Takara no Vidro (2024)

Takara no Vidro é um bl curtinho e muito bom de assistir. Não me incomodei com muitas coisas nesse bl, acho que o desenvolvimento do casal foi leve e levou um tempo bom pra acontecer. Os atores principais ficam muito lindos juntos e tem uma boa química.
A única coisa que eu senti falta é de algo mais emocionante acontecendo entre eles dois, mas isso vai de gosto pra gosto, pra quem gosta de um bl mais pacífico, Takara no Vidro é perfeito. Outra coisa que me incomodou um pouco mas também pode ser considerado um ponto positivo em outros olhos foi o fato do Taishin ter uma personalidade muito inocente pra um quase adulto que entrou na faculdade. Fora esses detalhes, eu gostei de acompanhar o lançamento e cada ep me deu um certo conforto, o foco do bl ficou apenas nos protagonistas e seu relacionamento, o bl não tem muita mudança no cenário ou na história, mas você consegue se entreter e você não fica tanto entediado porque eles souberam bem adicionar alguns detalhes pra preencher esse vazio.

Leia Mais

A sparking marble in the grass

The first couple of episodes, while charming, had me fearing mediocrity. But over time, I grew to see a surprising level of quiet depth and maturity in the leads. These young men have been hurt and are still dealing with hurt. One is more naive and hopeful, though, while the other is disillusioned with reality and terrified.

Takara's fight to not fall into the same depths as his mother and fear of himself the moment he mirrors her behaviors, even slightly, in particular, stood out to me.

"If I want something, I must have it."

What it must be like to fear your own wants and feel the need to push your desires aside in case you just might take a treasure into your hands, keep it from the world, and unwillingly crush it.

I would like others to see what I did, but I understand if you don't. Regardless, I found this a precious watch that I almost want to keep to myself. My own "treasure."

Leia Mais

From Clueless to Treasure : A warm romance! <3

The drama starts with Taishin's quest to thank someone whom he feels indebted to for past comfort. What began as an ordinary journey soon developed into a heartfelt and engaging narrative.

The two characters - Takara and Taishin were poles apart but fit together perfectly. Taishin genuine openness and persistence contracts with Takara's initial aloofness. Yes, Taishin was slow, shy and more often than not clueless about most things but he really stepped up to reassure his senpai when it mattered the most. Also the way Country Mouse stood up against everything that might hurt Takara was surprising and heartwarming to see.
Takara started off with a brusque, aloof demeanour often masking his feelings with a tough exterior. He is the classic green-flag tsundere. He had a deeply caring side that revealed itself through small and thoughtful gestures. When he confessed about his traumas, he was open to self-improvement and recognised his behaviour might be problematic.

Together they were far from perfect but each other's treasure. Also both their smiles were one of my favorite things about this drama! *_*

The pace of the story was slow but it didn't feel lagging or boring. The focus on the characters and small details about what they find comfort in drives the narrative.

But what I found underwhelming was the last episode as compared to the penultimate episode. It felt a bit random but the realisations that followed through were both precious and necessary.

Overall, I would definitely recommend this if you don't mind slow-burn romance and like your man Tsundere.

Leia Mais

Losing your marbles

"Nothing happens. Twice." Vivien Mercier famously said this of Waiting for Godot, but as a compliment. Of Takara no Vidro, I can say: "Nothing happens. Ten times." And that is not a compliment. Godot, in the most common interpretation of the play, is supposed to be death. Here, we wait for any semblance of life.

There is one, and only one, reason to watch this show. Iwase Yoji. If you do watch it for him, I suggest doing so at 2x speed, though even then, the show will seem slower than seeing a tortoise run a marathon. But if you care at all about plot, acting, script, direction, chemistry, charm, or some insight into human life -- rather than, as the title appropriately hints at, a vitrified vision of it -- I suggest you give it a miss.

Also, can someone please do a cut of Taishin's "Eh, Eh, Eh, Eh, Eh" set to Rihanna's "Umb(u)rella? It might not only justify the suffering he inflicted on us, but also offer a plausible explanation as to why it is the only syllable he can muster.


Reader's Digest:
DO SAY: Eh?
DON'T SAY: Uh oh, uh oh, uh oh, oh no no.

Leia Mais

Neurodivergent Taishin and Trauma Influenced Takara Make a Balanced Pair.

(General spoiler only at bottom of review.) This is a very good watch for people who enjoy character studies, to others it will likely feel slow. It is a slow burn romance with a slice-of-life feel. To me, the unhurried but steady reveal of layers in the lead characters (their natures, inner workings, and how they view each other) and the growing bond between them gripped my attention and I fell more and more for them over time, as they did with each other.

The psychology and nature of both boys was interesting, well thought out and written, and very well acted. They were distinctly different people yet complimented each other well. They both accepted the other as they were and gave emotional support to each other.

To me, Taishin was obviously neurodivergent, not just "a country bumpkin" or stupidly naive. Taishin exhibited many autistic traits and was a great representation of a neurodivergent mind. The screenplay doesn't point it out or discuss it though, so I can understand why this is missed by those who are unfamiliar with it.

