J-atty

Yeong's worst enemy....

This series had me until episode 6 and then it just was a dull hum until the end. It's was a beautiful realistic story. One of the greatest joys was watching Yeong move from being self indulgent over exhuberent college kid to a self aware realist, a published writer. This is also the greatest sadness. He drew on his experiences, his environment and poured it into his writing. Along the way he lost his sparkle.

Gyu Ho and Nam Gyu both suffered the same fate. Yeong's inability to accept love without expectations caused him to lose two people who truly love him. It seems all his relationships were doomed due to his desire to have the razzle dazzle fireworks to continue throughout, without being able to accept the mundane. Only after they were over, would he be able to see what he truly lost and regretted. Not knowing his true self and his inability to be alone encouraged two relationships that should never have been. Habibi and Yeong Su came with hidden baggage, one abusive and the other just sad. Yeong Su lived in shadows and manipulated Yeong's niaivete to live in his internalized homophobia. Habibi, with a hidden wife and child, embarks on a journey with him, hoping to capture a bit of Yeong's sparkle to relieve his boredom. Seeing him too drunk and overworked, Yeong chooses himself and walks away. Both relationships were poor choices to facing a life of solitude and expected failures.

His mother is shown to have moved from denial, abhorring, to knowing, to minimally discussing. She doesn't accept his life but still loves her son.

The real charmers, the electricity powering his life, were his close group of friends and roomate Mi Ae. Yet, even with them, some bits of his life were closed. His HIV status is only shown to be discussed with Gyu Ho, who loved him enough to truly accept him as he is. Gyu Ho, after the cowardly way Yeong breaks up with him, never contacts him again. Though, through the bartender at their favorite spot, he let's Yeong know, he is still loved. Not yet ready to make any contact, in the end, it is his friends that he is seen enjoying the fireworks.

The story was beautifully told, and with flashbacks in the last two episodes, we get a fuller history of the reality of his best relationship, Gyu Ho. The sad part for me is that he began to let his status have an effect on him and as he took stock of his life, became more subdued. The last two episode felt like a gradual slide down from the high.

Every character was skillfully brought to life. Yeong was a free spirited over the top whitty self accepting non judgemental dreamer who was scared to dream and Nam Yoon Su killed it. This is a must see at least once.

Note to directors and editors at large:
Flashbacks: This is how it's supposed to be done. Ever flashback should reveal something new and actually propel the story being told.

Leia Mais

Art is beautiful....

China can do bl and do it well enough to capture the important aspects of good story telling. From the beginning it is obvious that it doesn't have the funds to produce it on a grander scale but this is easily overlooked by the quality of acting. Riveted by the story and its pacing, it is a beauty. The interactions of the entire cast flowed so well to make the audience believe in their characters.

I was enthralled by the mains acting. The starkness of the environment aided in displaying how important each meeting was to the story. There is an anxious theme that permeates the story, informing the audience to enjoy each second of their love story, for in a moment this bubble could be broken and all will be lost. QL and QX embodied the intensity of their young love. QL's fiery determined confession matches well with QX's humble but intoxicating acceptance. The sacrifices they made for each other's happiness in the end would see them on different paths.

LMY and TY became a savior to each other. Ultimately, protecting and fighting for each other as real couples would. TY's round eyes and dedication to LMY would make him a favorite. Their responses to each other would make their age difference believe. TY's petulance and introspectiveness fought well against LMY's resistance and flawed thinking. Had this not been resolved, I could see TY waiting a lifetime for him.

The support cast did well also. Turtle, an early irritant, added to the spots of humor, making him a joy to watch at the end.

Production could have been better. With limited resources, the scenery and wardrobe became monotonous but overlooked. China's limits on BL physical interaction saw juvenile kisses but again forgiven due to the innocence of their relationships. The sudden appearances of characters and dissappearance added to some choppy scenes. The script in itself was brilliant (XQ's confession) and poor at times. The fillers used to lengthen the series was obvious.

The ending for each couple was beautiful. This is added to my list of series to rewatch as their confessions were charming and the piece that makes this shine.

Leia Mais

It's somewhere between like and hate ...

