IncorrigibleMe
A compelling story marred by pacing issues
This series might take its time unfolding, but beneath its surface lies a compelling narrative that captivates with its central themes. While the acting leaves room for improvement, the series manages to resonate with viewers through its profound messages.
The storyline revolves around the two main characters, Kazuma and Ren, who cross paths during their school years. Ren's silent infatuation with Kazuma simmers beneath the surface, driven by the fear of driving him away. A tragic event separates the two, only to reunite them a decade later in the workplace. The rekindled emotions set the stage for their journey, though Ren keeps an emotional distance.
At a concise eight episodes, the series maintains an unhurried pace. It delves into the history of Kazuma and Ren during their school days and the reasons behind their separation through flashbacks. While the pacing leans towards the slow side, certain plot points, like the workplace sexual harassment case, the impact of Ren's separation from friends, family, and Kazuma, as well as Kazuma's life abroad in the US, feel somewhat rushed. However, the series earns merit for addressing important issues, albeit briefly. It sheds light on Ren's traumatic experiences as a 15-year-old ostracized by his parents and blamed for Kazuma's hospitalization, ultimately abandoned due to his sexuality. Furthermore, it introduces themes of workplace bullying, office politics, and sexual harassment, though their exploration is somewhat limited.
The acting performances by Sakurai Yuki and Takamatsu Aloha may come across as amateurish, but the child actors deliver commendable portrayals. Furukawa Tsuyoshi's role as Ren's friend, despite limited screen time, hinted at the potential for deeper exploration of their friendship.
In conclusion, "April in Tokyo" possessed the potential for greatness if it had addressed pacing issues, focused more on character relationships, and perhaps reconsidered the limited treatment of the workplace harassment subplot due to time constraints. Nevertheless, it deserves a watch, as it distinguishes itself from typical BL series by incorporating substance and depth into its storytelling.
The storyline revolves around the two main characters, Kazuma and Ren, who cross paths during their school years. Ren's silent infatuation with Kazuma simmers beneath the surface, driven by the fear of driving him away. A tragic event separates the two, only to reunite them a decade later in the workplace. The rekindled emotions set the stage for their journey, though Ren keeps an emotional distance.
At a concise eight episodes, the series maintains an unhurried pace. It delves into the history of Kazuma and Ren during their school days and the reasons behind their separation through flashbacks. While the pacing leans towards the slow side, certain plot points, like the workplace sexual harassment case, the impact of Ren's separation from friends, family, and Kazuma, as well as Kazuma's life abroad in the US, feel somewhat rushed. However, the series earns merit for addressing important issues, albeit briefly. It sheds light on Ren's traumatic experiences as a 15-year-old ostracized by his parents and blamed for Kazuma's hospitalization, ultimately abandoned due to his sexuality. Furthermore, it introduces themes of workplace bullying, office politics, and sexual harassment, though their exploration is somewhat limited.
The acting performances by Sakurai Yuki and Takamatsu Aloha may come across as amateurish, but the child actors deliver commendable portrayals. Furukawa Tsuyoshi's role as Ren's friend, despite limited screen time, hinted at the potential for deeper exploration of their friendship.
In conclusion, "April in Tokyo" possessed the potential for greatness if it had addressed pacing issues, focused more on character relationships, and perhaps reconsidered the limited treatment of the workplace harassment subplot due to time constraints. Nevertheless, it deserves a watch, as it distinguishes itself from typical BL series by incorporating substance and depth into its storytelling.
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