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The Midnight Studio korean drama review
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The Midnight Studio
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by Juelin
Ago 12, 2024
16 of 16 episódios vistos
Completados
No geral 8.0
História 8.5
Atuação/Elenco 8.5
Musical 7.0
Voltar a ver 7.0
Esta resenha pode conter spoilers

A pleasant surprise

After watching several fantasy k-dramas that were totally disappointing, this was a pleasant surprise. At first, the story centers around lighthearted ghost stories. Then, the plot makes a connection between the supernatural and police corruption involving a 20 year old hit and run accident and focuses on uncovering the mystery behind the accident and a string of murders surrounding it.

The story moves at a very good pace. There is a nice balance between comedy, horror, and romance. Some ghosts are very scary and have compelling stories. The main couple has cute and funny moments without both acting like infantile nincompoops. Their chemistry is excellent making them convincing as a couple. There are a lot of genuine interactions involving kissing, flirting, and touching resulting in very believable romance.

I liked that the side characters had their own stories giving them some depth, however, they were also the weakest point of the drama. While I appreciate that the writers gave Baek Nam Goo and Go Seong Ho backstories and made them more than just goofy sidekicks, their arcs took an obnoxious amount of screentime slowing down the plot and dragging the story for more episodes than necessary. The main plot reached its conclusion in episode 14 when the good guys won. That's when the story should've ended. But, because of the side arcs, we had to sit through two more episodes of boring secondary plotlines watching Baek's wife being sad and Seong Ho's ridiculous ghost romance with Bom's friend. Moreover, the writers had to invent more plot with the netherworld to make it seem like the story was still ongoing.

But, I would still recommend this drama because the pacing is mostly good for about 14 episodes, the plot is engaging, and there is plenty of romantic chemistry.
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