What do I even say cause I am left speechless by the brilliance behind season 2. While season 1's entire premise is moral chastatization of the individual and their place within a systemic cycle of abuse and revenge, season 2 does the brilliant thing of not brow beating it's audience into submission and cutting all that sanctimonious nonsense. It **BRILLIANTLY** highlights that the issue ***IS SYSTEMIC*** and not individual. Such an sentiment I'd like to say in retrospect was undergirding the brilliance of season 1 with season 2 bringing it forth and flourishing it into existence.
DP's artistic direction is another thing worth noting. Too often I feel like K-dramas are retreading old ground and it's easy to feel like you've seen every plot line and every trope and every character archetype but goddamn do I have an immense respect for the directors and writers direction with this. An actual critique of the pejorative system facilitating the our society and the military industrial complex. From the Anton Chekhov story line to the gothic horror of EP 4 every single thing is a breath of fresh air. Artistically wonderful with a narrative that is spiritually animating.
This isn't a shallow over exaggerated look at things. From the opening soundtrack and film that shows the gradual fall into disillusionment and nihilism of the world as Jun Ho looks at you dead inside to Nina's determination, hopes, and dreams being crushed by the system just like how a seagull is shot down in Anton Chekhov's play, it's all wonderful. An interplay of art, politics, love, morality, and responsibility.