IM YourOnlyOne
Parallel World from the Future
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What was it about? It's all over the place.
Do you know what made this hard for many? The story was all over the place. This was made obvious when the finale episode itself tried to settle the different arcs in one episode.
If one will ask what this show is about, we will probably get one of the following answers:
* About grandma
* About the South Korean family
* About the long-lost grandson
* About the actors and their “Curtain Call”
* About the hotel
* About the marriage
They even forgot to address the dying wife of the real grandson, the operation she needed, and those gangs after him. Having an open-ended ending for this arc is one thing, but not even mentioning it at least once is another.
Granted, the second grandson having promised the youngest grandson to just ask him if he requires anything, may be a hint that they'll help each other. Maybe he did after grandma passed away, since they jumped forward in time, probably by a month.
And if you think deeply about it, even during the theatrical performance, it was about the fake grandson. I was surprised the real grandson applaud after the curtain call when he was sidelined yet again.
Is he not the main plot? Grandma finding her real grandson?
Oh wait, it was just about “grandson”, it doesn't matter if he was fake or real. Then why bother bringing in the real grandson into the picture, if it was about grandma finding her long-lost grandson and make her happy?
Did you see what I did?
The story is good, don't get me wrong. It's just that they focused on too many arcs, and then they tried to close those arcs in one episode. In the end, it is not clear what the entire TV series is all about.
I've said it before, the last two episodes of a TV series is as important as the first two episodes, be it Korean or Western or Japanese or even Martian (if those even exist). The first two episodes set the tone and expectation, the overreaching arc. The last two episodes concludes the main arc, not side arcs, and refocuses the audience that hey, this is what the series is all about. The first two episodes should start strong, and the last two episodes must be stronger than the first two.
To quote Mr. I-Want-To-Marry-You in episode 16:
“Was there a reason why you wanted to sell the hotel? You had a reason when you started, but as you kept chasing after it, you started focusing on the chase regardless of the reason.”
It is a common pitfall for many writers. Not just screenwriters, but novel authors. A writer had a great idea for a story. They started with that idea at the core of their story, but as they kept writing, they started to focus on their writing regardless of the story.
My rating: 7 out of 10 stars.
If one will ask what this show is about, we will probably get one of the following answers:
* About grandma
* About the South Korean family
* About the long-lost grandson
* About the actors and their “Curtain Call”
* About the hotel
* About the marriage
They even forgot to address the dying wife of the real grandson, the operation she needed, and those gangs after him. Having an open-ended ending for this arc is one thing, but not even mentioning it at least once is another.
Granted, the second grandson having promised the youngest grandson to just ask him if he requires anything, may be a hint that they'll help each other. Maybe he did after grandma passed away, since they jumped forward in time, probably by a month.
And if you think deeply about it, even during the theatrical performance, it was about the fake grandson. I was surprised the real grandson applaud after the curtain call when he was sidelined yet again.
Is he not the main plot? Grandma finding her real grandson?
Oh wait, it was just about “grandson”, it doesn't matter if he was fake or real. Then why bother bringing in the real grandson into the picture, if it was about grandma finding her long-lost grandson and make her happy?
Did you see what I did?
The story is good, don't get me wrong. It's just that they focused on too many arcs, and then they tried to close those arcs in one episode. In the end, it is not clear what the entire TV series is all about.
I've said it before, the last two episodes of a TV series is as important as the first two episodes, be it Korean or Western or Japanese or even Martian (if those even exist). The first two episodes set the tone and expectation, the overreaching arc. The last two episodes concludes the main arc, not side arcs, and refocuses the audience that hey, this is what the series is all about. The first two episodes should start strong, and the last two episodes must be stronger than the first two.
To quote Mr. I-Want-To-Marry-You in episode 16:
“Was there a reason why you wanted to sell the hotel? You had a reason when you started, but as you kept chasing after it, you started focusing on the chase regardless of the reason.”
It is a common pitfall for many writers. Not just screenwriters, but novel authors. A writer had a great idea for a story. They started with that idea at the core of their story, but as they kept writing, they started to focus on their writing regardless of the story.
My rating: 7 out of 10 stars.
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