The way Taishin follows, approaches, and interacts with Takara makes sense when viewed as Takara becoming a special interest for him (a rough definition of special interest is a long-term fascination). Taishin is candid and straightforward and divulges more than most people would in situations (not having much sense of filtering), doesn't have a good sense of boundaries, has great confusion about dynamics between people and with romantic feelings, difficulty naming or categorizing his own feelings, has difficulty regulating emotions and crying when both sad and happy, mentally overwhelmed easily, slower thought and speech patterns, spinning thoughts, unable to discern hidden or false intentions, has special interests of birds and plants (knowing lots of names and facts about them), and his pet bird was as important as a family member.

What I admired about Taishin was that he was genuine and earnest, he cared about his friends, he could find joy in small things, he showed bravery in approaching things that were potentially daunting (both his hesitancy and determination is shown in things like approaching a group of new people), and even though there were times when he feelt insecure about himself or distressed, he also had a buoyant positive nature.

Takara has a negative, false narrative about himself stemming from childhood experiences that often leads to contradictions in how he responds to Taishin vs what he feels. He is deeply afraid of his own nature, becoming something he hates, and harming others in the process. I don't want to give too much away because unraveling his character and backstory as the show goes on was part of the enjoyment. Ep 9 has more of his POV, which was especially insightful. His character was indiscernable for quite a while but he is understandable by the end.

I found the romance believable and heart-warming, and the way the characters looked at each other was very satisfying. There is some skinship, wonderful hugs and cuddles (some where they just melt into each other), and a few simple yet heart-fluttering lip presses. This is a very gentle romance, not a steamy one.

I liked the secondary characters too. The group of friends was fun and we got to get a good sense of them even though they didn't get a lot of screen time.

There were no annoying aspects of the story for me. The music was fitting though unmemorable.

GENERAL SPOILER ON THE ENDING

... ... ...

Just shy of 10/10 because the ending felt a little unfinished- the question of what would happen once Takara graduated was too much on my mind to fully enjoy the happy point at which the story chose to stop. It looks like there will be a spin off or special episode that shows more of them though, so if that can resolve the hovering question, then I may be able to give full marks.

... ... ...

Leia Mais

slow pacing with unbelievable characters (watch suggestions)

Overall: one character was unbelievably naive and then the other was oddly cruel in episode 7. 10 episodes about 25 minutes each. Aired on GagaOOLala https://www.gagaoolala.com/en/videos/4529/takaras-treasure-2024 except Japan, South Korea, Hong Kong, Thailand and Philippines

Watch Suggestions
- watch episode 1
- watch episode 2 beginning to 2 min, 4:30-5, 15-16:35, 17:30 to the end
- watch episode 3 at 4:30-6
- start episode 4 at 8 minutes
- watch episode 5 at 17:40 to the end
- start episode 6 at 8 minutes
- watch episode 7 at 4-8:20 and 14:40-15:35
- skip episode 8
- watch episode 9
- episode 10 was oddly anticlimactic, you could just watch at 22:40 to the end

Content Warnings: see the comment under a spoiler for 2 of them, stalking

What I Liked
- that it didn't start with a flash forward or back
- meet-cute subverted trope
- I did laugh at the terrible hiding skill in episode 4
- episode 9 was good

Room For Improvement
- Taishin was unbelievably naive (he still asked that question in episode 10, what on earth) and Takara was oddly cruel for not telling Taishin the truth in episode 7
- a glacial pace with their relationship
- odd how very similar behaviors were categorized differently
- nonsense stuff: how they carried tents, sleeping bags, lanterns, food, etc in those small backpacks

