often told rather than shown, leaving viewers to fill in the gaps themselves. This was particularly disappointing, as it prevented from forming a deeper connection with the characters.

On a positive note, the casting of actors to play father-son roles across generations was a highlight. Notably, Bai Shu as Xiao Ruo Feng, Fan Jin Wei as Xiao Ruo Jin, Yan Jie as Baili Cheng Feng, and Li Hong Yi as Emperor Tian Wu brought a sense of continuity and cohesion to the story. The bond of brotherhood between Baili Dong Jun and Ye Ding Zhi is a standout for me which kept me captivated throughout the show.

Acting:-

The cast delivers a mixed bag of performances. Hou Ming Hao did well as Baili Dong Jun, bringing a charming and carefree energy to the role. However, his emotional range is sometimes limited, and he struggles to convey intensity in pivotal scenes.

He Yu, on the other hand, impresses as Ye Ding Zhi, bringing depth to the complex character. His performance is captivating, making Ye Ding Zhi's journey both heartbreaking and compelling. I have seen him in 'The Legend of Shen Li' before and was looking forward to his work here. Ye Ding Zhi is way more complex character than Baili Dong Jun and He Yu did amazing in his role. Nevertheless, his screaming scenes during the wedding of WenJun could have been better.

The supporting cast, including Xiang Zhi Guang (Sikong Chang Feng), Bai Shu (Xiao Ruo Feng), and Wanyan Lou Rong (Lei Meng Sha), deliver good performances, but their screen time is unfortunately limited. Hu Lian Xin brings elegance and grace to her portrayal of Yue Yao, making her a delightful addition to the cast.

Cinematography:-

The sets and costumes are visually stunning, transporting viewers to a vibrant and immersive world. However, the over-reliance on CGI in action scenes detracts from the overall experience. While the visual effects are impressive, they often feel overly reliant on virtual powers and lighting, giving the fight scenes a more Xuanhuan/Xianxia than Wuxia vibes. More practical action sequences would have elevated the drama's authenticity and impact. Nevertheless, the cinematography is generally pleasing, with beautifully designed costumes and sets that enhance the viewing experience.


Overall, 'Dashing Youth' had the potential to be a captivating drama with its intricate setting, complex characters, and rich storyline. However, it fell short due to poor execution, inconsistent tone, and underdeveloped female characters. Despite some impressive performances, particularly from He Yu as Ye Ding Zhi, the drama's flaws detracted from the viewing experience. With some improvements in writing, character development, and action scenes, this could have been a truly unforgettable Wuxia drama. Despite the issues, I did enjoy the drama but it failed to become a standout.