Frustrating yet strangely addictive . . .I may come back to this one
He Fanxing is figuring out what she wants from life and relationships - to be true to herself or societal/community approval. But, once it appeared all 40+ episodes would be He Fanxing stumbling around unsure, I considered dropping the show . . .
Positives: When He Fanxing and Yuan Song (young love interest) shared a screen there is great energy, and you could see why they are drawn to each other. There is surprisingly little screen time devoted to Yuan Song, and there's a lot more that could be done with the character. . .
Negatives: Ye Luming (older love interest) has 'red flags' written all over him from the start. He lies, stalks her, ingrates himself with her parents, is very physical and grabby, and uses all the pressure in the world. This is excused as just being an alpha/domineering CEO, but his hostility toward women that cry and fantasising/dreaming about stabbing them was a bridge too far. Once I realized he was staying on through the show, I stopped wanting to watch . . .
He Fanxing is figuring out what she wants from life and relationships - to be true to herself or societal/community approval. But, once it appeared all 40+ episodes would be He Fanxing stumbling around unsure, I considered dropping the show . . .
Positives: When He Fanxing and Yuan Song (young love interest) shared a screen there is great energy, and you could see why they are drawn to each other. There is surprisingly little screen time devoted to Yuan Song, and there's a lot more that could be done with the character. . .
Negatives: Ye Luming (older love interest) has 'red flags' written all over him from the start. He lies, stalks her, ingrates himself with her parents, is very physical and grabby, and uses all the pressure in the world. This is excused as just being an alpha/domineering CEO, but his hostility toward women that cry and fantasising/dreaming about stabbing them was a bridge too far. Once I realized he was staying on through the show, I stopped wanting to watch . . .
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