Let's see -

Like:
Yin and War are still good together. Though it is War that emotes it better.
Depiction of true poverty. Really brought to life the effects of debt and poor choices. The sweaty faces (may not have been part of the script), cramped tumbled rooms and scrappy clothes made the setting believable.
Grandma bringing the comedy and sound counseling.
Rose accepting the refusal with a little class and not hanging on for scraps.
Bad happens to everyone. How it is dealt with is on you. Same event but different choices between Nang and Boss.
Aran's downward slide into poverty was covered.
Aran building Tattoo's ego when he needed it most.
Joke crying. Again, I repeat, Joke crying.
Hope reminding Jack that he had to do some dark shit for Boss, also.
When Joke saved Jack from Boss without telling him that he saved him.
Joke raising his hand to touch Jack's face but stops midway as Rose interrupts. Jack sneaking one last look at Joke as he goes through the doorway.

Hate:
Everything else.
Script felt like I was watching an ant farm. All over the
place with a ridiculous series of events and asinine characters. Four Horsemen? Chutes and Ladders? Collars that could detonante? A ring that turned Boss into gollum instantaneously?
Jack going back to Boss immediately.
Over the top acting.
Joke getting caught the majority of the show. A master thief he was not.
No explaination as to what was Joke's learning difficulty but he is a teacher for the impoverished children. How? Make it make sense.
Humor that was not humorous.
Joke looking clownish in some of his disguises.
Joke spent 5 years in jail and still got beat. What did he learn? How to pick the ugliest comical tattoos? The boy went in jail looking wealthy and came out like he was from the ghetto all his life.
Jack helped the entire neighborhood but grandma was still in poverty.
Boss' laugh.
The struggle of who would top? Not necessary to the script.
There was no real charm to their relationship and seemed lacklustre at the end.

There is more but I'll stop here. The entire production team can go back to school to learn how to create a series within budget with a coherent plot and engaging characters. Jack and Joker was a sweaty mess from beginning to end with too many characters and very little plot to tell a cohesive story. While actors can look for roles to show their versatility, Yin and War can do better. The beginning was good. The ending was not.

Rewatch: Only if grandma is hurling a plate of chive dumplings at me.

Leia Mais

Khen....Khen....Khen

Why, Khen, why?

Why did Mas have to keep calling your name in that irritating tone?

Why did you go back to the past and leave your computer? The internet was not invented, so what would you see? Where would you get connectivity? Why, did your battery last that long?

Why after showing how the story began, did you not recognize Mas as the boy in the library when you went back to the past?

Why was a ghost allowed to have sex with a human? If a maid had entered during the deed, what would she actually see?

Why did Khampaun refuse her husband before she found out about his lust for Sompho? Why did she blame Sompho and not the husband? Taking it out on the unwilling mistress never ends well?

Why was it important for Sompho to have her story told? Did it bring any meaning to their story?

Why was the repetition of Mas back story necessary when it did nothing to enhance the story?

Why did Mas ask Ken to bring the box during the party and openly speak to him? Wouldn't he appear to be mental laughing and speaking to himself? Especially in the age when cell phones and earpieces have not been invented as yet?

Why did the girl next to him not notice?

Why when all realised that they were dead, why did they have to meet in the dry bush before beginning their journey? Why didn't they go to collect him? Like "Bro, you're dead. Let's go?"

Why was Mas filming on the computer about his home when the info would have corroded with time if it's not preserved? Again, why would the computer exist in time travel?

Why (humor me) would Khen carry Mas to the future if he wasn't a ghost to time travel?

Why show the ending with their meeting but start the beginning with the death with a whole lot of disconnected fillers to elongate the story leading nowhere?

Why was a story with such promise end up being so nonsensical?

Why didn't the screenwriter and director have a chat with those from IFYLITA to see how it's done?

Why was Mas' acting so bad?

Why did I waste my time hoping that it would get better?

Why, hmmmm, why?

Leia Mais

A Different Perspective

This is exactly that, a different perspective but with the same ingredients. They meet in college. Weather the rumors as they move in together. Classed as a romance, this is definitely a drama with a very serious take on the prejudices of being different. In contrast with the later released 'in your feelings' series, this is the thinking version. With equal screen time, both sides of the relationship is revealed between a gay man and a fearless woman who refuses to cower to her male counterparts.

