Distorted Reality
Dr. Brain is a character-driven story about one man’s quest to unravel a profound mystery through highly experimental science that delves deep into the far reaches of the human subconscious and beyond the boundaries of reality. Simply put, the main character boldly goes where no one has ever gone before, in a metaphysical sense. Watching this drama feels akin to consuming magic mushrooms because I find my entire cerebral cortex utterly immersed into the warped and psychedelic nature of the storytelling.
Co-produced by Kakao Entertainment, the company that owns popular streaming platform Kakao TV, Dr. Brain is promoted as an Apple original series. It is the first Korean-language series to debut on the American platform, where the global premiere on 4 November 2021 coincides with the launch of Apple TV+ in South Korea. Principal photography took place at Daejeon while Daejeon University was used as the setting for the Brain Science Research Centre.
The drama is an adaptation of the Kakao-Daum webtoon Dr. Brain by Hong Seong-hyeok, which was serialized in 2016 (Season 1) and this year (Season 2). The source material is a sci-fi thriller based on the premise that the brain is able to live on for 37 hours after death.The titular character harnesses this knowledge by tapping into the brains of the dead to seek clues or answers for solving mysteries. I haven’t read the webtoon but I can attest that the narrative stays true to the basis of this pseudoscience. I get similar vibes of Flatliners (both versions of the US film) where things quickly escalate out of hand when folks volunteer as test subjects for their own experiments. I find the plot immensely intriguing, complex and suspenseful. The first episode is extremely slow burn where the backstory of the ML is painstakingly established but once the overarching mystery begins to take shape and the mind-blowing action sequences kick off, particularly from the second episode onwards, there’s no turning back after that.
The quality of this drama is top tier, in terms of the production values, technical execution and the reputable production team as well as the critically acclaimed main cast. Kim Jee Woon, the multiple award winning filmmaker and celebrated auteur, serves as director and screenwriter. The influence of his unique stylistic approach extends over the masterfully executed cinematography, which presents some of the most gorgeous visuals seen this year in K-dramaland. I love the cinematic grading, neo noir outlook of the night scenes, and beautiful application of colours, especially in the “mind warped” segments. In terms of the direction and tempo, the director deftly balances the transitions between the quieter introspective and emotional moments with the intensely frenetic parts. Despite the short format of 6 episodes, the storytelling does not feel constrained while the tension as well as plot points are allowed to breathe without giving the impression of being rushed.
The original score is composed by Lee Sung Hyun aka Mowg, another stellar name attached to the production who comes with a long list of achievements and prestigious awards. The music is a blend of suspenseful, evocative and deeply emotional instrumentals that encapsulates the essence of the drama and connects very well to the varied scenes. Elements of contemporary electronic music and orchestral renditions are incorporated into the soundtrack as part of the eclectic BGM.
The cast is headlined by Lee Sun Kyun, fresh from his appearance in Parasite, for which he garnered major acting honours and critical acclaim. He plays the titular character in a performance which he delivers with consummate conviction where he showcases such impressive range that matches the depth of characterization. He not only has to portray an extremely intelligent scientist but also an emotionally dysfunctional man who literally goes through hell and back in both the real world and the surreal state of the human psyche. Add to that his affinity with a particular feline, a truly surprisingly absurd yet incredibly entertaining aspect of the drama.
Park Hee Soon is an actor who won the hearts of many through his compelling performance in the recent Netflix drama, My Name. Here in a supporting role as the side character, Lee Kang Moo, he is much more understated and has limited screen time. Seo Ji Hye, recently seen in Crash Landing on You and Dinner Mate, portrays police detective Lieutenant Cho. She has slightly more screen time than the rest of the supporting cast and gets involved in a number of high octane action sequences. She certainly looks the part and provides a decent account of the rather limited characterization. I would have liked to know more about her character but the focus is very much on the ML, hence the lack of significant character development for the people around him. The same applies to the character of Jung Jae Yi, his wife, played by Lee Yoo Young who almost spends the entire time being comatose, were it not for the numerous “flashback” scenes.
