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  • Gênero: Feminino
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  • Aniversário: September 14
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  • Data de Admissão: maio 18, 2023
Till the End of the Moon chinese drama review
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Till the End of the Moon
5 pessoas acharam esta resenha útil
by lau
Jun 21, 2023
40 of 40 episódios vistos
Completados
No geral 10
História 9.0
Atuação/Elenco 10.0
Musical 10.0
Voltar a ver 10.0
Esta resenha pode conter spoilers

Beautiful in the most heartbreaking ways

TTEOFTM is a drama that encompasses an overwhelming range of emotions. It possesses an exceptional quality, an ever-evolving storyline, breathtaking beauty, and heart-wrenching moments. Captivating me right from the first episode, its allure remained consistent throughout its entirety.

If I were to offer advice to someone who hasn't watched this drama yet, it would be to dive in with minimal information. When I first watched it, all I had seen was the trailer (which, in hindsight, I wouldn't have watched) and a brief look into the synopsis.

From the outset, I knew that I would inevitably likeTantai Jin, as he was the male lead. However, I didn't expect this bond to form so swiftly (nor did Li Susu, I imagine). His life story, depicted early on in the drama, swiftly revealed the person he was destined to become, making me empathize with him and even root for his revenge against a world that had only inflicted pain and neglect upon him.

One quality I find immensely captivating in characters is their moral ambiguity and shades of gray in their actions. Tantai Jin exemplifies this remarkably, making it impossible to dislike him. As I mentioned earlier, he is extremely easy to sympathize with.

The extraordinary dynamics between the two leads instantly drew me in. Even when they despised each other, their chemistry was astonishing, intensifying as time passed. The development of their romance was exceptionally well-executed. Considering Ye Xiwu's rational standpoint, it was completely understandable for her to despise Tantai Jin after witnessing him kill everyone she knew. Thus, it took her a considerable amount of time to see him romantically. On the other hand, Tantai Jin was utterly incapable of love, and the Ye Xiwu he knew before was violent and cruel.

There were numerous moments of confusion. Sometimes, it seemed like Ye Xiwu was gradually falling in love with Tantai Jin, while at other times, she pitied him. There were even instances when she struggled not to perceive him as the Demon God, despite reminding herself repeatedly that he hadn't transformed into that yet. From Tantai Jin's perspective, a similar duality arose. This complexity mirrored the characters' own feelings and was beautifully conveyed to the audience. I cannot emphasize enough how brilliantly it was portrayed.

The side characters also played an integral role to me, particularly Pian Ran, Ye Qingyu, and Nian Baiyu, each forging intriguing relationships with the leads. Witnessing Tantai Jin's connections with Pian Ran and Nian Baiyu, and how these characters helped humanize him, was exceptionally gratifying. While I did grow fond of characters other than the leads, I must admit that my attachment wasn't as strong as in other dramas. Nevertheless, this doesn't necessarily diminish the overall experience.

Now, there were two specific aspects that bothered me slightly. Firstly, I wished the female lead had displayed a bit more power. There were scarce instances of Li Susu/Ye Xiwu/Sang Jiu engaging in combat compared to other characters, particularly Tantai Jin. Secondly, certain elements felt rushed and underdeveloped. However, I will excuse TTEOTM for this flaw, considering the constraints of a shortened drama and the team's commendable efforts within the limited available time.

Furthermore, I cannot overlook the absolutely incredible soundtrack of the drama. Even as I write this review, I am engrossed in its captivating melodies. Each song flawlessly complements the story and is used masterfully throughout.

It is equally impossible to disregard the astounding performances delivered by Luo Yunxi and Bai Lu. They flawlessly portrayed their respective characters. Luo Yunxi, in particular, convincingly embodied four distinct personas, effortlessly transitioning between the Demon God, Ming Ye, Tantai Jin, and Cang Jiumin while maintaining the necessary similarities that tied them together.

Till The End Of The Moon is undoubtedly the best drama I have watched in a considerable amount of time. The story, well-developed characters, captivating music, and visually striking aspects kept me enthralled to the point where I couldn't stop thinking about it, even during my day-to-day tasks. This drama continues to linger in my thoughts, and I hope it remains there for quite some time.

I am eager to rewatch it at some point to catch all the subtle details that may have escaped my notice the first time around, either due to being hooked by the main narrative or lacking sufficient knowledge of it. However, I will have to wait until I have healed to fully immerse myself in it once again.

In summary, Till The End Of The Moon is nothing short of fantastic!
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