In both their relationships, at one time or another, they both deal with the consequences of not using a condom. In the pursuit of love and happiness, they both act unwisely. Their fierce bond tested from the fallout, they separate. One beaten by her jealous abusive lover, the other waking up too late to recognize what he had. They can only call each other. No one knows them as intimately as they know the other. Life has it's way, maturity comes and permanent choices are made.

This deserves the same level of awareness as the later released version. The acting is superb. On a smaller budget, the story is engaging, entertaining and very intense. His admission of losing an important love and the ensuing breakdown is felt. Had this been released much earlier, my belief is that this adaptation would have garnered more praise for the different perspective.

Good watch.

Leia Mais

And the award goes to

Certainly not them. This was so painfully disastorous that it was laughable. Pat was the proverbial door mat. No, paddle ball. The more Elyes would hurt him, he would pull away, only to come back for another rap, to pull away again. Not that I cared. They were all distasteful except for Pat's female co-worker, Kim and Run. There really was nothing of interest that would warrant 12 episodes.
Elyes - controlling, obsessive, manipulating, condesending, whore
Pat - idiot
Kim - loyal fwb
Run - didn't know the meaning of his own name. Stuck around in an abusive relationship in the name of love. A loyal idiot
Fei Long - abusive, controlling, despicable, insecure, obsessive, coercive
Thiranai - ineffective petty clown

Base line: poor script. Terrible acting. Sub par apologies for hurtful behavior. Misleading messages delivered in the resolution of issues. Really not worth the effort. Rewatch - never.

Leia Mais

As long as.....

As long as I live I will try to forget that 12 hours was wasted on P'Fah and Teerak. If I have to hear one more P'Fah ..... save us please. Grown past teenage years but still acts childish. One word - infantilism. What is this Thai obession of encouraging behaviours unbecoming an adult? A person can be coddled and spoiled without exhibiting such behavior.

Their story has been told many times before and with the expected result. Let's be real, it's BL and they are the mls, it's expected and I will admit wanted. A nice romance about one sided love hidden under the guise of protection, eventually blossoming and culminating into true love. Real and Hai coming to terms of what their friendship means to each other. Lee finding his place and his special one. What's not to love, right?

Here goes:
Teerak's childish mannerisms
Muenfah's old age mannerisms
Muenfah's 2 wooden and stoic expressions.
Teerak calling Muenfah's name every single sentence when speaking to him. Hey Teerak, he has tasted the goodies, no need to remind him what his name is. I'm sure he isn't lost or suffering amnesia.
Oh acting like a clown for Teerak.
Oh, hungry for love, latching onto another person because they showed interest.
Mike in the role of Oh. How desperate are you to take a role better suited to someone age appropriate?
Production placing Mike in that role. Poor choice.
Hai teasing Real for 5 solid episodes and when the tables are turned, miraculously doesn't know his feelings.
Teerak not being adult enough to tell his father the truth but has him guessing like there is a prize to win.
The blatant disrespect, but expecting a different response.
Teerak's father acting like a rectum, when grandpa and everyone else was on board. Didn't grandpa raise you? Didn't you watch a bl and liked it? So what's the deal?
Teerak's mother and sister cowering when the father was enraged. Like what is he going to do? Worst case, there is a couch for him to sleep on...
Teerak's father kept insisting that he wants to see him happy? Hello, did you watch your son? He's happy. He's got a very rich boyfriend involved in two prospering business who wants to make his every wish come true. Yes, he is happy. Infact, ecstatic.

What is there to love:
Teerak's grandpa recognizing the game from the get go and spoke respectfully to Muenfah about his expectations.
Teerak's determination not to leave Muenfah.
Teerak's sister's devotion to being the best sister to him.
Teerak's character growth.
Teerak's and Muenfah's support from their friends.
Lee's loyalty to both Teerak and his brother.
Lee's dating skills. My man turned a comment about the moon into a whole relationship.
Lee's target recognizing his game and matched his skills.
Muenfah's parents treating their young adult children appropriately.
Muenfah waiting until Teerak was ready to sleep with him.
Muenfah's and Teerak's intimate moments were tastefully done.

Writers and producers at large, please stop putting out shows where childish behaviors are encouraged and rewarded. What are the life lessons that they were trying to impart that hasn't been told already. Only one: Do not tease your best friend, he will want to fu*k you at some point. Real is a good one. This series did have some warm endearing moments, especially between Fah and Rak, but not enough to warrant a rewatch. Time to move on.