Leia Mais

Gay romance full of light and sensitivity

In recent years, LGBTQ+ coming-of-age series have found a new, joyful and hopeful voice. Gone are the days when teenagers came out of the closet only to become victims of HIV and AIDS, homophobic attacks, parental disapproval, or increasing suicide rates.
In the new image of gay coming of age, happiness is deserved, even if there are some slips and stumbles along the way. This new positivity is welcome as both series and films celebrate LGBTQ+ relationships while drawing a line under the endless tragedies of the past.
However, some of the struggles of the coming out process, especially in heteronormative and patriarchal societies, such as Japan, where equal marriage is not yet legal, can be eliminated for the sake of positivity.
'Takara no Vidro', the series by Yuho Ishibashi ('Our Dining Table' and 'Toyko In April Is...') and Mirai Tomita ('Around 1/4'), sometimes opts for positive vibes instead of a more realistic exploration of homosexual love between two young Japanese university students.
Based on the manga of the same name by Suzumaru Minta, and scripted by Tomomi Shimo, we review a sentimental initiation series that tells the queer love story between two hiking lovers who begin to develop emotionally; a series that has the power to win your heart with its gentle charm that simply takes it to the finish line.
The literal translation of the title is actually 'Glass of Takara' (in reference to the character's obsession with glass marbles) although the name of the manga in English has always been known as 'Takara's Treasure'.
Directors and screenwriter have recreated an inspiring story. 'Takara no Vidro' has a strong sense of being a classic, down-to-earth series and doesn't try to be anything more than that. Instead, the staging develops an immersive and tender coming-of-age story with strong queer motifs.
The main hero of the series, Nakano Taishin, a shy and insecure young man who has just moved to Tokyo from his native Fukuoka to start university and reunite with Shiga Takara, a kind tourist who manages to comfort him during the summer of his third year of high school. while mourning the death of his pet. Surprisingly, this little encounter will change their lives forever.
Unable to forget that kind gesture, Taishin decides to thank him in person, but Takara acts cold and distant towards him.
"So all I have to do is keep trying until you like it one hundred percent?" With this idea, Taishin, undeterred, decides to pursue Takara anyway, and Takara finds himself increasingly charmed by Taishin's candid, direct, and honest gaze.
For his part, Takara has gone through childhood and adolescence full of internal conflicts, because after the divorce his father leaves his life and his mother looks for him whenever she wants, just to ask him for money. His grandfather is the person who loved him the most and instilled in him his taste for mountains and for small glass spheres inside whose "you can see the blue world turned upside down."
A lover of hiking, very popular among his mountain club colleagues and other university students, Takara's eyes say much more than his words. But their world is about to change forever with the arrival of Taishin.
Confident and sure of his likes and dislikes, Takara is Taishin's polar opposite, and it isn't long before a friendship and unspoken attraction develop. As they spend time together, romance begins to blossom, between the activities of the hiking club, their meetings on the university campus or the store where Masaya (Sano Gaku), a friend of Takara, is one of the employees.
Slow-burn romances, like the one the series presents us with, are sometimes predictable, but often leave viewers in suspense, wondering if the love interests will really come together. When Takara and Taishin finally realize that they are meant to be, all that waiting is worth it.
After their reunion, they begin an atypical friendship, which will unite them in the process of climbing much more than high mountains. With shyness and shocks, together they share experiences, words that until then they did not know, reflections that they had never uttered and, who knows, maybe they even discover the secrets inside the crystal balls.
Probably one of the most interesting aspects of 'Takara no vidro' and what makes it a unique series is that it is not just any love story. The audience will see the two protagonists consider concepts such as identity, self-discovery, acceptance, family, the universe, trust, friendship, helping the helpless, student camaraderie, life and death (seen in the loss of Taishin's pet, but also in that kind of loss that exists in any dissolution of marital ties). Many adolescents and young people will feel identified and understood thanks to their unusual way of seeing the world.
Little by little, the relationship between the two becomes closer, and Takara begins to wonder why she likes spending time with this boy so much that she insists on being close to him.
Following a theory from his friend Emiri (Mihara Ui), Taishi will believe that the only way to be close to the person he admires is to see himself as a "fan" of Takara and Takara as his "main", whom he cannot cause problems and who would have to be content with watching him from a distance without interfering in his life. However, Takara will tell you that the relationship between the two is not that of a main character and his follower, but between two equal people: "No one is greater or lesser than the other." He only has one request: do not hide from him and be honest about your feelings and emotions. This will bring you even closer.
The series adapts a very moving and intelligent manga, in which the dialogues are the basis of the story. Through the conversations between Takara and Taishin, two characters emerge who, although shy and insecure, will not hesitate to open up to love.
Takara and Taishin begin a journey of discovery, in which their group of faithful friends will also participate, who are united by the search for their place in the world: in addition to Eimiri, Yukawa Kenzo (Yamada Kento), Taishin's main confidant, Uehashi Minami (Kasama Yuri), the leader of the mountaineering club, Hyodo Mei (Shimoda Ayaka), and Ishikawa Akira (Asami Kazuya), Takara's best friend.
BL lovers will happily welcome this new romance in which the tireless search for love is narrated, with Taishin willing to do anything to conquer someone as seemingly distant as Takara. The push and pull between the two and the way their relationship evolves create an ideal series for fans of the genre.
Although its narrative is simple, it still works as a unique story about how to find love, understanding and warmth in the person whose footsteps you have followed over time and distance because you cannot erase them from your mind.
The music, original and catchy, fulfills its objective within the story, and helps us understand the feelings and moods of the characters.
The series is a loving and enjoyable romance that celebrates the love between two young people who discover their homosexuality through a senior-junior relationship and beautifully timed moments of drama. The chemistry between Hiroshi Iwase ('Saiko no Kyoshi: Ichinengo, Watashi wa Seito ni Sareta') and Eito Konishi ('Kabe Koji Desires To Be Recognized') as the central couple Takara and Taishin, respectively, is brilliant when the first sparks of Attraction flows between them through a shy smile, eye contact or the gentle touch of a hand. The couple adds warmth and emotion to the story.
The depiction of gay romance is full of light and sensitivity, and the series deserves kudos for that.

Leia Mais