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As boring as ...
--Positive Disclaimer--
If you are usually not impressed by idol and romance dramas, this one certainly isn't the canary in the coalmine that's going to surprise you‒you are better off checking out Fake It Till You Make It. But if you are the preferred audience, you may find this show to be above average in casting a FL that has a checklist of things such as career, independence, nonbitchiness, professional competence, smarts, a supportive boyfriend, non-toxic breakup, rich dude that's not annoying, blah blah blah. It's similar various other Tan Songyun professional dramas such as A Flight to You, Master of My Own, etc. So if you liked her in those, you'll probably like her here. The MDL viewership numbers and even its decent China viewership numbers clearly indicate that this was interesting for some people. Oh one more thing, the screenwriter managed to continue her creative ascent by topping her previous masterpiece 'Only For Love' ... who would have thought. That's all the good things I can possibly say, if want more positivity, stop reading and head elsewhere.
‒Short Review that ran long‒
As Beautiful As You was a drive-through lobotomy session that materialized when I got the crazy idea to watch airing dramas, even though the only thing airing were the putrid cadaver decompositions in the CDrama wasteland. I also held out the slim hope that Tang Sonyun isn't just going to waste her career making yet another cookie-cutter professional drama, and that this would at least be 'idol-drama good' (aka substandard in all sorts of ways, but with some creativity and redeeming features). Instead I came away as frustrated about her make-believe professional depiction on-screen as her actual career off-screen.
Immediately in the first episode, we are slammed with all sorts of predictable cliches that had my shit-show Geiger Counter going Chernobyl. With every scene, we are given all the telltale elements to predict the next scene, the next plot twist, and pretty much what the ending's going to look like. The plotline is so scandalously see-through that all the viewers should get the 'Angela Baby at a burlesque show' treatment and be permanently deplatformed.
But if you prefer to be selective with your defenestration location, you can take the elevator up to the C-suite penthouse where where a whole boardroom of lazy tropes are stuffed into a Xu Kai you-are-too-skinny-for-that power suit. We have the 8-pack I-can't-believe-he's-virginal uber-rich genius charismatic CEO cum gourmet chef who's socially adept with high EQ, but is completely helpless in expressing his love for his pixie dream girl supersmart competent classmate innocent firstlove interest that slowly realizes they are meant for each other. It's the Chinese-American restaurant menu approach of character writing with the chicken-pork-beef-shrimp-veggie Lo Mein permutations of originality by addition. The only interesting thought that the plot inspired was wondering what glory would follow if the screenwriter instead opened up a school to teach career development and sex ed.
And unlike the value offering from hardworking immigrant restauranteurs, the show delivers little value for its budget or your time investment. The cinematography has all the richness of an Alibaba wholesaler product video. The derivative soundtrack creates the aural experience of being subjected to a discount elevator music playlist while you are trapped and the doors won't open. Even the titles, both English and Chinese, reads like the diary heading of some 12-year-old.
The main leads, being Tan Songyun and Xu Kai are at least serviceable in portraying the ridiculous characters they are given. But this is their comfort zone, where they've done so many similar characters and dramas that they can do it with their eyes closed, or in Xu Kai's case, wearing the same suit from his other CEO drama. We are spared the Wang Hedi CEO stylistic assault, but watching them has all the novelty of watching McDonald's open up another franchise.
And that's the only part that engenders some emotion in me that's not boredom or frustration. I haven't seen Xu Kai enough to care or be disappointed. But I sincerely hope that Tan Songyun showed enough acting chops, unique personality, and potential early on that she can be a stalwart in more interesting CDramas. She garnered pretty positive review from astute observers for her various school and other dramas. In an era where actresses have more surgeries than full-sized meals, she has kept her distinctive look, and not be swayed by the CDrama peanut gallery, whose unmatched ability to call someone ugly has never looked itself in the mirror. And off-screen, from as much one can really guess about a performer's true character, she seems to belong to that precious minority that are still able to prioritize integrity, professionalism, and decency over the trappings of acting fame.
Granted, that hope is born of a selfish desire to see less of Yu Shuxins of the world. But for as much as I mock the parasocial nature of drama fandoms, I can't help but hope for some real kernels of decency, inspiration, and feel-good story for the human beings off-screen. Perhaps she's a one-character wonder. And perhaps she's happy to stay that way. And perhaps success in the entertainment business is even more precarious than in startups where you only strike gold when all the stars align. Whatever the case, I will continue to wish Seven Tan and other similar actors success. If for nothing else than to chirp from the peanut gallery: "see, I always believed she had much greater potential."
--Category Ratings--
- Overall [5] - I give it a 5 for this being a very average show. I typically give popular or slightly different idol dramas that nevertheless inspire seppuku a 5.5. So the 5 rating is more of an indication of how much worse other shows are in dramaland than anything else. Based on subjective reaction or brain cells lost, I'd rate idol dramas even lower.