Leia Mais

They let us have this ....

In the original story Ho Tae and Dong Hee had feelings for each other but out of respect for Ho Tae mother, as she loved him and cared for him as her own, Dong Hee didn't want to have a relationship with him. Ho Tae persistently begged for Dong Hee to date him but was constantly rebuffed. They were always friends and for me at least the prequel's ending fit nicely with the sequel beginning. The writers stuck to the backstory details to create the prequel and nothing was changed.

Reason why it fit: After years of not seeing each other they finally meet. Old friends would smile as they remember their connection and the warm feeling they had for each other. As in the prequel Dong Hee still hides his feelings for Ho Tae. Ho Tae keeps forcing him to give him a chance which causes the friction between them. They are no longer boys but men with strong opposing convictions. Frustrated Dong Hee lashes out. This is where Unintentional Love Story begins.

The story was really the growth of both and nothing new was told, just the reason of why Dong Hee left and his return. Ho Tae is as thick mentally as he is insightful. As he understood his feelings for Dong Hee, he knew why he dated the girls. They would never replace the one he wanted at his side. He knew that he was wrong so he gladly took the injuries. Dong Hee ran away to come full circle back to him. Hence the reason Ho Tae told him he was not intouch with his feelings.

The story wasn't new but it felt fresh in its delivery. The moments were realistically light and not bogged down with melodrama. The actors were superb in their roles with great chemistry. What I would have loved to see, was one more episode with another 7 years passing and picking up where Dong Hee says, "Let me have this.", with Ho Tae's arms wrapped around him. Whatever errors (the story lag in 4 and 5, Won Young in the same town and school when he only newly arrived in ULS ) are easily forgiven as it was definitely worth the wait. I'm left wanting more of all four. As a movie this would have worked better than the series. Still very grateful. Rewatch - definitely!

Leia Mais

The value of friendship

This has to be one of the best Thai productions for this year. It surpassed expectation because Thai productions have a penchant of doing everything over the top. There were a little but easily forgiven in the overall outcome of the series portraying the beauty of forgiveness and friendship forged out of love.

The entire cast portrayed each character with infinite dedication and they truly shined. Displaying each charachers nuances to bring forth their individuality. While Sky and Nani proved the quality of actors they are, it is Mark who showed his versatility and stole the show. Mark has shown how great an actor he has grown to be, be it drama or comedy, he nails it.

While the series is based off of a Korean show School 2013, I was glad to view this on its own merits and not as a comparison. The rainbow of emotions, from dark to bright, was felt. The production did well and I especially loved the 'gay' bromance. They teased with conversations and moments that bordered on them actually being a couple, but within the last 5 minutes of the final episode, we got as close as we are going to get.

Shin staring intently in to Saint eyes, he says
Shin: " I don't like you. I love you."
Saint, caught a little off guard, responds
Saint: "Yeah, I love you, too, Saint"
They both pause, silently holding each other's gaze under the shared umbrella, recognizing and admitting what they truly feel between them.

It's may only be a matter of time.

Plot: Two schools, arch enemies, are joined and so ensues the chaos. Teenagers at their worst will create havocand that they did. The Shin and Saint on opposing sides, clash regularly mainly due to pasts hurts that can not be easily forgiven. Backed by Ken and Thui and their respective crews, the voilence is constant as each is easily aggrivated by every perceived slight. Grappling to take control of the teachers are at a losz and must use unorthodox methods to help direct them in the right direction. Eventually, the battle is won but not before the entire school goes through the very painful process of rebirth. The end result is very emotional as each lowered their pride and held on to each other for support and protection.

Criticism: The repetitive sequences of the clashes became tedious as the script struggled to create reasons for each encounter. Basically the same conversation was had. 16 episodes was too long and with better editing 10 - 12 would have been enough. Some storylines dragged on for no apparent reason.
The students were allowed to show disrespect with no real consequences. A teacher chastices herself infront of the entire class, becomes depressed and resigns before the school year ends. She is repeatedly begged to return and only does so on the 4th or 5th try. While it makes for good tv (insert copious amounts of tears flowing by said writer), in reality, what kind of message does it send to the student body? Sone charactets were one dimentional (Jeng, Principal's assistant) and became a bore. After physically abusing his son for many years, a teacher has a conversation with him and immeduately he stops. Realistically, after one conversation with no apology to his son(which would have been another cryfest), was a message that was missed. The fight scene at the end: no words to describe that mess. Why take a bromance and insert bl language to create hype? While I liked it because SkyNani have a beautiful connection and play off of each other effortlessly, the quality of the acting should bring the buzz.