All things considered, along with the well written and executed ending, I would consider Dr. Brain a hugely satisfying entry to the K-drama psychological thriller genre. Kept on the edge of my seat once I was hooked, I simply could not stop watching and anticipating the conclusion to the ML’s search for the truth. My only qualm - I wished it was longer. This is truly one of those productions where I’m hoping for a second season.
Co-produced by Kakao Entertainment, the company that owns popular streaming platform Kakao TV, Dr. Brain is promoted as an Apple original series. It is the first Korean-language series to debut on the American platform, where the global premiere on 4 November 2021 coincides with the launch of Apple TV+ in South Korea. Principal photography took place at Daejeon while Daejeon University was used as the setting for the Brain Science Research Centre.
The drama is an adaptation of the Kakao-Daum webtoon Dr. Brain by Hong Seong-hyeok, which was serialized in 2016 (Season 1) and this year (Season 2). The source material is a sci-fi thriller based on the premise that the brain is able to live on for 37 hours after death.The titular character harnesses this knowledge by tapping into the brains of the dead to seek clues or answers for solving mysteries. I haven’t read the webtoon but I can attest that the narrative stays true to the basis of this pseudoscience. I get similar vibes of Flatliners (both versions of the US film) where things quickly escalate out of hand when folks volunteer as test subjects for their own experiments. I find the plot immensely intriguing, complex and suspenseful. The first episode is extremely slow burn where the backstory of the ML is painstakingly established but once the overarching mystery begins to take shape and the mind-blowing action sequences kick off, particularly from the second episode onwards, there’s no turning back after that.
The quality of this drama is top tier, in terms of the production values, technical execution and the reputable production team as well as the critically acclaimed main cast. Kim Jee Woon, the multiple award winning filmmaker and celebrated auteur, serves as director and screenwriter. The influence of his unique stylistic approach extends over the masterfully executed cinematography, which presents some of the most gorgeous visuals seen this year in K-dramaland. I love the cinematic grading, neo noir outlook of the night scenes, and beautiful application of colours, especially in the “mind warped” segments. In terms of the direction and tempo, the director deftly balances the transitions between the quieter introspective and emotional moments with the intensely frenetic parts. Despite the short format of 6 episodes, the storytelling does not feel constrained while the tension as well as plot points are allowed to breathe without giving the impression of being rushed.
The original score is composed by Lee Sung Hyun aka Mowg, another stellar name attached to the production who comes with a long list of achievements and prestigious awards. The music is a blend of suspenseful, evocative and deeply emotional instrumentals that encapsulates the essence of the drama and connects very well to the varied scenes. Elements of contemporary electronic music and orchestral renditions are incorporated into the soundtrack as part of the eclectic BGM.
The cast is headlined by Lee Sun Kyun, fresh from his appearance in Parasite, for which he garnered major acting honours and critical acclaim. He plays the titular character in a performance which he delivers with consummate conviction where he showcases such impressive range that matches the depth of characterization. He not only has to portray an extremely intelligent scientist but also an emotionally dysfunctional man who literally goes through hell and back in both the real world and the surreal state of the human psyche. Add to that his affinity with a particular feline, a truly surprisingly absurd yet incredibly entertaining aspect of the drama.
Park Hee Soon is an actor who won the hearts of many through his compelling performance in the recent Netflix drama, My Name. Here in a supporting role as the side character, Lee Kang Moo, he is much more understated and has limited screen time. Seo Ji Hye, recently seen in Crash Landing on You and Dinner Mate, portrays police detective Lieutenant Cho. She has slightly more screen time than the rest of the supporting cast and gets involved in a number of high octane action sequences. She certainly looks the part and provides a decent account of the rather limited characterization. I would have liked to know more about her character but the focus is very much on the ML, hence the lack of significant character development for the people around him. The same applies to the character of Jung Jae Yi, his wife, played by Lee Yoo Young who almost spends the entire time being comatose, were it not for the numerous “flashback” scenes.
All things considered, along with the well written and executed ending, I would consider Dr. Brain a hugely satisfying entry to the K-drama psychological thriller genre. Kept on the edge of my seat once I was hooked, I simply could not stop watching and anticipating the conclusion to the ML’s search for the truth. My only qualm - I wished it was longer. This is truly one of those productions where I’m hoping for a second season.
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