catherine
I feel like this had so much potential — I'm a huge fan of the vengeful vigilante trope. But it ended up not being as great as it could have been for me, for several reasons.
Nana was a terrible female lead. It felt like they tried to spoonfeed the audience — every other sentence about her was that she was strong, badass, independent, and just not scared of anything. But her character was honestly really weak, both physically and mentally. Nana was a damsel in distress, but her constant "Wow, you aren't afraid of anything!" and I'm-such-a-fighter attitude honestly made it really annoying when she needed saving every other episode and never really got involved in the scheming, which is what annoyed me with MLFTS as well — the female lead was practically just there to be a love interest, to be used as a hostage, and there was barely personal growth.
With that being said, the fact that they focused so much on the romance was honestly annoying and I fast-forwarded through all the montages of their moments together. I was much more interested in the vigilante/action aspect than the romance, and the romance was also extremely cliche, with "I'm bad for you, don't love me" being the only reason they weren't together yet.
Jin-pyo was an annoying character as well, but he was the most intriguing by far, with the whole anti-hero thing going for him. I couldn't see his story going any differently than the way it did.
The action twists were really good and the backstory was fleshed out well. The fact that there were these mini plot arcs throughout the drama for each of the corrupted officials and how they were dealt with made things really interesting and I kept looking forward to the next one, especially seeing how the prosecutor's view of things would play along side-by-side.
Yet, I don't think anything really surprised me, and something about production style made a lot of scenes seem less dramatic than they could have been. I felt like the ending was kind of anti-climactic as well, and Nana stayed annoying til the very end.
Nana was a terrible female lead. It felt like they tried to spoonfeed the audience — every other sentence about her was that she was strong, badass, independent, and just not scared of anything. But her character was honestly really weak, both physically and mentally. Nana was a damsel in distress, but her constant "Wow, you aren't afraid of anything!" and I'm-such-a-fighter attitude honestly made it really annoying when she needed saving every other episode and never really got involved in the scheming, which is what annoyed me with MLFTS as well — the female lead was practically just there to be a love interest, to be used as a hostage, and there was barely personal growth.
With that being said, the fact that they focused so much on the romance was honestly annoying and I fast-forwarded through all the montages of their moments together. I was much more interested in the vigilante/action aspect than the romance, and the romance was also extremely cliche, with "I'm bad for you, don't love me" being the only reason they weren't together yet.
Jin-pyo was an annoying character as well, but he was the most intriguing by far, with the whole anti-hero thing going for him. I couldn't see his story going any differently than the way it did.
The action twists were really good and the backstory was fleshed out well. The fact that there were these mini plot arcs throughout the drama for each of the corrupted officials and how they were dealt with made things really interesting and I kept looking forward to the next one, especially seeing how the prosecutor's view of things would play along side-by-side.
Yet, I don't think anything really surprised me, and something about production style made a lot of scenes seem less dramatic than they could have been. I felt like the ending was kind of anti-climactic as well, and Nana stayed annoying til the very end.
Esta resenha foi útil para você?