- Plot - 5
- Theme / Message / Impact - 6
- Acting - 7
- Visuals - 6.5
- Audio - 5
- Rewatch - 5
- Accessibility - 8
- Subtitle quality - 8
If you are usually not impressed by idol and romance dramas, this one certainly isn't the canary in the coalmine that's going to surprise you‒you are better off checking out Fake It Till You Make It. But if you are the preferred audience, you may find this show to be above average in casting a FL that has a checklist of things such as career, independence, nonbitchiness, professional competence, smarts, a supportive boyfriend, non-toxic breakup, rich dude that's not annoying, blah blah blah. It's similar various other Tan Songyun professional dramas such as A Flight to You, Master of My Own, etc. So if you liked her in those, you'll probably like her here. The MDL viewership numbers and even its decent China viewership numbers clearly indicate that this was interesting for some people. Oh one more thing, the screenwriter managed to continue her creative ascent by topping her previous masterpiece 'Only For Love' ... who would have thought. That's all the good things I can possibly say, if want more positivity, stop reading and head elsewhere.
‒Short Review that ran long‒
As Beautiful As You was a drive-through lobotomy session that materialized when I got the crazy idea to watch airing dramas, even though the only thing airing were the putrid cadaver decompositions in the CDrama wasteland. I also held out the slim hope that Tang Sonyun isn't just going to waste her career making yet another cookie-cutter professional drama, and that this would at least be 'idol-drama good' (aka substandard in all sorts of ways, but with some creativity and redeeming features). Instead I came away as frustrated about her make-believe professional depiction on-screen as her actual career off-screen.
Immediately in the first episode, we are slammed with all sorts of predictable cliches that had my shit-show Geiger Counter going Chernobyl. With every scene, we are given all the telltale elements to predict the next scene, the next plot twist, and pretty much what the ending's going to look like. The plotline is so scandalously see-through that all the viewers should get the 'Angela Baby at a burlesque show' treatment and be permanently deplatformed.
But if you prefer to be selective with your defenestration location, you can take the elevator up to the C-suite penthouse where where a whole boardroom of lazy tropes are stuffed into a Xu Kai you-are-too-skinny-for-that power suit. We have the 8-pack I-can't-believe-he's-virginal uber-rich genius charismatic CEO cum gourmet chef who's socially adept with high EQ, but is completely helpless in expressing his love for his pixie dream girl supersmart competent classmate innocent firstlove interest that slowly realizes they are meant for each other. It's the Chinese-American restaurant menu approach of character writing with the chicken-pork-beef-shrimp-veggie Lo Mein permutations of originality by addition. The only interesting thought that the plot inspired was wondering what glory would follow if the screenwriter instead opened up a school to teach career development and sex ed.
And unlike the value offering from hardworking immigrant restauranteurs, the show delivers little value for its budget or your time investment. The cinematography has all the richness of an Alibaba wholesaler product video. The derivative soundtrack creates the aural experience of being subjected to a discount elevator music playlist while you are trapped and the doors won't open. Even the titles, both English and Chinese, reads like the diary heading of some 12-year-old.
The main leads, being Tan Songyun and Xu Kai are at least serviceable in portraying the ridiculous characters they are given. But this is their comfort zone, where they've done so many similar characters and dramas that they can do it with their eyes closed, or in Xu Kai's case, wearing the same suit from his other CEO drama. We are spared the Wang Hedi CEO stylistic assault, but watching them has all the novelty of watching McDonald's open up another franchise.
And that's the only part that engenders some emotion in me that's not boredom or frustration. I haven't seen Xu Kai enough to care or be disappointed. But I sincerely hope that Tan Songyun showed enough acting chops, unique personality, and potential early on that she can be a stalwart in more interesting CDramas. She garnered pretty positive review from astute observers for her various school and other dramas. In an era where actresses have more surgeries than full-sized meals, she has kept her distinctive look, and not be swayed by the CDrama peanut gallery, whose unmatched ability to call someone ugly has never looked itself in the mirror. And off-screen, from as much one can really guess about a performer's true character, she seems to belong to that precious minority that are still able to prioritize integrity, professionalism, and decency over the trappings of acting fame.
Granted, that hope is born of a selfish desire to see less of Yu Shuxins of the world. But for as much as I mock the parasocial nature of drama fandoms, I can't help but hope for some real kernels of decency, inspiration, and feel-good story for the human beings off-screen. Perhaps she's a one-character wonder. And perhaps she's happy to stay that way. And perhaps success in the entertainment business is even more precarious than in startups where you only strike gold when all the stars align. Whatever the case, I will continue to wish Seven Tan and other similar actors success. If for nothing else than to chirp from the peanut gallery: "see, I always believed she had much greater potential."
--Category Ratings--
- Overall [5] - I give it a 5 for this being a very average show. I typically give popular or slightly different idol dramas that nevertheless inspire seppuku a 5.5. So the 5 rating is more of an indication of how much worse other shows are in dramaland than anything else. Based on subjective reaction or brain cells lost, I'd rate idol dramas even lower.
- Plot - 5
- Theme / Message / Impact - 6
- Acting - 7
- Visuals - 6.5
- Audio - 5
- Rewatch - 5
- Accessibility - 8
- Subtitle quality - 8
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