This was a very good watch and I believe I would rewatch this many times. I'm going to watch the original also. The music used complemented the scenes well. Would love to see Sky, Saint, Mark P, Kay, Mark J in more projects. Honorable mention, Shin's sister was adorable and Saint's father, despite his unfavorable first appearance, brought the warmth to Saint's lonely life.
One of the best.

Leia Mais

Unrealistic reality

Mishima is in his last 2 years of highschool. Bullied by those who perceive him to be gay due to his long hair and soft appreance, he endures the scrutiny of all and sexual abuse at the hands of a closeted teacher. He internalizes everything and barely responds to his external environment. At night, he sneaks out his mother's lipstick and on occassion dresses as feminine as he can, while living in a small country village. In one scene he is mistaken for a girl as he's dressed in shorts, tshirt and walks a liitle gently. He doesn't pretend to be what he's not but he doesn't admit it as well.

Awakening to himself, he befriends two previous bullies, Kirino and Yumeno. Kirino, an ally, also aware of his own nature, bonds with him. Together, they navigate the complexities of desires, dreams, the need to feel included and protected. Yumeno, crushing secretly on Mishima, has a fierce sense of wrong and right, and struggles to come to terms with his feelings for him. Mishima welcomes the attention from Yumeno.

Mishima was seen hugging both at different times for completely different reasons. After the physical attack, Yumeno comforts him publicly. Unashamed. Kirino, in turn, understanding his pain, comforts him after being rejected. This is how the rumors start and story veers to similar coming of age trope. Who will they become? This where my disappointment begins.

The subtitles are a little shaky from different sources, so I'll take it with a grain of salt but it has the same outcome no matter the true meaning - Kirino, conflicted on the getaway trip to Tokyo, says to Mishima, "I chose this." Previously, he expresses his desire for men, make up and being gay. He acknowledges the path ahead is difficult but assimilates into being straight for the love of his family. My disappointment stems from the path he chose - to be not himself but the path someone else sees for him. His parents will eventually die and he as it's shown, he will be in a marriage with a child but will he be happy. Even he had concerns of this. He avoids Mishima and their bond is broken. His loss. Yumeno, who sees all, follows Mishima, apologizes for past hurts and asks to keep thinking of Mishima.

The series ends with Mishima asserting himself. He is no longer shy and detached. He is a gay man, in men's clothing and still maintaining a strong relationship with Yumeno. Though the implication is more, as Yumeno kisses his cheek before leaving. As a makeup artist, Mishima's world has grown and he is proud of who he is on his terms.

Araki Towa, who played the role of Mishima, did a wonderful job. There is a vast difference between the teen and the adult. Which I applaud. Sakai Wakana, Mishima's mother, was also wonderful. Her unwavering support ensured that Mishima would succeed and Sakai did this beautifully. I am not a fan of easy choices or choosing to be what you are not. Yumeno's character makes it appear to be a choice. Even in the1990 setting, being gay or not being gay, shouldn't be a choice. I'm reminded of the series More Than Words here. The only choice that should matter is loving yourself, finding your happiness and pride in the human you are. Thank you, Mishima.

Leia Mais

Whaaaaat?

Let's get straight into it.
BNW is a big pile of doodoo. Whatever they're trying to achieve is lost in a stale and inconsistent storyline. Now the only interesting things were the mind reading and existence of the alternate world. There were factors that spoiled what could've been a unique story. Factors being bad acting, unrealized plot and irritating main and side characters.

Noeul has not grown as an actor. Like the LITA cast, they are stuck at that level with no maturity besides the added years. Noeul is basically acting the same role - innocent and clueless. Boss being the exception was the only reason to reach this far. They do nc scenes well which is a poor selling point as actors who are not in the porn industry. Admittedly, there is a level of comfort between them that some others don't have. Side characters aside, Noeul's delivery of his lines are part of his character but really irritating to hear. Phu slept with Cir twice before running away confused about his feelings which only resolves after Cir got in an accident. One word, boring. What was this incessant need to keep repeating their names? The tally of this might account for half the script.

