It feels as though “ mature” tag romance dramas aren’t often taken seriously in K-dramas, but ‘ Nevertheless’ attempts to present things differently. The webcomic-based drama focuses upon the turbulent relationship between art students Nabi ( Han So Hee) and Jae Uhn ( Song Kang) connected together throughout their infatuation with butterflies. However (controversies aside surrounding the allegation case of actor Kim Min Gwi), whilst ‘ Nevertheless’ soared high at times, the drama could often find itself smacked face into the ground with its own problematic flaws also.

Watching the "relationship" between Nabi and Jae Eon play out is similar to getting stung repeatedly by a swarm of killer bees and then falling in a ditch filled of stinging nettles and vipers. Nabi and Jae Uhn aren’t in an overtly healthy relationship . Nabi is revealed to have been a victim of several abusive relationship in the past, and so projects her anxiety into committing herself again into a long-term relationship by seemingly maintaining only sexual intimacy with Jae Uhn. In the first episode alone, Nabi even admits openly to viewers that ‘I don’t believe in fate or love anymore. But this situation, it’s pretty unrealistic’.( Yet secretly yearns for more .)On the other hand, Jae Uhn’s nature is seemingly “ obscured from view”- one minute he happily pines over Nabi, the next he is chatting another girl up, only to pull out serious red flags when he suddenly appear out of nowhere in front of Nabi to “ save the day” .

Of course this is supposed to be the plot device that keeps the main storyline moving . Jae Eon and Nabi are both flawed people who only bring out the worst in one another. (That’s the point. )However, this is also where the drama failed to utilise this storyline to its full potential also. Director Kim Ga Ram may have seemed to think it was a good idea to bog down 20 minutes of screen-time with brooding eye- exchanges between Nabi and Jae Eon onscreen, but having an episode with only
20-25 minutes of quintessential storyline, 20-25 minutes of moody gazes, saucy scenes and then only a brief checkup on subplots isn’t entirely the best format to follow for every episode . Perhaps it wouldn’t have been so bad if the drama had gradually increased the essential storyline scenes as the series progressed, but soon the drama began to lose a lot of its original intrigue an incessant loop of pretty much the same setup where Nabi or Jae Eon would be lusting over the other, a misunderstanding would occur, they’d ghost one another or make the problem worse ( usually hurting one another or someone else in the process), lengthy scenes of pining gazes would occupy screen time, a cut to one of the subplots and then suddenly Nabi and Jae Eon are on “ reasonable” terms again.

Of course this is nothing to do with the actress behind Nabi .Soo Hee really captivated her role well. The slight uncertainty morphing onto her face and a twitch of her hand with trepidation really helped to animate her onscreen persona to life. However, as a character, Nabi’s was seriously poorly-written . The female lead initially starts off the drama as a sympathetic female lead; we are made aware of her experiences early on, and can see how she is falling hook, line and sinker again into a toxic relationship with Jae Eon as she even voices her own awareness that ‘It feels like something new is about to begin. I’m probably not mistaken’. Although where Nabi ultimately failed as a character wasn’t inherently to do with her conflicted feelings between Jae Eon and the softer option with Doo Hyuk ( Chae Jong Hyeop), but her self-depreciation and lack of self-respect as an individual . Yes, Nabi is a victim of abuse and we cannot forget that. However, it is a really irksome fallacy by screenwriters and writers that someone in Nabi’s vulnerable position” can somehow be fixed from years of emotional trauma by being in a " committed relationship ”. Nabi ( at the end of the day) had serious emotional and psychological issues which needed time and healing, not implicating her in order to keep a poorly enforced plot device working .

This isn’t to entirely drag and degrade the series down. The OST was pretty good, and Ga Ram’s cinematography was really mesmerising also. Two memorable scenes of the drama came through how director Kim Ga Ram inter-played lighting and symbolism here subtly- Jae Uhn in the room of butterflies with the door ajar yet all of them trapped with him, and then the open freedom of the meadow with Doo Hyuk and Nabi sat together enjoying the natural world overtly. The creative juices can only run so far into a series, however, before the problems soon dry them up. For example whilst Song Kang is a good actor, he didn’t feel entirely right as Jae Eon . He did certainly captivate the charismatic ambience of the main male lead , but he was honestly a little lacklustre by rarely radiating prominent vitality as his onscreen Casanova persona.

Of course the subplot characters were fairly intriguing in their own right - cool-headed and punk aesthetically adorned Oh Bit Na ( Yang Hye Ji), a good friend of Nabi, and the taciturn Nam Kyu Hyun had a constant “ will they, won’t they?” dynamic to their relationship. However with the controversial scandal surrounding Min Gwi, the producers made a quick and prompt decision to entirely cut out Kyu Hyun and Bit Na’s relationship scenes( as much as possible) during the last few episodes.Effectively this had a detrimental impact upon an important side couple’s development. However, this problem was also found with Sol ( Lee Ho-Jung) and Sol’s repressed feelings towards her blatantly oblivious best friend Seo Ji Wan ( Yoon Seo Ah) ‘s lacking screen time was diminished even further by the focus on the teachers and their” chemistry” in order to make up for lost screen time between Kyu Hyun and Bit Na.It wasn’t bad per say this couple being focused upon , but there were a myriad of variable storylines which were poorly sketched-out or abandoned throughout the drama which could’ve been explored instead such as the mysterious man that Yoon Soo bumped into, exploring Sol’s sexuality and feelings in more detail ( as well as her possible reasons for liking an unlikely person like Ji Wan), Jae Eon’s interactions with his family possibly providing further indicators into his current mind-frame , exploring Bit Na’s friendships as well as her experiences with trauma and even Jae Eon’s -ex’s story were all beyond wasted potential. The ending only provided this as case and point by failing to tie off loose ends as well as justify Nabi’s chance to heal and gain self respect.

So, is ‘ Nevertheless ’ actually worth watching? The delivered result of ‘ Nevertheless’ will ultimately vary for a lot of drama fans. Many will likely praise the more explorative and daring promiscuous themes in the drama, as well as the art house-style cinematography, the alternative OST and most of the cast. However, it is easy to see where ‘ Nevertheless’ also fails to reach the mark ; the pacing was off even at the best of times, the turbulent relationships ( including the side couples ) rarely met their full-potential and the main characters weren’t given enough opportunities to escape their one-dimensional shells as plot devices. Certainly not a cataclysmic drama, but sadly failing to reach its full potential also.