One of the most iconic cult martial art films of all time, the influence felt by Master of the Flying Guillotine can still be seen in pop culture to this very day. Nothing captures the imagination of genre fans like the notion of a mechanical device being hurled through the air to behead its victims. With its nonstop flurry of fighting, ersatz bloodletting and incidental hilarity, this sequel to Jimmy Wang-Yu's earlier One-Armed Boxer doubles down on what made that film work, ultimately leaving this film as his most fondly remembered and signature work, very few films can compete with having a one-armed hero, a blind antagonist who wields a Flying Guillotine and a stolen Krautrock on its soundtrack. The main plot is completely nonsensical and only serves as window dressing for the film's bloody trail of vengeance and tournament antics, one that Yu directs with exhilarating energy. After a series of ultra-cool martial arts set pieces, choreographed fiercely and imaginatively by Lau Kar Leung, Yu eventually faces Kam Kong in an awesome coffin-tossing, wall-climbing, one-arm boxing, guillotine-throwing finale. As writer, director, and star Yu proved to be an extraordinary showman whose creativity, experimentation with genre conventions, and knack for surrounding himself with great talent results in a recipe for a marvellously manic film, Master of the Flying Guillotine needs to be seen to be believed, and even then defies belief.