Cir, in the alternate world (dream world unconsciousness) meets the previous version of himself and learns the reason of the past lives. Their endings have not been happy. He's trapped there until Phu cries out his deep love for him and only then is he returned to his physical body. Here's where it gets tricky. The Cir that Noeul loves has a scar on forehead. The other Cir does not. So does the scar disappear and materialize depending on which version of Cir's consciousness inhabits the body? Make it make sense. Even at the end there is no explanation for this inconsistency.

It is revealed that Cir has been his protector and stalker for a few years which leaves to beg, why the pretense? Phu seems to be a kind hearted gentle neurotic soul and would have accepted him, so why the pretense. If this is to protect from his mother, why did he eventually contact him? The deal with his mother was one final year of freedom before joining the company. Why contact Phu when the relationship had a deadline? To confuse him more?

Phu meets Cir's unwanted fiancé, gets slapped, is saved by Cir who rebuffs all the parties that caused their meeting and is taken away to safety. Directly after, whilst sitting in the apartment, Phu asks Cir if he has met with the fiancé and how did it go? 😳 My confusion level had me thinking that I probably napped here. Was Cir not next to him when the fiancé show down happened, so what is he asking here? Was there a telepathic meeting the viewer didn't see? Inconsistent and poor editing. Throughout the series there have been other repetitive nonsensical conversations, but this being the most glaring.

Genuine question here, do all female side characters have to sound like harpies? Why can't they be seen as even tempered beautiful women? They are either physically aggressive, delusional or erratic. Can't this be banished and more multilayered characters be written? This would be a welcomed change. Though it was great to see his Phu's friends so protective of him except that one idiot.

Now to the mind reading. Unless I've missed it, it's not clear how Jin acquired the ability to do so. It is interesting and since meeting Wim, he has liked him and still was able to use it. When he confesses to him, it's suddenly lost. So verbalizing his thoughts took them away and he is like everyone else, guessing his way through the relationship. Wim, the most polarizing character with his incessant need to speak, doesn't believe him. Upon confirmation from Cir, he is willing to be let Jin in. Honestly, their story would have been more entertaining that what this was. Nine episodes of lies, and one full of repetitive declarations.

Cir's mother is displayed as deranged and despicable. Now, we see why Cir needs an alternate universe to survive. The solution to her wanting to trade one property for another is not met with a white padded room and restraints but entertained. The fiancé, what was her motive to marry someone who clearly despised her? Money? On meeting her intended mother in law, any sane person would refuse. Conclusion: they all need the white padded room and restraints.

This series left me wanting more than just great nc scenes. The plot needed to be tightened, the acting upgraded and the characters likeable. This was 10 episodes of boring, unimaginative lies and unlikeable characters save Jin and Ramil. Will not be re-watching. Once is more than enough.

Leia Mais

Really Really Cute

This is really cute. I'm not a fan of 2 min episodes unless I can binge watch, so that is what I did. I was not disappointed.

Do Ha was cute, witty, petulant, direct and a whip smart intellect that he hid under a non chalant facade. Jae Yeon was interesting, elusive, reluctant, intuitive and perfect for him. Do Ha took his time to figure out what he was feeling but when he did, he didn't hold back. He engaged all of his charming wiles and made sure Jae Yeon had no choice but to choose. He chose.

Pros:
Visuals
Whitty conversations
Playful banter between leads and support
Partners who enjoy being together
Partners who match intellectually
A script with a little surprise
Actors that are entertaining
A series that doesn't need a nc scene to carry the romance.
No unnecessary drama

Con
2 min episodes.

It was fun, a delight to view and light enough to be entertaining. Main and support interacted well together. Would enjoy seeing them together again. Rewatch, yes.

Leia Mais

Could be better

Here's the thing, it's a decent story with but was limited by the 1 min timing.

Plot: Student can read everyone's minds except the one he is interested in. His love interest hides behind glasses, cigarettes and being popular. Enter the third element. A troubled school mate also is attracted to the mind reader. Jealous, the love interest creates a situation whereby the troubled teen has to live with him.

