I must admit, I found this show to be quite captivating, yet I couldn't ignore the excessive focus on penalizing Yi Jae for his life-altering decision. It's worth noting that the show is backed by the Korean government, specifically in the realm of sports and culture, and given Korea's high suicide rates tied to work culture (a universal issue), this messaging felt off-putting. While the intention to convey the importance of finding purpose and the beauty in life is evident, the active punishment of someone who has chosen to end their life seems counterproductive. As someone who strongly relates to Yi Jae, this aspect of the narrative left me feeling uneasy.

Nevertheless, the stellar acting in this drama deserves applause, evoking powerful emotions within me, especially during the portrayal of the last body Yi Jae inhabits – a truly moving moment. The versatility of Seo In Guk, making it seem like he effortlessly stepped into various characters, is commendable.

The storyline also held my interest, with the concept of living in another person's body being a personal fascination of mine. Observing how the director navigated this plot added an enjoyable and intriguing dimension. Additionally, the inclusion of another plotline that Yi Jae is unraveling, beyond his own demise, brought an extra layer of complexity.