The plot was not original but had promise. The 1 min episodes did not work in its favour. The script was choppy to cover everything in 30 episodes which made for a rushed fractured viewing. The acting was okay and the attraction was felt between the two leads. Had this been developed smoother, the story would have been received better. Match Play seems to be the benchmark of shorts with Please Teach Me, another okay watch.

These short shorts, unless fully thought out and planned before filming, do a disservice to the art of producing a story worth viewing. Actors, who have promise, are forgotten immediately as there is no room shine or capture your attention. It's an okay watch with little to no rewatch value.

Leia Mais

Different Kind of Happy

Very rare a series can pull off both stark grittiness and tender love as this did. This is not about a romantic tender love but of two people meeting at the worst times in their lives, needing what only the other could give and held on.

Chihiro stuck in a cycle of exchanging sex for being taken care of by whomever, all in the name of 'love'. He couldn't get past the betrayal he endured when his secret lover dumped him and got married. Aimless and jobless he sleeps around, not caring what tomorrow brought. Until he met Keito.

Keito, abandoned, abused and mutilated, mired in the sex trade by Maya, a drug addicted sex peddler. Maya keeps undocumented and forgotten youths hostage with the threat of violence due to his erratic behaviour. Keito, broken by his circumstances, doesn't have a desire to escape, until he overhears Maya agreeing with a customer that Keito can be killed if they wish. Here, the spark for life is ignited and runs away. Hired to retrieve stolen items, he meets Chihiro.

Their meeting is as voilent as their surroundings, but something attracts Chihiro to Keito and he is unwilling to let go. Keito is cold and blunt. Chihiro is still a bit niaive but completely open and honest. Somehow, they fit. Through unorthodox methods, Keito saves Chihiro by showing him how much he is worth. Chihiro, over numerous events, reciprocates the love through his loyalty and care.

The stark brutality is ever present and not for everyone. The scenes are graphic and Maya's offensiveness can be off putting. The series is still very beautiful for it's points of views and the telling of it. The actors did a brilliant job and truly embodied their roles. Even to the point of evoking sentiment where needed. The production was perfect with the depiction of the cold sordid environment to contrast their love as it blooms. Against all odds, love can grow even here.

Definitely worth the watch. Japan didn't disappoint.

Leia Mais

Who's smiling with me ....

I was ambivalent. Initially I wasn't going to write a review as there really wasn't anything to say. Boy meets boy. Boy falls in love with boy. Boy stays with boy forever. Then they did it. I was smiling like I've never smiled before, looping the moon and back. I loved watching Thame and Po together. I loved Thame and Po together bcuz Thame was the person that made Po realize his true worth. Po needed to be loved entirely, fiercelessly and deeply. Thame had the courage for everyone and more than enough for himself. Their magic had me smiling. Grinning, actually.

Acting, which we know needs work but forgiven as newbies, was much better than expected. What tied this entire show together was the soft way Thame loved Po. Gently, they took the steps together and held each other close. The all night phone call and THE walk to and from the bus stop set the standard for future romantic moments in any series. Yes, the usual mistakes and misunderstandings happened and I will say this, those 2 episodes fell flat. The light of the series was missing. Thame.

The moment he entered again, the world brightened considerably. The glow in his eyes made us believe again in their love. The Negative Nellys and Horrendous Horseface easily forgot as I was blinded by the brilliance of their soft sweet love. The connection between Thame and Po is palpable. It's felt. WilliamEst/EstWilliam have IT.

Lykn did well. Est, one of my favorites, did great. William shone. With more practice, they all will be better as time goes on. Special mention here of Nut and his role. He aced every moment he was on the screen and proved to be the strongest actor of the group. Jun's cunning smile fooled everyone but the audience. He gave up his chance for happiness for Thame to have his. Signs of true friendship. The level of ease amongst the entire cast was refreshing.

The empty script could have been much better. The repetitive convos, Po's one word answers - Huh, a timeline of events that did nothing to move the story from one position to the next. Thame started sadly owing Oner and ended happily owing Oner. Po started in the tailor shop depressed and ended in the tailor shop happy. Ok, well the perspectives changed but a little change in finances would have been nice. I would have loved to see the fire in Po that was ignited in episode 1 carried through but he had to dim a little for Thame / William to become the star. I was left with a good feeling at the end despite all the glaring errors. This definitely should be rewatched time and time again. If only to let your heart skip a beat . 💓

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